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  1. 'Black but Human'
    slavery and visual arts in Hapsburg Spain, 1480-1700
    Autor*in: Fracchia, Carmen
    Erschienen: 2019
    Verlag:  Oxford University Press, Oxford

    Standort:
    Universitätsbibliothek Bielefeld
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    FA612 F797
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  2. Geoffrey Chaucer
    a very short introduction
    Autor*in: Wallace, David
    Erschienen: 2019
    Verlag:  Oxford University Press, Oxford

    Originally writing over 600 years ago, Geoffrey Chaucer is today enjoying a global renaissance. Why do poets, translators, and audiences from so many cultures, from the mountains of Iran to the islands of Japan, find Chaucer so inspiring? In part... mehr

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    Universitäts- und Landesbibliothek Bonn
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    2019/4824
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    Universitätsbibliothek Dortmund
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    C 31264
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    Landesbibliothekszentrum Rheinland-Pfalz / Rheinische Landesbibliothek
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    2021/3067
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    Originally writing over 600 years ago, Geoffrey Chaucer is today enjoying a global renaissance. Why do poets, translators, and audiences from so many cultures, from the mountains of Iran to the islands of Japan, find Chaucer so inspiring? In part this is down to the character and sheer inventiveness of Chaucer's work. At the time Chaucer's writings were not just literary adventures, but also a means of convincing the world that poetry and science, tragedy and astrology, could all be explored through the English language. French was still England's aristocratic language of choice when Chaucer was born; Latin was used for university education, theological discussion, and for burying the dead. Could a hybrid tongue such as English ever generate great writing to compare with French and Latin? Chaucer,miraculously, believed that it could, through gradual expansion of expressiveness and scientific precision.- He was never paid to do this; he was valued, rather, as a capable civil servant, regulating the export of wool and the building of seating for royal tournaments. Such experiences, however, fed hiswriting, leading him to achieve a range of social registers, from noble tragedy to barnyard farce, unrivalled for centuries. His tale-telling geography is vast, his fascination with varieties of religious belief endless, and his desire to voice female experience especially remarkable. Many Chaucerian poets and performers, today, are women. In this Very Short Introduction David Wallace introduces the life, performance, and poetry of Chaucer, and analyses his astonishing and enduringappeal.Previously published in hardback as Geoffrey Chaucer: A New IntroductionABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly.- Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780198767718
    Weitere Identifier:
    9780198767718
    Schriftenreihe: Very short introductions ; 611
    Schlagworte: Chaucer, Geoffrey;
    Weitere Schlagworte: Chaucer, Geoffrey (1343-1400); Literaturwissenschaft: Dramen und Dramatiker; Literaturgeschichte und Literaturkritik; Geschichtswissenschaft Allgemein; Vor- und Frühgeschichte, prähistorische Archäologie; Einzelne Autoren: Monographien & Biographien; Literary studies: classical, early & medieval; Early history: c 500 to c 1450/1500; Literature: history & criticism; Biography: literary
    Umfang: xx, 143 Seiten, Illustrationen, 130 grams
    Bemerkung(en):

    Illustrationen

    First published in hardback as Geoffrey Chaucer:a new introduction, 2017
  3. Textual transformations
    purposing and repurposing books from Richard Baxter to Samuel Taylor Coleridge : essays in honour of Isabel Rivers
    Beteiligt: Whitehouse, Tessa (Herausgeber, Verfasser); Keeble, N. H. (Herausgeber, Verfasser); Rivers, Isabel (Gefeierter)
    Erschienen: 2019
    Verlag:  Oxford University Press, Oxford

    Standort:
    Universitätsbibliothek Bielefeld
    Signatur:
    WA058 R622
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    Standort:
    Universitäts- und Landesbibliothek Münster
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    3K 87330
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    Beteiligt: Whitehouse, Tessa (Herausgeber, Verfasser); Keeble, N. H. (Herausgeber, Verfasser); Rivers, Isabel (Gefeierter)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780198808817
    Weitere Identifier:
    9780198808817
    Auflage/Ausgabe: First edition
    Schlagworte: Buchgeschichte <Fach>
    Weitere Schlagworte: Literaturgeschichte und Literaturkritik; Literaturwissenschaft: Prosa, Erzählung, Roman, Prosaautoren; Geschichtswissenschaft Allgemein; Literary studies: fiction, novelists & prose writers; Early modern history: c 1450/1500 to c 1700
    Umfang: xv, 260 Seiten, Illustrationen
  4. Achtzehntes Jahrhundert digital: zentraleuropäische Perspektiven
    = Digital Eighteenth Century: Central European perspectives = Dix-huitième siècle numérique: perspectives de l'Europe centrale
    Beteiligt: Wallnig, Thomas (Herausgeber); Romberg, Marion (Herausgeber); Weis, Joëlle (Herausgeber)
    Erschienen: [2019]; © 2019
    Verlag:  Böhlau Verlag, Wien ; Köln ; Weimar

    Digitale Technologien und Methoden haben in den vergangenen Jahren immer mehr Einfluss auf die geisteswissenschaftliche Forschung gewonnen. Dies gilt nicht minder für das achtzehnte Jahrhundert: In allen einschlägigen Fachbereichen werden seit Jahren... mehr

