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  1. The Victorian novel and the space of art
    fictional form on display
    Autor*in: Gilmore, Dehn
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    1 Terms of art: reading the Dickensian gallery2 The difficulty of historical work in the nineteenth-century museum and the Thackerayan novel; 3"Truly it was astonishing!": the exhibition, the sensation novel, and the culture of the spectacular; 4... mehr

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    1 Terms of art: reading the Dickensian gallery2 The difficulty of historical work in the nineteenth-century museum and the Thackerayan novel; 3"Truly it was astonishing!": the exhibition, the sensation novel, and the culture of the spectacular; 4 "The interesting subject of the art of the future": Thomas Hardy and the historicity of taste; Conclusion Rethinking how we see the Victorians; Bibliography; Primary sources; Secondarysources; Index. An interdisciplinary study of the relationship between the Victorian novel and visual art including galleries, museums and The Great Exhibition Cover; Contents; Illustrations; Acknowledgments; Introduction Seeing how the Victorians saw; Glimpses; A closer look; Literary expansions; Literary uncertainty; Artistic expansions; Artistic uncertainty; A tour; Intersections; Chapter 1Terms of art: reading the Dickensian gallery; The rise of the middle-class collector; A revolution in taste and the rise of aesthetic mixture; The gallery's glare and bustle; Dickens and the art market; Dickens as writer and painter; Dickens for readers and viewers; The novel and the gallery, the novel as gallery. Chapter 2The difficulty of historical work in the nineteenth-century museum and the Thackerayan novelTrouble in the historical novel and at the museum; The museums' messy cleanup; Thackeray and the museum; Esmond and the museum; The art of Thackeray's critics; Chapter 3"Truly it was astonishing!": the exhibition, the sensation novel, and the culture of the spectacular; The great exhibitions; The unbewildered gaze; The Woman in White and the exhibition; Familiar looking and the sensation novel; Repeated looking and the sensation novel. Chapter 4"The interesting subject of the art of the future": Thomas Hardy and the historicity of tasteHardy as aficionado; The rise of the art critic; The art of the present; The art of the future; Hardy and the art of the future; A Laodicean: an ambivalent stance; The Hand of Ethelberta: the museum versus the Royal Academy; Jude the Obscure: the death of taste; The Well-Beloved: farewell to all that; An afterword from the British Museum: the viewing voice; Conclusion Rethinking how we see the Victorians; Notes; Introduction:Seeing how the Victorians saw.

     
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    Sprache: Englisch
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    ISBN: 1107693845; 110736003X; 9781107693845; 9781107360037
    Schriftenreihe: Cambridge Studies in Nineteenth-Century Literature and Culture
    Schlagworte: Art and literature; Art in literature; Arts in literature; English fiction; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Art and literature; Art in literature; Arts in literature; English fiction; Englisch; Literatur; Prosa; Kunst; Criticism, interpretation, etc; History
    Umfang: 1 Online-Ressource (260 pages)
    Bemerkung(en):

    Includes bibliographical references and index
  2. The Victorian novel and the space of art
    fictional form on display
    Autor*in: Gilmore, Dehn
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    This interdisciplinary study argues for the vital importance of visual culture as a force shaping the Victorian novel's formal development and reading history. It shows how authors like Charles Dickens, William Makepeace Thackeray, Wilkie Collins and... mehr

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    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    Bayerische Staatsbibliothek
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    This interdisciplinary study argues for the vital importance of visual culture as a force shaping the Victorian novel's formal development and reading history. It shows how authors like Charles Dickens, William Makepeace Thackeray, Wilkie Collins and Thomas Hardy borrowed language and conceptual formations from art world spaces - the art market, the museum, the large-scale exhibition, and art critical discourse - not only when they chose certain subjects or refined certain aspects of realism, but also when they tried to adapt various genres of the novel for a new and newly vociferous mass audience. Quandaries specific to new forms of public display affected authors' sense of their relationship with their own public. Debates about how best to appreciate a new mass of visual information impacted authors' sense of how people read, and consequently the development of particular novel forms like the multi-plot novel, the historical novel, the sensation novel, and fin-de-siècle fiction

