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  1. Goliath among the Giants
    Monster Decapitation and Capital Display in 1 Samuel 17 and Beyond
    Autor*in: Richey, Madadh
    Erschienen: 2021

    A single verse near the conclusion of 1 Samuel 17 mentions that after defeating Goliath, David took the giant’s severed head to Jerusalem (1 Sam. 17.54). The present paper argues that this text’s communicating of David’s preeminence through his act... mehr

    Index theologicus der Universitätsbibliothek Tübingen
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    A single verse near the conclusion of 1 Samuel 17 mentions that after defeating Goliath, David took the giant’s severed head to Jerusalem (1 Sam. 17.54). The present paper argues that this text’s communicating of David’s preeminence through his act of decapitation draws on the widespread understanding of heads as uniquely powerful and vulnerable, while triumph over a giant or monstrous body casts the future Israelite king as uniquely dominant over monstrous enemies at the physical extreme. Narratives of monster-combat that center an adversary’s head and its subsequent display are widespread; the present paper discusses the Gilgamesh/Ḫumbaba and Perseus/Medusa narratives, with their corresponding visual art manifestations, to show how the biblical allusion to monstrous capital display functions socially and literarily to constitute David’s power.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
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    Übergeordneter Titel: Enthalten in: Journal for the study of the Old Testament; London [u.a.] : Sage, 1976; 45(2021), 3, Seite 336-356; Online-Ressource

    Schlagworte: decapitation; giant; monster; monstrosity; Samuel; Ḫumbaba; Medusa; Goliath
  2. Goliath’s Humanimal Body
    Masculinity, Ethnicity, and Animal Imagery in 1 Samuel 17
    Autor*in: Millar, Suzanna
    Erschienen: 2023

    In 1 Samuel 17, Goliath is described using animal imagery, depicted like a sea creature, a lion and bear, a dog, and scavengers’ prey. I argue that these images present Goliath as not fully human, and contribute to the construction of his masculinity... mehr

    Index theologicus der Universitätsbibliothek Tübingen
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    keine Fernleihe

     

    In 1 Samuel 17, Goliath is described using animal imagery, depicted like a sea creature, a lion and bear, a dog, and scavengers’ prey. I argue that these images present Goliath as not fully human, and contribute to the construction of his masculinity and ethnicity. This article traces the following trajectory: masculinity is established then undermined; the foreigner encroaches then is expelled. Goliath is introduced as a hypermasculine ultrapredator. Akin to a sea monster from the chaotic beyond, he has an exoskeleton of fish-scale armour (17:5). David then likens Goliath to lions and bears (17:34–37), imperial symbols for fearsome foreign nations. David, though, can grasp their beards (overturning their masculinity) and slay them. Goliath perceives David to be treating him like a scavenging dog (17:43)—a dishonorable creature encroaching where it does not belong. Consequently, the opponents threaten to give the other’s flesh to the birds and beasts (17:44, 46). Their bodies’ masculine wholeness is disarticulated by scavengers and expelled from society.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: Biblical interpretation; Leiden : Brill, 1993; 31(2023), 5, Seite 527-545; Online-Ressource

    Schlagworte: monster; Goliath; 1 Samuel; ethnicity; masculinity; animal imagery