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    Universitätsbibliothek Bielefeld
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    CA000 A016[34
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    Standort:
    Universitätsbibliothek Duisburg-Essen
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    LEK1170
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    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    45A898
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    Standort:
    Universitätsbibliothek Trier
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    Universitätsbibliothek Wuppertal
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    Digitale Technologien und Methoden haben in den vergangenen Jahren immer mehr Einfluss auf die geisteswissenschaftliche Forschung gewonnen. Dies gilt nicht minder für das achtzehnte Jahrhundert: In allen einschlägigen Fachbereichen werden seit Jahren Texte, Bilder und Metadaten digital generiert, verarbeitet, analysiert und präsentiert. Ergebnis ist eine bisher nie dagewesene Konfrontation mit quantifizierenden Methoden auch in qualitativ arbeitenden Disziplinen sowie die Notwendigkeit einer Auseinandersetzung mit nationalen und globalen Datenstandards. Diese Standards entscheiden über die Interoperabilität – gewissermaßen die internationale Anschlussfähigkeit – der Daten und somit über die Nachhaltigkeit der eigenen Forschung.Die Österreichische Gesellschaft zur Erforschung des achtzehnten Jahrhunderts widmet ihr 34. Jahrbuch 2019 dem Thema der digitalen Forschung zum 18. Jahrhundert in Zentraleuropa. Die einzelnen vorgestellten Beiträge sind nicht nur Projektberichte, sondern referieren die Ergebnisse digital durchgeführter Forschungsarbeit. Sie eröffnen ein Panorama der möglichen methodischen Zugänge, von den Bildwissenschaften über Netzwerkanalyse und -darstellung hin zu digitaler Edition, Korpuslinguistik und digitaler Sprachwissenschaft sowie der Vernetzung von Forschungsdaten mit den Daten von Kulturerbe-Institutionen.

     
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    Quelle: Verbundkataloge
    Beteiligt: Wallnig, Thomas (Herausgeber); Romberg, Marion (Herausgeber); Weis, Joëlle (Herausgeber)
    Sprache: Englisch; Deutsch
    Medientyp: Buch (Monographie)
    ISBN: 9783205209089
    Weitere Identifier:
    9783205209089
    Schriftenreihe: Das Achtzehnte Jahrhundert und Österreich ; Band 34
    Schlagworte: Digital Humanities
    Weitere Schlagworte: Geschichtswissenschaft Allgemein; Europa; 18. Jahrhundert (1700 - 1800; Geschichtswissenschaft: Theorie und Methoden; Hardcover, Softcover / Geschichte; Digital Humanities; 18. Jahrhundert; Methoden und Theorien; zentraleuropäische Geschichte
    Umfang: 199 Seiten, Illustrationen, Karten
  5. Why history matters
    Autor*in: Tosh, John
    Erschienen: 2019
    Verlag:  Red Globe Press, London ; Macmillan International

    Does history matter? Is it anything more than entertainment? And if so, what practical relevance does it have? In this fully revised second edition of a seminal text, John Tosh persuasively argues that history is central to an informed and critical... mehr

    Standort:
    Universitätsbibliothek Duisburg-Essen
    Signatur:
    KXV1495(2)
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    Does history matter? Is it anything more than entertainment? And if so, what practical relevance does it have? In this fully revised second edition of a seminal text, John Tosh persuasively argues that history is central to an informed and critical understanding of topical issues in the present. Including a range of contemporary examples from Brexit to child sexual abuse to the impact of the internet, this is an important and practical introduction for all students of history.Inspiring and empowering, this book provides both students and general readers with a stimulating and practical rationale for the study of history. It is essential reading for all undergraduate students of history who require an engaging introduction to the subject.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781137604101; 9781137604071
    Weitere Identifier:
    10.26777/978-1-137-60408-8
    Auflage/Ausgabe: 2nd edition
    Weitere Schlagworte: Geschichtswissenschaft Allgemein; B; History, general; History; Hardcover, Softcover / Geschichte; History; History; bibliography;crisis;edition;education;historiography;history;policy;present;prologue;sociology;understanding;World History;society
    Umfang: 168 Seiten
  6. Textual transformations
    purposing and repurposing books from Richard Baxter to Samuel Taylor Coleridge : essays in honour of Isabel Rivers
    Beteiligt: Whitehouse, Tessa (Hrsg.); Keeble, N. H. (Hrsg.); Rivers, Isabel
    Erschienen: 2019
    Verlag:  Oxford University Press, Oxford

    Early modern books were not stable or settled outputs of the press but dynamic shape-changers, subject to reworking, re-presentation, revision, and reinterpretation. Their history is often the history of multiple, sometimes competing, agencies as... mehr

    Standort:
    Bayerische Staatsbibliothek
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    Early modern books were not stable or settled outputs of the press but dynamic shape-changers, subject to reworking, re-presentation, revision, and reinterpretation. Their history is often the history of multiple, sometimes competing, agencies as their texts were re-packaged, redirected, and transformed in ways that their original authors might hardly recognize. Processes of editing, revision, redaction, selection, abridgement, glossing, disputation, translation, andposthumous publication resulted in a textual elasticity and mobility that could dissolve distinctions between text and paratexts, textuality and intertextuality, manuscript and print, author and reader or editor, such that title and author's name are no longer sufficient pointers to a book'sidentity or contents.This collection brings together original essays by an international team of eminent scholars in the field of book history that explore these various kinds of textual inconstancy and variability.- The essays are alive to the impact of commercial and technological aspects of book production and distribution (discussing, for example, the career of the pre-eminent bookseller John Nourse, the market appeal of abridgements, and the financial incentives to posthumous publication), but their interest isalso in the many additional forms of agency that shaped texts and their meanings as books were repurposed to articulate, and respond to, a variety of cultural and individual needs.- They engage with early modern religious, political, philosophical, and scholarly trends and debates as they discuss awide range of genres and kinds of publication including fictional and non-fictional prose, verse miscellanies, abridgements, sermons, religious controversy, and of authors including Lucy Hutchinson, Richard Baxter, John Dryden, Thomas Burnet, John Tillotson, Henry Maundrell, Jonathan Swift, Samuel Richardson, John Wesley, and Samuel Taylor Coleridge.The result is a richly diverse collection that demonstrates the embeddedness of the book trade in the cultural dynamics of early modernity.

