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  1. Modernism and the Spiritual in Russian Art : New Perspectives
    Beteiligt: Kozicharow, Nicola (Hrsg.); Hardiman, Louise (Hrsg.)
    Erschienen: 2017
    Verlag:  Open Book Publishers

    "In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture... mehr

     

    "In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia.

    Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions."

     
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    Quelle: OAPEN
    Beteiligt: Kozicharow, Nicola (Hrsg.); Hardiman, Louise (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Theory of art; Painting & paintings; Art treatments & subjects
    Weitere Schlagworte: russia; art; spirituality; modernism; religion; history of art; Icon; Moscow; Wassily Kandinsky
    Umfang: 1 electronic resource (318 p.)
  2. The content of our caricature
    African American comic art and political belonging
    Autor*in: Wanzo, Rebecca Ann
    Erschienen: [2020]; © 2020
    Verlag:  New York University Press, New York, NY

    Traces the history of racial caricature and the ways that Black cartoonists have turned this visual grammar on its headRevealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Traces the history of racial caricature and the ways that Black cartoonists have turned this visual grammar on its headRevealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Rebecca Wanzo demonstrates how these artists have resisted histories of visual imperialism and their legacies. Moving beyond binaries of positive and negative representation, many black cartoonists have used caricatures to criticize constructions of ideal citizenship in the United States, as well as the alienation of African Americans from such imaginaries. The Content of Our Caricature urges readers to recognize how the wide circulation of comic and cartoon art contributes to a common language of both national belonging and exclusion in the United States.Historically, white artists have rendered white caricatures as virtuous representations of American identity, while their caricatures of African Americans are excluded from these kinds of idealized discourses. Employing a rich illustration program of color and black-and-white reproductions, Wanzo explores the works of artists such as Sam Milai, Larry Fuller, Richard "Grass" Green, Brumsic Brandon Jr., Jennifer Cruté, Aaron McGruder, Kyle Baker, Ollie Harrington, and George Herriman, all of whom negotiate and navigate this troublesome history of caricature. The Content of Our Caricature arrives at a gateway to understanding how a visual grammar of citizenship, and hence American identity itself, has been constructed

     
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  3. Richard III as a Romantic Icon
    Textual, Cultural and Theatrical Appropriations
    Autor*in: Caputo, Nicoletta
    Erschienen: 2018
    Verlag:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

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  4. Georgia O’Keeffe in Poetry
    Offspring of an Icon
    Autor*in: Pagliarusco, Cristiana
    Erschienen: 2019
    Verlag:  Peter Lang Ltd. International Academic Publishers, Oxford

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  5. Georgia O’Keeffe in Poetry
    Offspring of an Icon
    Autor*in: Pagliarusco, Cristiana
    Erschienen: 2019
    Verlag:  Peter Lang Ltd. International Academic Publishers, Oxford

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  6. Georgia O’Keeffe in Poetry
    Offspring of an Icon
    Autor*in: Pagliarusco, Cristiana
    Erschienen: 2019
    Verlag:  Peter Lang Ltd. International Academic Publishers, Oxford

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  7. The Icon Debate
    Religious Images in Russia in the 15th and 16th Centuries
    Autor*in: Sulikowska, Aleksandra
    Erschienen: 2016
    Verlag:  Peter Lang GmbH, Internationaler Verlag der Wissenschaften, Frankfurt a.M.

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  8. Georgia O’Keeffe in Poetry
    Offspring of an Icon
    Autor*in: Pagliarusco, Cristiana
    Erschienen: 2019
    Verlag:  Peter Lang Ltd, International Academic Publishers, Oxford

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  9. Die Ikone und das Undarstellbare
    Ikonentheorien im bildtheoretischen Kontext
    Autor*in: Luge-Winter, Janine
    Erschienen: 2022
    Verlag:  transcript Verlag, Bielefeld

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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9783839460870
    Weitere Identifier:
    9783839460870
    Auflage/Ausgabe: 1. Auflage
    Schriftenreihe: Edition Medienwissenschaft ; 97
    Schlagworte: Ikone; Heiligenbild; Bildtheorie; Ikone; Theologie; Ikone; Bild; Theologie; Ästhetik; Bildtheorie; Das Undarstellbare
    Weitere Schlagworte: (Produktform)Digital download; (Produktform (spezifisch))PDF; (Zielgruppe)Fachpublikum/ Wissenschaft; (VLB-WN)9744; (DDC Deutsch 22)300; (DDC Deutsch 22)700; (BISAC Subject Heading)SOC052000; (BIC subject category)JFD; (BIC subject category)ABA; (BIC subject category)HP; Ikone; Ikonentheorien; Bildtheorie; Phänomenologie; Bilderstreit; Sichtbarmachung; Heiligenbild; Christentum; Medien; Bild; Kunst; Medientheorie; Bildwissenschaft; Medienphilosophie; Mediengeschichte; Medienwissenschaft; Icon; Icon Theorys; Image Theory; Phenomenology; Visualization; Christianity; Media; Image; Art; Media Theory; Visual Studies; Media Philosophy; Media History; Media Studies;; Ikone; Ikonentheorien; Bildtheorie; Phänomenologie; Bilderstreit; Sichtbarmachung; Heiligenbild; Christentum; Medien; Bild; Kunst; Medientheorie; Bildwissenschaft; Medienphilosophie; Mediengeschichte; Medienwissenschaft; Icon; Icon Theorys; Image Theory; Phenomenology; Visualization; Christianity; Media; Image; Art; Media Theory; Visual Studies; Media Philosophy; Media History; Media Studies
    Umfang: 1 Online-Ressource, 230 Seiten
    Bemerkung(en):

    Dissertation, Universität Potsdam, 2021