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  1. Author, scribe, and book in late medieval English literature
    Autor*in: Critten, Rory G.
    Erschienen: 2018
    Verlag:  D.S. Brewer, Cambridge ; Rochester, NY

    The works of four major fifteenth-century writers re-examined, showing their innovative reconceptualization of Middle English authorship and the manuscript book mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The works of four major fifteenth-century writers re-examined, showing their innovative reconceptualization of Middle English authorship and the manuscript book

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787444188
    Weitere Identifier:
    RVK Klassifikation: AM 48302 ; HH 4033
    Schlagworte: English literature / Middle English, 1100-1500 / History and criticism; Rhetoric, Medieval; Manuscripts, English (Middle) / History; Authorship / History / To 1500; Schreiber; Literatur; Handschrift; Mittelenglisch; Autor
    Weitere Schlagworte: Hoccleve, Thomas / 1370?-1450 / Criticism and interpretation; Audelay, John / active 1426 / Criticism and interpretation; Kempe, Margery / approximately 1373- / Criticism and interpretation; Charles / d'Orléans / 1394-1465 / Criticism and interpretation
    Umfang: 1 Online-Ressource (xii, 226 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 27 Apr 2021)

    Introduction: Towards a History of the Self-Publishing Pose -- 1. "Yit ful fayn wolde I haue a messageer / To recommande me": Thomas Hoccleve's Autography Books in Fifteenth-Century London and Westminister -- 2. "He Red it ouyr...Sche Sum-tym Helpyng": Collaborating on the Book of Margery Kempe -- 3. "This boke I made with gret dolour": The Pains of Writing in John the Blind Audelay's Poems and Carols -- 4. "Considering the grete subtilite and cauteleux disposition of the said Duc of Orlians": The Political Valence of Charles d'Orleans's English Book of Love
  2. Authorship and first-person allegory in late medieval France and England
    Autor*in: Kamath, Stephanie A. V. G.
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk

    The emergence of vernacular allegories in the middle ages, recounted by a first-person narrator-protagonist, invites both abstract and specific interpretations of the author's role, since the protagonist who claims to compose the narrative also... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The emergence of vernacular allegories in the middle ages, recounted by a first-person narrator-protagonist, invites both abstract and specific interpretations of the author's role, since the protagonist who claims to compose the narrative also directs the reader to interpret such claims. Moreover, the specific attributes of the narrator-protagonist bring greater attention to individual identity. But as the actual authors of the allegories also adapted elements found in each other's works, their shared literary tradition unites differing perspectives: the most celebrated French first-person allegory, the erotic Roman de la Rose, quickly inspired an allegorical trilogy of spiritual pilgrimage narratives by Guillaume de Deguileville. English authors sought recognition for their own literary activity through adaptation and translation from a tradition inspired by both allegories. This account examines Deguileville's underexplored allegory before tracing the tradition's importance to the English authors Geoffrey Chaucer, Thomas Hoccleve, and John Lydgate, with particular attention to the mediating influence of French authors, including Christine de Pizan and Laurent de Premierfait. Through comparative analysis of the late medieval authors who shaped French and English literary canons, it reveals the seminal, communal model of vernacular authorship established by the tradition of first-person allegory. Stephanie A. Viereck Gibbs Kamath is Assistant Professor at the University of Massachusetts, Boston

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781846158698
    RVK Klassifikation: HH 1130 ; IE 4438
    Schlagworte: Geschichte; English literature / Middle English, 1100-1500 / History and criticism; French literature / To 1500 / History and criticism; Literature, Medieval / History and criticism; First person narrative / History and criticism; Authorship / History / To 1500; Allegory; Mittelfranzösisch; Allegorie; Ich-Form; Mittelenglisch
    Umfang: 1 online resource (x, 209 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Introduction -- "Comment ot nom": allegory and authorship in the Roman de la rose and the Pèlerinage de la vie humaine -- "What so myn auctour mente": allegory and authorship in Geoffrey Chaucer's Dreams -- "Thereof was I noon auctour": allegory and Thomas Hoccleve's authority -- Verba translatoris: allegory and John Lydgate's literary tradition
  3. The ruler portraits of Anglo-Saxon England
    Autor*in: Karkov, Catherine E.
    Erschienen: 2004
    Verlag:  The Boydell Press, Woodbridge