     
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    Quelle: Verbundkataloge
    Beteiligt: Whitehouse, Tessa (Hrsg.); Keeble, N. H. (Hrsg.); Rivers, Isabel
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780198808817
    RVK Klassifikation: HK 1071
    Auflage/Ausgabe: First edition
    Schlagworte: Buchgeschichte <Fach>
    Weitere Schlagworte: Literaturgeschichte und Literaturkritik; Literaturwissenschaft: Prosa, Erzählung, Roman, Prosaautoren; Geschichtswissenschaft Allgemein; Literary studies: fiction, novelists & prose writers; Early modern history: c 1450/1500 to c 1700
    Umfang: xv, 260 Seiten, 3 Illustrationen, Portrait
  7. History, disrupted
    how social media and the world wide web have changed the past
    Autor*in: Steinhauer, Jason
    Erschienen: 2022
    Verlag:  Palgrave Macmillan, Cham

    Standort:
    Universitätsbibliothek Paderborn

    Standort:
    Hochschul- und Kreisbibliothek Bonn-Rhein-Sieg
    Signatur:
    11 = KNZZ1358
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  8. The Women of Mexico's Cultural Renaissance
    Intrepid Twentieth-Century Artists and Writers
    Autor*in: Poniatowska, Elena
    Erschienen: 2022
    Verlag:  Palgrave Macmillan, Cham

    This book consists of a collection of essays by Mexican writer Elena Poniatowska in their first English translation, and a critical introduction. The highly engaging essays explore the lives of seven transformational figures for Mexican feminism.... mehr

    Standort:
    Universitätsbibliothek Duisburg-Essen
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    FRQ
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    This book consists of a collection of essays by Mexican writer Elena Poniatowska in their first English translation, and a critical introduction. The highly engaging essays explore the lives of seven transformational figures for Mexican feminism. This includes Frida Kahlo, Maria Izquierdo, and Nahui Olin, three outstanding artists of the cultural renaissance of the early twentieth century, and Nellie Campobello, Elena Garro, Rosario Castellanos, and Pita Amor, forerunner writers and poets whose works laid a path for Mexican women writers in the later twentieth century. Poniatowska’s essays discuss their fervent activity, interactions with other prominent figures, details and intricacies about their specific works, their scandalous and irreverent activities to draw attention to their craft, and specific revelations about their lives. The extensive critical introduction surveys the early feminist movement and Mexican cultural history, explores how Mexico became a more closed society by the mid-twentieth century, and suggests further reading and films. This book will be of interest both to the general reader and to scholars interested in feminist/gender studies, Mexican literary and cultural studies, Latin American women writers, the cultural renaissance, translation, and film studies.

     
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    Quelle: Verbundkataloge
    Beteiligt: Martínez, Elizabeth (Übersetzer)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9783031111761
    Weitere Identifier:
    9783031111761
    Auflage/Ausgabe: 1st ed. 2022
    Schriftenreihe: Literatures of the Americas
    Weitere Schlagworte: Lateinamerikanische Literaturen, Spanische Literatur außerhalb Europas; B; Latin American/Caribbean Literature; Literature, Cultural and Media Studies; Latin American/Caribbean Literature; Literarische Strömungen & Epochen; Twentieth-Century Literature; Twentieth-Century Literature; Kulturwissenschaften; Latin American Culture; Latin American Culture; Literaturtheorie: Poetik und Literaturästhetik; Feminist Literary Theory; Literary Theory; Geschichtswissenschaft Allgemein; History, general; Women's History / History of Gender; Allgemeine und Vergleichende Literaturwissenschaft; Literature, Modern—20th century; Ethnology—Latin America; Culture; Literature—Philosophy; Feminism and literature; Women—History; Latin American literature; Literature, Gender and Sexuality;Translation Studies;Twentieth century;Chicana;Avant-garde;Mexican;Women's writing;1910 Revolution;Artists;Indigenous women;Frida Kahlo;Activism
    Umfang: 210 mm.
    Bemerkung(en):

    Approx. 270 p. 7 illus. in color.. - This book consists of a collection of essays by Mexican writer Elena Poniatowska in their first English translation, and a critical introduction. The highly engaging essays explore the lives of seven transformational figures for Mexican feminism. This includes Frida Kahlo, Maria Izquierdo, and Nahui Olin, three outstanding artists of the cultural renaissance of the early twentieth century, and Nellie Campobello, Elena Garro, Rosario Castellanos, and Pita Amor, forerunner writers and poets whose works laid a path for Mexican women writers in the later twentieth century. Poniatowska’s essays discuss their fervent activity, interactions with other prominent figures, details and intricacies about their specific works, their scandalous and irreverent activities to draw attention to their craft, and specific revelations about their lives. The extensive critical introduction surveys the early feminist movement and Mexican cultural history, explores how Mexico became a more closed society by the mid-twentieth century, and suggests further reading and films. This book will be of interest both to the general reader and to scholars interested in feminist/gender studies, Mexican literary and cultural studies, Latin American women writers, the cultural renaissance, translation, and film studies.Elizabeth Coonrod Martinez was Professor at DePaul University, USA, from 2010 to 2020, and at Sonoma State University, USA, from 1995 to 2010. Her recent books include Teaching Late Twentieth Century Mexicana and Chicana Writers (2021), Josefina Niggli, Mexican American Writer: A Critical Biography (2007), and Lilus Kikus and Other Stories by Elena Poniatowska, translation and introduction (2005). She was Editor of the academic journal Diálogo, an Interdisciplinary Studies journal from 2010 to 2020.

