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Dances of death
Wedekind, Brecht, Dürrenmatt, and the satiric tradition -
Exceptions and rules: Brecht, Planchon and "The good person of Szechwan"
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Essays on Brecht
theater and politics -
Brecht on art and politics
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Bertolt Brecht and critical theory
marxism, modernity and the Threepenny lawsuit -
Performing Brecht
forty years of British performances -
Brecht in India
the poetics and politics of transcultural theatre -
Chinese adaptations of Brecht
appropriation and intertextuality -
Brecht and the West German theatre
the practice and politics of interpretation -
Dances of death
Wedekind, Brecht, Dürrenmatt, and the satiric tradition -
Brecht and political theatre
the mother on stage -
The many lives of Galileo
Brecht, theatre and translation's political unconscious -
Shakespeare and Brecht in Nigeria
reception and influence -
Estrangement and the somatics of literature
Tolstoy, Shklovsky, Brecht -
Revolutionary theater and the classical heritage
inheritance and appropriation from Weimar to the GDR -
Brecht and critical theory
dialectics and contemporary aesthetics -
A guide to the plays of Bertolt Brecht
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A Bertolt Brecht reference companion
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Bertolt Brecht and critical theory
marxism, modernity and the "Threepenny" lawsuit -
Bertolt Brecht: Cahiers du cinéma
and contemporary film theory -
The Cambridge companion to Brecht
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Representation and Reception
Brechtian 'Pedagogics of Theatre' and Critical Thinking -
Brecht and Ionesco
commitment in context -
Bertolt Brecht's Furcht und elend des dritten reiches
a German exile drama in the struggle against fascism -
Modern Tragedy