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  1. Witness against history
    literature, film, and public discourse in twentieth-century China
    Autor*in: Braester, Yomi
    Erschienen: 2003
    Verlag:  Stanford University Press, Stanford, Calif.

    Standort:
    Ruhr-Universität Bochum, Fakultät für Ostasienwissenschaften, Bibliothek
    Signatur:
    Bko 250
    Fernleihe:
    keine Fernleihe

    Standort:
    Gemeinsame Fachbibliothek Asien / China
    Signatur:
    CHIN/895.109-41
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Trier
    Signatur:
    od27307
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 080474792X
    Schlagworte: Chinese literature / 20th century / History and criticism; Motion pictures / China; Literatur; Film; Chinesisch
    Umfang: xii, 264 S., Illustrationen, 24 cm
    Bemerkung(en):

    Publisher description: This study offers fresh, theoretically informed readings of milestones in Chinese fiction, film, and drama spanning the entire twentieth century. Drawing on rare archival material, it argues that they have challenged social reformers' call for changing the course of history. In doing so it makes a methodological point of interest to historians, literary scholars, and social scientists concerned with the relation between literature and testimony, literature and history, and literature and the public sphere. The book argues that literary texts are fundamentally different from historical texts and from programmatic essays. Many important literary texts are discussed here for the first time in any language. Arguing for the need for attention to literary dynamics, the book challenges existing concepts of Chinese modernity. While the prevalent belief is that modern Chinese literature has been mobilized for nation building, Braester shows that many texts criticize the idea that literature and other forms of expression might change the course of history.

    Includes bibliographical references (p. [211]-256) and index

    Inhalt: Preface -- Note on Translations -- Abbreviations -- Introduction: Critical Discourse in Twentieth-Century China -- I. MAY FOURTH AND ITS DISCONTENTS: 1. Dreaming a Cure for History: The Resistance to Historical Consciousness Within the May Fourth Movement -- 2. Rewriting Tradition, Misreading History: Twentieth-Century (Sub)versions of Pan Jinlian's Story -- 3. Revolution and Revulsion: Ideology, Monstrosity, and Phantasmagoria in 1930s Chinese Cinema -- 4. The Purloined Lantern: Maoist Semiotics and Public Discourse in Early PRC Film and Drama -- II. WOUNDED MEMORIES: 5. A Blinding Red Light: The Displacement of Rhetoric in the Cinema of the Early 1980s -- 6. Disjointed Time, Split Voices: Retrieving Historical Experience in Scar Literature -- 7. Retelling Taiwan: Identity and Dislocation in Post-Chiang Mystery -- 8. The Aesthetics and Anesthetics of Memory: PRC Avant-Garde Fiction -- 9. Memory at a Standstill: From Maohistory to Hooligan History -- Epilogue -- Notes -- Bibliography -- Index.
  2. Er tong wen xue zhong de nü xing zhu yi sheng yin
    = Feminist voices in children's literature
    Autor*in: Tang, Bing
    Erschienen: 2003
    Verlag:  Hubei shao nian er tong chu ban she, Wuhan

    Stellung weiblicher Figuren und Geschlechterrollen in der chinesischen Kinderliteratur des 20. Jahrhunderts aus der Sicht feministischer Literaturwissenschaft mehr

    Standort:
    Internationale Jugendbibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Stellung weiblicher Figuren und Geschlechterrollen in der chinesischen Kinderliteratur des 20. Jahrhunderts aus der Sicht feministischer Literaturwissenschaft

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  3. Duo cai de xuan lü
    Zhong guo nü xing wen xue zhu ti yan jiu
    Autor*in: Qiao, Yigang
    Erschienen: 2003
    Verlag:  Nan kai da xue chu ban she, Tianjin

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Chinesisch
    Medientyp: Buch (Monographie)
    RVK Klassifikation: EG 9430 ; EG 9526
    Auflage/Ausgabe: Di 1 ban, di 1 ci yin shua
    Schlagworte: Chinese literature / Women authors / History and criticism; Chinese literature / 20th century / History and criticism; Women in literature; Chinese literature; Chinese literature / Women authors; Literature; Women; Frau; Literatur
    Umfang: 2, 2, 251 S., 21 cm
    Bemerkung(en):

    Text in Chines.

    Includes bibliographical references
  4. Witness against history
    literature, film, and public discourse in twentieth-century China
    Autor*in: Braester, Yomi
    Erschienen: 2003
    Verlag:  Stanford University Press, Stanford, Calif.

    Standort:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Trier
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 080474792X
    Schlagworte: Chinese literature / 20th century / History and criticism; Motion pictures / China
    Umfang: xii, 264 S., Illustrationen, 24 cm
    Bemerkung(en):

    Publisher description: This study offers fresh, theoretically informed readings of milestones in Chinese fiction, film, and drama spanning the entire twentieth century. Drawing on rare archival material, it argues that they have challenged social reformers' call for changing the course of history. In doing so it makes a methodological point of interest to historians, literary scholars, and social scientists concerned with the relation between literature and testimony, literature and history, and literature and the public sphere. The book argues that literary texts are fundamentally different from historical texts and from programmatic essays. Many important literary texts are discussed here for the first time in any language. Arguing for the need for attention to literary dynamics, the book challenges existing concepts of Chinese modernity. While the prevalent belief is that modern Chinese literature has been mobilized for nation building, Braester shows that many texts criticize the idea that literature and other forms of expression might change the course of history

    Includes bibliographical references (p. [211]-256) and index

    Inhalt: Preface -- Note on Translations -- Abbreviations -- Introduction: Critical Discourse in Twentieth-Century China -- I. MAY FOURTH AND ITS DISCONTENTS: 1. Dreaming a Cure for History: The Resistance to Historical Consciousness Within the May Fourth Movement -- 2. Rewriting Tradition, Misreading History: Twentieth-Century (Sub)versions of Pan Jinlian's Story -- 3. Revolution and Revulsion: Ideology, Monstrosity, and Phantasmagoria in 1930s Chinese Cinema -- 4. The Purloined Lantern: Maoist Semiotics and Public Discourse in Early PRC Film and Drama -- II. WOUNDED MEMORIES: 5. A Blinding Red Light: The Displacement of Rhetoric in the Cinema of the Early 1980s -- 6. Disjointed Time, Split Voices: Retrieving Historical Experience in Scar Literature -- 7. Retelling Taiwan: Identity and Dislocation in Post-Chiang Mystery -- 8. The Aesthetics and Anesthetics of Memory: PRC Avant-Garde Fiction -- 9. Memory at a Standstill: From Maohistory to Hooligan History -- Epilogue -- Notes -- Bibliography -- Index