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  1. Hybridity in Life Writing
    Combining Text and Images
    Beteiligt: Schmitt, Arnaud (Herausgeber)
    Erschienen: 2024
    Verlag:  Springer Nature Switzerland, Imprint: Palgrave Macmillan, Cham

    Zusammenfassung: This book offers new perspectives on text/image hybridity in the context of life writing. Each chapter explores the very topical issue of how writers and artists combine two media in order to enhance the autobiographical narrative... mehr

     

    Zusammenfassung: This book offers new perspectives on text/image hybridity in the context of life writing. Each chapter explores the very topical issue of how writers and artists combine two media in order to enhance the autobiographical narrative and experience of the reader. It questions the position of images in relation to text, both on the page and in terms of the power balance between media. It also shows how hybridity operates beyond a semantic and cultural balance of power, as the combination of text and images is able to produce content that would not have been possible separately. Including a range of life writing and different visual media, from paintings and photography to graphic memoirs and social media, this edited collection investigates the point at which an image, whether fixed or moving, enters the autobiographical act and confronts the verbal form. Arnaud Schmitt is a professor of American Studies at the University of Pau, France. His field of research is contemporary American literature and he has worked extensively on the concepts of autofiction and self-narration for almost two decades. His book, The Photographer as Autobiographer, was published by Palgrave Macmillan in 2022

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Schmitt, Arnaud (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783031518041
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2024
    Schriftenreihe: Palgrave Studies in Life Writing
    Weitere Schlagworte: (lcsh)Intermediality.; (lcsh)Creative nonfiction.; (lcsh)Culture--Study and teaching.; (lcsh)Prose literature.; Intermediality.; Non-Fiction Literature.; Visual Culture.; Narrative Text and Prose.
    Umfang: Online-Ressource, XII, 296 p. 15 illus. in color., online resource.
    Bemerkung(en):

    1 Introduction, Arnaud Schmitt -- Section I. Photography, text, photographic texts_2 Teresa Bruś, ‘Arenas of Hybridity’ -- 3 Nancy Pedri, ‘Photography, Intermediality, and Graphic Illness Narratives’ -- 4 Griselda Pollock in dialogue with Joanne Leonard, ‘Hybrid forms of Becoming in Being in Pictures: An Intimate Photo Memoir (2008)’ -- 5 Laure de Nervaux-Gavoty, ‘In Search of a Lost Past: Family Photography and Postmemory in Michael Ignatieff’s The Russian Album (1987)’ -- 6 Clare Brant, ‘Inserting the Manfish: hybridity in underwater memoir illustrations’ -- 7 Silvia Hernández, ‘Beyond Authentication: Text and Image in Patti Smith’s Autobiographical Prose Work’ -- 8 Marie-Agnès Gay, ‘“Moving shadows disappearing”: Erasure of Self in Theresa Hak Kyung Cha’s Autobiographical “Photo-Essay”’ (Exilée – Temps Morts – Selected Works) -- 9 Anne Green Munk, ‘Picturing ourselves through others – Text and Photography in Sally Mann’s Hybrid Life Writing’ -- 10 Veronica Ceruti, ‘Writing a Life Written in Pictures: Postmemorial Phototextualities in Helena Janeczek’s La ragazza con la Leica (2017)’ -- Section II. The materialities of hybridity: artists, autobiographies, textualities, images and graphic narratives_11 Julia Watson, ‘“This Counter-history”: Teju Cole’s Pandemic Visual Diary on the Kitchen as a Domestic/Postcolonial Medi[t]ation’ -- 12 Anthony S. Foy, ‘Black Bodies, Displayed and Displaced: African American Autobiography after the Halftone’ -- 13 Alex Belsey, ‘“Leaving the marks in”: the Dialectic of Journal & Drawings by Keith Vaughan’ -- 14 Virginia Terry-Sherman, ‘Ambiguous, Enigmatic and Absent Imagery in Contemporary Culinary Memoirs’ -- 15 Suzanne Joinson, ‘Messy Archives of the Self: Life Books and Ephemera of Carolee Schneemann and Francesca Woodman’ -- 16 Natalie Saudo-Welby, ‘Sounds and Silence made Visible: Cece Bell’s El Deafo (2014)’ -- 17 Hélène Tison, ‘Allie Brosh’s Hateful Narcissism’ -- 18 Pablo Allepuz García, ‘Autobiographyto Self-Portraiture, or Vice-versa: Narrativity and Visuality in Artists’ Life Writing’

