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  1. Unfinished Business
    Screening the Italian Mafia in the New Millennium
    Autor*in: Renga, Dana
    Erschienen: [2019]; © 2014
    Verlag:  University of Toronto Press, Toronto

    Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga examines these works through the lens of gender and trauma theory to show how the films engage with the process of mourning and healing mafia-related trauma in Italy.Unfinished Business argues that trauma that has yet to be worked through on the national level is displaced onto the characters in the films under consideration. In a mafia context, female characters are sacrificed and non-normative sexual identities are suppressed in order to solidify traditional modes of viewer identification and to assure narrative closure, all so that the image of the nation is left unblemished

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442668317
    Weitere Identifier:
    Schlagworte: Gangster films; Mafia in motion pictures; Motion pictures and women; Psychic trauma in motion pictures; Film; Mafia <Motiv>
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019)
  2. Unfinished Business
    Screening the Italian Mafia in the New Millennium
    Autor*in: Renga, Dana
    Erschienen: [2019]; © 2014
    Verlag:  University of Toronto Press, Toronto

    Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Coburg, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Kempten, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga examines these works through the lens of gender and trauma theory to show how the films engage with the process of mourning and healing mafia-related trauma in Italy.Unfinished Business argues that trauma that has yet to be worked through on the national level is displaced onto the characters in the films under consideration. In a mafia context, female characters are sacrificed and non-normative sexual identities are suppressed in order to solidify traditional modes of viewer identification and to assure narrative closure, all so that the image of the nation is left unblemished

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442668317
    Weitere Identifier:
    Schlagworte: Gangster films; Mafia in motion pictures; Motion pictures and women; Psychic trauma in motion pictures; Film; Mafia <Motiv>
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019)
  3. Unfinished business
    screening the Italian Mafia in the new millennium
    Autor*in: Renga, Dana
    Erschienen: [2013]; © 2013
    Verlag:  University of Toronto Press, Toronto [Ontario]

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1442668318; 9781442668317
    Schriftenreihe: Toronto Italian studies
    Schlagworte: PERFORMING ARTS / Reference; PERFORMING ARTS / Film & Video / History & Criticism; Gangster films; Mafia in motion pictures; Motion pictures and women; Psychic trauma in motion pictures; Gangster films; Mafia in motion pictures; Psychic trauma in motion pictures; Motion pictures and women; Film; Mafia <Motiv>
    Umfang: 1 online resource (viii, 256 pages)
    Bemerkung(en):

    Introduction: Trauma, gender, and recent Italian Mafia cinema -- Oedipal conflicts in Marco Tullio Giordana's I cento passi -- Honour, shame and vendetta: Pasquale Scimeca's Placido Rizzotto -- Mafia women in a man's world: Roberta Torre's Angela -- The Mafia noir: Paolo Sorrentino's Le conseguenze dell'amore -- Men of honour, man of glass: Stefano Incerti's L'uomo di vetro -- The female mob boss: Edoardo Winspeare's Galantuomini -- Melancholia and the mob weepie: Davide Barletti and Lorenzo Conte's Fine pena mai: Paradiso perduto -- Mourining disavowed: Matteo Garrone's Gomorra -- Recasting Rita Atria in Marco Amenta's La siciliana ribelle -- Trauma postponed: Claudio Cupellini's Una vita tranquilla -- Epilogue: Why must Caesar die?
  4. Mafia movies
    a reader
    Erschienen: ©2011
    Verlag:  University of Toronto Press, Toronto

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0802096654; 0802099696; 1442661739; 9780802096654; 9780802099693; 9781442661738
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Films de gangsters / États-Unis / Histoire et critique; Films de gangsters / Italie / Histoire et critique; Mafia au cinéma; ART / Film & Video; PERFORMING ARTS / Film & Video / Reference; PERFORMING ARTS / Film & Video / General; Gangster films; Mafia in motion pictures; Filmkunst; Maffia; Film; Gangster films; Gangster films; Mafia in motion pictures; Film; Mafia <Motiv>; Gangsterfilm
    Umfang: 1 Online-Ressource (xiv, 400 pages, [16] pages of plates)
    Bemerkung(en):

