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  1. Scott, Chaucer, and medieval romance
    a study in Sir Walter Scott's indebtedness to the literature of the Middle Ages
    Erschienen: ©1987
    Verlag:  University Press of Kentucky, Lexington, Ky.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813163840; 0813163846; 0813153697; 9780813153698
    Schlagworte: Chaucer, Geoffrey / -1400 / Influence; Middle Ages in literature; Romances / Adaptations; Scott, Walter / 1771-1832 / Knowledge / Literature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Art; Influence (Literary, artistic, etc.); Literature, Medieval; Medievalism; Middle Ages in literature; Romances; Geschichte; Kunst; Literatur; Wissen; Romances; Middle Ages in literature; Medievalism; Literature, Medieval; Mittelenglisch; Romanze; Literatur
    Weitere Schlagworte: Chaucer, Geoffrey / -1400; Scott, Walter / 1771-1832; Scott, Walter (1771-1832); Chaucer, Geoffrey (-1400); Scott, Walter (1771-1832); Chaucer, Geoffrey (1343-1400)
    Umfang: 281 pages
    Bemerkung(en):

    Scott's knowledge of medieval literature -- The narrative poetry -- The early novels, 1814-1816 -- Novels of the broken years, 1817-1819 -- Novels of the high-noon period, 1820-1825 -- Novels of the dark days and servitude, 1826-1832 -- Style and structure in the Waverly novels

    While the influence of Shakespeare on Sir Walter Scott has long been recognized, the importance of medieval literature in shaping his creative imagination has never before been examined in depth. Jerome Mitchell's new book fills this significant gap through a wide-ranging study of Scott's indebtedness to Chaucer and to medieval romance, especially the Middle English romances, for story-patterns, motifs, character types, style and structure, and detail. Mitchell establishes more completely and accurately than any previous critic the extent of Scott's knowledge of medieval literature. His examina