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  1. At the origins of Classical opera : Carlo Goldoni and the «dramma giocoso per musica»
    Autor*in: Rista, Pervinca
    Erschienen: 2018
    Verlag:  Peter Lang International Academic Publishers, Bern

    <P>Venetian playwright and pioneer of modern theatre Carlo Goldoni (1707-1793) led a ‘double life’ as a librettist, authoring nearly as many libretti as comedies- libretti which, born from the same mind and the same hand that brought forth his... mehr

     

    Venetian playwright and pioneer of modern theatre Carlo Goldoni (1707-1793) led a ‘double life’ as a librettist, authoring nearly as many libretti as comedies- libretti which, born from the same mind and the same hand that brought forth his famous, and famously controversial, overhaul of the practices of comic theatre, could not
    but push the limits of the standing tradition to open a new chapter in opera history. Goldoni became one of the first to give shape to the dramma giocoso per musica, an innovative, realistic, and enduring new genre with intimate connections to prose comedy that met with overwhelming international success, becoming the foundation for the works of future generations, including W. A. Mozart and his Italian librettist Lorenzo da Ponte. Perhaps because of his stature and influence as a comic playwright, Goldoni has rarely been considered as an innovator in the musical sphere. This study aims to shed new light on his primary role in the evolution of Classical opera, and on the legacy of his innovations in the European musical tradition.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783034335652; 9783034335515
    Weitere Identifier:
    Schlagworte: Opera; Individual composers & musicians, specific bands & groups; Musical scores, lyrics & libretti; History: specific events & topics
    Weitere Schlagworte: dramma; Carlo; Classical; giocoso; Goldoni; musica; opera; origins; other; Pervinca; Rista
    Umfang: 1 electronic resource (172 p.)
  2. Moral History from Herodotus to Diodorus Siculus
    Autor*in: Hau, Lisa Irene
    Erschienen: 20160620
    Verlag:  Edinburgh University Press

    Why did human beings first begin to write history? Lisa Irene Hau argues that a driving force among Greek historians was the desire to use the past to teach lessons about the present and for the future. She uncovers the moral messages of the ancient... mehr

     

    Why did human beings first begin to write history? Lisa Irene Hau argues that a driving force among Greek historians was the desire to use the past to teach lessons about the present and for the future. She uncovers the moral messages of the ancient Greek writers of history and the techniques they used to bring them across. Hau also shows how moral didacticism was an integral part of the writing of history from its inception in the 5th century BC, how it developed over the next 500 years in parallel with the development of historiography as a genre and how the moral messages on display remained surprisingly stable across this period.

     

     

    For the ancient Greek historiographers, moral didacticism was a way of making sense of the past and making it relevant to the present; but this does not mean that they falsified events: truth and morality were compatible and synergistic ends.

     
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  3. Cognitive Aesthetics in Classical German Philosophy
    Autor*in: Démuth, Andrej; Rušinová, Michaela
    Erschienen: 2019
    Verlag:  Peter Lang GmbH, Internationaler Verlag der Wissenschaften, Frankfurt a.M.

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  4. The Wine Goblet of Ḥāfeẓ
    A Comparative Study of the Influence of Ḥāfeẓ on the Fifteenth-Century Classical Persian Poet Jāmī
    Autor*in: Solati, Bahman
    Erschienen: 2016
    Verlag:  Peter Lang Inc., International Academic Publishers, New York

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    Quelle: Verbundkataloge
    Sprache: Englisch; Persisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453918296
    Weitere Identifier:
    9781453918296
    Schriftenreihe: Crosscurrents: New Studies on the Middle East ; 1
    Schlagworte: Rezeption
    Weitere Schlagworte: Ḥāfiẓ (1315-1390); Ǧāmī, Nūr-ad-Dīn ʿAbd-ar-Raḥmān Ibn-Aḥmad (1414-1492); (Produktform)Electronic book text; (Zielgruppe)Fachpublikum/ Wissenschaft; (BIC subject category)DSK: Literary studies: fiction, novelists & prose writers; (BIC subject category)FA: Modern & contemporary fiction (post c 1945); ?afe?; Century; Classical; CNSME; Comparative; Fifteenth; Goblet; Influence; Jami; Persian; Poet; Solati; Study; Wine; (VLB-WN)9566
    Umfang: Online-Ressourcen, XX, 136 Seiten
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  5. Vera Amicitia
    Classical Notions of Friendship in Renaissance Thought and Culture
    Beteiligt: Piredda, Patrizia (Herausgeber); Roick, Matthias (Herausgeber)
    Erschienen: 2021
    Verlag:  Peter Lang Verlag, Oxford