    Includes bibliographical references (pages 391-398) and filmography (p. 387-390)

    Setting the scene - Introduction - The Corleones at home and abroad - Dana Renga - Gender and Violence - four themes in the everyday world of mafia wives - Peter Schneider and Jane Schneider -- - American mafia movies - the Corleones at home and abroad - Wallace McCutchen's The Black Hand - a different version of a biograph kidnapping - Vincenzo Maggitti - "Most thrilling subjects" - D.W. Griffith and the biograph revenge films - JoAnne Ruvoli - Ethnicity and the classical gangster film - Mervyn LeRoy's Little Caesar and Howard Hawks' Scarface - Norma Bouchard - Playing good Italian - bad Italian in ABC's The untouchables - Jonathan Cavallero - Prelude to The Godfather - Martin Ritt's The brotherhood - Robert Casillo - Micheal Corleone's tie - Francis Ford Coppola's The Godfather - Anthony Tamburri - Nihilism and Mafiositá in Martin Scorsese's Mean streets - Pellegrino D'Acierno

    - Thematic patterns in Francis Ford Coppola's The Godfather - part II - John Paul Russo - The sexual politics of loyalty in John Huston's Prizzi's honor - Rebecca Bauman - Between postmodern parody and generic hybridization - the gangsters of Brian De Palma's The untouchables - Norma Bouchard - The bandit, the gangster, and the American Army shorts - Michael Cimino's The Sicilian - Chiara Mazzucchelli - Martin Scorsese's GoodFellas - hybrid storytelling between realism and formalism - Fulvio Orsitto - Redemption in Francis Ford Coppola's The Godfather - part III - John Paul Russo - "Nothing romantic about It" - gender and the legacy of crime in Abel Ferrara's The funeral - Lara Santoro - Inside the mafia - Mike Newell's Donnie Brasco - Robert Casillo - Martin Scorsese's The departed, or the quest for a departed ethnic identity - Margherita Heyer-Caput - When words can kill - David Chase's The sopranos - Franco Ricci

    - Don't stop believin', don't stop- (de)structuring expectations in the final season of The sopranos - Giancarlo Lombardi -- - Italian Mafia movies - myth and resistance - Which law is the father's - gender and generic oscillation in Pietro Germi's In the name of the law - Danielle Hipkins - The visible, unexposed - Francesco Rosi's Salvatore Giuliano - Laura Wittman - Modernity, mafia style - Alberto Lattuada's Il mafioso - Nelson Moe - Francesco Rosi's Hands over the city - a contemporary perspective on the Camorra - Anna Paparcone - Prototypes of the mafia - Luchino Visconti's The leopard - Elizabeth Leake - The failure of the intellectual - Elio Petri's filming of Leonardo Sciascia's To each his own - Daniela Bini - Damiano Damiani's The day of the owl - a Western flirtation - Piero Garofalo - Smaller and larger families - Lina Wertmuller's The seduction of Mimi - Thomas Harrison - Deconstructing the enigma

    - logical investigations in Francesco Rosi's Lucky Luciano - Gaetana Marrone - Power as such - the idea of the mafia in Franceso Rosi's Illustrious corpses - Alan O'Leary - Marco Risi's Forever Mary - desperate lives converge in Sicilia "non bedda" - George De Stefano - Threads of political violence in Italy's spiderweb - Giorgio Ambrosoli's murder in Michele Placido's A Bourgeois Hero - Carlo Testa - Sacrifice, sacrament, and the body in Ricky Tognazzi's La scorta - Myriam Ruthenburg - Pasquale Scimeca's Placido Rizzotto - a different view of Corleone - Amy Boylan - Marco Tullio Giordana's The hundred steps - the biopic as political cinema - George De Stefano - Roberta Torre's Angela - the mafia and the "woman's film" - Catherine O'Rawe - Organized crime and unfulfilled promises in Gabriele Salvatores' I'm not scared - Michael O'Riley - Growing up Camorrista - Antonio and Andrea Frazzi's Certi bambini - Allison Cooper

