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  1. Animating Unpredictable Effects : Nonlinearity in Hollywood’s R&D Complex
    Autor*in: Gowanlock, Jordan
    Erschienen: 2021
    Verlag:  Springer Nature

    Uncanny computer-generated animations of splashing waves, billowing smoke clouds, and characters’ flowing hair have become a ubiquitous presence on screens of all types since the 1980s. This Open Access book charts the history of these digital moving... mehr

     

    Uncanny computer-generated animations of splashing waves, billowing smoke clouds, and characters’ flowing hair have become a ubiquitous presence on screens of all types since the 1980s. This Open Access book charts the history of these digital moving images and the software tools that make them. Unpredictable Visual Effects uncovers an institutional and industrial history that saw media industries conducting more private R&D as Cold War federal funding began to wane in the late 1980s. In this context studios and media software companies took concepts used for studying and managing unpredictable systems like markets, weather, and fluids and turned them into tools for animation. Unpredictable Visual Effects theorizes how these animations are part of a paradigm of control evident across society, while at the same time exploring what they can teach us about the relationship between making and knowing.

     
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  2. Cinematic Histospheres : On the Theory and Practice of Historical Films
    Autor*in: Greiner, Rasmus
    Erschienen: 2021
    Verlag:  Springer Nature

    In this Open Access book, film scholar Rasmus Greiner develops a theoretical model for the concept of the histosphere to refer to the “sphere” of a cinematically modelled, physically experienceable historical world. His analysis of practices of... mehr

     

    In this Open Access book, film scholar Rasmus Greiner develops a theoretical model for the concept of the histosphere to refer to the “sphere” of a cinematically modelled, physically experienceable historical world. His analysis of practices of modelling and perceiving, immersion and empathy, experience and remembering, appropriation and refiguration, combine approaches from film studies, such as Vivian Sobchack’s phenomenology of film experience, with historiographic theories, such as Frank R. Ankersmit’s concept of historical experience. Building on this analysis, Greiner examines the spatial and temporal organization of historical films and presents discussions of mood and atmosphere, body and memory, and genre and historical consciousness. The analysis is based around three historical films, spanning six decades, that depict 1950s Germany: Helmut Käutner’s Sky Without Stars (1955), Jutta Brückner’s Years of Hunger (1980), and Sven Bohse’s three-part TV series Ku’damm 56 (2016).

     
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  3. Wonder, Horror, Mystery : Letters on Cinema and Religion in Malick, Von Trier, and Kieślowski
    Autor*in: Meis, Morgan; Tyree, J.M.
    Erschienen: 2021
    Verlag:  punctum books, Brooklyn, NY

    Wonder, Horror, Mystery is a dialogue between two friends, both notable arts critics, that takes the form of a series of letters about movies and religion. One of the friends, J.M. Tyree, is a film critic, creative writer, and agnostic, while the... mehr

     

    Wonder, Horror, Mystery is a dialogue between two friends, both notable arts critics, that takes the form of a series of letters about movies and religion. One of the friends, J.M. Tyree, is a film critic, creative writer, and agnostic, while the other, Morgan Meis, is a philosophy PhD, art critic, and practicing Catholic. The question of cinema is raised here in a spirit of friendly friction that binds the personal with the critical and the spiritual. What is film? What’s it for? What does it do? Why do we so intensely love or hate films that dare to broach the subjects of the divine and the diabolical? These questions stimulate further thoughts about life, meaning, philosophy, absurdity, friendship, tragedy, humor, death, and God.

     

    The letters focus on three filmmakers who challenged secular assumptions in the late 20th century and early 21st century through various modes of cinematic re-enchantment: Terrence Malick, Lars von Trier, and Krzysztof Kieślowski. The book works backwards in time, giving intensive analysis to Malick’s To The Wonder (2012), Von Trier’s Antichrist (2009), and Kieślowski’s Dekalog (1988), respectively, in each of the book’s three sections. Meis and Tyree discuss the filmmakers and films as well as related ideas about philosophy, theology, and film theory in an accessible but illuminating way. The discussion ranges from the shamelessly intellectual to the embarrassingly personal. Spoiler alert: No conclusions are reached either about God or the movies. Nonetheless, it is a fun ride.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781685710088
    Weitere Identifier:
    Schlagworte: Film theory & criticism; Religious issues & debates; Christian theology
    Weitere Schlagworte: agnosticism;film studies;Krzysztof Kieślowski;Lars von Trier;religion;Terence Malick;theology
    Umfang: 1 electronic resource (370 p.)
  4. Ingmar Bergman : An enduring legacy
    Beteiligt: Hedling, Erik (Hrsg.)
    Erschienen: 2021
    Verlag:  Lund University Press, Lund

    This book on Swedish filmmaker Ingmar Bergman contains eighteen new scholarly chapters on the director’s work, mainly in the cinema. Most of the contributors—some Swedish, others American or British—have written extensively on Bergman before, some... mehr

     

    This book on Swedish filmmaker Ingmar Bergman contains eighteen new scholarly chapters on the director’s work, mainly in the cinema. Most of the contributors—some Swedish, others American or British—have written extensively on Bergman before, some for decades. Bergman is one of the most written-about artists in film history and his fame still lingers all over the world, as was seen in the celebrations of his centenary in 2018. The book was specifically conceived at that time with the aim of presenting fresh angles on his work, although several chapters also focus on traditional aspects of Bergman’s art, such as philosophy and psychology. Ingmar Bergman: An Enduring Legacy thus addresses a number of essential topics which have not featured in Bergman studies before, such as the director’s relations with Hollywood and transnational film production. It also deals at length with Bergman’s highly sophisticated use of film music and with his prominence as a writer of autobiographical literature, as well as with the intermedial relations to his films that this perspective inevitably entails. Finally, the book addresses Bergman’s complex relations to Swedish politics. Many different approaches and methods are employed in the book in order to show that Bergman remains a relevant and important artist. The analyses generally focus on some of his most memorable films, like Smiles of a Summer Night, The Seventh Seal, Wild Strawberries, Persona, and Fanny and Alexander; but some rarer material, including Hour of the Wolf, The Lie, and Autumn Sonata, is discussed as well.