    Between the reign of Alfred in the late ninth century and the arrival of the Normans in 1066, a unique set of images of kingship and queenship was developed in Anglo-Saxon England, images of leadership that centred on books, authorship and learning... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Between the reign of Alfred in the late ninth century and the arrival of the Normans in 1066, a unique set of images of kingship and queenship was developed in Anglo-Saxon England, images of leadership that centred on books, authorship and learning rather than thrones, sword and sceptres. Focusing on the cultural and historical contexts in which these images were produced, this book explores the reasons for their development, and their meaning and function within both England and early medieval Europe. It explains how and why they differ from their Byzantine and Continental counterparts, and what they reveal about Anglo-Saxon attitudes towards history and gender, as well as the qualities that were thought to constitute a good ruler. It is argued that this series of portraits, never before studied as a corpus, creates a visual genealogy equivalent to the textual genealogies and regnal lists that are so much a feature of late Anglo-Saxon culture. As such they are an important part of the way in which the kings and queens of early medieval England created both their history and their kingdom.

    CATHERINE E. KARKOV is Professor of Art History at the University of Leeds

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781846152344
    RVK Klassifikation: NM 9300
    Schriftenreihe: Anglo-Saxon studies ; 3
    Schlagworte: Geschichte; Books and reading / England / History / To 1500; Anglo-Saxons / Kings and rulers / Portraits; Anglo-Saxons / Intellectual life; Authorship / History / To 1500; Portrait painting, English; Bildnis; Herrscherbild; Herrscher <Motiv>
    Umfang: 1 Online-Ressource (viii, 209 Seiten), Illustrationen
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Jun 2017)

    Alfred -- Æthelstan -- Edgar and the royal women of the monastic reform -- Ælfgifu/Emma and Cnut -- Edward, the Godwines and the end of Anglo-Saxon England
  4. Author, reader, book
    medieval authorship in theory and practice
    Erschienen: 2012
    Verlag:  Univ. of Toronto Press, Toronto [u.a.]

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch; Latein
    Medientyp: Buch (Monographie)
    ISBN: 9780802099341
    Schlagworte: Literature, Medieval / History and criticism; Authorship / History / To 1500; Authors and readers / History / To 1500; Littérature médiévale / Histoire et critique; Art d'écrire / Histoire / Jusqu'à 1500; Écrivains et lecteurs / Histoire / Jusqu'à 1500; Geschichte; Literatur; Autor; Textproduktion; Leser; Rezeption
    Umfang: vi, 305 S., Ill., 24 cm
    Bemerkung(en):

    Mit Abschnitten in lat. Sprache

    Includes bibliographical references and index
  5. The author's voice in classical and late antiquity
    Erschienen: 2014
    Verlag:  Oxford Univ. Press, Oxford

    This volume focuses on the authorial voice in antiquity exploring the different ways in which authors presented and projected various personas. In particular, it questions authority and ascription in relation to the authorial voice, and considers how... mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    This volume focuses on the authorial voice in antiquity exploring the different ways in which authors presented and projected various personas. In particular, it questions authority and ascription in relation to the authorial voice, and considers how later readers and authors may have understood the authority of a text's author

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780191758188
    Weitere Identifier:
    RVK Klassifikation: FB 5175 ; NH 5250
    Schlagworte: Geschichte; Authorship / History / To 1500; Greek literature / History and criticism; Latin literature / History and criticism; Autor; Antike; Impliziter Autor; Literatur; Latein; Griechisch
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index
  6. Authorship and first-person allegory in late medieval France and England
    Autor*in: Kamath, Stephanie A. V. G.
    Erschienen: 2012
    Verlag:  Boydell & Brewer, Suffolk