    Chapter 1; Introduction; Chapter 2 ; Elena Poniatowska: Legacy and Biography; Chapter 3 ; Diego I’m Alone, Diego I am no longer alone, Frida Kahlo ; Chapter 4; María Izquierdo, Backwards and Forwards; Chapter 5; Nahui Olin, She who Made Waves; Chapter 6 ; Pita Amor in the Arms of God; Chapter 7 ; Elena Garro, The Rebellious Particle; Chapter 8 ; Rosario From "My Dear Beloved Guerra" to the "Little Boy with Corn-Colored Hair"; Chapter 9 ; Nellie Campobello, Who Was Not Granted Death ;
  9. To Chester and beyond
    meaning, text and context in early English drama ; shifting paradigms in early English drama studies
    Autor*in: Mills, David
    Erschienen: 2019
    Verlag:  Routledge, Taylor & Francis Group, London ; New York

    This volume brings together a selection of the major articles of David Mills (1938-2013), which along with similar volumes by Alexandra F. Johnston, Peter Meredith and Meg Twycross makes up a set of "Shifting Paradigms in Early English Drama... mehr

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    Universitätsbibliothek Bielefeld
    Signatur:
    WC623 T6C5B
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    This volume brings together a selection of the major articles of David Mills (1938-2013), which along with similar volumes by Alexandra F. Johnston, Peter Meredith and Meg Twycross makes up a set of "Shifting Paradigms in Early English Drama Studies". Mills was one of these four key scholars whose work has changed what is known about English medieval drama and theatre. He made major contributions to understanding English medieval theatre in the widest sense but more specifically to the nature and development of medieval plays and their performance at Chester. The scope of his work from manuscript to performance has created new knowledge and insights brought about by his remarkable technical skill as an editor and researcher. His texts of the Chester Cycle of Mystery Plays have become the standard works. In the light of this outstanding research the volume is comprised of four sections: 1. Editors and Editing; 2. Cultural Contexts; 3. Staging and Performance; 4. Criticism and Evaluation. An editorial introduction opens the work.

     
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    Quelle: Verbundkataloge
    Beteiligt: Butterworth, Philip (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780367879389; 9781472478894
    Weitere Identifier:
    9780367879389
    RVK Klassifikation: HH 4123
    Auflage/Ausgabe: First issued in paperback
    Schriftenreihe: Variorum collected studies series
    Schlagworte: Chester plays; Geschichte 1100-1500;
    Weitere Schlagworte: Geschichtswissenschaft Allgemein; Europäische Literatur; Theaterwissenschaft; Array; Array
    Umfang: xvi, 369 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seite 355-364, Index

    First published 2016 by Routledge
  10. Burning the books
    a history of the deliberate destruction of knowledge
    Autor*in: Ovenden, Richard
    Erschienen: 2020
    Verlag:  The Belknap Press of Harvard University Press, Cambridge, Massachusetts

    <p><b>The director of the famed Bodleian Libraries at Oxford narrates the global history of the willful destruction—and surprising survival—of recorded knowledge over the past three millennia.</b>Libraries and archives have been attacked since... mehr

    Standort:
    Universitätsbibliothek Dortmund
    Signatur:
    A 13797
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    Standort:
    Englisches Seminar der Universität, Bibliothek
    Signatur:
    BH 543:26
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    Standort:
    Universitätsbibliothek Siegen
    Signatur:
    01APP1760
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    The director of the famed Bodleian Libraries at Oxford narrates the global history of the willful destruction—and surprising survival—of recorded knowledge over the past three millennia.Libraries and archives have been attacked since ancient times but have been especially threatened in the modern era. Today the knowledge they safeguard faces purposeful destruction and willful neglect; deprived of funding, libraries are fighting for their very existence. Burning the Books recounts the history that brought us to this point.Richard Ovenden describes the deliberate destruction of knowledge held in libraries and archives from ancient Alexandria to contemporary Sarajevo, from smashed Assyrian tablets in Iraq to the destroyed immigration documents of the UK Windrush generation. He examines both the motivations for these acts—political, religious, and cultural—and the broader themes that shape this history. He also looks at attempts to prevent and mitigate attacks on knowledge, exploring the efforts of librarians and archivists to preserve information, often risking their own lives in the process.More than simply repositories for knowledge, libraries and archives inspire and inform citizens. In preserving notions of statehood recorded in such historical documents as the Declaration of Independence, libraries support the state itself. By preserving records of citizenship and records of the rights of citizens as enshrined in legal documents such as the Magna Carta and the decisions of the US Supreme Court, they support the rule of law. In Burning the Books, Ovenden takes a polemical stance on the social and political importance of the conservation and protection of knowledge, challenging governments in particular, but also society as a whole, to improve public policy and funding for these essential institutions.

     
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  11. The Russian cold
    histories of ice, frost, and snow
    Beteiligt: Herzberg, Julia (Herausgeber); Renner, Andreas (Herausgeber); Schierle, Ingrid (Herausgeber)
    Erschienen: 2021
    Verlag:  Berghahn, New York ; Oxford

    Standort:
    Universitätsbibliothek Bielefeld
    Signatur:
    DI198 R9C6
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    Quelle: Verbundkataloge
    Beteiligt: Herzberg, Julia (Herausgeber); Renner, Andreas (Herausgeber); Schierle, Ingrid (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781800731271
    Weitere Identifier:
    9781800731271
    RVK Klassifikation: NK 4700
    Schriftenreihe: Environment in history: international perspectives ; volume 22
    Schlagworte: Klima; Film; Kälte; Klimatologie; Kälte <Motiv>; Umweltfaktor
    Weitere Schlagworte: Russland, Sowjetunion; Europäische Geschichte; Geschichtswissenschaft Allgemein; Meteorologie, Klimatologie
    Umfang: vi, 261 Seiten, Diagramm, Karten
  12. Poetic canons, cultural memory and Russian national identity after 1991
    Autor*in: Hodgson, Katharine; Smith, Alexandra
    Erschienen: [2020]; © 2020
    Verlag:  Peter Lang, Oxford ; Bern ; Berlin ; Bruxelles ; New York ; Wien

    The collapse of the Soviet Union forced Russia to engage in a process of nation building. This involved a reassessment of the past, both historical and cultural, and how it should be remembered. The publication of previously barely known underground... mehr

    Standort:
    Universitätsbibliothek Bielefeld
    Signatur:
    DI710 H691
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    The collapse of the Soviet Union forced Russia to engage in a process of nation building. This involved a reassessment of the past, both historical and cultural, and how it should be remembered. The publication of previously barely known underground and émigré literary works presented an opportunity to reappraise 'official' Soviet literature and re-evaluate twentieth-century Russian literature as a whole.This book explores changes to the poetry canon – an instrument for maintaining individual and collective memory – to show how cultural memory has informed the evolution of post-Soviet Russian identity. It examines how concerns over identity are shaping the canon, and in which directions, and analyses the interrelationship between national identity (whether ethnic, imperial, or civic) and attempts to revise the canon. This study situates the discussion of national identity within the cultural field and in the context of canon formation as a complex expression of aesthetic, political, and institutional factors. It encompasses a period of far-reaching upheaval in Russia and reveals the tension between a desire for change and a longing for stability that was expressed by attempts to reshape the literary canon and, by doing so, to create a new twentieth-century past and the foundations of a new identity for the nation.

