"As the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable range of artists and activist-intellectuals in the African Diaspora. In The Black Radical Tragic,...
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Universitätsbibliothek der Eberhard Karls Universität
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"As the first successful revolution emanating from a slave rebellion, the Haitian Revolution remains an inspired site of investigation for a remarkable range of artists and activist-intellectuals in the African Diaspora. In The Black Radical Tragic, Jeremy Matthew Glick examines twentieth-century performances engaging the revolution as laboratories for political thinking. Asking readers to consider the revolution less a fixed event than an ongoing and open-ended history resonating across the work of Atlantic world intellectuals, Glick argues that these writers use the Haitian Revolution as a watershed to chart their own radical political paths, animating, enriching, and framing their artistic and scholarly projects. Spanning the disciplines of literature, philosophy, and political thought, The Black Radical Tragic explores work from Lorraine Hansberry, Sergei Eisenstein, Edouard Glissant, Malcolm X, and others, ultimately enacting a speculative encounter between Bertolt Brecht and C.L.R. James to reconsider the relationship between tragedy and revolution. In its grand refusal to forget, The Black Radical Tragic demonstrates how the Haitian Revolution has influenced the ideas of freedom and self-determination that have propelled Black radical struggles throughout the modern era"-- Introduction: the Haitian Revolution as refusal and reuse -- Overture: Haiti against forgetting and the thermidorean present -- Haitian revolutionary encounters: Eugene O'Neill, Sergei Eisenstein, and Orson Welles -- Bringing in the chorus: the Haitian Revolution plays of C.L.R. James and Edouard Glissant -- Tragedy as mediation: the Black Jacobins -- Tshembe's choice: Lorraine Hansberry's pan-Africanist drama and Haitian revolution opera -- Conclusion: Malcolm X's enlistment of Hamlet and Spinoza -- Coda: Black radical tragic propositions.
