Ergebnisse für *

Zeige Ergebnisse 1 bis 13 von 13.

  1. Glücksversprechen im virtuellen Raum? Das Computerspiel 'Fallout: New Vegas' und seine Erzählung von Welt
    Autor*in: Plasa, Kenneth
    Erschienen: 2015

    Abstract: Diese Hausarbeit wurd im Rahmen des Seminars "Narration, Ästhetik und Digitalkultur" geschrieben. Auf Basis der von Horkheimer und Adorno in der Dialektik der Aufklärung (1944) niedergeschriebenen Kritik an der negativen Kehrseite von... mehr

     

    Abstract: Diese Hausarbeit wurd im Rahmen des Seminars "Narration, Ästhetik und Digitalkultur" geschrieben. Auf Basis der von Horkheimer und Adorno in der Dialektik der Aufklärung (1944) niedergeschriebenen Kritik an der negativen Kehrseite von bürgerlicher Aufklärung, an Kapitalismus und Kulturindustrie wird das Computerspiel 'Fallout: New Vegas' und seine Erzählung von Welt mit den Mitteln von Filmanalyse und soziologischer Analyse untersucht

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    oai:gesis.izsoz.de:document/46485
    DDC Klassifikation: Publizistische Medien, Journalismus, Verlagswesen (070); Soziologie, Anthropologie (301)
    Schlagworte: Computerspiel; Erzählung; Spiel
    Weitere Schlagworte: (thesoz)Kapitalismus; (thesoz)Adorno, T.; (thesoz)Aufklärungszeitalter; (thesoz)Gesellschaft; (thesoz)Dialektik; (thesoz)Kulturindustrie; (thesoz)Computerspiel; (thesoz)Erzählung; (thesoz)Narration; (thesoz)Horkheimer, M.; (thesoz)Analyse; Dialektik der Aufklärung
    Umfang: Online-Ressource, 69 S.
    Bemerkung(en):

    Veröffentlichungsversion

    begutachtet

  2. Gauri as woman protagonist in Mulk Raj Anand's novel
    Autor*in: Yadav, Shashi
    Erschienen: 2015

    Abstract: Through this novel "Gauri" Mulk Raj Anand expresses his indisputable concern for the suffering humanity of India. It forces one to ask a few questions about the Indian character of woman. We call the woman as "Mother", "Goddess" and claim... mehr

     

    Abstract: Through this novel "Gauri" Mulk Raj Anand expresses his indisputable concern for the suffering humanity of India. It forces one to ask a few questions about the Indian character of woman. We call the woman as "Mother", "Goddess" and claim that our society always been given due respect to women. At the same time, we also beat them ablaze or turn them out of the house. Mulk Raj Anand's novel Gauri eloquently exposes the hypocrisy of our society. It not only voices a strong protest against ill treatment of women but also explores through the example of Gauri what woman in India should do for her emancipation

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    oai:gesis.izsoz.de:document/56753
    DDC Klassifikation: Sozialwissenschaften (300); Soziologie, Anthropologie (301)
    Weitere Schlagworte: (thesoz)Literatur; (thesoz)Indien; (thesoz)soziales Dilemma; (thesoz)Transformation; (thesoz)Frau; (thesoz)Menschheit; (thesoz)Mythos; (thesoz)Chauvinismus; (thesoz)Aberglaube; (thesoz)Emanzipation; (thesoz)Erzählung; (thesoz)sozialer Wandel; (thesoz)Mann
    Umfang: Online-Ressource
    Bemerkung(en):

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 60 ; 134-136

  3. Ruth and de-valuation of the values of Victorian period
    Erschienen: 2015

    Abstract: The novel Ruth by Elizabeth Gaskell is a novel which deconstructs the values of the Victorian society. In fact this novel devalues the values of this period by bucking the system of Victorian norms and values. This is manifested in the... mehr

     