     
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  13. What is digital history?
    Autor*in: Salmi, Hannu
    Erschienen: 2021
    Verlag:  Polity, Cambridge, UK ; Medford, MA, USA

    Digital history is an emerging field that draws on digital technology and computational methods. A global enterprise that invites scholars worldwide to join forces, it presents exciting and novel ways we might explore, understand and represent the... mehr

    Standort:
    Universitätsbibliothek Bielefeld
    Signatur:
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    Digital history is an emerging field that draws on digital technology and computational methods. A global enterprise that invites scholars worldwide to join forces, it presents exciting and novel ways we might explore, understand and represent the past. Hannu Salmi provides the most compelling introduction to digital history to date. He begins with a discussion of the digital past, the question of how history exists in a digitized form, and introduces basic concepts and ideas in digital history, including digital archiving, source mapping and public engagement. He outlines problems and methods in the study of big data, both textual and visual, and pays particular attention to the born-digital era: the contemporary age that exists primarily in digital form. What is Digital History? is essential reading for students of history and other humanities fields, as well as anyone interested in how digitization and digital cultures are transforming the study of history.

     
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781509537020; 9781509537013
    Weitere Identifier:
    9781509537020
    Schriftenreihe: What is history? series
    Schlagworte: Geschichtswissenschaft; Digitalisierung; Digital Humanities
    Weitere Schlagworte: Kulturwissenschaften; Geschichtswissenschaft Allgemein; Geschichte; Cultural Studies; Digital Culture & the Information Age; Digitale Kultur im Informationszeitalter; Geschichte; History; History Special Topics; Kulturwissenschaften; Spezialthemen Geschichte
    Umfang: 130 Seiten, Illustrationen, Diagramme
  14. Medieval monstrosity
    imagining the monstrous in medieval Europe
    Autor*in: Urbanski, Charity
    Erschienen: 2024
    Verlag:  Routledge, Taylor & Francis Group, London

    This volume examines various manifestations and understandings of the concept of monstrosity in medieval Europe around 500-1500 ce through a collection of contextual chapters and primary sources. The main chapters focus on a specific theme, a type of... mehr

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    This volume examines various manifestations and understandings of the concept of monstrosity in medieval Europe around 500-1500 ce through a collection of contextual chapters and primary sources. The main chapters focus on a specific theme, a type of monster or representation of monstrosity, and consist of a contextual essay synthesizing recent scholarship on that theme, excerpts from primary sources and a bibliography of additional primary and secondary sources on the topics addressed in the chapter. In addition to building upon the wealth of scholarship on monsters and monstrosity produced in recent decades, the book engages with the current fascination with monsters in popular culture, especially in movies, television, and video games. The book presents a survey of medieval monstrosity for a non-specialist audience and provides a theoretical framework for interpreting the monstrous. This book is ideal for undergraduate students working on the theme of monstrosity, as well as being useful for undergraduate courses that cover the supernatural and manifestations of the monstrous covered in the book. With materials drawn from a wide range of medieval sources, it will also appeal to courses in English, French, Art History, and Medieval Studies

     
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    Sprache: Englisch
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    Format: Druck
    ISBN: 9780367197421
    Weitere Identifier:
    9780367197421
    Schlagworte: Literary studies - classical, early & medieval; European history; Social & cultural history
    Weitere Schlagworte: Geschichtswissenschaft Allgemein
    Umfang: xiii, 291 Seiten
  15. Women across Asian art
    selected essays in art and material culture
    Beteiligt: Lu, Ling-en (Herausgeber); Peyton, Allysa B (Herausgeber)
    Erschienen: [2023]
    Verlag:  University Press of Florida, Gainesville

    The role of women artists, collectors, archaeologists, and architects in Asian art historyFilled with exquisite color illustrations, this volume examines an underserved aspect of Asian art history by discussing women artists, collectors,... mehr

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    The role of women artists, collectors, archaeologists, and architects in Asian art historyFilled with exquisite color illustrations, this volume examines an underserved aspect of Asian art history by discussing women artists, collectors, archaeologists, and architects. The essays in Women across Asian Art cover a wide geographical area, from Japan to Pakistan, as they draw attention to people whose efforts have largely been left out of scholarship.The volume begins by looking at iconography representing the goddess Marici in Chinese art as well as ancient Chinese characters related to gender roles during the Shang dynasty. Contributors then discuss topics including women’s participation as hangeul (Korean alphabet) calligraphers, artists in Japanese Saison culture, and early archaeologists in China. Shedding light on individuals such as poet and painter Luo Qilan, collector Brenda Zara Seligman, architect Lin Huiyin, neo-miniaturist Saira Wasim, painter Tseng Yuho, and sculptor Tayeba Begum Lipi, these essays represent a broad range of contributions from pioneers in their respective fields to current-day activists.Using primary sources, museum collections, and archival material, the contributors—curators and independent scholars—investigate their collections and fields with new strategies and present original research. As museums are intentionally turning their attention to overlooked narratives of women, this volume continues the important work of uncovering their stories in Asian art history.A volume in the David A. Cofrin Asian Art Manuscript Series, edited by Allysa B. Peyton