     
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  5. Embodying Contagion : The Viropolitics of Horror and Desire in Contemporary Discourse
    Beteiligt: Becker, Sandra (Hrsg.); de Bruin-Molé, Megen (Hrsg.); Polak, Sara (Hrsg.)
    Erschienen: 2021
    Verlag:  University of Wales Press, Cardiff

    From Outbreak to The Walking Dead, apocalyptic narratives of infection, contagion and global pandemic are an inescapable part of twenty-first-century popular culture. Yet these fears and fantasies are too virulent to be simply quarantined within... mehr

     

    From Outbreak to The Walking Dead, apocalyptic narratives of infection, contagion and global pandemic are an inescapable part of twenty-first-century popular culture. Yet these fears and fantasies are too virulent to be simply quarantined within fictional texts. The vocabulary and metaphors of outbreak narratives have permeated how news media, policymakers and the general public view the real world and the people within it. In an age where fact and fiction seem increasingly difficult to separate, contagious bodies (and the discourses that contain them) continually blur established boundaries between real and unreal, legitimacy and frivolity, science and the supernatural. Where previous scholarly work has examined the spread of epidemic realities in horror fiction, the essays in this collection also consider how epidemic fantasies and fears influence reality. Initiating dialogue between scholarship from cultural and media studies, and scholarship from the medical humanities and social sciences, this collection gives readers a fuller picture of the viropolitics of contagious bodies in contemporary global culture.

     
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    Quelle: OAPEN
    Beteiligt: Becker, Sandra (Hrsg.); de Bruin-Molé, Megen (Hrsg.); Polak, Sara (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781786836908
    Weitere Identifier:
    Schlagworte: Film theory & criticism; Television; Literary studies: fiction, novelists & prose writers; Horror & ghost stories; Infectious & contagious diseases
    Weitere Schlagworte: Horror;Film;Television;Literary Criticism;Contagion
    Umfang: 1 electronic resource (288 p.)
  6. Alienität und Alterität : Raumkonzepte in den Filmen David Leans
    Autor*in: Brauckmann, Sarah
    Erschienen: 2021
    Verlag:  Schüren Verlag

    Sei es die Suche nach Heimat und Identität in der scheinbar grenzenlosen Weite der Wüste (Lawrence of Arabia, 1962), die Flucht in die Stille der eiserstarrten Weite Russlands (Dr. Zhivago, 1965), der kollektive Widerstand im unbekannten Birma (The... mehr

     

    Sei es die Suche nach Heimat und Identität in der scheinbar grenzenlosen Weite der Wüste (Lawrence of Arabia, 1962), die Flucht in die Stille der eiserstarrten Weite Russlands (Dr. Zhivago, 1965), der kollektive Widerstand im unbekannten Birma (The Bridge on the River Kwai, 1957) oder die verstörende Konfrontation mit sich selbst in der Fremde des polyphonen Indiens (A Passage to India, 1984) – Leans Filme, ihre Bildästhetik, aber vor allem ihre Geschichten von Begegnungen mit fremden Welten und unbekannten Kulturen, von teils privaten, teils großen Abenteuern sind bis heute unvergessen. In Erinnerung geblieben ist vor allem ihre bildgewaltige Erzählweise: großformatige Kameraeinstellungen wie die der purpurrot aufgehenden Sonne über der arabischen Wüste; das bizarr-romantisch verschneite Anwesen in Varykino oder die effektvolle und symbolträchtige Brückensprengung durch den tödlich verwundeten Nicholson – Bilder, die sicherlich nicht nur die Kinoästhetik ihrer Zeit revolutioniert, sondern auch auf der Cinemascope-Leinwand den Zuschauer gefesselt und begeistert haben. Die Arbeitsthese dieser Arbeit ist, dass sich die Filme von David Lean über immer wiederkehrende Erzählmuster beschreiben lassen, bei denen ‚Räume‘ eine wichtige Funktion übernehmen. Räume übernehmen auch auf der Ebene der Erzählung eine Funktion und sind jenseits ihrer ästhetischen Erfahrbarkeit relevant. Zu Beginn von Leans Filmen findet der Zuschauer eine Art topografische Landkarte (topografische Räume) vor, die von unterschiedlichen Figuren mit jeweils unterschiedlichen Bedeutungen aufgeladen wird (semantische Räume). Was Leans Hauptfiguren mit bestimmten Räumen verbinden, widerspricht der herrschenden Norm ihres Umfeldes: Hier trifft Heimat auf Fremde, Himmel auf Hölle, Abenteuer auf Gefahrenpotenzial. An den Grenzen der Bedeutung von Räumen entstehen also inhaltliche Konflikte: Leans Hauptfiguren sind ‚anders‘, sehen ihre Welt ‚anders‘, entsprechen damit nicht der Norm und werden von ihrem Umfeld als Störfaktor wahrgenommen.

