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  1. Reading Nuruddin Farah
    the individual, the novel & the idea of home
    Autor*in: Moolla, F. Fiona
    Erschienen: 2014
    Verlag:  Boydell & Brewer, Suffolk

    The Somali novelist, Nuruddin Farah, is one of the most important African writers today. The central question that this book investigates is the relationship between modern identity and the novel as a genre. Nuruddin Farah's novels are shown by... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Somali novelist, Nuruddin Farah, is one of the most important African writers today. The central question that this book investigates is the relationship between modern identity and the novel as a genre. Nuruddin Farah's novels are shown by Moolla to encompass the history of the novel: from the 'proto-realism' of the acclaimed From a Crooked Rib to the modernism of A Naked Needle and the postmodernism of, most notably, Maps, returning almost full circle with his most recent novel Crossbones. Moolla examines his writing within the framework of Somali society and culture, Islamic traditions and political contexts, all of which are central themesin his novels. She also addresses his engagement with women's lives - his female characters and identities being at the heart of, rather than peripheral, to his stories - something that has always distinguished Farah from many other male African writers. The book finally suggests that through his literary negotiation of the central contradiction of modern identity, Farah comes close to constituting a subject who no longer is transcendentally 'homeless', but finds a home 'everywhere' - a fitting project for a writer who has been in exile for the greater part of his life. F. Fiona Moolla is a lecturer in the Faculty of Arts at the University of Western Cape in SouthAfrica as well as freelance writer and published author of short stories and novels

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781782042389
    RVK Klassifikation: HP 4141
    Schlagworte: Postmodernism (Literature) / Somalia; Politics and literature / Somalia; Novelle
    Weitere Schlagworte: Farah, Nuruddin / 1945- / Criticism and interpretation; Farah, Nuruddin (1945-)
    Umfang: 1 online resource (vi, 210 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  2. Reading Nuruddin Farah
    the individual, the novel & the idea of home
    Autor*in: Moolla, F. Fiona
    Erschienen: 2014
    Verlag:  Boydell & Brewer, Suffolk

    The Somali novelist, Nuruddin Farah, is one of the most important African writers today. The central question that this book investigates is the relationship between modern identity and the novel as a genre. Nuruddin Farah's novels are shown by... mehr

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    The Somali novelist, Nuruddin Farah, is one of the most important African writers today. The central question that this book investigates is the relationship between modern identity and the novel as a genre. Nuruddin Farah's novels are shown by Moolla to encompass the history of the novel: from the 'proto-realism' of the acclaimed From a Crooked Rib to the modernism of A Naked Needle and the postmodernism of, most notably, Maps, returning almost full circle with his most recent novel Crossbones. Moolla examines his writing within the framework of Somali society and culture, Islamic traditions and political contexts, all of which are central themesin his novels. She also addresses his engagement with women's lives - his female characters and identities being at the heart of, rather than peripheral, to his stories - something that has always distinguished Farah from many other male African writers. The book finally suggests that through his literary negotiation of the central contradiction of modern identity, Farah comes close to constituting a subject who no longer is transcendentally 'homeless', but finds a home 'everywhere' - a fitting project for a writer who has been in exile for the greater part of his life. F. Fiona Moolla is a lecturer in the Faculty of Arts at the University of Western Cape in SouthAfrica as well as freelance writer and published author of short stories and novels

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781782042389
    RVK Klassifikation: HP 4141
    Schlagworte: Postmodernism (Literature) / Somalia; Politics and literature / Somalia; Novelle
    Weitere Schlagworte: Farah, Nuruddin / 1945- / Criticism and interpretation; Farah, Nuruddin (1945-)
    Umfang: 1 online resource (vi, 210 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  3. Reading Nuruddin Farah
    the individual, the novel & the idea of home
    Autor*in: Moolla, F. Fiona
    Erschienen: 2014
    Verlag:  Boydell & Brewer, Suffolk

