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  1. The imagination in early modern English literature
    Autor*in: Smid, Deanna
    Erschienen: 2017; © 2017
    Verlag:  Brill Rodopi, Leiden

    In The Imagination in Early Modern English Literature, Deanna Smid presents a literary, historical account of imagination in early modern English literature, paying special attention to its effects on the body, to its influence on women, to its... mehr

    Zugang:

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In The Imagination in Early Modern English Literature, Deanna Smid presents a literary, historical account of imagination in early modern English literature, paying special attention to its effects on the body, to its influence on women, to its restraint by reason, and to its ability to create novelty. An early modern definition of imagination emerges in the work of Robert Burton, Francis Bacon, Edward Reynolds, and Margaret Cavendish. Smid explores a variety of literary texts, from Thomas Nashe’s The Unfortunate Traveler to Francis Quarles’s Emblems, to demonstrate the literary consequences of the early modern imagination. The Imagination in Early Modern English Literature insists that, if we are to call an early modern text “imaginative,” we must recognize the unique characteristics of early modern English imagination, in all its complexity. The Imagination in Early Modern English Literature -- Copyright -- Contents -- Acknowledgments -- Introduction -- 1 The Imagination Defined -- 2 The Imagination Embodied: Brain, Body, and Thomas Nashe's The Unfortunate Traveller -- 3 The Imagination Gendered: Pregnancy and Creation in William Shakespeare's The Winter's Tale -- 4 The Imagination Restrained: Fantasy and Reality in Richard Brome's The Antipodes -- 5 The Imagination Creative: Francis Quarles Pictures the World in Emblemes -- Conclusion: The Imagination…Historicized? -- Bibliography -- Index

     
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  2. The imagination in early modern English literature
    Autor*in: Smid, Deanna
    Erschienen: 2017; © 2017
    Verlag:  Brill Rodopi, Leiden

    In The Imagination in Early Modern English Literature, Deanna Smid presents a literary, historical account of imagination in early modern English literature, paying special attention to its effects on the body, to its influence on women, to its... mehr

    Zugang:

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    In The Imagination in Early Modern English Literature, Deanna Smid presents a literary, historical account of imagination in early modern English literature, paying special attention to its effects on the body, to its influence on women, to its restraint by reason, and to its ability to create novelty. An early modern definition of imagination emerges in the work of Robert Burton, Francis Bacon, Edward Reynolds, and Margaret Cavendish. Smid explores a variety of literary texts, from Thomas Nashe’s The Unfortunate Traveler to Francis Quarles’s Emblems, to demonstrate the literary consequences of the early modern imagination. The Imagination in Early Modern English Literature insists that, if we are to call an early modern text “imaginative,” we must recognize the unique characteristics of early modern English imagination, in all its complexity. The Imagination in Early Modern English Literature -- Copyright -- Contents -- Acknowledgments -- Introduction -- 1 The Imagination Defined -- 2 The Imagination Embodied: Brain, Body, and Thomas Nashe's The Unfortunate Traveller -- 3 The Imagination Gendered: Pregnancy and Creation in William Shakespeare's The Winter's Tale -- 4 The Imagination Restrained: Fantasy and Reality in Richard Brome's The Antipodes -- 5 The Imagination Creative: Francis Quarles Pictures the World in Emblemes -- Conclusion: The Imagination…Historicized? -- Bibliography -- Index

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (Array)