    Abstract: The novel Ruth by Elizabeth Gaskell is a novel which deconstructs the values of the Victorian society. In fact this novel devalues the values of this period by bucking the system of Victorian norms and values. This is manifested in the change of Ruth from a naïve to mature girl through her fall. In fact her fall makes her wise. When she dies she is given a funeral which is given to a virtuous woman. Her funeral is a slap on the face of the Victorian ideals of goodness and badness. This tells us that the values should be revised when such a person is not that much bad while she is considered bad. Gaskell devalues the values of Victorian society through her heroine’s migration and her living under a false name to teach us a lesson as to how shaky the Victorian ideas are and should be checked again. In fact, this novel has contributed, though little, to the way a woman like Ruth should be viewed

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    oai:gesis.izsoz.de:document/56964
    DDC Klassifikation: Soziologie, Anthropologie (301)
    Weitere Schlagworte: (thesoz)Erzählung; (thesoz)Literatur; (thesoz)19. Jahrhundert; (thesoz)Wert; (thesoz)Wertorientierung; Gaskell, E.
    Umfang: Online-Ressource
    Bemerkung(en):

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 57 ; 160-165

  4. The autobiographical novels of Sidonie-Gabrielle Colette and Virginia Woolf: a comparative study

    Abstract: Autobiographical mode of writing informs the works of many novelists, consciously or unconsciously. There are, however, diverse techniques for formulating these conscious or unconscious autobiographical interpolations in literary works.... mehr

     

    Abstract: Autobiographical mode of writing informs the works of many novelists, consciously or unconsciously. There are, however, diverse techniques for formulating these conscious or unconscious autobiographical interpolations in literary works. This essay aims to study the works of Sidonie-Gabreille Colette and Virginia Woolf to trace the nuances of the autobiographical mode in two contemporary female writers from different nations. We do not aim at proving that these two writers deploy the autobiographical mode in their writings, but how similar and different their autobiographical techniques in the creation of fiction are. Therefore, Colette's and Woolf's novels, in general, will be compared and contrasted with an eye on their self-defined strategies for the development of autobiographical fiction

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    oai:gesis.izsoz.de:document/56994
    DDC Klassifikation: Soziologie, Anthropologie (301)
    Weitere Schlagworte: (thesoz)Erzählung; (thesoz)Fiktion; (thesoz)Literatur; (thesoz)Schreiben; (thesoz)Biographie; (thesoz)Schriftsteller; Colette, S.-G.; Woolf, V.
    Umfang: Online-Ressource
    Bemerkung(en):

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 56 ; 145-151

  5. Broken marriage in aristocratic societies in Edith Wharton's selected novels
    Erschienen: 2015

    Abstract: Family is a bridge between individual and society. In my paper, I will survey broken marriage and individual dissatisfaction in two novels by Edith Wharton. The novels in question are The House of Mirth (1905) and The Age of Innocence... mehr

     

    Abstract: Family is a bridge between individual and society. In my paper, I will survey broken marriage and individual dissatisfaction in two novels by Edith Wharton. The novels in question are The House of Mirth (1905) and The Age of Innocence (1920). Edith Wharton portrays her concern by the conflict between the individuals and the social groups which they live in there. Her treatment of the family is always in association with the bourgeois society, with the ambitious stock brokers from the west. This conflict can be seen in their attitudes to love, marriage, divorce, and remarriage. In the novels, Marriage, as an indissoluble matter and even an invariable failure, is main concept and sex outside marriage is meaningless. Wharton shows divorce in aristocratic societies in an old-fashioned lifestyle

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    oai:gesis.izsoz.de:document/57443
    DDC Klassifikation: Soziologie, Anthropologie (301)
    Weitere Schlagworte: (thesoz)Literatur; (thesoz)Erzählung; (thesoz)Bürgertum; (thesoz)Individuum; (thesoz)soziale Schicht; (thesoz)Konflikt; (thesoz)Familie; (thesoz)bürgerliche Gesellschaft; (thesoz)Ehe; (thesoz)Ehescheidung; (thesoz)Sexualverhalten; Aristrokratie; Wharton, E.
    Umfang: Online-Ressource
    Bemerkung(en):

