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  1. Female playwrights and eighteenth century comedy
    negotiating marriage on the London stage
    Autor*in: Anderson, Misty G.
    Erschienen: 2002
    Verlag:  Palgrave, New York, NY [u.a.]

    Standort:
    Universitätsbibliothek Bielefeld
    Signatur:
    WF360 A548
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Signatur:
    29A5137
    Fernleihe:
    Ausleihe von Bänden möglich, keine Kopien

    Standort:
    Universitäts- und Landesbibliothek Münster
    Signatur:
    3F 46991
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Wuppertal
    Signatur:
    DUOO1141
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0312239386
    Weitere Identifier:
    2001-36573
    Auflage/Ausgabe: 1. ed.
    Schlagworte: English drama; Women and literature; English drama; Theater; English drama (Comedy); Courtship in literature; Marriage in literature; Women in literature; Ehe <Motiv>; Komödie; Dramatikerin
    Weitere Schlagworte: Behn, Aphra (1640-1689)
    Umfang: X, 262 S.
  2. Gender, theatre, and the origins of criticism
    from Dryden to Manley
    Autor*in: Frank, Marcie
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge

    In Gender, Theatre and the Origins of Criticism, which was originally published in 2003, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number of prominent women writers of the time. Frank examines the pre-eminence of... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In Gender, Theatre and the Origins of Criticism, which was originally published in 2003, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number of prominent women writers of the time. Frank examines the pre-eminence of gender, sexuality and the theatre in Dryden's critical texts that are predominantly rewritings of the work of his own literary precursors - Ben Jonson, Shakespeare and Milton. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine Trotter, and Delarivier Manley - as well as their male contemporaries. Frank describes the development of criticism in the transition from a court-sponsored theatrical culture to one oriented toward a consuming public, with very different attitudes to gender and sexuality. This study also sets out to trace the historical origins of certain aspects of current criticism - the practices of paraphrase, critical self-consciousness and performativity

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483578
    Weitere Identifier:
    RVK Klassifikation: HK 1975 ; HK 2521
    Schlagworte: Geschichte; Literatur; Wissen; Criticism / Great Britain / History / 18th century; English literature / History and criticism / Theory, etc; Criticism / Great Britain / History / 17th century; English drama / History and criticism / Theory, etc; Sex role in literature; Sex in literature; Dramatikerin; Theaterkritik
    Weitere Schlagworte: Manley / Mrs / (Mary de la Rivière) / 1663-1724 / Knowledge / Literature; Dryden, John / 1631-1700 / Knowledge / Literature; Dryden, John / 1631-1700 / Influence; Trotter, Catharine (1679-1749); Dryden, John (1631-1700); Manley, Mary DeLaRivière (1663-1724); Behn, Aphra (1640-1689)
    Umfang: 1 online resource (ix, 175 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    The critical stage -- "Equal to ourselves" : John Dryden's national literary history -- Staging criticism, staging Milton : John Dryden's The state of innocence -- Imitating Shakespeare : gender and criticism -- The female playwright and the city lady -- Scandals of a female nature
  3. Gender, theatre, and the origins of criticism from Dryden to Manley
    from Dryden to Manley
    Autor*in: Frank, Marcie
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, UK

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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  4. Gender, theatre, and the origins of criticism from Dryden to Manley
    from Dryden to Manley
    Autor*in: Frank, Marcie
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, UK

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511021119; 0511120958; 0511483570; 0521818109; 9780511021114; 9780511120954; 9780511483578; 9780521818100
    Schlagworte: LITERARY CRITICISM / Semiotics & Theory; Geschichte; Literatur; Wissen; Criticism; English literature; Criticism; English drama; Sex role in literature; Sex in literature; Theaterkritik; Dramatikerin
    Weitere Schlagworte: Manley / Mrs / 1663-1724 / Manley, Mary de la Rivière; Dryden, John / 1631-1700; Manley Mrs (1663-1724); Dryden, John (1631-1700); Dryden, John (1631-1700); Behn, Aphra (1640-1689); Dryden, John (1631-1700); Trotter, Catharine (1679-1749); Manley, Mary DeLaRivière (1663-1724)
    Umfang: 1 Online-Ressource (ix, 175 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 163-172) and index

    The critical stage -- "Equal to ourselves" : John Dryden's national literary history -- Staging criticism, staging Milton : John Dryden's The state of innocence -- Imitating Shakespeare : gender and criticism -- The female playwright and the city lady -- Scandals of a female nature
  5. Female playwrights and eighteenth century comedy
    negotiating marriage on the London stage
    Autor*in: Anderson, Misty G.
    Erschienen: 2002
    Verlag:  Palgrave, New York [u.a.]

    Aphra Behn, Susannah Centlivre, Hannah Cowley, and Elizabeth Inchbald were the only four women in England who enjoyed career-long success as comic playwrights from 1670-1800. Their respective approaches to the body, contracts, nationalism, and... mehr

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Aphra Behn, Susannah Centlivre, Hannah Cowley, and Elizabeth Inchbald were the only four women in England who enjoyed career-long success as comic playwrights from 1670-1800. Their respective approaches to the body, contracts, nationalism, and divorce animate their comedies and provide comic comment on the marriage plot. By attending to the dialogue between humorous comic events and the more predictable comic endings of these plays, Anderson illuminates the philosophical, political, and legal arguments about women and marriage that fascinated both female playwrights and the theatergoing public.

     
    Export in Literaturverwaltung   RIS-Format
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  6. Female playwrights and eighteenth century comedy
    negotiating marriage on the London stage
    Autor*in: Anderson, Misty G.
    Erschienen: 2002
    Verlag:  Palgrave, New York [u.a.]

    Aphra Behn, Susannah Centlivre, Hannah Cowley, and Elizabeth Inchbald were the only four women in England who enjoyed career-long success as comic playwrights from 1670-1800. Their respective approaches to the body, contracts, nationalism, and... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Aphra Behn, Susannah Centlivre, Hannah Cowley, and Elizabeth Inchbald were the only four women in England who enjoyed career-long success as comic playwrights from 1670-1800. Their respective approaches to the body, contracts, nationalism, and divorce animate their comedies and provide comic comment on the marriage plot. By attending to the dialogue between humorous comic events and the more predictable comic endings of these plays, Anderson illuminates the philosophical, political, and legal arguments about women and marriage that fascinated both female playwrights and the theatergoing public.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  7. Gender, theatre, and the origins of criticism
    from Dryden to Manley
    Autor*in: Frank, Marcie
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge

    In Gender, Theatre and the Origins of Criticism, which was originally published in 2003, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number of prominent women writers of the time. Frank examines the pre-eminence of... mehr

    Zugang:

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

     

    In Gender, Theatre and the Origins of Criticism, which was originally published in 2003, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number of prominent women writers of the time. Frank examines the pre-eminence of gender, sexuality and the theatre in Dryden's critical texts that are predominantly rewritings of the work of his own literary precursors - Ben Jonson, Shakespeare and Milton. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine Trotter, and Delarivier Manley - as well as their male contemporaries. Frank describes the development of criticism in the transition from a court-sponsored theatrical culture to one oriented toward a consuming public, with very different attitudes to gender and sexuality. This study also sets out to trace the historical origins of certain aspects of current criticism - the practices of paraphrase, critical self-consciousness and performativity.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483578
    Schlagworte: Theaterkritik; Dramatikerin
    Weitere Schlagworte: Dryden, John (1631-1700); Behn, Aphra (1640-1689); Trotter, Catharine (1679-1749); Manley, Mary DeLaRivière (1663-1724)
    Umfang: 1 Online-Ressource (ix, 175 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)