    The emergence of vernacular allegories in the middle ages, recounted by a first-person narrator-protagonist, invites both abstract and specific interpretations of the author's role, since the protagonist who claims to compose the narrative also... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The emergence of vernacular allegories in the middle ages, recounted by a first-person narrator-protagonist, invites both abstract and specific interpretations of the author's role, since the protagonist who claims to compose the narrative also directs the reader to interpret such claims. Moreover, the specific attributes of the narrator-protagonist bring greater attention to individual identity. But as the actual authors of the allegories also adapted elements found in each other's works, their shared literary tradition unites differing perspectives: the most celebrated French first-person allegory, the erotic Roman de la Rose, quickly inspired an allegorical trilogy of spiritual pilgrimage narratives by Guillaume de Deguileville. English authors sought recognition for their own literary activity through adaptation and translation from a tradition inspired by both allegories. This account examines Deguileville's underexplored allegory before tracing the tradition's importance to the English authors Geoffrey Chaucer, Thomas Hoccleve, and John Lydgate, with particular attention to the mediating influence of French authors, including Christine de Pizan and Laurent de Premierfait. Through comparative analysis of the late medieval authors who shaped French and English literary canons, it reveals the seminal, communal model of vernacular authorship established by the tradition of first-person allegory. Stephanie A. Viereck Gibbs Kamath is Assistant Professor at the University of Massachusetts, Boston

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781846158698
    RVK Klassifikation: HH 1130 ; IE 4438
    Schlagworte: Geschichte; English literature / Middle English, 1100-1500 / History and criticism; French literature / To 1500 / History and criticism; Literature, Medieval / History and criticism; First person narrative / History and criticism; Authorship / History / To 1500; Allegory; Allegorie; Ich-Form; Mittelfranzösisch; Mittelenglisch
    Umfang: 1 online resource (x, 209 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Introduction -- "Comment ot nom": allegory and authorship in the Roman de la rose and the Pèlerinage de la vie humaine -- "What so myn auctour mente": allegory and authorship in Geoffrey Chaucer's Dreams -- "Thereof was I noon auctour": allegory and Thomas Hoccleve's authority -- Verba translatoris: allegory and John Lydgate's literary tradition
  7. The birth of the author
    pictorial prefaces in glossed books of the twelfth century
    Autor*in: Hamburger, Jeffrey F.
    Erschienen: [2021]
    Verlag:  PIMS, Pontifical Institute of Mediaeval Studies, Toronto, Ontario, Canada

    "The images devised to accompany medieval commentaries, whether on the Bible or on classical texts, made claims to authority, even inspiration, that at times were even more forceful than those made by the texts themselves. Pictorial prefaces of the... mehr

    Standort:
    Staats- und Stadtbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Monumenta Germaniae Historica, Deutsches Institut für Erforschung des Mittelalters, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Staatliche Bibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "The images devised to accompany medieval commentaries, whether on the Bible or on classical texts, made claims to authority, even inspiration, that at times were even more forceful than those made by the texts themselves. Pictorial prefaces of the twelfth century represent commentaries of their own; they articulate and elaborate complex arguments regarding critical matters of faith. This study examines pictorial programmes in copies of Horace's poetic works, the Glossa ordinaria, anti-heretical polemics, and Rupert of Deutz's commentary on the Song of Songs to demonstrate the ways in which they helped to shape understandings of authorship at a critical historical moment."

     
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  8. The ruler portraits of Anglo-Saxon England
    Autor*in: Karkov, Catherine E.
    Erschienen: 2004
    Verlag:  The Boydell Press, Woodbridge

    Between the reign of Alfred in the late ninth century and the arrival of the Normans in 1066, a unique set of images of kingship and queenship was developed in Anglo-Saxon England, images of leadership that centred on books, authorship and learning... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Between the reign of Alfred in the late ninth century and the arrival of the Normans in 1066, a unique set of images of kingship and queenship was developed in Anglo-Saxon England, images of leadership that centred on books, authorship and learning rather than thrones, sword and sceptres. Focusing on the cultural and historical contexts in which these images were produced, this book explores the reasons for their development, and their meaning and function within both England and early medieval Europe. It explains how and why they differ from their Byzantine and Continental counterparts, and what they reveal about Anglo-Saxon attitudes towards history and gender, as well as the qualities that were thought to constitute a good ruler. It is argued that this series of portraits, never before studied as a corpus, creates a visual genealogy equivalent to the textual genealogies and regnal lists that are so much a feature of late Anglo-Saxon culture. As such they are an important part of the way in which the kings and queens of early medieval England created both their history and their kingdom.