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 49 ; 192-196

  6. A study of Carter's Wolf-Alice based on showalter's gynocriticism
    Erschienen: 2015

    Abstract: One of the most radical and stylish fiction authors of the 20th century, Angela Carter, expresses her views of feminism through her various novels and fairy tales. Carter began experimenting with writing fairy tales in 1970, which coincided... mehr

     

    Abstract: One of the most radical and stylish fiction authors of the 20th century, Angela Carter, expresses her views of feminism through her various novels and fairy tales. Carter began experimenting with writing fairy tales in 1970, which coincided with the period of second wave feminism in the Unites States. The majority of Angela Carter's work revolve around a specific type of feminism, radical libertarian feminism and her critique of the patriarchal role that have been placed on women. In this article, the main concentrate is on heroine’s internalized consciousness which echoes in their behavior. All of the female protagonists in carter's short stories; such as The Company of Wolves, and Werewolf and mainly in Wolf-Alice have similar characteristics with different conditions, in which they are represented in a very negative light with less than ideal roles. In these stories, the protagonist is a young girl who has many conflicts with love and desire. Carter attempts to encourage women t

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    oai:gesis.izsoz.de:document/57490
    DDC Klassifikation: Soziologie, Anthropologie (301); Sozialwissenschaften (300)
    Weitere Schlagworte: (thesoz)Literatur; (thesoz)Erzählung; (thesoz)Feminismus; (thesoz)Emanzipation; (thesoz)Patriarchat; (thesoz)Liebe; (thesoz)Pornographie; Carter, A.
    Umfang: Online-Ressource
    Bemerkung(en):

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 48 ; 1-8

  7. The enchanted storyteller: John Barth and the magic of Scheherazade
    Erschienen: 2015

    Abstract: During the fifties he was considered to be an existentialist, and absurdist and later a Black Humorist, yet, John Barth proved that he would never subscribe to any specific theory and would make his own world of/about fiction by himself. A... mehr

     

    Abstract: During the fifties he was considered to be an existentialist, and absurdist and later a Black Humorist, yet, John Barth proved that he would never subscribe to any specific theory and would make his own world of/about fiction by himself. A traditional postmodernist as some of the critics calls him; he was obsessed with Scheherazade the narrator of the Thousand and one Nights and her art of storytelling. This essay aims to depict Barth's employment of the frame narrative and embedding structure which are the main devices of Scheherazade's mystifying narratives. Revealing the architectonic structure of his writing, we would demonstrate how traditional technique can bridge postmodernist aesthetics to recreate and replenish the exhausted materials in writings

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    oai:gesis.izsoz.de:document/56887
    DDC Klassifikation: Soziologie, Anthropologie (301)
    Weitere Schlagworte: (thesoz)Fiktion; (thesoz)Literatur; (thesoz)20. Jahrhundert; (thesoz)Tradition; (thesoz)Ästhetik; (thesoz)Erzählung; (thesoz)Postmoderne
    Umfang: Online-Ressource
    Bemerkung(en):

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 59 ; 65-75

  8. A study of Emile Durkheim's concept of anomie in Hubert Selby's novel requiem for a dream
    Erschienen: 2015

    Abstract: Emile Durkheim introduced the concept of anomie in the field of sociology for the first time. According to Durkheim anomie is equal with normlessness or detachment from social standards and values in society. Hubert Selby in his novel... mehr

     

    Abstract: Emile Durkheim introduced the concept of anomie in the field of sociology for the first time. According to Durkheim anomie is equal with normlessness or detachment from social standards and values in society. Hubert Selby in his novel Requiem for a Dream depicts the theme of addiction which influences the life of four characters as a demonstration of the results of keeping distance from the norms. This paper intends to examine the relationship between anomic situation with disintegration and fall of idealism in Selby's novel from Durkheim's point of view

