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  1. Beyond the color line and the Iron Curtain
    reading encounters between Black and Red, 1922-1963
    Autor*in: Baldwin, Kate A.
    Erschienen: 2002
    Verlag:  Duke University Press, Durham, N.C

    Re-examines the relations between African Americans and the Soviet Union from a more transnational perspective and shows how these relations were crucial in the formation of Black modernism mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Re-examines the relations between African Americans and the Soviet Union from a more transnational perspective and shows how these relations were crucial in the formation of Black modernism

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0822329905; 1283063328; 0822383837; 082232976X; 9781283063326; 9780822329909; 9780822383833; 9780822329763
    Schriftenreihe: New Americanists
    Schlagworte: African American arts; African Americans; African American authors; Communism; African American intellectuals
    Umfang: Online-Ressource (xii, 346 p), ill, 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. [263]-331) and index

    Electronic reproduction; Available via World Wide Web

    CONTENTS; Acknowledgments; Introduction: The Demand for a New Kind of Person:Black Americans and the Soviet Union, 1922-1963; 1 ''Not at All God's White People'': McKay and the Negro in Red; 2 Between Harem and Harlem: Hughes and the Ways of the Veil; 3 Du Bois, Russia, and the ''Refusal to Be 'White,' ''; 4 Black Shadows across the Iron Curtain: Robeson's Stancebetween Cold War Cultures; Epilogue: The Only Television Hostess Who Doesn't Turn Red; Notes; Selected Bibliography; Index
  2. Gay rebel of the Harlem renaissance
    selections from the work of Richard Bruce Nugent
    Autor*in: Nugent, Bruce
    Erschienen: 2002
    Verlag:  Duke University Press, Durham [N.C.]

    Introduction -- Early work -- Sahdji -- Smoke, lilies, and jade -- Narcissus -- Scheme -- Bastard song -- Who asks this thing? -- Geisha man (excerpt) -- The Bible stories -- Beyond where the star stood still -- The now discordant song of bells --... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    keine Fernleihe

     

    Introduction -- Early work -- Sahdji -- Smoke, lilies, and jade -- Narcissus -- Scheme -- Bastard song -- Who asks this thing? -- Geisha man (excerpt) -- The Bible stories -- Beyond where the star stood still -- The now discordant song of bells -- Slender length of beauty -- Tree with kerioth-fruit -- Harlem -- On Harlem -- The dark tower -- Gentleman Jigger (excerpts) -- Salt Lake saga -- Meeting Raymond -- Rent party -- Negro art -- Stuartt gets a job -- Orini -- Harlem renaissance personalities -- On Georgette Harvey -- On Rose McClendon -- On the dark tower -- On Blanche Dunn -- On "Gloria Swanson" -- On Alexander Gumby -- On Carl van Vechten -- After the Harlem renaissance -- Transition -- Pope Pius the only -- Lunatique -- You think to shame me -- You see, I am a homosexual.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Wirth, Thomas H. (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822383611; 0822383616
    Weitere Identifier:
    Schlagworte: African American gays; Racially mixed people; Gay men; African American arts; Harlem Renaissance
    Umfang: 1 online resource (xii, 293 p.), ill.
    Bemerkung(en):

    Includes bibliographical references (p. [281]-287) and index. - Description based on print version record
  3. Gay Rebel of the Harlem Renaissance
    Selections from the Work of Richard Bruce Nugent
    Autor*in: Nugent, Richard Bruce
    Erschienen: [2002]; © 2002
    Verlag:  Duke University Press, Durham

    Richard Bruce Nugent (1906-1987) was a writer, painter, illustrator, and popular bohemian personality who lived at the center of the Harlem Renaissance. Protégé of Alain Locke, roommate of Wallace Thurman, and friend of Langston Hughes and Zora Neale... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Richard Bruce Nugent (1906-1987) was a writer, painter, illustrator, and popular bohemian personality who lived at the center of the Harlem Renaissance. Protégé of Alain Locke, roommate of Wallace Thurman, and friend of Langston Hughes and Zora Neale Hurston, the precocious Nugent stood for many years as the only African-American writer willing to clearly pronounce his homosexuality in print. His contribution to the landmark publication FIRE!!, "Smoke, Lilies and Jade," was unprecedented in its celebration of same-sex desire. A resident of the notorious "Niggeratti Manor," Nugent also appeared on Broadway in Porgy (the 1927 play) and Run, Little Chillun (1933)Thomas H. Wirth, a close friend of Nugent's during the last years of the artist's life, has assembled a selection of Nugent's most important writings, paintings, and drawings-works mostly unpublished or scattered in rare and obscure publications and collected here for the first time. Wirth has written an introduction providing biographical information about Nugent's life and situating his art in relation to the visual and literary currents which influenced him. A foreword by Henry Louis Gates Jr. emphasizes the importance of Nugent for African American history and culture