     
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    Quelle: OAPEN
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783741001253; 9783741003738
    Weitere Identifier:
    Schlagworte: Film theory & criticism
    Weitere Schlagworte: Nonbooks, PBS / Medien, Kommunikation/Medienwissenschaft; einzelne Regisseure, Filmemacher; Lawrence von Arabien; Reise nach Indien; Die Brücke am River Kwai; Dr. Schiwago
    Umfang: 1 electronic resource (412 p.)
  7. Animating Truth : Documentary and Visual Culture in the 21st Century
    Autor*in: Ehrlich, Nea
    Erschienen: 2021

    Animating Truth examines the rise of animated documentary in the 21st century, and addresses how non-photorealistic animation is increasingly used to depict and shape reality. mehr

     

    Animating Truth examines the rise of animated documentary in the 21st century, and addresses how non-photorealistic animation is increasingly used to depict and shape reality.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Schlagworte: Film theory & criticism
    Weitere Schlagworte: Performing Arts; Film; History & Criticism
  8. The Digital Logic of Death : Confronting Mortality in Contemporary Media
    Autor*in: Pustay, Steven
    Erschienen: 2021
    Verlag:  Bloomsbury Academic

    In The Digital Logic of Death, Steven Pustay skillfully makes visible the immensely important but often overlooked role that moving images play in shaping our understanding of mortality. This relationship, he argues, is made all the more urgent by... mehr

     

    In The Digital Logic of Death, Steven Pustay skillfully makes visible the immensely important but often overlooked role that moving images play in shaping our understanding of mortality. This relationship, he argues, is made all the more urgent by the technologies of the digital age, which have profoundly altered our ability to represent and contemplate death through moving images, resulting in an entirely new cultural logic of death. To draw out this new logic, Pustay presents accessible readings of otherwise dense and difficult philosophical approaches to death – such as those found in existentialism, psychoanalysis, and critical theory – by reading them through the lens of contemporary media. From art-house films like Irréversible and The Fountain to blockbusters like the Matrix trilogy, from television commercials for M&M's to pay-cable dramas like The Sopranos and Breaking Bad, from first-person shooters like Bioshock to indie-games like LIMBO, Pustay shows how moving images have shifted our understanding of death in general and our recognition of our own finiteness in particular.

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Media studies; Sociology: death & dying; Film theory & criticism
    Weitere Schlagworte: Social Science; Media Studies; Social Science; Death & Dying; Performing Arts; Film; History & Criticism
  9. Still Life : Notes on Barbara Loden's "Wanda" (1970)
    Autor*in: Backman Rogers, Anna
    Erschienen: 2021
    Verlag:  punctum books, Brooklyn, NY

    "There is indeed a ""miracle"" in the 1970 film Wanda. This film has survived, despite decades of neglect, to emerge into the fuliginous light of an era that may just be ready to strain at grasping its harsh and brutal truths -- truths that reveal... mehr

     

    "There is indeed a ""miracle"" in the 1970 film Wanda. This film has survived, despite decades of neglect, to emerge into the fuliginous light of an era that may just be ready to strain at grasping its harsh and brutal truths -- truths that reveal the imbrication of the psychic in the social and the experiential in political structures. Barbara Loden's film dares to suggest that the social and ethical functions of art should not necessarily be redemptive – that salvation is a cheap and spurious form of consolation that few can afford in this world. This film, made by a woman who knew all too well what it means to be defined through and by her material circumstances (and her relationships to men), and that is so relentlessly ferocious in its refusal to assuage and comfort the viewer, has always been a form of future feminism. Wanda does not brook the comforts of positivity, of aspiration, or even the luxury of selfhood.

     

    This film, Still Life contends, is so radical in its feminist-anti-capitalist politics of refusal that we are still struggling to keep up with it. It delineates precisely how the personal is political and why this matters now more than ever. Wanda, a film about a woman who refuses to be saved or to save herself, who lacks the means and energy to alter anything in her life, who lives in a permanent state of blockage, impasse and failure is, as this publication suggests, the film of our contemporary moment."

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781953035684
    Schlagworte: Film theory & criticism; Feminism & feminist theory
    Weitere Schlagworte: 1970s cinema, Barbara Loden, feminist studies, film studies, US independent cinema, Wanda (film)
    Umfang: 1 electronic resource (154 p.)
  10. Brushed in Light : Calligraphy in East Asian Cinema
    Autor*in: Nornes, Abé Markus
    Erschienen: 2021
    Verlag:  University of Michigan Press

    Drawing on a millennia of calligraphy theory and history, Brushed in Light examines how the brushed word appears in films and in film cultures of Korea, Japan, Taiwan, Hong Kong, and PRC cinemas. This includes silent era intertitles, subtitles, title... mehr

     

    Drawing on a millennia of calligraphy theory and history, Brushed in Light examines how the brushed word appears in films and in film cultures of Korea, Japan, Taiwan, Hong Kong, and PRC cinemas. This includes silent era intertitles, subtitles, title frames, letters, graffiti, end titles, and props. Markus Nornes also looks at the role of calligraphy in film culture at large, from gifts to correspondence to advertising. The book begins with a historical dimension, tracking how calligraphy is initially used in early cinema and how it is continually rearticulated by transforming conventions and the integration of new technologies. These chapters ask how calligraphy creates new meaning in cinema and demonstrate how calligraphy, cinematography, and acting work together in a single film. The last part of the book moves to other regions of theory. Nornes explores the cinematization of the handwritten word and explores how calligraphers understand their own work.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780472132553
    Weitere Identifier:
    Schlagworte: Film theory & criticism
    Weitere Schlagworte: film studies; calligraphy
    Umfang: 1 electronic resource (175 p.)
  11. Echoes of Reaganism in Hollywood Blockbuster Movies from the 1980s to the 2010s
    Autor*in: Ben Mna, Ilias
    Erschienen: 2021
    Verlag:  Peter Lang International Academic Publishers, Bern

    This book examines the reverberations of key components of Ronald Reagan’s ideology in selected Hollywood blockbuster movies. The aim of this analysis is to provide a clearer understanding of the intertwinement of cinematic spectacles with... mehr

     