     
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    Beteiligt: Lu, Ling-en (Herausgeber); Peyton, Allysa B (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781683403586
    Weitere Identifier:
    9781683403586
    Schriftenreihe: David A. Cofrin Asian art manuscript series
    Schlagworte: History: specific events & topics; Gender studies: women; ;
    Weitere Schlagworte: Kunstgeschichte; Geschichtswissenschaft Allgemein; Gender Studies, Geschlechtersoziologie
    Umfang: 325 Seiten, Illustrationen, Pläne, 305 mm
  16. Geoffrey Chaucer
    a very short introduction
    Autor*in: Wallace, David
    Erschienen: 2019
    Verlag:  Oxford University Press, Oxford

    Originally writing over 600 years ago, Geoffrey Chaucer is today enjoying a global renaissance. Why do poets, translators, and audiences from so many cultures, from the mountains of Iran to the islands of Japan, find Chaucer so inspiring? In part... mehr

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    Originally writing over 600 years ago, Geoffrey Chaucer is today enjoying a global renaissance. Why do poets, translators, and audiences from so many cultures, from the mountains of Iran to the islands of Japan, find Chaucer so inspiring? In part this is down to the character and sheer inventiveness of Chaucer's work. At the time Chaucer's writings were not just literary adventures, but also a means of convincing the world that poetry and science, tragedy and astrology, could all be explored through the English language. French was still England's aristocratic language of choice when Chaucer was born; Latin was used for university education, theological discussion, and for burying the dead. Could a hybrid tongue such as English ever generate great writing to compare with French and Latin? Chaucer,miraculously, believed that it could, through gradual expansion of expressiveness and scientific precision.- He was never paid to do this; he was valued, rather, as a capable civil servant, regulating the export of wool and the building of seating for royal tournaments. Such experiences, however, fed hiswriting, leading him to achieve a range of social registers, from noble tragedy to barnyard farce, unrivalled for centuries. His tale-telling geography is vast, his fascination with varieties of religious belief endless, and his desire to voice female experience especially remarkable. Many Chaucerian poets and performers, today, are women. In this Very Short Introduction David Wallace introduces the life, performance, and poetry of Chaucer, and analyses his astonishing and enduringappeal.Previously published in hardback as Geoffrey Chaucer: A New IntroductionABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly.- Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780198767718
    Weitere Identifier:
    9780198767718
    Schriftenreihe: Very short introductions ; 611
    Schlagworte: Literary studies: classical, early & medieval; Early history: c 500 to c 1450/1500; Literature: history & criticism; Biography: literary
    Weitere Schlagworte: Literaturwissenschaft: Dramen und Dramatiker; Literaturgeschichte und Literaturkritik; Geschichtswissenschaft Allgemein; Vor- und Frühgeschichte, prähistorische Archäologie; Einzelne Autoren: Monographien & Biographien
    Umfang: xx, 143 Seiten, Illustrationen, 130 grams
    Bemerkung(en):

    Illustrationen

    First published in hardback as Geoffrey Chaucer:a new introduction, 2017
  17. 'Black but Human'
    slavery and visual arts in Hapsburg Spain, 1480-1700
    Autor*in: Fracchia, Carmen
    Erschienen: 2019
    Verlag:  Oxford University Press, Oxford

    Standort:
    Universitätsbibliothek Bielefeld
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780198767978
    Auflage/Ausgabe: First edition
    Schlagworte: History of other lands; Early modern history: c 1450/1500 to c 1700; Social & cultural history; Slavery & abolition of slavery; History of art / art & design styles
    Weitere Schlagworte: Europäische Geschichte; Europäische Länder; Geschichtswissenschaft Allgemein; Mentalitäts- und Sozialgeschichte; Kultur- und Ideengeschichte; Geschichte der Sklaverei; Kunstgeschichte
    Umfang: xiii, 232 Seiten, 16 ungezählte Seiten Tafeln, Illustrationen
  18. Why history matters
    Autor*in: Tosh, John
    Erschienen: 2019
    Verlag:  Red Globe Press, London

    Does history matter? Is it anything more than entertainment? And if so, what practical relevance does it have? In this fully revised second edition of a seminal text, John Tosh persuasively argues that history is central to an informed and critical... mehr

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    Universitätsbibliothek Duisburg-Essen
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    Does history matter? Is it anything more than entertainment? And if so, what practical relevance does it have? In this fully revised second edition of a seminal text, John Tosh persuasively argues that history is central to an informed and critical understanding of topical issues in the present. Including a range of contemporary examples from Brexit to child sexual abuse to the impact of the internet, this is an important and practical introduction for all students of history.Inspiring and empowering, this book provides both students and general readers with a stimulating and practical rationale for the study of history. It is essential reading for all undergraduate students of history who require an engaging introduction to the subject

     
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  19. What is digital history?
    Autor*in: Salmi, Hannu
    Erschienen: 2021
    Verlag:  Polity, Cambridge, UK ; Medford, MA, USA

    Digital history is an emerging field that draws on digital technology and computational methods. A global enterprise that invites scholars worldwide to join forces, it presents exciting and novel ways we might explore, understand and represent the... mehr

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    Universitätsbibliothek Bielefeld
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    Digital history is an emerging field that draws on digital technology and computational methods. A global enterprise that invites scholars worldwide to join forces, it presents exciting and novel ways we might explore, understand and represent the past. Hannu Salmi provides the most compelling introduction to digital history to date. He begins with a discussion of the digital past, the question of how history exists in a digitized form, and introduces basic concepts and ideas in digital history, including digital archiving, source mapping and public engagement. He outlines problems and methods in the study of big data, both textual and visual, and pays particular attention to the born-digital era: the contemporary age that exists primarily in digital form. What is Digital History? is essential reading for students of history and other humanities fields, as well as anyone interested in how digitization and digital cultures are transforming the study of history

