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  1. Black queer freedom
    spaces of injury and paths of desire
    Autor*in: Avilez, GerShun
    Erschienen: [2020]
    Verlag:  University of Illinois Press, Urbana$aChicago$aSpringfield

    "Whether engaged in same-sex desire or gender nonconformity, black queer individuals live with being perceived as a threat while simultaneously being subjected to the threat of physical, psychological, and socioeconomic injury. Attending to and... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Whether engaged in same-sex desire or gender nonconformity, black queer individuals live with being perceived as a threat while simultaneously being subjected to the threat of physical, psychological, and socioeconomic injury. Attending to and challenging threats has become a defining element in queer black artists' work throughout the black diaspora. GerShun Avilez analyzes the work of diasporic artists who, denied government protections, have used art to create spaces for justice. He first focuses on how the state seeks to inhibit the movement of black queer bodies through public spaces, whether on the street or across borders. From there, he pivots to institutional spaces--specifically prisons and hospitals--and the ways such places seek to expose queer bodies in order to control them. Throughout, he reveals how desire and art open routes to black queer freedom when policy, the law, racism, and homophobia threaten physical safety, civil rights, and social mobility"--

     
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780252043376; 9780252085284
    Schriftenreihe: The new black studies series
    Schlagworte: African American gays; Gays, Black; African American arts; Gay artists; Homophobia; Racism; Queer theory
    Umfang: xi, 184 Seiten
    Bemerkung(en):

    Enthält Anmerkungen und Index
  2. Black queer freedom
    spaces of injury and paths of desire
    Autor*in: Avilez, GerShun
    Erschienen: [2020]
    Verlag:  University of Illinois Press, Urbana$aChicago$aSpringfield

    "Whether engaged in same-sex desire or gender nonconformity, black queer individuals live with being perceived as a threat while simultaneously being subjected to the threat of physical, psychological, and socioeconomic injury. Attending to and... mehr

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    "Whether engaged in same-sex desire or gender nonconformity, black queer individuals live with being perceived as a threat while simultaneously being subjected to the threat of physical, psychological, and socioeconomic injury. Attending to and challenging threats has become a defining element in queer black artists' work throughout the black diaspora. GerShun Avilez analyzes the work of diasporic artists who, denied government protections, have used art to create spaces for justice. He first focuses on how the state seeks to inhibit the movement of black queer bodies through public spaces, whether on the street or across borders. From there, he pivots to institutional spaces--specifically prisons and hospitals--and the ways such places seek to expose queer bodies in order to control them. Throughout, he reveals how desire and art open routes to black queer freedom when policy, the law, racism, and homophobia threaten physical safety, civil rights, and social mobility"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780252052255
    Schriftenreihe: The new black studies series
    Schlagworte: African American gays; Gays, Black; African American arts; Gay artists; Homophobia; Racism; Queer theory
    Umfang: 1 Online-Ressource (xi, 184 Seiten)
    Bemerkung(en):

    Enthält Anmerkungen und Index
  3. Radical aesthetics and modern Black nationalism
    Autor*in: Avilez, GerShun
    Erschienen: [2016]
    Verlag:  University of Illinois Press, Urbana ; Chicago ; Springfield

    "This project links the engagement of Black nationalist activism to artistic experimentation in recent African American literature, visual art, and film. GerShun Avilez argues that the ideology of modern Black nationalism functions as a dominant... mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This project links the engagement of Black nationalist activism to artistic experimentation in recent African American literature, visual art, and film. GerShun Avilez argues that the ideology of modern Black nationalism functions as a dominant means for artistic and theoretical experimentation in African-American literary and visual artwork in the late twentieth century and into the twenty-first. The project provides a new genealogy of contemporary African American artistic production while also shedding new light on the Black Arts Movement (1965-1975) and placing emphasis on how questions of gender and sexuality guide the artistic experimentation discussed throughout the work. More specifically, Avilez unravels how the artistic production of the Black Arts era provides a set of critical methodologies and paradigms rooted in the disidentification with Black nationalist discourses, which gives rise to a subjectivity Avilez refers to as aesthetic radicalism. This term describes the engaged critique of nationalist rhetoric that appears prominently during the 1960s and that continues to offer novel means for expressing Black intimacy and embodiment and producing experimental works of art and innovate artistic methods.--Provided by publisher

