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  1. The Orientalist Semiotics of "Dune": Religious and Historical References within Frank Herbert's Universe
    Autor*in: Jacob, Frank
    Erschienen: 2022
    Verlag:  SSOAR, GESIS – Leibniz-Institut für Sozialwissenschaften e.V., Mannheim ; Büchner-Verlag, Marburg

    Abstract: Frank Herbert's "Dune" (1965) is considered to be one of the most successful Science Fiction novels of the 20th century. It introduces its readers to a future universe, in which the production of the most valuable resource of the universe -... mehr

     

    Abstract: Frank Herbert's "Dune" (1965) is considered to be one of the most successful Science Fiction novels of the 20th century. It introduces its readers to a future universe, in which the production of the most valuable resource of the universe - 'spice' - is only possible on one vast desert planet called Arrakis. "Dune" offers many different motifs, including a hero that eventually turns into a superhuman being. However, the novel is also rich of orientalist semiotics and relates to a sign system existent when Herbert wrote his book. Frank Jacob discusses these semiotics in detail and shows how much of "Lawrence of Arabia" is present in the story's plot

     
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  2. War in Film: Semiotics and Conflict Related Sign Constructions on the Screen
    Beteiligt: Jacob, Frank (Herausgeber)
    Erschienen: 2022
    Verlag:  SSOAR, GESIS – Leibniz-Institut für Sozialwissenschaften e.V., Mannheim ; Büchner-Verlag, Marburg

    Abstract: The human experience of war is not only remembered by societies through memorials, but also through the depiction of wars and important battles of respective national histories on screen. Very often, the image presented is related to... mehr

     

    Abstract: The human experience of war is not only remembered by societies through memorials, but also through the depiction of wars and important battles of respective national histories on screen. Very often, the image presented is related to existent semiotics, and the respective sign systems determine the image of heroic actions and violence on the screen. The present volume provides a deeper insight into the forces at play when war films are presented on the big screen and intends to show why and how violent conflicts often have an afterlife as visual media as well

     
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    Quelle: Verbundkataloge
    Beteiligt: Jacob, Frank (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783963178528
    Weitere Identifier:
    DDC Klassifikation: Publizistische Medien, Journalismus, Verlagswesen (070)
    Weitere Schlagworte: (thesoz)Film; (thesoz)Krieg; (thesoz)Semiotik; (thesoz)Ästhetik; (thesoz)Gedächtnis; (thesoz)Propaganda; Omer Fast; Steve McQueen; war film; Christopher Nolan; Roland Barthes; Kriegsfilm; Maya Schweizer; Alain Delon; Clemens von Wedemeyer; Fernando Frías; Mario Volpe; war images; film narratives; national narratives; Amat Escalante; Frank Herbert; popular culture; Alessandro Blasetti
    Umfang: Online-Ressource, 229 S.
    Bemerkung(en):

    Veröffentlichungsversion

    begutachtet (peer reviewed)
  3. The orientalist semiotics of Dune
    religious and historical references within Frank Herbert’s Universe
    Autor*in: Jacob, Frank
    Erschienen: 2022
    Verlag:  Büchner-Verlag, Wissenschaft und Kultur, Marburg

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  4. Semiotic Reading of Edgar Allan Poe's Poem "The Raven"
    Autor*in: Balan, Parisa Rostami
    Erschienen: 2015

    Abstract: What do we mean by semiotics and what is the role of semiotics in communication? How can we apply semiotics in literary works? Is that really possible? When we are talking about sign system there are so many questions that rush to our mind... mehr

     

    Abstract: What do we mean by semiotics and what is the role of semiotics in communication? How can we apply semiotics in literary works? Is that really possible? When we are talking about sign system there are so many questions that rush to our mind which are unanswered, this is because of our infinitesimal knowledge on semiotics and sign system. We have so many authors showing the power of words in their works and they highlighted those words in their masterpieces. So words play a great role in communication and transformation of information and they believe that each word belongs to a system which we call it sign system. In general this paper attempts to show semiotics in general; how, why and when it came into existence and we will apply this approach on a poem called “the raven” by Edgar Allan Poe

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    oai:gesis.izsoz.de:document/56501
    DDC Klassifikation: Literatur und Rhetorik (800)
    Weitere Schlagworte: (thesoz)Semiotik; (thesoz)Zeichen; (thesoz)Dichtung; Allan Poe; Signified; Signifier
    Umfang: Online-Ressource
    Bemerkung(en):

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    In: International Letters of Social and Humanistic Sciences (2015) 60 ; 96-101
  5. Iconizing the Digital Humanities: Models and Modeling from a Semiotic Perspective
    Autor*in: Lattmann, Claas

    Abstract: Models are ubiquitous in the digital humanities. Against the backdrop of the recent discussion in the philosophy of science about what models are and what they do, this paper presents a semiotic perspective on models in the framework of... mehr

     

    Abstract: Models are ubiquitous in the digital humanities. Against the backdrop of the recent discussion in the philosophy of science about what models are and what they do, this paper presents a semiotic perspective on models in the framework of Charles S. Peirce’s theory of signs that sheds light on the practice of modeling in the digital humanities. As a first step, it is argued that models are icons, i.e. signs that represent their specific objects by being regarded as similar to them; and that there are, in all, three basic types of model, namely “images,” “diagrams,” and “metaphors.” A second step explicates relevant implications of this model-theoretic approach, especially as they relate to the digital humanities. In particular, it is shown that models are not identical to the things they represent and that they only represent them partially; that the representation operates on the basis of a mapping relation between select properties of the model and its object; that each model and e

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    oai:gesis.izsoz.de:document/60507
    Übergeordneter Titel:
    Veröffentlichungsversion
    begutachtet (peer reviewed)
    Enthalten in: Historical social research / Supplement. Supplement; Mannheim : GESIS, 1988-; Heft 31 (2018), 124-146; Online-Ressource
    DDC Klassifikation: Naturwissenschaften und Mathematik (500)
    Weitere Schlagworte: (thesoz)Peirce, C.; (thesoz)Modelltheorie; (thesoz)Repräsentation; (thesoz)Semiotik; (thesoz)Geisteswissenschaft; (thesoz)Definition; (thesoz)Informatik; (thesoz)Modell; (thesoz)Repräsentativität; (thesoz)Metapher; Models; Icons; Images; Diagrams; Metaphors, C. S. Peirce, Digital Humanities
    Umfang: Online-Ressource