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  1. Delacroix à Alger
    Bab-el-Oued
    Autor*in: Xintaras, Zachary C.
    Erschienen: [2012]; © 2012
    Verlag:  BoDtm - Books on Demand, Paris

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
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    Quelle: Verbundkataloge
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    ISBN: 9782322003815
    Schlagworte: Algier-Bab-El-Oued <Motiv>; Algier <Motiv>
    Weitere Schlagworte: Delacroix, Eugène (1798-1863); Delacroix, Eugène / 1798-1863 / Et l'Algérie; Delacroix, Eugène / 1798-1863 / Voyages / Algérie; Delacroix, Eugène / 1798-1863 / Travel / Algeria; Algeria / Description and travel; Algérie / Descriptions et voyages; Delacroix, Eugène / 1798-1863; Travel; Algeria
    Umfang: 142 Seiten, 5 Seiten Bildtafeln, Illustrationen, 23 cm
    Bemerkung(en):

    Bibliographie Seite 128-142
  2. Art and monist philosophy in nineteenth century France from Auteuil to Giverny
    Autor*in: Athanassoglou-Kallmyer, Nina M.
    Erschienen: 2024
    Verlag:  Routledge, Taylor & Francis Group, New York

    "This is a study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called "monism" emerged and became increasingly popular among... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This is a study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called "monism" emerged and became increasingly popular among intellectuals, artists, and scientists. Nina Athanassoglou-Kallmyer traces the evolution and impact of this monist thought and its various permutations as a transformative force on certain aspects of French art and culture-from Romanticism to Impressionism-and as a theoretical backdrop that paved the way to as yet unexplored aspects of a modernist aesthetic. Chapters concentrate on three major artists, Théodore Géricault (1791-1824), Eugène Delacroix (1798-1863) and Claude Monet (1840-1926), and their particular approach to and interpretation of this unitarian concept. The book will be of interest to scholars working in art history, philosophy, and cultural history"--

     
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