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Henry Louis, Gates (Hrsg.); Wirth, Thomas H. (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822383611
    Weitere Identifier:
    Schlagworte: LITERARY COLLECTIONS / American / African-American; African American arts; African American gays; Gay men; Harlem Renaissance; Racially mixed people
    Umfang: 1 online resource (310 pages), 78 illustrations, including 16-pages in color
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  4. Beyond the Color Line and the Iron Curtain
    Reading Encounters between Black and Red, 1922-1963
    Autor*in: Baldwin, Kate A.
    Erschienen: [2002]; © 2002
    Verlag:  Duke University Press, Durham

    Examining the significant influence of the Soviet Union on the work of four major African American authors-and on twentieth-century American debates about race-Beyond the Color Line and the Iron Curtain remaps black modernism, revealing the... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Examining the significant influence of the Soviet Union on the work of four major African American authors-and on twentieth-century American debates about race-Beyond the Color Line and the Iron Curtain remaps black modernism, revealing the importance of the Soviet experience in the formation of a black transnationalism.Langston Hughes, W. E. B. Du Bois, Claude McKay, and Paul Robeson each lived or traveled extensively in the Soviet Union between the 1920s and the 1960s, and each reflected on Communism and Soviet life in works that have been largely unavailable, overlooked, or understudied. Kate A. Baldwin takes up these writings, as well as considerable material from Soviet sources-including articles in Pravda and Ogonek, political cartoons, Russian translations of unpublished manuscripts now lost, and mistranslations of major texts-to consider how these writers influenced and were influenced by both Soviet and American culture. Her work demonstrates how the construction of a new Soviet citizen attracted African Americans to the Soviet Union, where they could explore a national identity putatively free of class, gender, and racial biases. While Hughes and McKay later renounced their affiliations with the Soviet Union, Baldwin shows how, in different ways, both Hughes and McKay, as well as Du Bois and Robeson, used their encounters with the U. S. S. R. and Soviet models to rethink the exclusionary practices of citizenship and national belonging in the United States, and to move toward an internationalism that was a dynamic mix of antiracism, anticolonialism, social democracy, and international socialism.Recovering what Baldwin terms the "Soviet archive of Black America," this book forces a rereading of some of the most important African American writers and of the transnational circuits of black modernism

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Pease, Donald E. (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822383833
    Weitere Identifier:
    Schriftenreihe: New Americanists
    Schlagworte: SOCIAL SCIENCE / Ethnic Studies / African American Studies; African American arts; African American authors; African American intellectuals; African Americans; Communism
    Umfang: 1 online resource (359 pages), 19 b&w photos
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  5. Gay rebel of the Harlem renaissance
    selections from the work of Richard Bruce Nugent
    Autor*in: Nugent, Bruce
    Erschienen: 2002
    Verlag:  Duke University Press, Durham [N.C.]

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822383611; 0822383616
    Weitere Identifier:
    Schlagworte: African American gays; Racially mixed people; Gay men; African American arts; Harlem Renaissance
    Weitere Schlagworte: Electronic books
    Umfang: 1 Online-Ressource (xii, 293 Seiten), Illustrationen
    Bemerkung(en):

    Includes bibliographical references (pages [281]-287) and index

    Introduction -- Early work -- Sahdji -- Smoke, lilies, and jade -- Narcissus -- Scheme -- Bastard song -- Who asks this thing? -- Geisha man (excerpt) -- The Bible stories -- Beyond where the star stood still -- The now discordant song of bells -- Slender length of beauty -- Tree with kerioth-fruit -- Harlem -- On Harlem -- The dark tower -- Gentleman Jigger (excerpts) -- Salt Lake saga -- Meeting Raymond -- Rent party -- Negro art -- Stuartt gets a job -- Orini -- Harlem renaissance personalities -- On Georgette Harvey -- On Rose McClendon -- On the dark tower -- On Blanche Dunn -- On "Gloria Swanson" -- On Alexander Gumby -- On Carl van Vechten -- After the Harlem renaissance -- Transition -- Pope Pius the only -- Lunatique -- You think to shame me -- You see, I am a homosexual
  6. Beyond the Color Line and the Iron Curtain
    Reading Encounters between Black and Red, 1922–1963
    Autor*in: Baldwin, Kate A
    Erschienen: [2002]
    Verlag:  Duke University Press, Durham

    Frontmatter -- CONTENTS -- Acknowledgments -- Introduction: The Demand for a New Kind of Person: Black Americans and the Soviet Union, 1922–1963 -- 1 ‘‘Not at All God’s White People’’: McKay and the Negro in Red -- 2 Between Harem and Harlem: Hughes... mehr

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Hochschule für Gesundheit, Hochschulbibliothek
    Signatur:
    Initiative E-Books.NRW
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Braunschweig
    Fernleihe:
    keine Fernleihe

    Standort:
    Zentrale Hochschulbibliothek Flensburg
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Greifswald
    Fernleihe:
    keine Fernleihe

    Standort:
    HafenCity Universität Hamburg, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Fernleihe:
    keine Fernleihe
    Standort:
    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
    Fernleihe:
    keine Fernleihe

    Standort:
    Technische Universität Hamburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Hildesheim
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signatur:
    ebook deGruyter
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe

    Standort:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
    Fernleihe:
    keine Fernleihe
    Standort:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Osnabrück
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft
    Signatur:
    eBook Duke University Press
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
    Fernleihe:
    keine Fernleihe

     

    Frontmatter -- CONTENTS -- Acknowledgments -- Introduction: The Demand for a New Kind of Person: Black Americans and the Soviet Union, 1922–1963 -- 1 ‘‘Not at All God’s White People’’: McKay and the Negro in Red -- 2 Between Harem and Harlem: Hughes and the Ways of the Veil -- 3 Du Bois, Russia, and the ‘‘Refusal to Be ‘White,’ ’’ -- 4 Black Shadows across the Iron Curtain: Robeson’s Stance between Cold War Cultures -- Epilogue: The Only Television Hostess Who Doesn’t Turn Red -- Notes -- Selected Bibliography -- Index Examining the significant influence of the Soviet Union on the work of four major African American authors—and on twentieth-century American debates about race—Beyond the Color Line and the Iron Curtain remaps black modernism, revealing the importance of the Soviet experience in the formation of a black transnationalism.Langston Hughes, W. E. B. Du Bois, Claude McKay, and Paul Robeson each lived or traveled extensively in the Soviet Union between the 1920s and the 1960s, and each reflected on Communism and Soviet life in works that have been largely unavailable, overlooked, or understudied. Kate A. Baldwin takes up these writings, as well as considerable material from Soviet sources—including articles in Pravda and Ogonek, political cartoons, Russian translations of unpublished manuscripts now lost, and mistranslations of major texts—to consider how these writers influenced and were influenced by both Soviet and American culture. Her work demonstrates how the construction of a new Soviet citizen attracted African Americans to the Soviet Union, where they could explore a national identity putatively free of class, gender, and racial biases. While Hughes and McKay later renounced their affiliations with the Soviet Union, Baldwin shows how, in different ways, both Hughes and McKay, as well as Du Bois and Robeson, used their encounters with the U. S. S. R. and Soviet models to rethink the exclusionary practices of citizenship and national belonging in the United States, and to move toward an internationalism that was a dynamic mix of antiracism, anticolonialism, social democracy, and international socialism.Recovering what Baldwin terms the "Soviet archive of Black America," this book forces a rereading of some of the most important African American writers and of the transnational circuits of black modernism

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Pease, Donald E (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822383833
    Weitere Identifier:
    Schriftenreihe: New Americanists
    Schlagworte: African American arts; African American authors; African American intellectuals; African Americans; Communism; SOCIAL SCIENCE / Ethnic Studies / African American Studies
    Umfang: 1 Online-Ressource (359 p), 19 b&w photos
  7. Gay rebel of the Harlem renaissance
    selections from the work of Richard Bruce Nugent
    Autor*in: Nugent, Bruce
    Erschienen: 2002
    Verlag:  Duke University Press, Durham [N.C.]

    Introduction -- Early work -- Sahdji -- Smoke, lilies, and jade -- Narcissus -- Scheme -- Bastard song -- Who asks this thing? -- Geisha man (excerpt) -- The Bible stories -- Beyond where the star stood still -- The now discordant song of bells --... mehr

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    keine Fernleihe

     

    Introduction -- Early work -- Sahdji -- Smoke, lilies, and jade -- Narcissus -- Scheme -- Bastard song -- Who asks this thing? -- Geisha man (excerpt) -- The Bible stories -- Beyond where the star stood still -- The now discordant song of bells -- Slender length of beauty -- Tree with kerioth-fruit -- Harlem -- On Harlem -- The dark tower -- Gentleman Jigger (excerpts) -- Salt Lake saga -- Meeting Raymond -- Rent party -- Negro art -- Stuartt gets a job -- Orini -- Harlem renaissance personalities -- On Georgette Harvey -- On Rose McClendon -- On the dark tower -- On Blanche Dunn -- On "Gloria Swanson" -- On Alexander Gumby -- On Carl van Vechten -- After the Harlem renaissance -- Transition -- Pope Pius the only -- Lunatique -- You think to shame me -- You see, I am a homosexual.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Wirth, Thomas H. (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822383611; 0822383616
    Weitere Identifier:
    Schlagworte: African American gays; Racially mixed people; Gay men; African American arts; Harlem Renaissance; African American gays ; Literary collections; Racially mixed people ; Literary collections; Gay men ; Literary collections; African American arts; Harlem Renaissance; Electronic books
    Umfang: 1 online resource (xii, 293 p.)
    Bemerkung(en):

    Includes bibliographical references (p. [281]-287) and index. - Description based on print version record
  8. Gay Rebel of the Harlem Renaissance
    Selections from the Work of Richard Bruce Nugent
    Autor*in: Nugent, Richard Bruce
    Erschienen: [2002]; © 2002
    Verlag:  Duke University Press, Durham

    Richard Bruce Nugent (1906-1987) was a writer, painter, illustrator, and popular bohemian personality who lived at the center of the Harlem Renaissance. Protégé of Alain Locke, roommate of Wallace Thurman, and friend of Langston Hughes and Zora Neale... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Coburg, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Kempten, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Richard Bruce Nugent (1906-1987) was a writer, painter, illustrator, and popular bohemian personality who lived at the center of the Harlem Renaissance. Protégé of Alain Locke, roommate of Wallace Thurman, and friend of Langston Hughes and Zora Neale Hurston, the precocious Nugent stood for many years as the only African-American writer willing to clearly pronounce his homosexuality in print. His contribution to the landmark publication FIRE!!, "Smoke, Lilies and Jade," was unprecedented in its celebration of same-sex desire. A resident of the notorious "Niggeratti Manor," Nugent also appeared on Broadway in Porgy (the 1927 play) and Run, Little Chillun (1933)Thomas H. Wirth, a close friend of Nugent's during the last years of the artist's life, has assembled a selection of Nugent's most important writings, paintings, and drawings-works mostly unpublished or scattered in rare and obscure publications and collected here for the first time. Wirth has written an introduction providing biographical information about Nugent's life and situating his art in relation to the visual and literary currents which influenced him. A foreword by Henry Louis Gates Jr. emphasizes the importance of Nugent for African American history and culture

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Henry Louis, Gates (Hrsg.); Wirth, Thomas H. (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822383611
    Weitere Identifier:
    Schlagworte: LITERARY COLLECTIONS / American / African-American; African American arts; African American gays; Gay men; Harlem Renaissance; Racially mixed people
    Umfang: 1 online resource (310 pages), 78 illustrations, including 16-pages in color
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  9. Beyond the Color Line and the Iron Curtain
    Reading Encounters between Black and Red, 1922-1963
    Autor*in: Baldwin, Kate A.
    Erschienen: [2002]; © 2002
    Verlag:  Duke University Press, Durham

    Examining the significant influence of the Soviet Union on the work of four major African American authors-and on twentieth-century American debates about race-Beyond the Color Line and the Iron Curtain remaps black modernism, revealing the... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Coburg, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Kempten, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Examining the significant influence of the Soviet Union on the work of four major African American authors-and on twentieth-century American debates about race-Beyond the Color Line and the Iron Curtain remaps black modernism, revealing the importance of the Soviet experience in the formation of a black transnationalism.Langston Hughes, W. E. B. Du Bois, Claude McKay, and Paul Robeson each lived or traveled extensively in the Soviet Union between the 1920s and the 1960s, and each reflected on Communism and Soviet life in works that have been largely unavailable, overlooked, or understudied. Kate A. Baldwin takes up these writings, as well as considerable material from Soviet sources-including articles in Pravda and Ogonek, political cartoons, Russian translations of unpublished manuscripts now lost, and mistranslations of major texts-to consider how these writers influenced and were influenced by both Soviet and American culture. Her work demonstrates how the construction of a new Soviet citizen attracted African Americans to the Soviet Union, where they could explore a national identity putatively free of class, gender, and racial biases. While Hughes and McKay later renounced their affiliations with the Soviet Union, Baldwin shows how, in different ways, both Hughes and McKay, as well as Du Bois and Robeson, used their encounters with the U. S. S. R. and Soviet models to rethink the exclusionary practices of citizenship and national belonging in the United States, and to move toward an internationalism that was a dynamic mix of antiracism, anticolonialism, social democracy, and international socialism.Recovering what Baldwin terms the "Soviet archive of Black America," this book forces a rereading of some of the most important African American writers and of the transnational circuits of black modernism

