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Imoinda's Shade
Marriage and the African Woman in Eighteenth-Century British Literature, 1759-1808 -
The Cambridge edition of the works of Aphra Behn
Volume 4, Plays 1682-1696 / edited by Rachel Adcock (Keele University), Kate Aughterson (University of Brighton), Claire Bowditch (Loughborough University), Elaine Hobby (Loughborough University), Alan James Hogarth (University of Leicester), Anita Pacheco (The Open University, Milton Keynes), Margarete Rubik (Universitaet Wien) -
Big-time women from way back when
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‘Those Gay Days of Wickedness and Wit’
The Restoration Period in Popular Historiographies (18th–21st Centuries) -
Aphra Behn's Emperor of the moon and its French source, Arlequin, empereur dans la lune
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Of love and war
the political voice in the early plays of Aphra Behn -
The Cambridge companion to Aphra Behn
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The Cambridge companion to Aphra Behn
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Nobody's story
the vanishing acts of women writers in the marketplace, 1670 - 1820 -
Tropical figures
colonial representation in England and France 1688 - 1789 -
Troping Oroonoko from Behn to Bandele
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Aphra Behn: the comedies
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Oroonoko
adaptations and offshoots -
Aphra Behn
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Royalist women writers
1650 - 1689 -
Of love and war
the political voice in the early plays of Aphra Behn -
Female playwrights and eighteenth century comedy
negotiating marriage on the London stage -
Nobody's story
the vanishing acts of women writers in the marketplace, 1670 - 1820 -
Aphra Behn
a secret life -
Female playwrights and eighteenth century comedy
negotiating marriage on the London stage -
Privacy and print
reading and writing in seventeenth-century England -
Seneca unmasqued
a bilingual edition of Aphra Behn's translation of La Rochefoucauld's Maximes -
Maxims and moral reflections. By the Duke de La Rochefoucault
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Moral reflections and maxims
Written by the late Duke de La Rochefoucauld. Newly made English from the Paris edition -
Maxims and moral reflections. By the Duke de la Rochefoucault