     
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    ISBN: 9781107360037
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    RVK Klassifikation: HL 1031 ; HL 1331
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 89
    Schlagworte: Geschichte; English fiction / 19th century / History and criticism; Art and literature / Great Britain / History / 19th century; Art in literature; Arts in literature; Museum <Motiv>; Ästhetische Wahrnehmung; Visuelle Medien; Englisch; Roman; Kunstausstellung <Motiv>
    Weitere Schlagworte: Hardy, Thomas (1840-1928); Dickens, Charles (1812-1870); Collins, Wilkie (1824-1889); Thackeray, William Makepeace (1811-1863)
    Umfang: 1 online resource (ix, 242 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: Seeing how the Victorians saw -- Terms of art : reading the Dickensian gallery -- The difficulty of historical work in the nineteenth-century museum and the Thackerayan novel -- "Truly it was astonishing" : the exhibition, the sensation novel, and the culture of the spectacular -- "The interesting subject of the art of the future" : Thomas Hardy and the historicity of taste -- Conclusion: Rethinking how we see the Victorians
  3. The Victorian novel and the space of art
    fictional form on display
    Autor*in: Gilmore, Dehn
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    This interdisciplinary study argues for the vital importance of visual culture as a force shaping the Victorian novel's formal development and reading history. It shows how authors like Charles Dickens, William Makepeace Thackeray, Wilkie Collins and... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This interdisciplinary study argues for the vital importance of visual culture as a force shaping the Victorian novel's formal development and reading history. It shows how authors like Charles Dickens, William Makepeace Thackeray, Wilkie Collins and Thomas Hardy borrowed language and conceptual formations from art world spaces - the art market, the museum, the large-scale exhibition, and art critical discourse - not only when they chose certain subjects or refined certain aspects of realism, but also when they tried to adapt various genres of the novel for a new and newly vociferous mass audience. Quandaries specific to new forms of public display affected authors' sense of their relationship with their own public. Debates about how best to appreciate a new mass of visual information impacted authors' sense of how people read, and consequently the development of particular novel forms like the multi-plot novel, the historical novel, the sensation novel, and fin-de-siècle fiction Introduction: Seeing how the Victorians saw -- Terms of art : reading the Dickensian gallery -- The difficulty of historical work in the nineteenth-century museum and the Thackerayan novel -- "Truly it was astonishing" : the exhibition, the sensation novel, and the culture of the spectacular -- "The interesting subject of the art of the future" : Thomas Hardy and the historicity of taste -- Conclusion: Rethinking how we see the Victorians

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
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    ISBN: 9781107360037
    Weitere Identifier:
    RVK Klassifikation: HL 1331
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 89
    Schlagworte: Art in literature; Arts in literature; Art and literature; English fiction; English fiction ; 19th century ; History and criticism; Art and literature ; Great Britain ; History ; 19th century; Art in literature; Arts in literature
    Umfang: 1 Online-Ressource (ix, 242 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  4. The Victorian novel and the space of art
    fictional form on display
    Autor*in: Gilmore, Dehn
    Erschienen: 2016; © 2013
    Verlag:  Cambridge University Press, Cambridge, United Kingdom

    Introduction: seeing how the Victorians saw -- The difficulty of historical work in the nineteenth-century museum and the Thackerayan novel -- "Truly it was astonishing!": the exhibition, the sensation novel, and the culture of the spectacular --... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: seeing how the Victorians saw -- The difficulty of historical work in the nineteenth-century museum and the Thackerayan novel -- "Truly it was astonishing!": the exhibition, the sensation novel, and the culture of the spectacular -- "The interesting subject of the art of the future": Thomas Hardy and the historicity of taste -- Conclusion: Rethinking how we see the Victorians

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1107621267; 9781107621268
    RVK Klassifikation: HL 1031 ; HL 1331
    Auflage/Ausgabe: First paperback edition
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 89
    Schlagworte: English fiction; Art and literature; Art in literature; Arts in literature
    Umfang: ix, 242 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Includes bibliographical references (pages 167-236) and index
  5. Palantamil̲k kalaikaḷum nīṭciyum
    Beteiligt: Jekatīcan̲, Te. Vē. (Hrsg.)
    Erschienen: 2013
    Verlag:  Kāvyā, Cen̲n̲ai