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    oai:gesis.izsoz.de:document/56773
    DDC Klassifikation: Soziologie, Anthropologie (301)
    Weitere Schlagworte: (thesoz)Literatur; (thesoz)Idealismus; (thesoz)Wert; (thesoz)soziale Norm; (thesoz)Gesellschaft; (thesoz)Erzählung; (thesoz)Anomie; Durkheim, E.
    Umfang: Online-Ressource
    Bemerkung(en):

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 62 ; 126-130

  9. "Wenn sie die Augen schloss, fing sie an zu denken": Demenz in Biographie, Chronik und Tagebuch
    Erschienen: 2015

    Abstract: "Die Untersuchung nähert sich aus kulturwissenschaftlicher Sicht der biographisch orientierten Darstellung von demenziellen Erkrankungen durch nahe Angehörige. Dafür werden anhand von ausgewählten Dokumenten unterschiedliche Erzähl- und... mehr

     

    Abstract: "Die Untersuchung nähert sich aus kulturwissenschaftlicher Sicht der biographisch orientierten Darstellung von demenziellen Erkrankungen durch nahe Angehörige. Dafür werden anhand von ausgewählten Dokumenten unterschiedliche Erzähl- und Darstellungsformen miteinander verglichen: Eine professionell geschriebene und publizierte Alzheimer-Narration wird auf ihre erzählerischen Muster hin analysiert. Diese werden auf ganz ähnliche Weise auch in einem nichtpublizierten, privaten Tagebuch nachgewiesen, während eine weitere private Familienchronik auch ohne besondere Gestaltungsweisen einen vergleichbaren poetischen und reflexiven Gehalt akkumuliert. Die Untersuchung fokussiert sich dabei besonders auf den schwierig zu fassenden Grenzbereich zwischen der schwindenden Ausdrucksfähigkeit der Erkrankten selbst auf der einen und der relationalen Erfahrung der Angehörigen auf der anderen Seite." (Autorenreferat)

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    oai:gesis.izsoz.de:document/51026
    DDC Klassifikation: Psychologie (150)
    Weitere Schlagworte: (thesoz)Erzählung; (thesoz)Biographie; (thesoz)Demenz; (thesoz)Familienangehöriger; (thesoz)Sprachgebrauch
    Umfang: Online-Ressource
    Bemerkung(en):

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: BIOS - Zeitschrift für Biographieforschung, Oral History und Lebensverlaufsanalysen ; 28 (2015) 1-2 ; 102-118

  10. Postmodern narrative techniques in Robert Coover's collection: Pricksongs & Descants
    Erschienen: 2015

    Abstract: The modes of narration in postmodernist fiction are not identical with those of modernists and realists. They contravene readers' expectations, making them most often astounded and baffled. This study sets out to discuss some of the... mehr

     

    Abstract: The modes of narration in postmodernist fiction are not identical with those of modernists and realists. They contravene readers' expectations, making them most often astounded and baffled. This study sets out to discuss some of the techniques used by the American writer Robert Coover in his story collection; Pricksongs & Descants (1969) which are associated with postmodernist fiction. These strategies including metafictional techniques, fragmentation, ontological concern, and temporal distortion, will in the subsequent sections of this paper be explicated and elucidated. In this regard, the term postmodernism will be first defined and elaborated, and then some of the salient features of Coover's selected work stated above, will be examined in order to demonstrate the title-mentioned claim. Not all the stories of the collection will in this study be provided an analysis of, but those which are of greater significance and are noticeable in incorporating postmodern strategies

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    oai:gesis.izsoz.de:document/57300
    DDC Klassifikation: Soziologie, Anthropologie (301)
    Weitere Schlagworte: (thesoz)Literatur; (thesoz)Erzählung; (thesoz)Fiktion; (thesoz)Fragmentierung; (thesoz)Ontologie; (thesoz)Postmoderne; Erzähltechnik; Coover, R.
    Umfang: Online-Ressource
    Bemerkung(en):

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 52 ; 70-75

  11. Analysis of James Joyce short stories
    Erschienen: 2015

    Abstract: Collection of short stories of James Joyce in a book under the title of "Dubliners" (1914) is a collection composing of 15 short stories, which topic of all of them is living in Dublin (stories about death, love, live in school, etc.).... mehr