    This book examines the reverberations of key components of Ronald Reagan’s ideology in selected Hollywood blockbuster movies. The aim of this analysis is to provide a clearer understanding of the intertwinement of cinematic spectacles with neoliberalism and neoconservatism. The analysis comprises a dissection of Reagan’s presidential rhetoric and the examination of four seminal Hollywood blockbuster movies. The time range for analysis stretches from the 1980s until the 2010s. Among the key foci are filmic content as well as production and distribution contexts. It is concluded that Reagan’s political metaphors and the corporatization of film studios in the 1970s and 1980s continue to shape much of Hollywood blockbuster filmmaking.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783631843499; 9783631843505; 9783631843512; 9783631837801
    Weitere Identifier:
    Schlagworte: Film theory & criticism; Film: styles & genres; Literary studies: from c 1900 -
    Weitere Schlagworte: 1980s; 2010s; Blockbuster; cinema; Echoes; Film; film history; Hollywood; Movies; presidential rhetoric; Reaganism; US politics
    Umfang: 1 electronic resource (378 p.)
  12. Critique of Fantasy, Vol. 3 : The Block of Fame
    Autor*in: Rickels, Laurence A.
    Erschienen: 2021
    Verlag:  punctum books, Brooklyn, NY

    "In The Block of Fame, Edmund Bergler, like the thirteenth fairy in the “Sleeping Beauty,“ uninvited because there wasn’t an extra place setting, crashes the psychoanalytic poetics of daydreaming with a curse. He charges that the overview, according... mehr

     

    "In The Block of Fame, Edmund Bergler, like the thirteenth fairy in the “Sleeping Beauty,“ uninvited because there wasn’t an extra place setting, crashes the psychoanalytic poetics of daydreaming with a curse. He charges that the overview, according to which art making rarefies daydreaming and delivers omnipotence, overlooks the underlying defense contract. We are hooked to creativity, because it offers the best defense against acknowledging the ultimate and untenable masochistic wish to be refused. Bergler’s bleak view, which Gilles Deleuze alone acknowledged in his study of Sacher-Masoch, doesn’t make any overall contribution to the aesthetics of fantasying that this critique addresses. However, it is a good fit with the centerpiece of the final volume: the wish for fame or, rather, the recoil of the wish in the wreckage that success brings.

     

    Following the opening season of mourning and the experience of phantoms, there is the second death, which is murder. In addition to the deadening end that can only be postponed – the killing off of the dead until dead dead – there is another second death that concludes the wish for fame with a ritual stripping of badges and insignia. Not only are the medals thrown to the ground and the sword broken, but a life’s work passes review. At the close of his career, Freud returned to the environs of the wish, the cornerstone of his science. While his disciples Otto Rank and Hanns Sachs carried out his 1907 insights regarding the poetics of daydreaming to illuminate, respectively, the mythic origin of the hero and the evolution of art out of the mutual daydream, Freud battened down for the end of his world by revisiting the so-called primal fantasy, the myth of the primal father, in Moses and Monotheism. The animal setting that was a given of its premier articulation in Totem and Taboo was a wrap this time around with Freud’s translation of Marie Bonaparte’s transference gift, a memoir recounting her premature mourning for her sick chow and the dog’s recovery from cancer of the jaw.

     

    In Bergler’s unconscious system, plagiarism is the conscious variation on the block basic to authorship. Theodor Adorno interpreted the ascendancy of the culture industry leading to and through the Third Reich in terms of the theft of modernism’s critical strategies for promoting the transformation of wish fantasy into the social relation of art. In the course of writing his essay “Notes on Kafka” between 1942 and 1952, Adorno was able to reclaim for aesthetic theory after Auschwitz the “constellation” that he and Benjamin had originally developed to outlast the culture industry’s depravation of the hopefulness of wishing. Adorno gives the sense or direction of the constellation’s recovery when he argues that Kafka’s work stages the final round of the contest between fantasy and science fiction by extrapolating doubling and déjà vu as the portals to a collective future.

     

    The wish for fame or to be refused it and the wish to steal this book or undo the delinquency demarcate the final movement of the third volume, which follows out, beginning with Susan Sontag and Gidget, a veritable Bildungsroman of the post-war era’s star, the teenager. Fantasying to make it big time means to be in training for big ideas and big feelings. The romance of fantasying was also reconfigured out of a station break. The Nazi elevation of youth to superego in the Heimat of the Teen Age neutralized adolescent innovation by forgoing the Hamletian stage of metabolization of the death wish. Switching to the other patient, the other teenager at heart, no longer the German but now the American or Californian, this study enters the termination phase of the analysis in the environs of a reach for the stars that is legend. It is the legend to the final volume’s mapping of our second nature as daydreamer believers."

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Film theory & criticism; Psychoanalytical theory (Freudian psychology); Literary studies: fiction, novelists & prose writers
    Weitere Schlagworte: cultural studies; Edmund Bergler; fantasy; film studies; psychoanalysis; science fiction; Susan Sontag; writer's block
    Umfang: 1 electronic resource (240 p.)
  13. Queere Zeitlichkeiten in dokumentarischen Filmen : Untersuchungen an der Schnittstelle von Filmwissenschaft und Queer Studies
    Autor*in: Frankenberg, Natascha
    Erschienen: 2021
    Verlag:  transcript Verlag, Bielefeld

    Zeit als normatives Ordnungsprinzip ist in den Queer Studies zu einem zentralen Forschungsgegenstand geworden. Unter dieser Perspektivverschiebung werden Biografien, Archive, Gefühle und Bewegungsgeschichten in den Blick genommen. Natascha... mehr

     

    Zeit als normatives Ordnungsprinzip ist in den Queer Studies zu einem zentralen Forschungsgegenstand geworden. Unter dieser Perspektivverschiebung werden Biografien, Archive, Gefühle und Bewegungsgeschichten in den Blick genommen. Natascha Frankenberg greift diese Diskussion aus einer dezidiert filmwissenschaftlichen Perspektive auf und rekonstruiert Beiträge des Queer Cinema zu einer Queeren Zeitlichkeit. Sie analysiert u.a. Filme von Gréta Ólafsdóttir, Susan Muska, Cheryl Dunye, Barbara Hammer und Joey Carducci in ihrem Umgang mit Materialität, Motiven, Narration und Filmform.

     
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  14. Cinema's Doppelgängers
    Autor*in: Dibbern, Doug
    Erschienen: 2021
    Verlag:  punctum books, Brooklyn, NY

    "Cinema’s Doppelgängers is a counterfactual history of the cinema – or, perhaps, a work of speculative fiction in the guise of a scholarly history of film and movie guide. That is, it’s a history of the movies written from an alternative unfolding of... mehr

     

    "Cinema’s Doppelgängers is a counterfactual history of the cinema – or, perhaps, a work of speculative fiction in the guise of a scholarly history of film and movie guide. That is, it’s a history of the movies written from an alternative unfolding of historical time – a world in which neither the Bolsheviks nor the Nazis came to power, and thus a world in which Sergei Eisenstein never made movies and German filmmakers like Fritz Lang never fled to Hollywood, a world in which the talkies were invented in 1936 rather than 1927, in which the French New Wave critics didn’t become filmmakers, and in which Hitchcock never came to Hollywood.

     

    The book attempts, on the one hand, to explore and expand upon the intrinsically creative nature of all historical writing; like all works of fiction, its ultimate goal is to be a work of art in and of itself. But it also aims, on the other hand, to be a legitimate examination of the relationship between the economic and political organization of nations and film industries and the resulting aesthetics of film and thus of the dominant ideas and values of film scholarship and criticism."

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781953035622
    Weitere Identifier:
    Schlagworte: Film theory & criticism
    Weitere Schlagworte: aternative realism, cinema, film history, film studies, historiography, speculative fiction
    Umfang: 1 electronic resource (386 p.)
  15. The Red Years of Cahiers du cinéma (1968-1973): Volume I, Ideology and Politics
    Autor*in: Fairfax, Daniel
    Erschienen: 2021
    Verlag:  Amsterdam University Press

    The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's... mehr

     

    The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the "red years" of Cahiers du cinéma produced a theoretical outpouring that was formative for the establishment of film studies as an academic discipline in the 1970s, and is still of vital relevance for the contemporary audiovisual landscape. It was also the seminal experience for a generation of critics who have dedicated the following half-century to the task of critically responding to the cinema. The Red Years of Cahiers du Cinéma (1968-1973) gives a historical overview of this period in the journal's history, combining biographical accounts of the critics who were involved with Cahiers in the post-1968 and theoretical explorations of the text they wrote.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789463728508; 9789048543908; 9789463721011
    Weitere Identifier:
    Schlagworte: Film theory & criticism; Social & cultural history; Marxism & Communism
    Weitere Schlagworte: Cahiers du cinéma, film theory, apparatus theory, political modernism, French cinema
    Umfang: 1 electronic resource (427 p.)
  16. The Red Years of Cahiers du cinéma (1968-1973): Volume II, Aesthetics and Ontology
    Autor*in: Fairfax, Daniel
    Erschienen: 2021
    Verlag:  Amsterdam University Press

    The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's... mehr

     

    The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the "red years" of Cahiers du cinéma produced a theoretical outpouring that was formative for the establishment of film studies as an academic discipline in the 1970s, and is still of vital relevance for the contemporary audiovisual landscape. It was also the seminal experience for a generation of critics who have dedicated the following half-century to the task of critically responding to the cinema. The Red Years of Cahiers du Cinéma (1968-1973) gives a historical overview of this period in the journal's history, combining biographical accounts of the critics who were involved with Cahiers in the post-1968 and theoretical explorations of the text they wrote.

     
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    ISBN: 9789463728607; 9789048543915
    Weitere Identifier:
    Schlagworte: Film theory & criticism; Social & cultural history; Marxism & Communism
    Weitere Schlagworte: Cahiers du cinéma, film theory, apparatus theory, political modernism, French cinema
    Umfang: 1 electronic resource (455 p.)
  17. Siting Futurity : The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna
    Autor*in: Ingram, Susan
    Erschienen: 2021
    Verlag:  punctum books, Brooklyn, NY

    "Siting Futurity: The "Feel Good" Tactical Radicalism of Contemporary Culture in and around Vienna shows how cultural practitioners in and around Vienna draw on their historical knowledge of locality to create rousing productions designed to get... mehr

     

    "Siting Futurity: The "Feel Good" Tactical Radicalism of Contemporary Culture in and around Vienna shows how cultural practitioners in and around Vienna draw on their historical knowledge of locality to create rousing productions designed to get audiences to inform themselves about useful aspects of history, to get them to engage their presents, and to help make possible more socially equitable futures. Analyses of politically engaged works of contemporary theatre, film, and photography set in and around Vienna help to identify a historically oriented mechanism that enables artists to tap into Vienna’s extraordinary, and extraordinarily under-appreciated, tradition of protest culture that dates back to the action that brought about the Wiener Neustadt “Blood Court” in the 16th century, but really came into its own with the city’s most influential occupation of an abandoned slaughterhouse for 100 days in the late summer of 1976. It also shows how work with a connection to Vienna by international stars like David Bowie, Wes Anderson, and Christoph Schlingensief has absorbed the same principles.

     

    While the overwhelming scale of technological development and the ensuing problems and crises may not have been deliberately designed to induce resignation, passivity, and despair, those who benefit from the related hyperobjects of financialization and climate change must find it convenient that they do, as demoralization reduces resistance to their profit-making machinations. It is in this context that Red Vienna’s proud tradition of social engagement and long tradition of resistance and radicality deserves to be better known.

     
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    ISBN: 9781953035479
    Weitere Identifier:
    Schlagworte: Demonstrations & protest movements; Austria; Theatre studies; Film theory & criticism
    Weitere Schlagworte: activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
    Umfang: 1 electronic resource (224 p.)
  18. Digitale Materialität : Eine Ethnografie arbeitsteiliger Visual-Effects-Produktion
    Autor*in: Trischler, Ronja
    Erschienen: 2021
    Verlag:  transcript Verlag, Bielefeld

    Das Digitale gilt als artifiziell, synthetisch, fluid. Was, wenn sich derart jede Stofflichkeit gestaltet, die es zu bearbeiten gilt? In der arbeitsteiligen, teilautomatisierten Herstellung von Filmbildern stellt digitale Materialität Projektteams... mehr

     

    Das Digitale gilt als artifiziell, synthetisch, fluid. Was, wenn sich derart jede Stofflichkeit gestaltet, die es zu bearbeiten gilt? In der arbeitsteiligen, teilautomatisierten Herstellung von Filmbildern stellt digitale Materialität Projektteams vor allerlei praktische Probleme, die diese zu bewältigen wissen. Ronja Trischler beobachtet die schrittweise Entstehung medialer Bilder in Visual-Effects-Firmen in Deutschland und England und zeichnet grundlegende Praktiken des gemeinsamen digitalen Gestaltens nach. Ihr Fokus auf Alltagsvollzüge digitaler Arbeit eröffnet eine gehaltvolle Perspektive auf digitale Kreativarbeit — und deren Materialisierung ganzer Bilderwelten.

     
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    Quelle: OAPEN; transcript Open Access
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783839457962; 9783837657968
    Weitere Identifier:
    Schlagworte: Media studies; Film theory & criticism
    Weitere Schlagworte: Technik; Arbeit; Visualität; Materialität; Ethnografie; Soziologie; Kreativität; Medien; Film; Digitale Medien; Mediensoziologie; Technologie; Technology; Work; Visuality; Materiality; Ethnography; Sociology; Creativity; Media; Digital Media; Sociology of Media
    Umfang: 1 electronic resource (310 p.)
  19. Trouble in paradise
    Autor*in: Weir, David
    Erschienen: 2021
    Verlag:  British Film Institute, London [England] ; Bloomsbury Publishing, [London, England]

    1. Introduction: A biographical sketch of Lubitsch's career leading up to Trouble in Paradise -- 2. The development of classic Hollywood technique -- 3. Analysis of Trouble in Paradise -- 4. Reception, legacy and influence -- 5. Conclusion -- Notes... mehr

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    1. Introduction: A biographical sketch of Lubitsch's career leading up to Trouble in Paradise -- 2. The development of classic Hollywood technique -- 3. Analysis of Trouble in Paradise -- 4. Reception, legacy and influence -- 5. Conclusion -- Notes -- Credits -- Bibliography. "Ernst Lubitsch's Trouble in Paradise (1932) was released at a critical moment in cinema history, just after the advent of synchronized sound technology and just before the full implementation of the production code. By the time of its release, Lubitsch had already directed more than 50 films, but it was unlike anything he had done before. Aside from being his first non-musical talking picture, the film introduced a level of sophistication and visual subtlety that established the benchmark for classic Hollywood cinema for years to come. In his study of the film, David Weir explores its significance within Lubitsch's career, but also its larger cultural significance within the history of cinema, and the social context of its release during the Great Depression. Paying careful attention to the film itself, Weir discusses its source material, its mise-en-scn̈e and art deco production design, and its inventive use of post-synchronized sound. Drawing on original archival research, Weir traces Trouble in Paradise 's reception history, including its critical reception, and the effect of the Motion Picture Production Code, which led to the film being denied approval for re-release in 1935."--

     
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    Medientyp: Ebook
    Format: Online
    ISBN: 9781839022067
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schriftenreihe: BFI Film Classics
    Schlagworte: Motion pictures; Film theory & criticism
    Weitere Schlagworte: Lubitsch, Ernst (1892-1947)
    Umfang: 1 Online-Ressource (104 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references

    Also published in print.
  20. Muslim masculinities in literature and film
    transcultural identity and migration in Britain
    Autor*in: Cherry, Peter
    Erschienen: 2021
    Verlag:  I.B. Tauris, London [England] ; Bloomsbury Publishing, London, England

    Acknowledgements -- Introduction: Writing British Muslim Masculinities -- Part I: Emergence of the British Muslim Male -- 1. Muslim Masculinities on the Move: Salman Rushdie's The Satanic Verses (1988) -- 2. Sacred and Secular Masculinities: Hanif... mehr

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    Acknowledgements -- Introduction: Writing British Muslim Masculinities -- Part I: Emergence of the British Muslim Male -- 1. Muslim Masculinities on the Move: Salman Rushdie's The Satanic Verses (1988) -- 2. Sacred and Secular Masculinities: Hanif Kureishi's The Black Album (1995) and Zadie Smith's White Teeth (2000) -- 3. Between Men, Desiring Men: Hanif Kureishi's My Beautiful Laundrette (dir. Stephen Frears, 1985) And Sally El Hosaini's My Brother the Devil (dir. Sally El Hosaini, 2012) -- Part II: Locating the British Muslim Male -- 4. British Muslim Masculinities in the Metropolis: Monica Ali's Brick Lane (2004) and Suhayl Saadi's Psychoraag (2004) -- 5. Mapping British Muslim Masculinities: Nadeem Aslam's Maps for Lost Lovers (2004) and -- 6. Zia Haider Rahman's In the Light of What We Know (2014) Fathers, Sons, Brothers: Kamila Shamsie's Home Fire (2017) and Guy Gunaratne's In Our Mad and Furious City (2018) -- Conclusion: Untranslated Men? -- Bibliography. "A climate of Islamophobia allows anxieties about Muslim men living in and migrating to Britain to endure. British Muslims men are often profiled in highly negative terms or regarded with suspicion owing to their perceived religious and cultural heritage. But novels and films by British migrant and diaspora writers and filmmakers powerfully contest these stereotypes, and explore the rich diversity of Muslim masculinities in Britain. This book is the first critical study to engage with British Muslim masculinities in this literary and cinematic output from the perspective of Masculinity Studies. Through close analysis of work by Monica Ali, Nadeem Aslam, Guy Gunaratne, Sally El Hosaini, Hanif Kureishi, Suhayl Saadi, Sunjeev Sahota, Kamila Shamsie, Zadie Smith, Zia Haider Rahman and Salman Rushdie, Peter Cherry examines how migrant and diaspora protagonists negotiate their masculinity in a climate of Islamophobic and anti-migrant rhetoric. Cherry proposes a transcultural reading of these novels and films that exposes how conceptions of 'Britishness', 'Muslimness' and those of masculinity are unstable and contingent constructs shaped by migration, interaction with other cultures, and global and local politics."--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
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    Format: Online
    ISBN: 9780755601745; 0755601742
    Weitere Identifier:
    Schriftenreihe: Gender and Islam
    Schlagworte: Muslims; Muslims in literature; Muslims in motion pictures; Masculinity in literature; Masculinity in motion pictures; Islamophobia; Film theory & criticism; Gender and the Middle East (Middle East); Migration and Minority Studies (Middle East); Islamic Studies (Middle East); Middle East
    Umfang: 1 Online-Ressource (1 online resource)
    Bemerkung(en):