    - Lipstick and chocolate - Paolo Sorrentino's The consequences of love - Mary Wood - The in(di)visibility of the mafia, politics, and ethics in Bianchi and Nerazzini's The mafia is white - Robin Pickering-Iazzi - Marco Turco's Excellent cadavers - an Italian tragedy - Maddalena Spazzini - Dispatches from Hell - Matteo Garrone's Gomorrah - Pierpaolo Antonello
  5. Screening the Mafia
    masculinity, ethnicity and mobsters from The Godfather to The Sopranos
    Autor*in: Larke-Walsh, George S.
    Erschienen: [2010]
    Verlag:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    Gangster films since 1967 : an overview -- Theorizing the gangster genre -- Mafia myths -- Masculinities and ethnicities -- Conclusions "This historical study explores the structure, myths and intertextual narratives found in the gangster films... mehr

    Standort:
    Universitätsbibliothek Mannheim
    Fernleihe:
    keine Fernleihe

     

    Gangster films since 1967 : an overview -- Theorizing the gangster genre -- Mafia myths -- Masculinities and ethnicities -- Conclusions "This historical study explores the structure, myths and intertextual narratives found in the gangster films produced since The Godfather. The relationship between masculinity and ethnicity in the gangster film, especially within the movie-generated mythology of the Mafia, is carefully analyzed. The book tracks the trends in the genre up to and including the television series The Sopranos"--Provided by publisher

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780786456130
    RVK Klassifikation: AP 50300
    Schriftenreihe: Ebrary online
    Schlagworte: Gangster films; Gangster television programs; Mafia in motion pictures; Masculinity in motion pictures; Ethnicity in motion pictures
    Umfang: 1 Online-Ressource (282 Seiten), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  6. From wiseguys to wise men
    the gangster and Italian American masculinities
    Autor*in: Gardaphé, Fred L.
    Erschienen: 2006
    Verlag:  Routledge, New York

    As the real American gangsters of yesterday recede into the history books, their iconic figures loom larger than ever. From Wiseguys to Wise Men studies the cultural figure of the gangster, and explores its social function in the construction and... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    As the real American gangsters of yesterday recede into the history books, their iconic figures loom larger than ever. From Wiseguys to Wise Men studies the cultural figure of the gangster, and explores its social function in the construction and projection of masculinity in the United States. Gardaphe shows how the gangster can be seen as a 'trickster' figure. The trickster figure exists in many cultures and serves as a model of improper behavior. The gangster has served as that figure in American culture by showing what is and is not authentically American. It is not American to speak a lang

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0415946476; 0415946484; 9780415946483
    Schlagworte: Masculinity in literature; Gangsters in literature; American fiction; Italian Americans in literature; Gangster films
    Umfang: Online-Ressource (xix, 244 p), ill, 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 215-236) and index

    Electronic reproduction; Available via World Wide Web

    FROM WISEGUYS TO WISE MENThe Gangster and Italian American Masculinities; Copyright; Table of Contents; Introduction; Part I: Romancing the Gangster; Chapter 1 Origins of an Archetype; Chapter 2 The Gangster as Culture Hero: Mario Puzo and Francis Ford Coppola; Part II: Realizing the Gangster; Chapter 3 The Truth about Gangsters: Gay Talese and Ben Morreale; Chapter 4 Rough Boys: The Gangsters of Martin Scorsese and Michael Cimino; Part III: Reinventing the Gangster; Chapter 5 Queering the Gangster: Giose Rimanelli and Frank Lentricchia

    Chapter 6 Female Masculinity and the Gangster: Louisa ErmelinoChapter 7 The Gangster as Public Intellectual: Anthony Valerio and Don DeLillo; Chapter 8 Fresh Garbage: The Gangster as Today's Trickster - David Chase and Tony Ardizzone; Part IV: Looking for a Few New Men; Chapter 9 New Directions in Italian-American Manhood; Chapter 10 From Macho to Zero: Redesigning Italian-American Masculinities; Notes; Index
  7. Screening the mafia
    masculinity, ethnicity and mobsters from The godfather to The Sopranos
    Autor*in: Larke-Walsh, George S.
    Erschienen: 2010
    Verlag:  McFarland & Company, Inc, Jefferson, NC