     

    Abstract: Collection of short stories of James Joyce in a book under the title of "Dubliners" (1914) is a collection composing of 15 short stories, which topic of all of them is living in Dublin (stories about death, love, live in school, etc.). Short story of "sisters" narrates feelings of a boy about death of a priest. The first woman, who is afraid of love, a mother in law speaks about ambition and destroys her daughter. It ispainful narrative of a single man, who leaves the woman he loves and the woman finds in the time of her death that he has been in his loneliness all his life. Accordingly, it could be mentioned that the author has selected in his short stories a style that Flober has been its establisher. Hence, stories in the collection of Dubliners have been strongly image-based and have been less relied on storied actions. (Stein et al, 2008)The present study has analyzed two short stories of the mentioned collection under the titles of "The Dead Persons" and "The sisters\s". In t

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    oai:gesis.izsoz.de:document/57214
    DDC Klassifikation: Soziologie, Anthropologie (301)
    Weitere Schlagworte: (thesoz)Literatur; (thesoz)Erzählung; (thesoz)Analyse; Joyce, J.
    Umfang: Online-Ressource
    Bemerkung(en):

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 54 ; 115-122

  12. Narration and historiography in McEwan's selected novels
    Erschienen: 2015

    Abstract: As we saw in these three novels rewriting history may bring change of perspective, ideology and moral awakening for the reader. Linearity of history is challenged through depicting fragmented and multi-voiced personal histories. Historical... mehr

     

    Abstract: As we saw in these three novels rewriting history may bring change of perspective, ideology and moral awakening for the reader. Linearity of history is challenged through depicting fragmented and multi-voiced personal histories. Historical traumas, although painful, bring an opportunity for revision and correction of our deeds. Without them human beings become complacent and immoral. For McEwan, writing about historical traumas is a solution to make historical traumas unforgettable and reminded to help us deal with our present situation which is vulnerable, violent and traumalogical. In these novels, self-reflection and self-transformation happens through writing about history

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    oai:gesis.izsoz.de:document/57322
    DDC Klassifikation: Soziologie, Anthropologie (301)
    Weitere Schlagworte: (thesoz)Literatur; (thesoz)Roman; (thesoz)Erzählung; (thesoz)Geschichtsschreibung; (thesoz)Narration; (thesoz)Trauma; (thesoz)Reflexivität; McEwan's, I.
    Umfang: Online-Ressource
    Bemerkung(en):

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 51 ; 42-56

  13. A gynocritical study of The Company of Wolves by Angela Carter
    Erschienen: 2015

    Abstract: In 1979, Carter published one of her mast renowned collections of short fiction, The Bloody Chamber. The majority of Angela Carter's work revolve around a specific type of feminism, radical libertarian feminism and her critique of the... mehr

     

    Abstract: In 1979, Carter published one of her mast renowned collections of short fiction, The Bloody Chamber. The majority of Angela Carter's work revolve around a specific type of feminism, radical libertarian feminism and her critique of the patriarchal role that have been placed on women. which she promotes feminist due to her style, referred to as "Galm-Rock" feminism In this article, the main concentrate is on heroine's internalized consciousness which echoes in their behavior. All of the female protagonists in carter's short stories; such as The Werewolf, The Wolf-Alice, and mainly in The Company of Wolves have similar characteristics with different conditions, in which they are represented in a very negative light with less than ideal roles. In these stories, the protagonist is a young girl who has many conflicts with love and desire. Carter attempts to encourage women to do something about this degrading representation

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    oai:gesis.izsoz.de:document/57485
    DDC Klassifikation: Soziologie, Anthropologie (301); Sozialwissenschaften (300)
    Weitere Schlagworte: (thesoz)Literatur; (thesoz)Erzählung; (thesoz)Feminismus; (thesoz)Emanzipation; (thesoz)Patriarchat; (thesoz)Liebe; (thesoz)Pornographie; Carter, A.
    Umfang: Online-Ressource
    Bemerkung(en):

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 48 ; 100-106