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Speech and Translation in Patience
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Stylistic Change in Early Modern Spanish Poetry Through Network Analysis (with an Especial Focus on Fernando de Herrera’s Role)
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Alcohol, Drunkenness, and Excess—Consumption and Transgression in European Medieval and Early Modern Literature
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The Sense of An Ending: Les Liaisons Dangereuses Revisited
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Turkish and Persian Loans in English Literature
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The Prehistory of Frá Fornjóti ok hans ættmönnum: Connections with the Chronicon Lethrense and their Consequences
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Wonders that Speak: Computing the Poetics of Wonder in the Old English Andreas
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Die Poesie der Zukunft: August Otto-Walsters Poetik von Prekarisierung und Prekarität in Am Webstuhl der Zeit (1873)
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A chronological and critical review of the appreciation and condemnation of the comic dramatists of the restoration and orange periods
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Sexuelle Gewalt während des Luftkriegs: Eine neue Perspektive auf weibliches Leiden in Gert Ledigs Die Vergeltung
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An Old Norse Courtly Analogue to Beowulf
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Deconstructing the Authorship of Siempre ayuda la verdad: A Play by Lope de Vega?
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The Relative Which with Personal Antecedents in Shakespeare’s History Plays
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“Admit me Chorus to this history”: Shakespeare’s M.C.s and Choric Commentators—How Medieval, How Early Modern?
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Air, Bubble and the Horrid Image: The Representation of Fear and the Supernatural in Macbeth
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Bibliographical survey
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Reading the Racinian Kaleidoscope through the Colour Red in Phèdre
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World-Making and World-View: Narrative Devices and Their Function in the Novels of Eduard von Keyserling
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Gain and Disdain: Patronal Obligations in the Works of Edmund Spenser
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“A Cart that Charged was with hey”: The Symbolism of Hay in Chaucer’s “Friar’s Tale”
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Compilation as “heutige Bildung”: Philological and Philosophical Perspectives on Compilation in Friedrich Schlegel’s Lessings Gedanken und Meinungen
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“Much to Do with Hate, but More with Love”: Temporal Relations in Troilus and Cressida
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Identifying the Narrator of Wulf and Eadwacer? Signy, the Heroides and the Adaptation of Classical Models in Old English Literature
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Final and Larval Spectrality in Albert Camus’ The Fall
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"All His Workes Sir": John Taylor's Nonsense