Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002
Includes bibliographical references (pages 197-206) and indexes
Acknowledgements; Chapter One. Callimachus, Ovid, and Allusion; Chapter Two. A Well-Defined Scope: Lexical Integrative and Reflective Allusions in the Prologue of Callimachus' Aetia and the Proem of Ovid's Metamorphoses; Chapter Three. Broadening the Scope: Marking the Allusion and Reiterative Integrative and Reflective Allusion; Chapter Four. Variation of the Trope: Reflective and Integrative Allusion and Authorization within Callimachus' Hymn to Delos and Ovid's Book 6 of the Metamorphoses; Chapter Five. Boundaries of Genre? Allusion and Genre; Chapter Six. Conclusion; Bibliography
This study of Callimachus' and Ovid's allusive practice offers a unique view of the application of one theory of allusion (based upon that of Conte, but subsequently expanded upon) to a Greek and Latin poet