    The Somali novelist, Nuruddin Farah, is one of the most important African writers today. The central question that this book investigates is the relationship between modern identity and the novel as a genre. Nuruddin Farah's novels are shown by... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Somali novelist, Nuruddin Farah, is one of the most important African writers today. The central question that this book investigates is the relationship between modern identity and the novel as a genre. Nuruddin Farah's novels are shown by Moolla to encompass the history of the novel: from the 'proto-realism' of the acclaimed From a Crooked Rib to the modernism of A Naked Needle and the postmodernism of, most notably, Maps, returning almost full circle with his most recent novel Crossbones. Moolla examines his writing within the framework of Somali society and culture, Islamic traditions and political contexts, all of which are central themesin his novels. She also addresses his engagement with women's lives - his female characters and identities being at the heart of, rather than peripheral, to his stories - something that has always distinguished Farah from many other male African writers. The book finally suggests that through his literary negotiation of the central contradiction of modern identity, Farah comes close to constituting a subject who no longer is transcendentally 'homeless', but finds a home 'everywhere' - a fitting project for a writer who has been in exile for the greater part of his life. F. Fiona Moolla is a lecturer in the Faculty of Arts at the University of Western Cape in SouthAfrica as well as freelance writer and published author of short stories and novels

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781782042389
    RVK Klassifikation: HP 4141
    Schlagworte: Postmodernism (Literature); Politics and literature; Farah, Nuruddin ; 1945- ; Criticism and interpretation; Postmodernism (Literature) ; Somalia; Politics and literature ; Somalia
    Weitere Schlagworte: Farah, Nuruddin (1945-)
    Umfang: 1 Online-Ressource (vi, 210 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    1. Defining the individual : conceptual & historical limits -- 2. From a crooked rib & the Bildungsroman : developing the self, developing the nation -- 3. The 'gynocentric' Bildungsroman : Sardines & Gifts -- 4. Modernism in A naked needle & Sweet & sour milk : irony, morality & the aesthetic -- 5. Close sesame & the representation of heteronomy -- 6. Dissolving the boundaries of self & nation in Maps & Secrets -- 7. Reconstructing the subject in the third trilogy : links, knots & crossbones.
  4. Reading Nuruddin Farah
    the individual, the novel & the idea of home
    Autor*in: Moolla, F. Fiona
    Erschienen: 2014
    Verlag:  James Currey, Woodbridge (Suffolk, England)

    A close analysis of Farah's novels is used to track the contradictions implicit in the notion of the modern, disengaged self and how transformations of the novel in literary history attempt to negotiate this founding contradiction mehr

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    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    keine Fernleihe

     

    A close analysis of Farah's novels is used to track the contradictions implicit in the notion of the modern, disengaged self and how transformations of the novel in literary history attempt to negotiate this founding contradiction

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781847010919
    Schlagworte: Postmodernism (Literature); Politics and literature
    Weitere Schlagworte: Farah, Nuruddin (1945-)
    Umfang: Online-Ressource (218 p)
    Bemerkung(en):

    Description based upon print version of record

    Frontcover; Contents; Introduction; Backgrounds: Orality, Feminism & Exile; The Polyphonies of Farah's Novels; Novelisation & Individualisation; Overview; 1 Defining the Individual: Conceptual & Historical Limits; Locating Ethical Sources: A Philosophical Detour; The Novel Self; Nation & Novel; The Subject of Empire; Transformations of Consciousness; The Individual Unbound: Non-Modern Subjectivities; Somali Heteronomy; Islamic Heteronomy; 2 From a Crooked Rib & the Bildungsroman: Developing the Self, Developing the Nation; A Short History of the Bildungsroman: German Romantic Origins

    George Lukács: Bildung & Transcendental HomelessnessLiving with Contradiction: Franco Moretti and the Comfort of Civilisation; Autonomous Personality Development in From A Crooked Rib: A Universal Law?; Foreign Form, Local Content: The Example of Leopard Among the Women; 3 The 'Gynocentric' Bildungsroman: Sardines & Gifts; Trends in the Female Bildungsroman; Sardines: Constructing the Self, Constructing the World; Reading subjects: the novel of development in the novel of development; Coming home: castles in the sky; The Subject of Economies of Exchange in Gifts

