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Raymond Federman's real fictitious discourses
formulating yet another paradox -
Pssst! Geschichte einer Kindheit
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Pssst! Geschichte einer Kindheit
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Narrative innovation and cultural rewriting in the Cold War and after
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Criteria of identity
a comparative analysis of Raymond Federman's The voice in the closet and selected works by Jasper Johns together with the original text of Raymond Federman's The voice in the closet and an introduction by Richard Martin -
Raymond Federman's real fictitious discourses
formulating yet another paradox -
Autobiographie [und] & Avant-garde
Alain Robbe-Grillet, Serge Doubrovsky, Rachid Boudjedra, Maxine Hong Kingston, Raymond Federman, Ronald Sukenick -
Pssst! Geschichte einer Kindheit
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Narrative innovation and cultural rewriting in the Cold War and after
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The novel as performance
the fiction of Ronald Sukenick and Raymond Federman -
Autobiographie & [und] Avant-garde
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Literary disruptions
the making of a postcontemporary American fiction -
Pssst! Geschichte einer Kindheit
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"Fiktion aus dem Wirklichen"
Strategien autobiographischen Erzählens im Kontext der Shoah -
The novel as performance
the fiction of Ronald Sukenick and Raymond Federman -
Autobiographie & Avant-garde
-
Criteria of identity
a comparative analysis of Raymond Federman's The voice in the closet and selected works by Jasper Johns together with the original text of Raymond Federman's The voice in the closet and an introduction by Richard Martin -
Narrative innovation and cultural rewriting in the Cold War and after
-
Autobiographie & Avant-garde
-
The novel as performance
the fiction of Ronald Sukenick and Raymond Federman -
Autobiographie & Avant-garde
-
"Fiktion aus dem Wirklichen"
Strategien autobiographischen Erzählens im Kontext der Shoah -
The novel as performance
the fiction of Ronald Sukenick and Raymond Federman -
Narrative innovation and cultural rewriting in the Cold War and after
-
Pssst!
Geschichte einer Kindheit