    Contributed articles presented in a conference titled Pal̲antamil̲ Ilakkiyaṅkaḷil Nikal̲ttukalaikaḷum avar̲r̲in̲ Nīṭciyum, jointly organized by Central Institute of Classical Tamil, Chennai and S.T. Hindu College, Nagercoil, held during January... mehr

    Standort:
    Centre for Asian and Transcultural Studies (CATS), Abteilung Südasien
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    nsp 20.12 G 2014/5192
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    Contributed articles presented in a conference titled Pal̲antamil̲ Ilakkiyaṅkaḷil Nikal̲ttukalaikaḷum avar̲r̲in̲ Nīṭciyum, jointly organized by Central Institute of Classical Tamil, Chennai and S.T. Hindu College, Nagercoil, held during January 03-05, 2013, at S.T. Hindu College, Nagercoil

     
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    Quelle: Verbundkataloge
    Beteiligt: Jekatīcan̲, Te. Vē. (Hrsg.)
    Sprache: Tamilisch
    Medientyp: Buch (Monographie)
    Format: Druck
    Auflage/Ausgabe: 1. patippu
    Schlagworte: Tamil literature; Arts in literature; Arts; Arts; Arts in literature; Tamil literature
    Umfang: 230 S., 22 cm
    Bemerkung(en):

    Includes bibliographical references. - Tamil in Tamil-Schr
  6. The Victorian novel and the space of art
    fictional form on display
    Autor*in: Gilmore, Dehn
    Erschienen: 2013
    Verlag:  Oxford Univ. Press, Oxford [u.a.]

    "This interdisciplinary study argues for the vital importance of visual culture as a force shaping the Victorian novel's formal development and reading history. It shows how authors like Charles Dickens, William Makepeace Thackeray, Wilkie Collins... mehr

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2015 A 6872
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This interdisciplinary study argues for the vital importance of visual culture as a force shaping the Victorian novel's formal development and reading history. It shows how authors like Charles Dickens, William Makepeace Thackeray, Wilkie Collins and Thomas Hardy borrowed language and conceptual formations from art world spaces - the art market, the museum, the large-scale exhibition, and art critical discourse - not only when they chose certain subjects or refined certain aspects of realism, but also when they tried to adapt various genres of the novel for a new and newly vociferous mass audience. Quandaries specific to new forms of public display affected authors' sense of their relationship with their own public. Debates about how best to appreciate a new mass of visual information impacted authors' sense of how people read, and consequently the development of particular novel forms like the multi-plot novel, the historical novel, the sensation novel, and fin-de-siècle fiction"--

     
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    ISBN: 9781107044227; 9781107621268
    RVK Klassifikation: HL 1031 ; HL 1331
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 89
    Schlagworte: English fiction; Art and literature; Art in literature; Arts in literature
    Umfang: IX, 242 S., Ill., 24 cm
    Bemerkung(en):

    Includes bibliographical references(pages 219-236)

    Machine generated contents note: Introduction: seeing how the Victorians saw; 1. Terms of art: reading the Dickensian gallery; 2. The difficulty of historical work in the nineteenth-century museum and the Thackeray novel; 3. 'Truly it was astonishing': the exhibition, the sensation novel, and the culture of the spectacular; 4. 'The interesting subject of the art of the future': Thomas Hardy and the historicity of taste; Conclusion: rethinking how we see the Victorians; Bibliography.
  7. Portrait of the Artist as a Young Adult
    The Arts in Young Adult Literature
    Autor*in: Stover, Lois Thomas
    Erschienen: 2013
    Verlag:  Scarecrow Press, Lanham

    <span><span>This book looks at literature that features young adults who either identify themselves as artists or use the arts in very intentional ways to help create a sense of self in their adolescent lives. The authors examine a number of books... mehr

    Standort:
    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Standort:
    Universität Ulm, Kommunikations- und Informationszentrum, Bibliotheksservices
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    This book looks at literature that features young adults who either identify themselves as artists or use the arts in very intentional ways to help create a sense of self in their adolescent lives. The authors examine a number of books featuring teens who engage in music, poetry, painting, and various other means of artistic expression.

