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  1. Blindness and writing
    from Wordsworth to Gissing
    Autor*in: Tilley, Heather
    Erschienen: 2019
    Verlag:  Cambridge University Press, Cambridge

    Universitäts- und Landesbibliothek Düsseldorf
    angg870.t576
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781316645444; 9781107194212
    Auflage/Ausgabe: First paperback edition
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 109
    Schlagworte: Blindness in literature; Blind in literature; English literature; Blind; Englisch; Blindheit <Motiv>; Literatur
    Umfang: xiii, 275 Seiten, Illustrationen
    Bemerkung(en):

    Originally published: 2018

  2. Blindness and writing
    from Wordsworth to Gissing
    Autor*in: Tilley, Heather
    Erschienen: [2018]
    Verlag:  Cambridge University Press, Cambridge

    In this innovative and important study, Heather Tilley examines the huge shifts that took place in the experience and conceptualisation of blindness during the nineteenth century, and demonstrates how new writing technologies for blind people had... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this innovative and important study, Heather Tilley examines the huge shifts that took place in the experience and conceptualisation of blindness during the nineteenth century, and demonstrates how new writing technologies for blind people had transformative effects on literary culture. Considering the ways in which visually-impaired people used textual means to shape their own identities, the book argues that blindness was also a significant trope through which writers reflected on the act of crafting literary form. Supported by an illuminating range of archival material (including unpublished letters from Wordsworth's circle, early ophthalmologic texts, embossed books, and autobiographies) this is a rich account of blind people's experience, and reveals the close, and often surprising personal engagement that canonical writers had with visual impairment. Drawing on the insights of disability studies and cultural phenomenology, Tilley highlights the importance of attending to embodied experience in the production and consumption of texts.

     

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  3. Blindness and writing
    from Wordsworth to Gissing
    Autor*in: Tilley, Heather
    Erschienen: 2019
    Verlag:  Cambridge University Press, Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore

    In this innovative and important study, Heather Tilley examines the huge shifts that took place in the experience and conceptualisation of blindness during the nineteenth century, and demonstrates how new writing technologies for blind people had... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this innovative and important study, Heather Tilley examines the huge shifts that took place in the experience and conceptualisation of blindness during the nineteenth century, and demonstrates how new writing technologies for blind people had transformative effects on literary culture. Considering the ways in which visually-impaired people used textual means to shape their own identities, the book argues that blindness was also a significant trope through which writers reflected on the act of crafting literary form. Supported by an illuminating range of archival material (including unpublished letters from Wordsworth's circle, early ophthalmologic texts, embossed books, and autobiographies) this is a rich account of blind people's experience, and reveals the close, and often surprising personal engagement that canonical writers had with visual impairment. Drawing on the insights of disability studies and cultural phenomenology, Tilley highlights the importance of attending to embodied experience in the production and consumption of texts.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 9781316645444
    RVK Klassifikation: HL 1101
    Auflage/Ausgabe: First paperback edition
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 109
    Schlagworte: Blind authors; Blind; People with visual disabilities; Blindness in literature; Blind in literature; People with visual disabilities and the arts; Blindheit <Motiv>; Literatur; Englisch
    Umfang: xiii, 275 Seiten
    Bemerkung(en):

    Dissertation, ,

  4. Blindness and writing
    from Wordsworth to Gissing
    Autor*in: Tilley, Heather
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    In this innovative and important study, Heather Tilley examines the huge shifts that took place in the experience and conceptualisation of blindness during the nineteenth century, and demonstrates how new writing technologies for blind people had... mehr

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this innovative and important study, Heather Tilley examines the huge shifts that took place in the experience and conceptualisation of blindness during the nineteenth century, and demonstrates how new writing technologies for blind people had transformative effects on literary culture. Considering the ways in which visually-impaired people used textual means to shape their own identities, the book argues that blindness was also a significant trope through which writers reflected on the act of crafting literary form. Supported by an illuminating range of archival material (including unpublished letters from Wordsworth's circle, early ophthalmologic texts, embossed books, and autobiographies) this is a rich account of blind people's experience, and reveals the close, and often surprising personal engagement that canonical writers had with visual impairment. Drawing on the insights of disability studies and cultural phenomenology, Tilley highlights the importance of attending to embodied experience in the production and consumption of texts

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781108151863
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 109
    Schlagworte: Blind authors; Blind; People with visual disabilities; Blindness in literature; Blind in literature; People with visual disabilities and the arts; Literatur; Englisch; Blindheit <Motiv>
    Umfang: 1 online resource (xiii, 275 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 24 Oct 2017)