  2. Character and Caricature, 1660-1820
    Beteiligt: Buckley, Jennifer (Herausgeber); Davies-Shuck, Montana (Herausgeber)
    Erschienen: 2024
    Verlag:  Springer International Publishing, Imprint: Palgrave Macmillan, Cham

    Zusammenfassung: This edited collection offers a reappraisal of character as a precondition for caricature and addresses how the two began to merge, becoming increasingly interlinked over the course of the long eighteenth century. It emphasises the... mehr

     

    Zusammenfassung: This edited collection offers a reappraisal of character as a precondition for caricature and addresses how the two began to merge, becoming increasingly interlinked over the course of the long eighteenth century. It emphasises the need to understand character more fully, arguing that the nuances and origins of caricature can only be appreciated in light of the genre’s prehistory and reliance on popular character types. Interdisciplinary and multidisciplinary in approach, the collection makes use of a variety of theories and addresses fiction in its broadest sense, expanding and reconceptualising critical, historical and theoretical discussion of character. Chapters draw from disability studies, cultural materialism, gender studies and the history of sexuality, spatial theory and performance studies. Jennifer Buckley is a Postdoctoral Researcher in the School of English, Media, and Creative Arts at the University of Galway. Her research focuses on genre studies, book history, and sociability in the long eighteenth century, and she is completing a monograph titled Periodicalism, Fiction, and the Novel, 1700–1760: Ecologies of Print. Montana Davies-Shuck is an Independent Scholar. She was awarded her PhD in English and Creative writing from Northumbria University. Montana’s work focuses on the fop in the long eighteenth century, examining the political, social, and cultural valence of the figure.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Buckley, Jennifer (Herausgeber); Davies-Shuck, Montana (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783031485138
    Weitere Identifier:
    Auflage/Ausgabe: 1st ed. 2024
    Weitere Schlagworte: (lcsh)Literature, Modern--18th century.; (lcsh)Prose literature.; (lcsh)Literature--History and criticism.; Eighteenth-Century Literature.; Narrative Text and Prose.; Literary Criticism.
    Umfang: Online-Ressource, XIV, 205 p. 15 illus., online resource.
    Bemerkung(en):

    1 Introduction - Jennifer Buckley and Montana Davies-Shuck -- 2 Sexual Health and the Libertine Character - Declan Gilmore-Kavanagh -- 3 Ninny-broths, Sirreverence and a Place for Hell: Sketches of Coffeehouse Culture - Jennifer Buckley -- 4 ‘Such very Slaughter-men’: The Character of the Satirist in Early Eighteenth-Century Print - Adam James Smith -- 5 Aping the French: Foppish Masculinities in the Eighteenth-Century - Montana Davies-Shuck -- 6 “himself is as great a curiosity as any in his collection”: Gender, Curiosity and the Collector as a Character in the Eighteenth Century - Lizzie Rogers -- 7 The Thrill of the Chaise: Gendering the Phaeton in Literary and Satirical Culture (1770-1820) - Benjamin Jackson -- 8 Staging the Face: Joanna Baillie and the Re/creation of Dramatic Character - Sibylle Erle -- 9 Sarah Siddons by a Nose: Caricature and the Celebrity Profile of an Actress, 1786-1816 - Gillian Russell -- 10 Afterword