    Mauss's gift: from potlatch to art4 Modernism in A Naked Needle & Sweet & Sour Milk: Irony, Morality & the Aesthetic; Individualism & Textuality in A Naked Needle; Postcolonial odysseys; African modernism; Reflexive unities: musical idealism; Aestheticising time & space; Aestheticising time & space; Homecomings; The Existential Question in Sweet & Sour Milk; Linguistic materiality and linguistic transcendence: hiccuping and silence; 5 Close Sesame & the Representation of Heteronomy; External Ethical Sources & the Novel: Trying to Find Common Ground

    Ignorance is the Enemy of Love: The Example of the Unnovelistic NovelTranscendental Moral Sources & the Novelistic Hero; Close Sesame and the Representation of Socially Constituted Selfhood; 6 Dissolving the Boundaries of Self & Nation in Maps & Secrets; Questioning Identity in Maps; Affiliative Bonds in Secrets; Pushing the Boundaries: Gender & Sexuality in Maps & Secrets; Schizophrenia Under Scrutiny: Me, Myself & I; 7 Reconstructing the Subject in the Third Trilogy Links, Knots & Crossbones; Moral Vocabulary & the Associational Self in Links

    Trapped in the seventh circle: the moral paradoxes of individualismIslands of hope, islands of despair; 'In the sea of life enisled': pronouns & the meeting of marges; Knots & the Romance of the Postcolonial Public Sphere; Variations on the theme of the public sphere; Lifestyle enclaves: aestheticising/ performing the self; Crossbones & Postnational Realism; Networking criminality: piracy & terrorism; Selfmade man - unmade man; Investigative journalism & fictional realism; Homecoming & the novel; Conclusion; Bibliography; Index; Backcover
  5. Reading Nuruddin Farah
    the individual, the novel & the idea of home
    Autor*in: Moolla, F. Fiona
    Erschienen: 2014
    Verlag:  Boydell & Brewer, Suffolk

    The Somali novelist, Nuruddin Farah, is one of the most important African writers today. The central question that this book investigates is the relationship between modern identity and the novel as a genre. Nuruddin Farah's novels are shown by... mehr

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    The Somali novelist, Nuruddin Farah, is one of the most important African writers today. The central question that this book investigates is the relationship between modern identity and the novel as a genre. Nuruddin Farah's novels are shown by Moolla to encompass the history of the novel: from the 'proto-realism' of the acclaimed From a Crooked Rib to the modernism of A Naked Needle and the postmodernism of, most notably, Maps, returning almost full circle with his most recent novel Crossbones. Moolla examines his writing within the framework of Somali society and culture, Islamic traditions and political contexts, all of which are central themesin his novels. She also addresses his engagement with women's lives - his female characters and identities being at the heart of, rather than peripheral, to his stories - something that has always distinguished Farah from many other male African writers. The book finally suggests that through his literary negotiation of the central contradiction of modern identity, Farah comes close to constituting a subject who no longer is transcendentally 'homeless', but finds a home 'everywhere' - a fitting project for a writer who has been in exile for the greater part of his life. F. Fiona Moolla is a lecturer in the Faculty of Arts at the University of Western Cape in SouthAfrica as well as freelance writer and published author of short stories and novels

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781782042389
    RVK Klassifikation: HP 4141
    Schlagworte: Postmodernism (Literature); Politics and literature; Farah, Nuruddin ; 1945- ; Criticism and interpretation; Postmodernism (Literature) ; Somalia; Politics and literature ; Somalia
    Weitere Schlagworte: Farah, Nuruddin (1945-)
    Umfang: 1 Online-Ressource (vi, 210 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    1. Defining the individual : conceptual & historical limits -- 2. From a crooked rib & the Bildungsroman : developing the self, developing the nation -- 3. The 'gynocentric' Bildungsroman : Sardines & Gifts -- 4. Modernism in A naked needle & Sweet & sour milk : irony, morality & the aesthetic -- 5. Close sesame & the representation of heteronomy -- 6. Dissolving the boundaries of self & nation in Maps & Secrets -- 7. Reconstructing the subject in the third trilogy : links, knots & crossbones.