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  1. Fictions of discourse
    reading narrative theory
    Autor*in: O'Neill, Patrick
    Erschienen: 1994
    Verlag:  Univ. of Toronto Press, Toronto [u.a.]

    The fundamental principle upon which contemporary narratology is constructed is that narrative is an essentially divided endeavor, involving the story ('what really happened') and the discourse('how what happened is presented'). For traditional... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The fundamental principle upon which contemporary narratology is constructed is that narrative is an essentially divided endeavor, involving the story ('what really happened') and the discourse('how what happened is presented'). For traditional criticism, the primary task of narrative discourse is essentially to convey the story as transparently as possible. Patrick O'Neill investigates the extent to which narrative discourse also contains the counter-tendency not to tell the story, indeed to subvert the story it tells in foregrounding its own performance. The systemic implications of this perspective for narrative and for narrative theory are examined within the conceptual framework provided by classical French narratology. O'Neill ultimately attempts both to expand and to problematize the structural model of narrative proposed by this centrally important tradition of narrative theory O'Neill describes narrative as functioning in terms of four interacting levels: story, narrative text, narration, and textuality. Using a range of examples from Homer to modern European fiction, he discusses traditional narrative categories such as voice, focalization, character, and setting, and reinscribes them within the contextual space of author and reader to bring out narrative's potential for ambiguity and unreliability. He also discusses the implications of translation for narrative theory

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0802004687
    RVK Klassifikation: EC 4500 ; EC 4660
    Schriftenreihe: Theory, culture
    Schlagworte: Analyse du discours narratif; Narration; Narration; Rhétorique; Verteltheorie; Narration (Rhetoric); Erzähltheorie
    Umfang: X, 188 S.
  2. Fictions of discourse
    reading narrative theory
    Autor*in: O'Neill, Patrick
    Erschienen: 1994
    Verlag:  Univ. of Toronto Press, Toronto [u.a.]

    The fundamental principle upon which contemporary narratology is constructed is that narrative is an essentially divided endeavor, involving the story ('what really happened') and the discourse('how what happened is presented'). For traditional... mehr

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The fundamental principle upon which contemporary narratology is constructed is that narrative is an essentially divided endeavor, involving the story ('what really happened') and the discourse('how what happened is presented'). For traditional criticism, the primary task of narrative discourse is essentially to convey the story as transparently as possible. Patrick O'Neill investigates the extent to which narrative discourse also contains the counter-tendency not to tell the story, indeed to subvert the story it tells in foregrounding its own performance. The systemic implications of this perspective for narrative and for narrative theory are examined within the conceptual framework provided by classical French narratology. O'Neill ultimately attempts both to expand and to problematize the structural model of narrative proposed by this centrally important tradition of narrative theory O'Neill describes narrative as functioning in terms of four interacting levels: story, narrative text, narration, and textuality. Using a range of examples from Homer to modern European fiction, he discusses traditional narrative categories such as voice, focalization, character, and setting, and reinscribes them within the contextual space of author and reader to bring out narrative's potential for ambiguity and unreliability. He also discusses the implications of translation for narrative theory

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0802004687
    RVK Klassifikation: EC 4500 ; EC 4660
    Schriftenreihe: Theory, culture
    Schlagworte: Analyse du discours narratif; Narration; Narration; Rhétorique; Verteltheorie; Narration (Rhetoric); Erzähltheorie
    Umfang: X, 188 S.