    CATHERINE E. KARKOV is Professor of Art History at the University of Leeds

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781846152344
    RVK Klassifikation: NM 9300
    Schriftenreihe: Anglo-Saxon studies ; 3
    Schlagworte: Geschichte; Books and reading / England / History / To 1500; Anglo-Saxons / Kings and rulers / Portraits; Anglo-Saxons / Intellectual life; Authorship / History / To 1500; Portrait painting, English; Bildnis; Herrscherbild; Herrscher <Motiv>
    Umfang: 1 Online-Ressource (viii, 209 Seiten), Illustrationen
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Jun 2017)

    Alfred -- Æthelstan -- Edgar and the royal women of the monastic reform -- Ælfgifu/Emma and Cnut -- Edward, the Godwines and the end of Anglo-Saxon England
  9. The birth of the author
    pictorial prefaces in glossed books of the twelfth century
    Autor*in: Hamburger, Jeffrey F.
    Erschienen: [2021]
    Verlag:  PIMS, Pontifical Institute of Mediaeval Studies, Toronto, Ontario, Canada

    "The images devised to accompany medieval commentaries, whether on the Bible or on classical texts, made claims to authority, even inspiration, that at times were even more forceful than those made by the texts themselves. Pictorial prefaces of the... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The images devised to accompany medieval commentaries, whether on the Bible or on classical texts, made claims to authority, even inspiration, that at times were even more forceful than those made by the texts themselves. Pictorial prefaces of the twelfth century represent commentaries of their own; they articulate and elaborate complex arguments regarding critical matters of faith. This study examines pictorial programmes in copies of Horace's poetic works, the Glossa ordinaria, anti-heretical polemics, and Rupert of Deutz's commentary on the Song of Songs to demonstrate the ways in which they helped to shape understandings of authorship at a critical historical moment."

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780888442253
    RVK Klassifikation: AM 53600
    Schriftenreihe: Studies and texts / Pontifical Institute of Mediaeval Studies ; 225
    Text, image, context ; 9
    Schlagworte: Paratext; Autorität; Vorwort; Buchmalerei; Kommentar; Heilige Schrift; Autorenbild; Schriftsteller; Illuminierte Handschrift; Autor <Motiv>; Schriftsteller <Motiv>; Bildnis; Autorschaft
    Weitere Schlagworte: Illumination of books and manuscripts, Medieval; Paratext / History / To 1500; Marginal illustrations; Prefaces / History / To 1500; Authorship / History / To 1500; Creation (Literary, artistic, etc.) / History / To 1500; Authors and readers / History / To 1500; Transmission of texts / History / To 1500; Literature, Medieval / History and criticism; Bible / Commentaries / History and criticism; Bible / Commentaries / Early works to 1800; Classical literature / Influence; Bible; Authors and readers; Authorship; Classical literature / Influence; Creation (Literary, artistic, etc.); Illumination of books and manuscripts, Medieval; Literature, Medieval; Marginal illustrations; Paratext; Prefaces; Transmission of texts; To 1500; Criticism, interpretation, etc; Early works; History
    Umfang: xxv, 297 Seiten, Illustrationen, 26 cm
    Bemerkung(en):

    Introduction: Pictorial Paratexts -- Authorizing Athorship -- Medieval ut pictura poesis -- Polemical Prefaces -- The Rhetoric of Images -- "Behold the Dreamer!" -- Epilogue: Avatars of Authorship