    The "post-classic" era of American gangster films began in 1967 with the release of Bonnie and Clyde, achieving a milestone five years later with the popular and highly influential The Godfather. This historical study explores the structure, myths... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    The "post-classic" era of American gangster films began in 1967 with the release of Bonnie and Clyde, achieving a milestone five years later with the popular and highly influential The Godfather. This historical study explores the structure, myths and intertextual narratives found in the gangster films produced since The Godfather. The intense relationship between masculinity and ethnicity in the gangster film, especially within the movie-generated mythology of the Mafia, is carefully analyzed, and the book tracks the trends in the genre up to and including the landmark HBO televisio

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780786443116; 1282529706; 9781282529700; 9780786456130
    Schlagworte: Ethnicity in motion pictures; Masculinity in motion pictures; Mafia in motion pictures; Gangster television programs; Gangster films
    Umfang: Online-Ressource (v, 282 p)
    Bemerkung(en):

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Cover; Contents; Introduction; 1. Gangster Films Since 1967; 2. Theorizing the Gangster Genre; 3. Mafia Myths; 4. Masculinities and Ethnicities; 5. Conclusions; Selected Filmography; Chapter Notes; Bibliography; Index
  8. Clicas
    gender, sexuality, and Latina/o/x gang literature and film
    Autor*in: García, Frank
    Erschienen: 2024
    Verlag:  University of Texas Press, Austin

    "Clicas examines Latina/o/x literature and film by and/or about gay and women gang members. Through close readings of literature and film, Frank García reimagines the typical narratives describing gang membership and culture, amplifying and... mehr

     

    "Clicas examines Latina/o/x literature and film by and/or about gay and women gang members. Through close readings of literature and film, Frank García reimagines the typical narratives describing gang membership and culture, amplifying and complicating critical gang studies in the social sciences and humanities and looking at gangs across racial, ethnic, and national identities. Analyzing how the autobiographical poetry of Ana Castillo presents gang fashion, culture, and violence to the outside world, the effects of women performing female masculinity in the novel Locas, and gay gang members' experiences of community in the documentary Homeboy, García complicates the dialogue regarding hypermasculine gang cultures, showing how they are accessible not only to straight men, but also the complicated ways that women and gay members can appropriate these qualities, which can be harming and also, at times, emancipating. Reading gang members as (de)colonial agents who contest the power relations, inequalities, oppressions, and hierarchies of the United States, Clicas considers how women and gay gang members resist materially and psychologically within a milieu shaped by the intersection of race, gender, sexuality, and class"-- "How Latina/o/x gang literature and film represent women and gay gang members' challenges to gendered, sexual, racial, and class oppression"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781477329443; 9781477329450
    Auflage/Ausgabe: First edition
    Schlagworte: Gangs in literature; Gangster films; Female gangs in motion pictures; Hispanic American gangs; Gang members; Hispanic American gangs; Masculinity; Masculinity in motion pictures; Sexual minorities in motion pictures; Latin Americans in motion pictures; Sexual minorities in literature; Latin Americans in literature; SOCIAL SCIENCE / Ethnic Studies / American / Hispanic American Studies; SOCIAL SCIENCE / Gender Studies; Englisch; English; Ethnic minorities & multicultural studies; Ethnische Gruppen und multikulturelle Studien; Film, Kino; Films, cinema; Gay & Lesbian studies; Gender Studies: Gruppen; Gender studies, gender groups; HISTORY / Social History; Hispanic & Latino studies; LGBTQ+ Studien / Themen; LIT025060; LIT025070; LIT026000; LITERARY CRITICISM / American / General; LITERARY CRITICISM / American / Hispanic American; Literary studies: fiction, novelists & prose writers; Literaturwissenschaft: Prosa, Erzählung, Roman, Autoren; Organisiertes Verbrechen
    Umfang: 1 Online-Ressource (pages cm)
    Bemerkung(en):

    Includes bibliographical references and index

    Zielgruppe: 5PB-US-H, Bezug zu Latino-Amerikanern

    Gang subcultures as (de)colonial praxis -- The shared experience of (de)colonial gang life -- The toxified female masculinities of (de)colonial gang girls -- (De)colonial gay locos, disidentifications, and counterpublics -- The queer utopian futurity of failed gang members -- Afterword : the immigrant/gang member binary in Latina/o/x gang literature and film.