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  1. Romantic futures
    legacy, prophecy, temporality
    Beteiligt: Varsamopoulou, Evy (Hrsg.)
    Erschienen: 2024
    Verlag:  Routledge, Taylor & Francis Group, New York ; London

    Romantic Futures is a collection which explores the significance of futurity in British Romanticism from a comparative perspective in three defining manifestations: the future as conscious legacy, by which is meant both influences or continuities and... mehr

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Romantic Futures is a collection which explores the significance of futurity in British Romanticism from a comparative perspective in three defining manifestations: the future as conscious legacy, by which is meant both influences or continuities and the (anticipations of) impact on the future; the future as revealed by prophecy, whether via religious figures or superstitions; and a meditation on the temporality of the future, or the future as a concept. The book brings together a wide range of theoretical and disciplinary perspectives: from utopian studies, history, religion, and cultural theory to future studies, neuroscience, video games, and art history. Aiming to increase and diversify current critical engagement and highlight the contemporary relevance of the Romantics’ multivalent preoccupation with the future, this collection renews the dialogue between Romanticism and our critical relation to its contemporaneity, especially as it speaks to current understandings of the future in the sciences, arts, and humanities

     
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    Quelle: Verbundkataloge
    Beteiligt: Varsamopoulou, Evy (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781032334660; 9781032341330
    Schriftenreihe: Routledge studies in romanticism
    Schlagworte: Zukunft <Motiv>
    Weitere Schlagworte: Macpherson, James (1736-1796); Shelley, Mary (1797-1851); Scott, Walter (1771-1832); Blake, William (1757-1827); Keats, John (1795-1821); Shelley, Percy Bysshe (1792-1822)
    Umfang: xv, 209 Seiten
  2. William Blake's divine love
    visions of Oothoon
    Autor*in: Schouten de Jel, Joshua
    Erschienen: 2024
    Verlag:  Routledge, Abingdon, Oxon

    "Despite the fact that William Blake summarises the plot of Visions of the Daughters of Albion (1793) in just eight lines in the prefatory 'Argument,' there are several contentious moments in the poem which continue to cause debate. Critics read... mehr

     

    "Despite the fact that William Blake summarises the plot of Visions of the Daughters of Albion (1793) in just eight lines in the prefatory 'Argument,' there are several contentious moments in the poem which continue to cause debate. Critics read Oothoon's call to Theotormon's eagles and her offer to catch girls of silver and gold as either evidence of her rape-damaged psyche or as confirmation of her selfless love which transcends her socio-sexual state. How do we reconcile the attack of Theotormon's eagles and the wanton play of the girls with Oothoon's articulate and highly sophisticated expressions of spiritual truth and free love? In William Blake's Divine Love: Visions of Oothoon, Joshua Schouten de Jel explores the hermeneutical possibilities of Oothoon's self-annihilation and the epistemological potential of her visual copulation by establishing an artistic and hagiographical heritage which informs the pictorial representation and poetic pronunciation of Oothoon's enlightened entelechy. Working with Michelangelo's The Punishment of Tityus (1532) and Gian Lorenzo Bernini's Ecstasy of Saint Teresa (1647-51), Oothoon's ecstatic figuration reflects two iconographic traditions which, framed by the linguistic tropes of divine love expressed within a female-centred mystagogy, reveal the soteriological significance of Oothoon's willing self-sacrifice"--

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781032706191; 9781032706276
    Schriftenreihe: Routledge studies in romanticism
    Schlagworte: Women in literature; Sex in literature; Self-sacrifice in literature; Love; Klassische Lyrik und Dichtung vor dem 20. Jahrhundert; LIT024040; Literary studies: c 1800 to c 1900; Literaturwissenschaft: 1800 bis 1900; POETRY / General; Poetry
    Weitere Schlagworte: Blake, William (1757-1827): Visions of the daughters of Albion
    Umfang: pages cm
    Bemerkung(en):

    Includes bibliographical references and index

    'The nakedness of women is the work of God' -- The Tityus tradition after Michelangelo -- Divine love : the transverberation -- L'estasi di Santa Teresa.
  3. William Blake's divine love
    visions of Oothoon
    Autor*in: Schouten de Jel, Joshua
    Erschienen: 2024
    Verlag:  Routledge, Abingdon, Oxon ; Taylor & Francis Group, London

    "Despite the fact that William Blake summarises the plot of Visions of the Daughters of Albion (1793) in just eight lines in the prefatory 'Argument,' there are several contentious moments in the poem which continue to cause debate. Critics read... mehr

    Zugang:

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

     

    "Despite the fact that William Blake summarises the plot of Visions of the Daughters of Albion (1793) in just eight lines in the prefatory 'Argument,' there are several contentious moments in the poem which continue to cause debate. Critics read Oothoon's call to Theotormon's eagles and her offer to catch girls of silver and gold as either evidence of her rape-damaged psyche or as confirmation of her selfless love which transcends her socio-sexual state. How do we reconcile the attack of Theotormon's eagles and the wanton play of the girls with Oothoon's articulate and highly sophisticated expressions of spiritual truth and free love? In William Blake's Divine Love: Visions of Oothoon, Joshua Schouten de Jel explores the hermeneutical possibilities of Oothoon's self-annihilation and the epistemological potential of her visual copulation by establishing an artistic and hagiographical heritage which informs the pictorial representation and poetic pronunciation of Oothoon's enlightened entelechy. Working with Michelangelo's The Punishment of Tityus (1532) and Gian Lorenzo Bernini's Ecstasy of Saint Teresa (1647-51), Oothoon's ecstatic figuration reflects two iconographic traditions which, framed by the linguistic tropes of divine love expressed within a female-centred mystagogy, reveal the soteriological significance of Oothoon's willing self-sacrifice"--...

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781032706306; 1032706309; 9781040003602; 1040003605; 9781040003657; 1040003656
    Weitere Identifier:
    Schriftenreihe: Routledge studies in romanticism
    Schlagworte: Women in literature; Sex in literature; Self-sacrifice in literature; Love; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Weitere Schlagworte: Blake, William (1757-1827): Visions of the daughters of Albion
    Umfang: 1 Online-Ressource