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  1. The pain of unbelonging
    alienation and identity in Australasian literature
    Erschienen: 2010
    Verlag:  Rodopi, Amsterdam

    Beyond the obvious and enduring socio-economic ravages it unleashed on indigenous cultures, white settler colonization in Australasia also inflicted profound damage on the collective psyche of both of the communities that inhabited the contested... mehr

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    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
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    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
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    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
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    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
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    keine Fernleihe

     

    Beyond the obvious and enduring socio-economic ravages it unleashed on indigenous cultures, white settler colonization in Australasia also inflicted profound damage on the collective psyche of both of the communities that inhabited the contested space of the colonial world. The acute sense of alienation that colonization initially provoked in the colonized and colonizing populations of Australia and New Zealand has, recent studies indicate, developed into an endemic, existential pathology. Evidence of the psychological fallout from the trauma of geographical deracination, cultural disorientati Towards settler auto-ethnography : Nicholas Jose's Black sheep / Marc Delrez -- Australia re-mapped and con-texted in Kim Scott's Benang / Pablo Armellino -- "One more story to tell" : diasporic articulations in Sally Morgan's My place / Elvira Pulitano -- Belonging and unbelonging in text and research : "snow domes" in Australia / Eleonore Wildburger -- Reconciling accounts : an analysis of Stephen Gray's The artist is a thief / Christine Nicholls -- The spectral belongings of Mudrooroo / Lorenzo Perrona -- The unusual life of Tristan Smith and the "pain of unbelonging" / Sue Ryan-Fazilleau -- The bone people : contexts and reception, 1984-2004 / Sarah Shieff -- Integrated, belonging, unbelonging, in Albert Wendt's Sons for the return home / Françoise Kral -- Margaret Mahy's post-national bridge-building : weaving the threads of unbelonging / Anne Magnan-Park.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781429480833; 1429480831; 904202187X; 9789042021877
    Schriftenreihe: Cross 0924-1426 ; 91
    Cross/cultures ; 91
    Schlagworte: Australasian literature; Alienation (Social psychology) in literature; Alienation (Philosophy) in literature; Identity (Psychology) in literature; Identity (Philosophical concept) in literature; Australasian literature; Australasian literature; Alienation (Philosophy) in literature; Alienation (Social psychology) in literature; Identity (Philosophical concept) in literature; Identity (Psychology) in literature; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Australasian literature; Criticism, interpretation, etc
    Umfang: Online Ressource (xliii, 210 p.)
    Bemerkung(en):

    Includes bibliographical references. - Description based on print version record

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library
  2. Darkly Perfect World
    Colonial Adventure, Postmodernism, and American Noir
    Autor*in: Orr, Stanley
    Erschienen: 2010
    Verlag:  Ohio State University Press, Columbus

    "Stanley Orr's Darkly Perfect World offers a large-scale historical narrative about the way American crime fiction and film have changed throughout the twentieth century. Orr argues that films noirs and noir fictions dramatize Raymond Chandler's... mehr

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    Standort:
    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Standort:
    Universitätsbibliothek Leipzig
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    Standort:
    Universitätsbibliothek Osnabrück
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    "Stanley Orr's Darkly Perfect World offers a large-scale historical narrative about the way American crime fiction and film have changed throughout the twentieth century. Orr argues that films noirs and noir fictions dramatize Raymond Chandler's pronouncement that "Even in death, a man has a right to his own identity." Orr illuminates a noir ethos committed to "authenticating alienation": subjectivity managed through radical polarization of Self and Other. Distinguishing a heretofore unrecognized context for American noir, Orr demonstrates that Chandler and Dashiell Hammett arrive at this subject within and against the colonial adventure genre. While the renegades of Joseph Conrad and Louis Becke project a figure vulnerable to shifts in cultural context, the noir protagonist exemplifies alienated selfhood and often performs a "continental operation" against the slippages of the colonial adventurer. But even as Orson Welles, Billy Wilder, and other noir virtuosi persist with this revision of late Victorian adventure, Chester Himes, Dorothy Hughes, and John Okada experiment with hard-boiled alienation for a subversion of noir that resonates throughout literary postmodernism. In their respective avant-garde novels, Thomas Pynchon, Ishmael Reed, and Paul Auster expose what K.W. Jeter terms the "darkly perfect world" of noir, thus giving rise to and enabling the con men and "connected guys" of contemporary films noirs such as Bryan Singer's The Usual Suspects, David Fincher's Seven, Christopher Nolan's Memento, and Quentin Tarantino's Reservoir Dogs"--Publisher's description.

     
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