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  1. Entering the Frame
    Cinema and History in the Films of Yervant Gianikian and Angela Ricci Lucchi
    Autor*in: Lumley, Robert
    Erschienen: 2023
    Verlag:  Peter Lang Ltd, Oxford ; Peter Lang International Academic Publishers, Bern

    Entering the Frame is the first complete study of the cinema of Yervant Gianikian and Angela Ricci Lucchi, pioneers of archival and found-footage films that testify to war, genocide and colonialism in the twentieth century. It explores their early... mehr

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    Entering the Frame is the first complete study of the cinema of Yervant Gianikian and Angela Ricci Lucchi, pioneers of archival and found-footage films that testify to war, genocide and colonialism in the twentieth century. It explores their early performance-based «scented films» of the 1970s, before focusing on the historical films, such as From the Pole to the Equator, for which they are best known. The book analyses how Gianikian and Ricci Lucchi manipulate rare footage through re-photographing, hand-tinting and altering film speeds, to produce work of an other-worldly quality.Retrospectives of the films of Gianikian and Ricci Lucchi at the Jeu de Paume in Paris (2006) and at MoMA in New York (2009) have signalled international recognition at the highest level, as have appraisals by leading scholars of cinema such as Scott MacDonald and Raymond Bellour. Their work is unusual in attracting different audiences, and in relating art practices to wider ethical, historical and political issues. Gianikian and Ricci Lucchi have transformed old documentary footage into works that resonate in debates about postcolonialism as well as about the documentary form, the corporeality of the viewing experience and the metamorphoses of cinema.The volume includes a preface by the cultural historian Ruth Ben-Ghiat, Professor of Italian and History at New York University.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781803742182
    Weitere Identifier:
    DDC Klassifikation: Öffentliche Darbietungen, Film, Rundfunk (791)
    Auflage/Ausgabe: 1st, New ed.
    Schlagworte: Experimentalfilm; Geschichte <Motiv>; Angela; Cinema; Classics; Entering; Films; Frame; Gianikian; History; Lucchi; Lumley; Ricci; Robert; Yervant
    Weitere Schlagworte: Gianikian, Yervant (1942-); Ricci Lucchi, Angela (1942-2018)
    Umfang: 1 Online-Ressource (228 Seiten), Illustrationen
  2. Space, Mirrors, Subjectivity in Angela Carter’s Fiction
    Autor*in: Xiaobo, Jiang
    Erschienen: 2023
    Verlag:  Peter Lang Inc., International Academic Publishers, New York ; Peter Lang International Academic Publishers, Bern

    Angela Carter is known for her daring, disturbing, excessive style, and her efforts to destroy and demystify every social norm. But she is not just daring. With her sharp and subtle sensitivity, she writes as a precursor to disintegrate what has been... mehr

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    Angela Carter is known for her daring, disturbing, excessive style, and her efforts to destroy and demystify every social norm. But she is not just daring. With her sharp and subtle sensitivity, she writes as a precursor to disintegrate what has been enshrined by western philosophical tradition as the overarching dimension of human being—temporality/mind. She perceives that our modern sense of alienation and disorientation is more of a spatial anxiety than a time perplex. In her novels and short stories, she re-examines the interrelation of human and space by unraveling the power discourses inscribed as the representation of space, and provides broader spatiotemporal imagination and possibilities. Focusing on spatiality in her works, this book explores Carter’s attempts to criticize, resist and rewrite hierarchical gendered discourse by analyzing it from the perspectives of confining space, specular space and bodily space. Carter tries to build a new model of space which transcends the dominant/dominated paradigm and establish a spatiality-subjectivity totality. This new paradigm overcomes our state of alienation by embracing corporeality and excessiveness, the lived experiences in everyday interactions with space, and a construction of subject of becoming. This book applies to literary critics, professors and students of literature, readers of Angela Carter, and all those who feel trapped by their bodies and space and places.

     
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