     
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    Quelle: Verbundkataloge
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    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781509537020; 9781509537013
    Weitere Identifier:
    9781509537020
    Schriftenreihe: What is history? series
    Schlagworte: Cultural Studies; Digital Culture & the Information Age; Digitale Kultur im Informationszeitalter; Geschichte; History; History Special Topics; Kulturwissenschaften; Spezialthemen Geschichte
    Weitere Schlagworte: Kulturwissenschaften; Geschichtswissenschaft Allgemein; Geschichte
    Umfang: 130 Seiten, Illustrationen, Diagramme
  20. Textual transformations
    purposing and repurposing books from Richard Baxter to Samuel Taylor Coleridge : essays in honour of Isabel Rivers
    Beteiligt: Whitehouse, Tessa (Hrsg.); Keeble, N. H. (Hrsg.); Rivers, Isabel
    Erschienen: 2019
    Verlag:  Oxford University Press, Oxford

    Early modern books were not stable or settled outputs of the press but dynamic shape-changers, subject to reworking, re-presentation, revision, and reinterpretation. Their history is often the history of multiple, sometimes competing, agencies as... mehr

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    Early modern books were not stable or settled outputs of the press but dynamic shape-changers, subject to reworking, re-presentation, revision, and reinterpretation. Their history is often the history of multiple, sometimes competing, agencies as their texts were re-packaged, redirected, and transformed in ways that their original authors might hardly recognize. Processes of editing, revision, redaction, selection, abridgement, glossing, disputation, translation, andposthumous publication resulted in a textual elasticity and mobility that could dissolve distinctions between text and paratexts, textuality and intertextuality, manuscript and print, author and reader or editor, such that title and author's name are no longer sufficient pointers to a book'sidentity or contents.This collection brings together original essays by an international team of eminent scholars in the field of book history that explore these various kinds of textual inconstancy and variability.- The essays are alive to the impact of commercial and technological aspects of book production and distribution (discussing, for example, the career of the pre-eminent bookseller John Nourse, the market appeal of abridgements, and the financial incentives to posthumous publication), but their interest isalso in the many additional forms of agency that shaped texts and their meanings as books were repurposed to articulate, and respond to, a variety of cultural and individual needs.- They engage with early modern religious, political, philosophical, and scholarly trends and debates as they discuss awide range of genres and kinds of publication including fictional and non-fictional prose, verse miscellanies, abridgements, sermons, religious controversy, and of authors including Lucy Hutchinson, Richard Baxter, John Dryden, Thomas Burnet, John Tillotson, Henry Maundrell, Jonathan Swift, Samuel Richardson, John Wesley, and Samuel Taylor Coleridge.The result is a richly diverse collection that demonstrates the embeddedness of the book trade in the cultural dynamics of early modernity.

     
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    Beteiligt: Whitehouse, Tessa (Hrsg.); Keeble, N. H. (Hrsg.); Rivers, Isabel
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780198808817
    RVK Klassifikation: HK 1071
    Auflage/Ausgabe: First edition
    Schlagworte: Buchgeschichte <Fach>
    Weitere Schlagworte: Literaturgeschichte und Literaturkritik; Literaturwissenschaft: Prosa, Erzählung, Roman, Prosaautoren; Geschichtswissenschaft Allgemein; Literary studies: fiction, novelists & prose writers; Early modern history: c 1450/1500 to c 1700
    Umfang: xv, 260 Seiten, 3 Illustrationen, Portrait
  21. Textual transformations
    purposing and repurposing books from Richard Baxter to Samuel Taylor Coleridge : essays in honour of Isabel Rivers
    Beteiligt: Whitehouse, Tessa (Verfasser, Herausgeber); Keeble, N. H (Verfasser, Herausgeber); Rivers, Isabel (Gefeierter)
    Erschienen: 2019
    Verlag:  Oxford University Press, Oxford

    Standort:
    Universitätsbibliothek Bielefeld
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    Quelle: Verbundkataloge
    Beteiligt: Whitehouse, Tessa (Verfasser, Herausgeber); Keeble, N. H (Verfasser, Herausgeber); Rivers, Isabel (Gefeierter)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780198808817
    Weitere Identifier:
    9780198808817
    Auflage/Ausgabe: First edition
    Schlagworte: Literary studies: fiction, novelists & prose writers; Early modern history: c 1450/1500 to c 1700
    Weitere Schlagworte: Literaturgeschichte und Literaturkritik; Literaturwissenschaft: Prosa, Erzählung, Roman, Prosaautoren; Geschichtswissenschaft Allgemein
    Umfang: xv, 260 Seiten, Illustrationen
  22. Achtzehntes Jahrhundert digital: zentraleuropäische Perspektiven
    = Digital Eighteenth Century: Central European perspectives = Dix-huitième siècle numérique: perspectives de l'Europe centrale
    Beteiligt: Wallnig, Thomas (Herausgeber); Romberg, Marion (Herausgeber); Weis, Joëlle (Herausgeber)
    Erschienen: [2019]; © 2019
    Verlag:  Böhlau Verlag, Weimar

    Digitale Technologien und Methoden haben in den vergangenen Jahren immer mehr Einfluss auf die geisteswissenschaftliche Forschung gewonnen. Dies gilt nicht minder für das achtzehnte Jahrhundert: In allen einschlägigen Fachbereichen werden seit Jahren... mehr

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    Universitätsbibliothek Bielefeld
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    Digitale Technologien und Methoden haben in den vergangenen Jahren immer mehr Einfluss auf die geisteswissenschaftliche Forschung gewonnen. Dies gilt nicht minder für das achtzehnte Jahrhundert: In allen einschlägigen Fachbereichen werden seit Jahren Texte, Bilder und Metadaten digital generiert, verarbeitet, analysiert und präsentiert. Ergebnis ist eine bisher nie dagewesene Konfrontation mit quantifizierenden Methoden auch in qualitativ arbeitenden Disziplinen sowie die Notwendigkeit einer Auseinandersetzung mit nationalen und globalen Datenstandards. Diese Standards entscheiden über die Interoperabilität – gewissermaßen die internationale Anschlussfähigkeit – der Daten und somit über die Nachhaltigkeit der eigenen Forschung.Die Österreichische Gesellschaft zur Erforschung des achtzehnten Jahrhunderts widmet ihr 34. Jahrbuch 2019 dem Thema der digitalen Forschung zum 18. Jahrhundert in Zentraleuropa. Die einzelnen vorgestellten Beiträge sind nicht nur Projektberichte, sondern referieren die Ergebnisse digital durchgeführter Forschungsarbeit. Sie eröffnen ein Panorama der möglichen methodischen Zugänge, von den Bildwissenschaften über Netzwerkanalyse und -darstellung hin zu digitaler Edition, Korpuslinguistik und digitaler Sprachwissenschaft sowie der Vernetzung von Forschungsdaten mit den Daten von Kulturerbe-Institutionen

     
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    Quelle: Verbundkataloge
    Beteiligt: Wallnig, Thomas (Herausgeber); Romberg, Marion (Herausgeber); Weis, Joëlle (Herausgeber)
    Sprache: Englisch; Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783205209089
    Weitere Identifier:
    9783205209089
    Schriftenreihe: <<Das>> Achtzehnte Jahrhundert und Österreich ; Band 34
    Schlagworte: Digital Humanities; 18. Jahrhundert; Methoden und Theorien; zentraleuropäische Geschichte
    Weitere Schlagworte: Geschichtswissenschaft Allgemein; Europa; 18. Jahrhundert (1700 - 1800; Geschichtswissenschaft: Theorie und Methoden; Hardcover, Softcover / Geschichte
    Umfang: 199 Seiten, Illustrationen, Karten
  23. To Chester and beyond
    meaning, text and context in early English drama ; shifting paradigms in early English drama studies
    Autor*in: Mills, David
    Erschienen: 2019
    Verlag:  Routledge, Taylor & Francis Group, London ; New York

    This volume brings together a selection of the major articles of David Mills (1938-2013), which along with similar volumes by Alexandra F. Johnston, Peter Meredith and Meg Twycross makes up a set of "Shifting Paradigms in Early English Drama... mehr

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    Universitätsbibliothek Bielefeld
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    This volume brings together a selection of the major articles of David Mills (1938-2013), which along with similar volumes by Alexandra F. Johnston, Peter Meredith and Meg Twycross makes up a set of "Shifting Paradigms in Early English Drama Studies". Mills was one of these four key scholars whose work has changed what is known about English medieval drama and theatre. He made major contributions to understanding English medieval theatre in the widest sense but more specifically to the nature and development of medieval plays and their performance at Chester. The scope of his work from manuscript to performance has created new knowledge and insights brought about by his remarkable technical skill as an editor and researcher. His texts of the Chester Cycle of Mystery Plays have become the standard works. In the light of this outstanding research the volume is comprised of four sections: 1. Editors and Editing; 2. Cultural Contexts; 3. Staging and Performance; 4. Criticism and Evaluation. An editorial introduction opens the work

     
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    Quelle: Verbundkataloge
    Beteiligt: Butterworth, Philip (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780367879389; 9781472478894
    Weitere Identifier:
    9780367879389
    RVK Klassifikation: HH 4123
    Auflage/Ausgabe: First issued in paperback
    Schriftenreihe: Variorum collected studies series
    Schlagworte: LITERARY CRITICISM / Medieval; PERFORMING ARTS / Theater / General
    Weitere Schlagworte: Geschichtswissenschaft Allgemein; Europäische Literatur; Theaterwissenschaft
    Umfang: xvi, 369 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seite 355-364, Index

    First published 2016 by Routledge
  24. Burning the books
    a history of the deliberate destruction of knowledge
    Autor*in: Ovenden, Richard
    Erschienen: 2020
    Verlag:  The Belknap Press of Harvard University Press, Cambridge, Massachusetts

    &lt;p&gt;&lt;b&gt;The director of the famed Bodleian Libraries at Oxford narrates the global history of the willful destruction—and surprising survival—of recorded knowledge over the past three millennia.&lt;/b&gt;Libraries and archives have been... mehr

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    Universitätsbibliothek Dortmund
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    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Universitätsbibliothek Siegen
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    <p><b>The director of the famed Bodleian Libraries at Oxford narrates the global history of the willful destruction—and surprising survival—of recorded knowledge over the past three millennia.</b>Libraries and archives have been attacked since ancient times but have been especially threatened in the modern era. Today the knowledge they safeguard faces purposeful destruction and willful neglect; deprived of funding, libraries are fighting for their very existence. <i>Burning the Books</i> recounts the history that brought us to this point.Richard Ovenden describes the deliberate destruction of knowledge held in libraries and archives from ancient Alexandria to contemporary Sarajevo, from smashed Assyrian tablets in Iraq to the destroyed immigration documents of the UK Windrush generation. He examines both the motivations for these acts—political, religious, and cultural—and the broader themes that shape this history. He also looks at attempts to prevent and mitigate attacks on knowledge, exploring the efforts of librarians and archivists to preserve information, often risking their own lives in the process.More than simply repositories for knowledge, libraries and archives inspire and inform citizens. In preserving notions of statehood recorded in such historical documents as the Declaration of Independence, libraries support the state itself. By preserving records of citizenship and records of the rights of citizens as enshrined in legal documents such as the Magna Carta and the decisions of the US Supreme Court, they support the rule of law. In <i>Burning the Books</i>, Ovenden takes a polemical stance on the social and political importance of the conservation and protection of knowledge, challenging governments in particular, but also society as a whole, to improve public policy and funding for these essential institutions.</p>

     
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  25. History, disrupted
    how social media and the world wide web have changed the past
    Autor*in: Steinhauer, Jason
    Erschienen: 2022
    Verlag:  Palgrave Macmillan, Cham

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    Universitätsbibliothek Paderborn
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    Hochschul- und Kreisbibliothek Bonn-Rhein-Sieg
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