     
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  4. Radical aesthetics and modern Black nationalism
    Autor*in: Avilez, GerShun
    Erschienen: 2016
    Verlag:  University of Illinois Press, Urbana, IL

    "This project links the engagement of Black nationalist activism to artistic experimentation in recent African American literature, visual art, and film. GerShun Avilez argues that the ideology of modern Black nationalism functions as a dominant... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    "This project links the engagement of Black nationalist activism to artistic experimentation in recent African American literature, visual art, and film. GerShun Avilez argues that the ideology of modern Black nationalism functions as a dominant means for artistic and theoretical experimentation in African-American literary and visual artwork in the late twentieth century and into the twenty-first. The project provides a new genealogy of contemporary African American artistic production while also shedding new light on the Black Arts Movement (1965-1975) and placing emphasis on how questions of gender and sexuality guide the artistic experimentation discussed throughout the work. More specifically, Avilez unravels how the artistic production of the Black Arts era provides a set of critical methodologies and paradigms rooted in the disidentification with Black nationalist discourses, which gives rise to a subjectivity Avilez refers to as aesthetic radicalism. This term describes the engaged critique of nationalist rhetoric that appears prominently during the 1960s and that continues to offer novel means for expressing Black intimacy and embodiment and producing experimental works of art and innovate artistic methods.--Provided by publisher

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  5. Black queer freedom
    spaces of injury and paths of desire
    Autor*in: Avilez, GerShun
    Erschienen: [2020]
    Verlag:  University of Illinois Press, Urbana$aChicago$aSpringfield

    "Whether engaged in same-sex desire or gender nonconformity, black queer individuals live with being perceived as a threat while simultaneously being subjected to the threat of physical, psychological, and socioeconomic injury. Attending to and... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 123411
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signatur:
    MS 2840 A958
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2021 A 6900
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    8/16540
    Fernleihe:
    keine Fernleihe

     

    "Whether engaged in same-sex desire or gender nonconformity, black queer individuals live with being perceived as a threat while simultaneously being subjected to the threat of physical, psychological, and socioeconomic injury. Attending to and challenging threats has become a defining element in queer black artists' work throughout the black diaspora. GerShun Avilez analyzes the work of diasporic artists who, denied government protections, have used art to create spaces for justice. He first focuses on how the state seeks to inhibit the movement of black queer bodies through public spaces, whether on the street or across borders. From there, he pivots to institutional spaces--specifically prisons and hospitals--and the ways such places seek to expose queer bodies in order to control them. Throughout, he reveals how desire and art open routes to black queer freedom when policy, the law, racism, and homophobia threaten physical safety, civil rights, and social mobility"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780252043376; 9780252085284
    Schriftenreihe: The new black studies series
    Schlagworte: African American gays; Gays, Black; African American arts; Gay artists; Homophobia; Racism; Queer theory
    Umfang: xi, 184 Seiten
    Bemerkung(en):

    Enthält Anmerkungen und Index
  6. Radical aesthetics and modern Black nationalism
    Autor*in: Avilez, GerShun
    Erschienen: [2016]
    Verlag:  University of Illinois Press, Urbana ; Chicago ; Springfield