  5. Blindness and writing
    from Wordsworth to Gissing
    Autor*in: Tilley, Heather
    Erschienen: 2019
    Verlag:  Cambridge University Press, Cambridge

    Universitäts- und Landesbibliothek Düsseldorf
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781316645444; 9781107194212
    Auflage/Ausgabe: First paperback edition
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 109
    Schlagworte: Blindness in literature; Blind in literature; English literature; Blind
    Umfang: xiii, 275 Seiten, Illustrationen
    Bemerkung(en):

    Originally published: 2018

  6. Blindness and writing
    from Wordsworth to Gissing
    Autor*in: Tilley, Heather
    Erschienen: 2019
    Verlag:  Cambridge University Press, Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore

    In this innovative and important study, Heather Tilley examines the huge shifts that took place in the experience and conceptualisation of blindness during the nineteenth century, and demonstrates how new writing technologies for blind people had... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this innovative and important study, Heather Tilley examines the huge shifts that took place in the experience and conceptualisation of blindness during the nineteenth century, and demonstrates how new writing technologies for blind people had transformative effects on literary culture. Considering the ways in which visually-impaired people used textual means to shape their own identities, the book argues that blindness was also a significant trope through which writers reflected on the act of crafting literary form. Supported by an illuminating range of archival material (including unpublished letters from Wordsworth's circle, early ophthalmologic texts, embossed books, and autobiographies) this is a rich account of blind people's experience, and reveals the close, and often surprising personal engagement that canonical writers had with visual impairment. Drawing on the insights of disability studies and cultural phenomenology, Tilley highlights the importance of attending to embodied experience in the production and consumption of texts.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 9781316645444
    RVK Klassifikation: HL 1101
    Auflage/Ausgabe: First paperback edition
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 109
    Schlagworte: Blind authors; Blind; People with visual disabilities; Blindness in literature; Blind in literature; People with visual disabilities and the arts; Blindheit <Motiv>; Literatur; Englisch
    Umfang: xiii, 275 Seiten
    Bemerkung(en):

    Dissertation, ,

  7. Blindness and writing
    from Wordsworth to Gissing
    Autor*in: Tilley, Heather
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge, United Kingdom

    Technische Universität Chemnitz, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2017 A 9160
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    2019/1041
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Heidelberg
    2018 A 7511
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Thüringer Universitäts- und Landesbibliothek
    ANG:HC:372:Til::2018
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Württembergische Landesbibliothek
    68/3469
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    68.3275
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1107194210; 9781107194212; 9781316645444
    Weitere Identifier:
    9781107194212
    RVK Klassifikation: HL 1101
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 109
    Schlagworte: Blind authors; Blind; People with visual disabilities; Blindness in literature; Blind in literature; People with visual disabilities and the arts; Blind authors; Blind; People with visual disabilities; Blindness in literature; Blind in literature; People with visual disabilities and the arts
    Umfang: xiii, 275 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 255-270 und Index

  8. Blindness and writing
    from Wordsworth to Gissing
    Autor*in: Tilley, Heather
    Erschienen: [2018]
    Verlag:  Cambridge University Press, Cambridge

    In this innovative and important study, Heather Tilley examines the huge shifts that took place in the experience and conceptualisation of blindness during the nineteenth century, and demonstrates how new writing technologies for blind people had... mehr

    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    E-Book CUP HSFK
    keine Fernleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    keine Fernleihe
    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Peace Research Institute Frankfurt, Bibliothek
    E-Book CUP HSFK
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    keine Fernleihe
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    keine Fernleihe
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
    eBook Cambridge
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Rostock
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    Württembergische Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    In this innovative and important study, Heather Tilley examines the huge shifts that took place in the experience and conceptualisation of blindness during the nineteenth century, and demonstrates how new writing technologies for blind people had transformative effects on literary culture. Considering the ways in which visually-impaired people used textual means to shape their own identities, the book argues that blindness was also a significant trope through which writers reflected on the act of crafting literary form. Supported by an illuminating range of archival material (including unpublished letters from Wordsworth's circle, early ophthalmologic texts, embossed books, and autobiographies) this is a rich account of blind people's experience, and reveals the close, and often surprising personal engagement that canonical writers had with visual impairment. Drawing on the insights of disability studies and cultural phenomenology, Tilley highlights the importance of attending to embodied experience in the production and consumption of texts.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)