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  6. Don't Weep a Gold Chain
    Observations on Primary and Secondary Systems in Russian Classical and Romantic Art and Literature
    Autor*in: Waszink, Paul Matthieu
    Erschienen: 2003
    Verlag:  Peter Lang GmbH, Internationaler Verlag der Wissenschaften, Frankfurt a.M.

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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783954790197
    Weitere Identifier:
    9783954790197
    Schriftenreihe: Slavistische Beiträge ; 426
    Weitere Schlagworte: (Produktform)Electronic book text; (Zielgruppe)Fachpublikum/ Wissenschaft; (BISAC Subject Heading)FOR024000: FOREIGN LANGUAGE STUDY / Slavic Languages (Other); Chain; Classical; Derzhavin's Poetry; Gogol; Gold; Literature; Mannerisms in Verbal and Pictorial Texts; Observations; Primary; Romantic; Russian; russian Realism; russian Romanticism; Secondary; Systems; Waszink; Weep; (VLB-WN)9568
    Umfang: Online-Ressource, 309 Seiten
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  7. The Art of the Unspoken
    Rhetorical Devices, Linguistic Parallels and the Influence of the Singing Voice in Classical and Romantic Piano Literature
    Autor*in: Mayer, Gabriela
    Erschienen: 2023
    Verlag:  Peter Lang Ltd, International Academic Publishers, Oxford ; Peter Lang International Academic Publishers, Bern

    How can musical meaning be conveyed without words? Starting with the landscape in which instrumental music developed traits parallel to language, this book explores a performance framework that connects qualities derived from rhetorical and dramatic... mehr

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    How can musical meaning be conveyed without words? Starting with the landscape in which instrumental music developed traits parallel to language, this book explores a performance framework that connects qualities derived from rhetorical and dramatic elements and the model of the singing voice in Classical and Romantic solo piano music. These traditions were shared by composers, performers and pedagogues but have gradually fallen into obscurity. Rhetoric provides a guide for logical organization and persuasion, dramatic plot and character influence form and musical content, while singing offers a natural model for expression and inflection. Historical and aesthetic information along with literary and musical aspects are presented here to inform current performance practice.Composers consciously employed rhetorical figures and expected performers to recognize and apply them in performance. Thinking of music in terms of plot and character cultivates habits of purposeful direction and clear definition of individual thematic material. Literary comparisons inspire the imagination and can be useful in addressing more complex aesthetic issues, such as organic quality in art, the concept of unity in diversity, memory, evolution and incompleteness. The desire to achieve vocal expressivity at the keyboard is a unifying factor that transcends the differences between varying types of pianos across time. These concepts have practical application to modern performance training, and a wider pianistic pedagogical context is explored in the final chapter, advocating for an integrated and meaningful approach to performance.

     
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    Quelle: Verbundkataloge
    Beteiligt: Hunt, Una (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781800797765
    Weitere Identifier:
    DDC Klassifikation: Musik (780)
    Auflage/Ausgabe: 1st, New ed.
    Schriftenreihe: Performance Research: Ireland ; 1
    Schlagworte: Klaviermusik; Sprache; Rhetorik; Singstimme; Classical; Classical and romantic solo piano music; Devices; Gabriela; Hunt; Influence; Influence of rhetoric, dramatic concepts, and the singing voice in piano music; Linguistic; Literature; Mason; Mayer; Music and Language; Parallels; Performance Research; Historical Piano Pedagogy; Piano; Rhetorical; Romantic; Singing; Tony; Unspoken; Vocal expressivity on the keyboard; Voice
    Umfang: 1 Online-Ressource (214 Seiten), Illustrationen