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  1. The white logic
    alcoholism and gender in American modernist fiction
    Erschienen: ©1994
    Verlag:  University of Massachusetts Press, Amherst

    "There are no second acts in American lives." F. Scott Fitzgerald's famous pronouncement, an epitaph for his own foreshortened career, points out a pattern of imaginative blight common to writers of the Lost Generation. As John W. Crowley shows in... mehr

    Saarländische Universitäts- und Landesbibliothek
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe

     

    "There are no second acts in American lives." F. Scott Fitzgerald's famous pronouncement, an epitaph for his own foreshortened career, points out a pattern of imaginative blight common to writers of the Lost Generation. As John W. Crowley shows in this engaging study, excessive drinking had a crucial effect on the frequently diminished fortunes of these writers. Indeed, the modernists - especially the men - were a decidedly drunken lot. The first extended literary analysis to take account of recent work by social historians on the temperance movement, this book examines the relationship between intoxication and addiction in American life and letters during the first half of the twentieth century. In explaining the transition from Victorian to modern paradigms of heavy drinking, Crowley focuses on representative fictions. He considers the historical formation of "alcoholism" and earlier concepts of habitual drunkenness and their bearing on the social construction of gender roles. He also defines the "drunk narrative," a mode of fiction that expresses the conjunction of modernism and alcoholism in a pervasive ideology of despair - the White Logic of John Barleycorn, London's nihilistic lord of the spirits

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585083312; 9780585083315
    Schlagworte: Authors, American; Modernism (Literature); Alcoholics; Drinking customs in literature; Alcoholism in literature; Alcoholics in literature; Sex role in literature; American fiction; Drinking of alcoholic beverages in literature; Alcoholism
    Umfang: Online-Ressource (xi, 202 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 159-193) and index

    Use copy Restrictions unspecified star MiAaHDL

    From intemperance to alcoholism in the fiction of W.D. HowellsMemoirs of an alcoholic: John Barelycorn -- Bulls, balls, and booze: The sun also rises -- The drunkard's holiday: Tender is the night -- The infernal grove: Appointment in Samarra -- Transcendence downward: Nightwood -- After the lost generation: The lost weekend.

    Electronic reproduction

  2. The white logic
    alcoholism and gender in American modernist fiction
    Erschienen: ©1994
    Verlag:  University of Massachusetts Press, Amherst

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585083312; 0870239317; 9780585083315; 9780870239311
    Schlagworte: Roman américain / 20e siècle / Histoire et critique; Alcoolisme / États-Unis / Histoire / 20e siècle; Consommation d'alcool dans la littérature; Écrivains américains / 20e siècle / Consommation d'alcool; Modernisme (Littérature) / États-Unis; Alcooliques / États-Unis / Biographies; Boissons / Fonctions sociales, dans la littérature; Alcoolisme dans la littérature; Alcooliques dans la littérature; Rôle selon le sexe dans la littérature; LITERARY CRITICISM / American / General; Alcoholisme; Alcoholisten; Dronkenschap; Fictie; Roman américain / 20e siècle / Histoire et critique; Alcoolisme / États-Unis / 20e siècle; Alcooliques / États-Unis / Biographies; Alcoolisme dans la littérature; Consommation d'alcool / Dans la littérature; Rôle selon le sexe / Dans la littérature; Modernisme (littérature) / États-Unis; Alkoholismus <Motiv>; Roman; Geschichte; Prosa; American fiction; Alcoholism; Drinking of alcoholic beverages in literature; Authors, American; Modernism (Literature); Alcoholics; Drinking customs in literature; Alcoholism in literature; Alcoholics in literature; Sex role in literature; Geschlechterrolle; Alkoholismus <Motiv>; Alkoholismus; Geschlechterrolle <Motiv>; Roman
    Umfang: 1 Online-Ressource (xi, 202 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 159-193) and index

    From intemperance to alcoholism in the fiction of W.D. Howells -- Memoirs of an alcoholic: John Barelycorn -- Bulls, balls, and booze: The sun also rises -- The drunkard's holiday: Tender is the night -- The infernal grove: Appointment in Samarra -- Transcendence downward: Nightwood -- After the lost generation: The lost weekend

    "There are no second acts in American lives." F. Scott Fitzgerald's famous pronouncement, an epitaph for his own foreshortened career, points out a pattern of imaginative blight common to writers of the Lost Generation. As John W. Crowley shows in this engaging study, excessive drinking had a crucial effect on the frequently diminished fortunes of these writers. Indeed, the modernists - especially the men - were a decidedly drunken lot. The first extended literary analysis to take account of recent work by social historians on the temperance movement, this book examines the relationship between intoxication and addiction in American life and letters during the first half of the twentieth century. In explaining the transition from Victorian to modern paradigms of heavy drinking, Crowley focuses on representative fictions. He considers the historical formation of "alcoholism" and earlier concepts of habitual drunkenness and their bearing on the social construction of gender roles. He also defines the "drunk narrative," a mode of fiction that expresses the conjunction of modernism and alcoholism in a pervasive ideology of despair - the White Logic of John Barleycorn, London's nihilistic lord of the spirits

  3. The white logic
    alcoholism and gender in American modernist fiction
    Erschienen: 1994
    Verlag:  Univ. of Massachusetts Press, Amherst, Mass.