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Pease, Donald E. (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822383833
    Weitere Identifier:
    Schriftenreihe: New Americanists
    Schlagworte: SOCIAL SCIENCE / Ethnic Studies / African American Studies; African American arts; African American authors; African American intellectuals; African Americans; Communism
    Umfang: 1 online resource (359 pages), 19 b&w photos
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  10. Beyond the color line and the Iron Curtain
    reading encounters between Black and Red, 1922 - 1963
    Autor*in: Baldwin, Kate A.
    Erschienen: 2002
    Verlag:  Duke Univ. Press, Durham, NC [u.a.]

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 082232976X; 0822329905
    RVK Klassifikation: HU 1728
    Schriftenreihe: New Americanists
    Schlagworte: African Americans; African American intellectuals; African American authors; African American arts; Communism
    Umfang: XII, 346 S., Ill., 23cm
    Bemerkung(en):

    Literaturverz. S. [321] - 331
  11. Beyond the color line and the Iron Curtain
    reading encounters between Black and Red, 1922 - 1963
    Autor*in: Baldwin, Kate A.
    Erschienen: 2002
    Verlag:  Duke University Press, Durham, NC

    Standort:
    Haus der Kulturen der Welt, HKW.Bibliothek
    Signatur:
    FC 200 Bal
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Signatur:
    01.T.0746
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2003 A 701
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    AA L XXX 700
    Fernleihe:
    keine Fernleihe

    Standort:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signatur:
    EV/320/1201
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Historisches Seminar, Schurman-Bibliothek für Amerikanische Geschichte
    Signatur:
    Sch 3.5.8 - 416
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Brechtbau-Bibliothek
    Signatur:
    PZ 343.074
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 082232976X; 0822329905
    RVK Klassifikation: HU 1728
    Schriftenreihe: New Americanists
    Schlagworte: African Americans; African American intellectuals; African American authors; African American arts; Communism
    Umfang: XII, 346 S, Ill, 23cm.
    Bemerkung(en):

    Includes bibliographical references (S. 321 - 331) and index
  12. Gay rebel of the Harlem renaissance
    selections from the work of Richard Bruce Nugent
    Autor*in: Nugent, Bruce
    Erschienen: 2002
    Verlag:  Duke University Press, Durham [N.C.]

    A collection of writings and artwork by Richard Bruce Nugent, an important yet heretofore obscure figure of the Harlem Renaissance mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    A collection of writings and artwork by Richard Bruce Nugent, an important yet heretofore obscure figure of the Harlem Renaissance

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0822383616; 0822328860; 0822329131; 9780822383611; 9780822328865; 9780822329138
    Schlagworte: African American arts; Gay men; Harlem Renaissance; Racially mixed people; African American gays
    Umfang: Online-Ressource (xii, 293 p), ill, 25 cm
    Bemerkung(en):

    Includes bibliographical references (p. [281]-287) and index

    Electronic reproduction; Available via World Wide Web

    Contents; Foreword by Henry Louis Gates Jr.; Acknowledgments; Introduction; Early Work; Sahdji; Smoke, Lilies and Jade; Narcissus; Scheme; Bastard Song; Who Asks This Thing?; Geisha Man (excerpt); The Bible Stories; Beyond Where the Star Stood Still; The Now Discordant Song of Bells; Slender Length of Beauty; Tree with Kerioth-Fruit; Harlem; On Harlem; The Dark Tower; Gentleman Jigger (excerpts); Salt Lake Saga; Meeting Raymond; Rent Party; Negro Art; Stuartt Gets a Job; Orini; Harlem Renaissance Personalities; On Georgette Harvey; On Rose McClendon; On the Dark Tower; On Blanche Dunn

    On ''Gloria Swanson''On Alexander Gumby; On Carl Van Vechten; Images; After the Harlem Renaissance; Transition; Pope Pius the Only; Lunatique; You Think to Shame Me; You See, I Am a Homosexual; Notes; Bibliography; Index; Credits and Copyright Acknowledgments