     
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    Medientyp: Ebook
    Format: Online
    ISBN: 9780810892774
    Schriftenreihe: Scarecrow Studies in Young Adult Literature
    Studies in Young Adult Literature ; v.46
    Schlagworte: Artists in literature; Arts in literature; Young adult literature, American -- History and criticism; Young adult literature, English -- History and criticism; Artists in literature..; Arts in literature..; Young adult literature, American ; History and criticism..; Young adult literature, English ; History and criticism; Electronic books
    Umfang: Online-Ressource (294 p)
    Bemerkung(en):

    Description based upon print version of record

    Contents; Preface; Acknowledgments; 1 Identity and the Artist; 2 Crafting an Identity as an Artist; 3 The Arts and Loss; 4 The Arts and Solace: Abandonment, Abuse, and Mental Illness; 5 Friends, Enemies, Rivals, Boyfriends, and Girlfriends; 6 Parents, Teachers, and Other Mentors: Adults as Positive and Negative Influences on Young Artists; 7 Art and Young Adult Literature: Art in Literature, Literature about Art, Literature as Art; Appendix A: Annotated Bibliography; Appendix B: Using the Arts Pedagogically; Young Adult Books Cited; Secondary Sources Cited; Index; About the Authors
  8. The Victorian novel and the space of art
    fictional form on display
    Autor*in: Gilmore, Dehn
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    This interdisciplinary study argues for the vital importance of visual culture as a force shaping the Victorian novel's formal development and reading history. It shows how authors like Charles Dickens, William Makepeace Thackeray, Wilkie Collins and... mehr

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    This interdisciplinary study argues for the vital importance of visual culture as a force shaping the Victorian novel's formal development and reading history. It shows how authors like Charles Dickens, William Makepeace Thackeray, Wilkie Collins and Thomas Hardy borrowed language and conceptual formations from art world spaces - the art market, the museum, the large-scale exhibition, and art critical discourse - not only when they chose certain subjects or refined certain aspects of realism, but also when they tried to adapt various genres of the novel for a new and newly vociferous mass audience. Quandaries specific to new forms of public display affected authors' sense of their relationship with their own public. Debates about how best to appreciate a new mass of visual information impacted authors' sense of how people read, and consequently the development of particular novel forms like the multi-plot novel, the historical novel, the sensation novel, and fin-de-siècle fiction Introduction: Seeing how the Victorians saw -- Terms of art : reading the Dickensian gallery -- The difficulty of historical work in the nineteenth-century museum and the Thackerayan novel -- "Truly it was astonishing" : the exhibition, the sensation novel, and the culture of the spectacular -- "The interesting subject of the art of the future" : Thomas Hardy and the historicity of taste -- Conclusion: Rethinking how we see the Victorians

     
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    Quelle: Staatsbibliothek zu Berlin
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    ISBN: 9781107360037
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    RVK Klassifikation: HL 1331
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 89
    Schlagworte: Art in literature; Arts in literature; Art and literature; English fiction; English fiction ; 19th century ; History and criticism; Art and literature ; Great Britain ; History ; 19th century; Art in literature; Arts in literature
    Umfang: 1 Online-Ressource (ix, 242 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  9. The Victorian novel and the space of art
    fictional form on display
    Autor*in: Gilmore, Dehn
    Erschienen: 2016; © 2013
    Verlag:  Cambridge University Press, Cambridge, United Kingdom

    Introduction: seeing how the Victorians saw -- The difficulty of historical work in the nineteenth-century museum and the Thackerayan novel -- "Truly it was astonishing!": the exhibition, the sensation novel, and the culture of the spectacular --... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2017:2466:
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    Introduction: seeing how the Victorians saw -- The difficulty of historical work in the nineteenth-century museum and the Thackerayan novel -- "Truly it was astonishing!": the exhibition, the sensation novel, and the culture of the spectacular -- "The interesting subject of the art of the future": Thomas Hardy and the historicity of taste -- Conclusion: Rethinking how we see the Victorians

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1107621267; 9781107621268
    RVK Klassifikation: HL 1031 ; HL 1331
    Auflage/Ausgabe: First paperback edition
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 89
    Schlagworte: English fiction; Art and literature; Art in literature; Arts in literature
    Umfang: ix, 242 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Includes bibliographical references (pages 167-236) and index