    "There are no second acts in American lives." F. Scott Fitzgerald's famous pronouncement, an epitaph for his own foreshortened career, points out a pattern of imaginative blight common to writers of the Lost Generation. As John W. Crowley shows in... mehr

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "There are no second acts in American lives." F. Scott Fitzgerald's famous pronouncement, an epitaph for his own foreshortened career, points out a pattern of imaginative blight common to writers of the Lost Generation. As John W. Crowley shows in this engaging study, excessive drinking had a crucial effect on the frequently diminished fortunes of these writers. Indeed, the modernists - especially the men - were a decidedly drunken lot. The first extended literary analysis to take account of recent work by social historians on the temperance movement, this book examines the relationship between intoxication and addiction in American life and letters during the first half of the twentieth century. In explaining the transition from Victorian to modern paradigms of heavy drinking, Crowley focuses on representative fictions. He considers the historical formation of "alcoholism" and earlier concepts of habitual drunkenness and their bearing on the social construction of gender roles. He also defines the "drunk narrative," a mode of fiction that expresses the conjunction of modernism and alcoholism in a pervasive ideology of despair - the White Logic of John Barleycorn, London's nihilistic lord of the spirits.

     

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  4. Wolfskehls Weinkehle
    der Zeus von Schwabing und die Kunst des Trinkens
    Erschienen: [1994]
    Verlag:  Roether, Darmstadt

    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    ISBN: 3792902052
    RVK Klassifikation: GM 7176
    Schlagworte: Wissen; Drinking of alcoholic beverages in literature; Wine in literature; Wein <Motiv>
    Weitere Schlagworte: Wolfskehl, Karl <1869-1948>; Wolfskehl, Karl (1869-1948)
    Umfang: 127 S., Ill.
  5. <<The>> white logic
    alcoholism and gender in American modernist fiction
    Erschienen: 1994
    Verlag:  Univ. of Massachusetts Press, Amherst, Mass.

    "There are no second acts in American lives." F. Scott Fitzgerald's famous pronouncement, an epitaph for his own foreshortened career, points out a pattern of imaginative blight common to writers of the Lost Generation. As John W. Crowley shows in... mehr

     

    "There are no second acts in American lives." F. Scott Fitzgerald's famous pronouncement, an epitaph for his own foreshortened career, points out a pattern of imaginative blight common to writers of the Lost Generation. As John W. Crowley shows in this engaging study, excessive drinking had a crucial effect on the frequently diminished fortunes of these writers. Indeed, the modernists - especially the men - were a decidedly drunken lot. The first extended literary analysis to take account of recent work by social historians on the temperance movement, this book examines the relationship between intoxication and addiction in American life and letters during the first half of the twentieth century. In explaining the transition from Victorian to modern paradigms of heavy drinking, Crowley focuses on representative fictions. He considers the historical formation of "alcoholism" and earlier concepts of habitual drunkenness and their bearing on the social construction of gender roles. He also defines the "drunk narrative," a mode of fiction that expresses the conjunction of modernism and alcoholism in a pervasive ideology of despair - the White Logic of John Barleycorn, London's nihilistic lord of the spirits.

     

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  6. The white logic
    alcoholism and gender in American modernist fiction
    Erschienen: 1994
    Verlag:  Univ. of Massachusetts Press, Amherst, Mass.

    "There are no second acts in American lives." F. Scott Fitzgerald's famous pronouncement, an epitaph for his own foreshortened career, points out a pattern of imaginative blight common to writers of the Lost Generation. As John W. Crowley shows in... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "There are no second acts in American lives." F. Scott Fitzgerald's famous pronouncement, an epitaph for his own foreshortened career, points out a pattern of imaginative blight common to writers of the Lost Generation. As John W. Crowley shows in this engaging study, excessive drinking had a crucial effect on the frequently diminished fortunes of these writers. Indeed, the modernists - especially the men - were a decidedly drunken lot. The first extended literary analysis to take account of recent work by social historians on the temperance movement, this book examines the relationship between intoxication and addiction in American life and letters during the first half of the twentieth century. In explaining the transition from Victorian to modern paradigms of heavy drinking, Crowley focuses on representative fictions. He considers the historical formation of "alcoholism" and earlier concepts of habitual drunkenness and their bearing on the social construction of gender roles. He also defines the "drunk narrative," a mode of fiction that expresses the conjunction of modernism and alcoholism in a pervasive ideology of despair - the White Logic of John Barleycorn, London's nihilistic lord of the spirits.

     

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  7. The white logic
    alcoholism and gender in American modernist fiction
    Erschienen: 1994
    Verlag:  Univ. of Massachusetts Press, Amherst, Mass.

    Universitätsbibliothek Freiburg
    GE 95/5016
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    AA L XXX 1004 p
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    Universitätsbibliothek Heidelberg
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    Universitätsbibliothek Hildesheim
    ANG 475 : C75
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    Thüringer Universitäts- und Landesbibliothek
    95 NA 40043/1
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Württembergische Landesbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0870239317; 0870239449
    RVK Klassifikation: HU 1691
    Schlagworte: Fiktion; Alkohol <Motiv>
    Weitere Schlagworte: Array; Array; Drinking of alcoholic beverages in literature; Array; Array; Array; Drinking customs in literature; Alcoholism in literature; Alcoholics in literature; Sex role in literature
    Umfang: XI, 202 S, 23 cm
    Bemerkung(en):

    Includes bibliographical references (p. [159]-193) and index