    "This project links the engagement of Black nationalist activism to artistic experimentation in recent African American literature, visual art, and film. GerShun Avilez argues that the ideology of modern Black nationalism functions as a dominant... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This project links the engagement of Black nationalist activism to artistic experimentation in recent African American literature, visual art, and film. GerShun Avilez argues that the ideology of modern Black nationalism functions as a dominant means for artistic and theoretical experimentation in African-American literary and visual artwork in the late twentieth century and into the twenty-first. The project provides a new genealogy of contemporary African American artistic production while also shedding new light on the Black Arts Movement (1965-1975) and placing emphasis on how questions of gender and sexuality guide the artistic experimentation discussed throughout the work. More specifically, Avilez unravels how the artistic production of the Black Arts era provides a set of critical methodologies and paradigms rooted in the disidentification with Black nationalist discourses, which gives rise to a subjectivity Avilez refers to as aesthetic radicalism. This term describes the engaged critique of nationalist rhetoric that appears prominently during the 1960s and that continues to offer novel means for expressing Black intimacy and embodiment and producing experimental works of art and innovate artistic methods.--Provided by publisher

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  7. Black queer freedom
    spaces of injury and paths of desire
    Autor*in: Avilez, GerShun
    Erschienen: [2020]
    Verlag:  University of Illinois Press, Urbana$aChicago$aSpringfield

    "Whether engaged in same-sex desire or gender nonconformity, black queer individuals live with being perceived as a threat while simultaneously being subjected to the threat of physical, psychological, and socioeconomic injury. Attending to and... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Whether engaged in same-sex desire or gender nonconformity, black queer individuals live with being perceived as a threat while simultaneously being subjected to the threat of physical, psychological, and socioeconomic injury. Attending to and challenging threats has become a defining element in queer black artists' work throughout the black diaspora. GerShun Avilez analyzes the work of diasporic artists who, denied government protections, have used art to create spaces for justice. He first focuses on how the state seeks to inhibit the movement of black queer bodies through public spaces, whether on the street or across borders. From there, he pivots to institutional spaces--specifically prisons and hospitals--and the ways such places seek to expose queer bodies in order to control them. Throughout, he reveals how desire and art open routes to black queer freedom when policy, the law, racism, and homophobia threaten physical safety, civil rights, and social mobility"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780252043376; 9780252085284
    RVK Klassifikation: MS 2870
    Schriftenreihe: The new black studies series
    Schlagworte: Queer-Theorie; Homosexualität; Schwarze; Künstler; Rassismus
    Weitere Schlagworte: African American gays; Gays, Black; African American arts; Gay artists; Homophobia; Racism; Queer theory
    Umfang: xi, 184 Seiten
    Bemerkung(en):

    Enthält Anmerkungen und Index
  8. Radical aesthetics and modern Black nationalism
    Autor*in: Avilez, GerShun
    Erschienen: [2016]
    Verlag:  University of Illinois Press, Urbana

    Introduction: The art of revolution -- The question of "closing ranks" -- The claim of innocence: deconstructing the machinery of whiteness -- The suspicion of kinship: critiquing the construct of black unity -- The bodily logic of "revolutionizing... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2016:3375:
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 989976
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signatur:
    HU 1728 123
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: The art of revolution -- The question of "closing ranks" -- The claim of innocence: deconstructing the machinery of whiteness -- The suspicion of kinship: critiquing the construct of black unity -- The bodily logic of "revolutionizing the mind" -- The demands on reproduction: worrying the limits of gender identity -- The space of sex: reconfiguring the coordinates of subjectivity -- Conclusion: queering representation "This project links the engagement of Black nationalist activism to artistic experimentation in recent African American literature, visual art, and film. GerShun Avilez argues that the ideology of modern Black nationalism functions as a dominant means for artistic and theoretical experimentation in African-American literary and visual artwork in the late twentieth century and into the twenty-first. The project provides a new genealogy of contemporary African American artistic production while also shedding new light on the Black Arts Movement (1965-1975) and placing emphasis on how questions of gender and sexuality guide the artistic experimentation discussed throughout the work. More specifically, Avilez unravels how the artistic production of the Black Arts era provides a set of critical methodologies and paradigms rooted in the disidentification with Black nationalist discourses, which gives rise to a subjectivity Avilez refers to as aesthetic radicalism. This term describes the engaged critique of nationalist rhetoric that appears prominently during the 1960s and that continues to offer novel means for expressing Black intimacy and embodiment and producing experimental works of art and innovate artistic methods.--Provided by publisher

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt