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Raymond Federman's real fictitious discourses
formulating yet another paradox -
Raymond Federman and Samuel Beckett
voices in the closet -
Pssst! Geschichte einer Kindheit
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Pssst! Geschichte einer Kindheit
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"Fiktion aus dem Wirklichen"
Strategien autobiographischen Erzählens im Kontext der Shoah -
Die Ästhetik der Leerstelle
Raymond Federmans Roman "La fourrure de ma tante Rachel" vor dem Hintergrund des Gesamtwerks -
Narrative innovation and cultural rewriting in the Cold War and after
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Criteria of identity
a comparative analysis of Raymond Federman's The voice in the closet and selected works by Jasper Johns together with the original text of Raymond Federman's The voice in the closet and an introduction by Richard Martin -
Raymond Federman's real fictitious discourses
formulating yet another paradox -
Autobiographie [und] & Avant-garde
Alain Robbe-Grillet, Serge Doubrovsky, Rachid Boudjedra, Maxine Hong Kingston, Raymond Federman, Ronald Sukenick -
Federman's fictions
innovation, theory, and the Holocaust -
Das Buch als literarisches Werk
Gestaltung und Semantisierung des Buchraums in der Literatur des 20. Jahrhunderts, insbesondere in Raymond Federmans Visualroman "Double or nothing. A real fictitious discourse" -
Pssst! Geschichte einer Kindheit
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Federman's fictions
innovation, theory, and the Holocaust -
Narrative innovation and cultural rewriting in the Cold War and after
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The novel as performance
the fiction of Ronald Sukenick and Raymond Federman -
Autobiographie & [und] Avant-garde
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Literary disruptions
the making of a postcontemporary American fiction -
Pssst! Geschichte einer Kindheit
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The novel as performance
the fiction of Ronald Sukenick and Raymond Federman -
Autobiographie & Avant-garde
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Criteria of identity
a comparative analysis of Raymond Federman's The voice in the closet and selected works by Jasper Johns together with the original text of Raymond Federman's The voice in the closet and an introduction by Richard Martin -
Federman's fictions
innovation, theory, and the Holocaust -
Literary disruptions
the making of a post-contemporary American fiction -
METAfiktionen
Der experimentelle Roman seit den 1960er Jahren