    Includes bibliographical references and index

    Also issued in print: I.B. Tauris, 2021.
  21. Queere Zeitlichkeiten in dokumentarischen Filmen : Untersuchungen an der Schnittstelle von Filmwissenschaft und Queer Studies
    Autor*in: Frankenberg, Natascha
    Erschienen: 2021
    Verlag:  transcript Verlag

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    Hochschulbibliothek der Fachhochschule Aachen
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    Quelle: Verbundkataloge
    Sprache: Unbestimmt
    Medientyp: Ebook
    Format: Online
    ISBN: 9783732856763
    Weitere Identifier:
    10.14361/9783839456767
    Weitere Schlagworte: Queer Studies; Zeitlichkeit; Dokumentarfilm; Film; Feministische Filmtheorie; Queer Cinema; Zeit; Geschlecht; Medien; Queer Theory; Gender Studies; Medientheorie; Medienwissenschaft; Temporality; Documentary Film; Feminist Film Theory; Time; Gender; Media; Media Theory; Media Studies; Film theory & criticism; Media studies; Gay & Lesbian studies; Gender studies, gender groups
    Umfang: 1 electronic resource (232 pages)
  22. Cinema's Doppelgängers
    Autor*in: Dibbern, Doug
    Erschienen: 2021
    Verlag:  Punctum Books, [S.l.]

    "Cinema's Doppelgängers is a counterfactual history of the cinema - or, perhaps, a work of speculative fiction in the guise of a scholarly history of film and movie guide. That is, it's a history of the movies written from an alternative unfolding of... mehr

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    "Cinema's Doppelgängers is a counterfactual history of the cinema - or, perhaps, a work of speculative fiction in the guise of a scholarly history of film and movie guide. That is, it's a history of the movies written from an alternative unfolding of historical time - a world in which neither the Bolsheviks nor the Nazis came to power, and thus a world in which Sergei Eisenstein never made movies and German filmmakers like Fritz Lang never fled to Hollywood, a world in which the talkies were invented in 1936 rather than 1927, in which the French New Wave critics didn't become filmmakers, and in which Hitchcock never came to Hollywood.The book attempts, on the one hand, to explore and expand upon the intrinsically creative nature of all historical writing; like all works of fiction, its ultimate goal is to be a work of art in and of itself. But it also aims, on the other hand, to be a legitimate examination of the relationship between the economic and political organization of nations and film industries and the resulting aesthetics of film and thus of the dominant ideas and values of film scholarship and criticism."

     
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    Format: Online
    ISBN: 9781953035622; 1953035620; 9781953035639
    Schlagworte: Motion pictures; Film criticism; Motion picture plays; Film theory & criticism
    Weitere Schlagworte: aternative realism, cinema, film history, film studies, historiography, speculative fiction
    Umfang: 1 Online-Ressource
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    Title from content provider
  23. Muslim masculinities in literature and film
    transcultural identity and migration in Britain
    Autor*in: Cherry, Peter
    Erschienen: 2021
    Verlag:  I.B. Tauris, London [England] ; Bloomsbury Publishing, London, England

    Acknowledgements -- Introduction: Writing British Muslim Masculinities -- Part I: Emergence of the British Muslim Male -- 1. Muslim Masculinities on the Move: Salman Rushdie's The Satanic Verses (1988) -- 2. Sacred and Secular Masculinities: Hanif... mehr

