"Previous interpretations of the canonical texts of the Trecento adopted the perspectives of their male subjects. For the first time, this study presents a reading of the poetic figurations of female voices. In their songs, voices, and speeches, the...
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"Previous interpretations of the canonical texts of the Trecento adopted the perspectives of their male subjects. For the first time, this study presents a reading of the poetic figurations of female voices. In their songs, voices, and speeches, the protagonists Beatrice, Laura, and Catherine of Siena open their own perspective for interpretation. The study also makes a major contribution to the history of voice."-- I. Dichtung und Theologie überkreuzt -- II. Beatrices Gesang -- III. Caterinas Stimme -- IV. Lauras Rede
Überarbeitete Habilitationsschrift, angenommen unter dem Titel: Himmlische Stimme, irdische Schrift. Beatrice, Laura und Caterina da Siena
"Die vorliegende Untersuchung ist meine überarbeitete Habilitationsschrift, die unter dem Titel "Himmlische Stimme, irdische Schrift. Beatrice, Laura und Caterina da Siena" im Sommersemester 2014 von der Ludwig-Maximilians-Universität München angenommen worden ist." (Danksagung)