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    Universität Potsdam, Universitätsbibliothek
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    Acknowledgements -- Introduction: Writing British Muslim Masculinities -- Part I: Emergence of the British Muslim Male -- 1. Muslim Masculinities on the Move: Salman Rushdie's The Satanic Verses (1988) -- 2. Sacred and Secular Masculinities: Hanif Kureishi's The Black Album (1995) and Zadie Smith's White Teeth (2000) -- 3. Between Men, Desiring Men: Hanif Kureishi's My Beautiful Laundrette (dir. Stephen Frears, 1985) And Sally El Hosaini's My Brother the Devil (dir. Sally El Hosaini, 2012) -- Part II: Locating the British Muslim Male -- 4. British Muslim Masculinities in the Metropolis: Monica Ali's Brick Lane (2004) and Suhayl Saadi's Psychoraag (2004) -- 5. Mapping British Muslim Masculinities: Nadeem Aslam's Maps for Lost Lovers (2004) and -- 6. Zia Haider Rahman's In the Light of What We Know (2014) Fathers, Sons, Brothers: Kamila Shamsie's Home Fire (2017) and Guy Gunaratne's In Our Mad and Furious City (2018) -- Conclusion: Untranslated Men? -- Bibliography. "A climate of Islamophobia allows anxieties about Muslim men living in and migrating to Britain to endure. British Muslims men are often profiled in highly negative terms or regarded with suspicion owing to their perceived religious and cultural heritage. But novels and films by British migrant and diaspora writers and filmmakers powerfully contest these stereotypes, and explore the rich diversity of Muslim masculinities in Britain. This book is the first critical study to engage with British Muslim masculinities in this literary and cinematic output from the perspective of Masculinity Studies. Through close analysis of work by Monica Ali, Nadeem Aslam, Guy Gunaratne, Sally El Hosaini, Hanif Kureishi, Suhayl Saadi, Sunjeev Sahota, Kamila Shamsie, Zadie Smith, Zia Haider Rahman and Salman Rushdie, Peter Cherry examines how migrant and diaspora protagonists negotiate their masculinity in a climate of Islamophobic and anti-migrant rhetoric. Cherry proposes a transcultural reading of these novels and films that exposes how conceptions of 'Britishness', 'Muslimness' and those of masculinity are unstable and contingent constructs shaped by migration, interaction with other cultures, and global and local politics."--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
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    Format: Online
    ISBN: 9780755601745; 0755601742
    Weitere Identifier:
    Schriftenreihe: Gender and Islam
    Schlagworte: Muslims; Muslims in literature; Muslims in motion pictures; Masculinity in literature; Masculinity in motion pictures; Islamophobia; Film theory & criticism; Gender and the Middle East (Middle East); Migration and Minority Studies (Middle East); Islamic Studies (Middle East); Middle East
    Umfang: 1 Online-Ressource (1 online resource)
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    Includes bibliographical references and index

    Also issued in print: I.B. Tauris, 2021.
  24. Trouble in paradise
    Autor*in: Weir, David
    Erschienen: 2021
    Verlag:  British Film Institute, London [England] ; Bloomsbury Publishing, [London, England]

    1. Introduction: A biographical sketch of Lubitsch's career leading up to Trouble in Paradise -- 2. The development of classic Hollywood technique -- 3. Analysis of Trouble in Paradise -- 4. Reception, legacy and influence -- 5. Conclusion -- Notes... mehr

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    1. Introduction: A biographical sketch of Lubitsch's career leading up to Trouble in Paradise -- 2. The development of classic Hollywood technique -- 3. Analysis of Trouble in Paradise -- 4. Reception, legacy and influence -- 5. Conclusion -- Notes -- Credits -- Bibliography. "Ernst Lubitsch's Trouble in Paradise (1932) was released at a critical moment in cinema history, just after the advent of synchronized sound technology and just before the full implementation of the production code. By the time of its release, Lubitsch had already directed more than 50 films, but it was unlike anything he had done before. Aside from being his first non-musical talking picture, the film introduced a level of sophistication and visual subtlety that established the benchmark for classic Hollywood cinema for years to come. In his study of the film, David Weir explores its significance within Lubitsch's career, but also its larger cultural significance within the history of cinema, and the social context of its release during the Great Depression. Paying careful attention to the film itself, Weir discusses its source material, its mise-en-scn̈e and art deco production design, and its inventive use of post-synchronized sound. Drawing on original archival research, Weir traces Trouble in Paradise 's reception history, including its critical reception, and the effect of the Motion Picture Production Code, which led to the film being denied approval for re-release in 1935."--

     
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    Quelle: Staatsbibliothek zu Berlin
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    Format: Online
    ISBN: 9781839022067
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schriftenreihe: BFI Film Classics
    Schlagworte: Motion pictures; Film theory & criticism
    Weitere Schlagworte: Lubitsch, Ernst (1892-1947)
    Umfang: 1 Online-Ressource (104 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references

    Also published in print.
  25. Space, place and hybridity in the national imagination
    Autor*in: Vandamme, Christine
    Erschienen: 2021
    Verlag:  Cambridge Scholars Publisher, Newcastle-upon-Tyne

    This volume explores space, place and hybridity in today's multicultural societies with a strong emphasis on the role of art and spatial representations, in order to map out the complexity of modern nations and celebrate the creative powers of their... mehr

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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

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    This volume explores space, place and hybridity in today's multicultural societies with a strong emphasis on the role of art and spatial representations, in order to map out the complexity of modern nations and celebrate the creative powers of their highly dynamic communities and cultures.It considers how the very idea of the nation has evolved since the emergence and development of the idea of the nation-state at the end of the eighteenth century, and how art can reinvigorate representations of nation-states worldwide without relegating their minorities to the margin. Instead of merely focusi

     
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    Quelle: Verbundkataloge
    Beteiligt: Dodeman, André
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781527574519; 9781527598157
    RVK Klassifikation: EC 2450
    Schlagworte: Multikulturelle Gesellschaft; Nationalstaat; Spatial turn
    Weitere Schlagworte: Literary studies: post-colonial literature; Ethnic minorities & multicultural studies; Film theory & criticism
    Umfang: xxv, 348 Seiten, 11 ungezählte Seiten Tafeln, Illustrationen (farbig)
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    Hier auch später erschienene, unveränderte Nachdrucke

    Intro -- Table of Contents -- Acknowledgements -- Introduction -- Part I -- Chapter One -- Chapter Two -- Chapter Three -- Chapter Four -- Part II -- Part II.1 -- Chapter Five -- Chapter Six -- Part II.2 -- Chapter Seven -- Chapter Eight -- Colour Centrefold -- Part III -- Chapter Nine -- Chapter Ten -- Chapter Eleven -- Chapter Twelve -- Part IV -- Part IV.1 -- Chapter Thirteen -- Chapter Fourteen -- Chapter Fifteen -- Part IV.2 -- Chapter Sixteen -- Chapter Seventeen -- Chapter Eighteen -- Bibliography -- Contributors