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  1. Gothic masculinity
    effeminacy and the supernatural in English and German romanticism
    Autor*in: Brinks, Ellen
    Erschienen: ©2003
    Verlag:  Bucknell University Press, Lewisburg [Pa.]

    Schlagwort/Thema: "Cultural and individual fantasies of masculinity enter troubling terrain in gothic tales of British and German Romanticism. In the interiority of dreams and visionary spaces, a male protagonist makes a fateful encounter with a... mehr

     

    Schlagwort/Thema: "Cultural and individual fantasies of masculinity enter troubling terrain in gothic tales of British and German Romanticism. In the interiority of dreams and visionary spaces, a male protagonist makes a fateful encounter with a supernaturalized force and finds himself dispossessed of his real and symbolic masculine estate. Emphasizing the interdisciplinary range of this recurring motif, Ellen Brinks traces "distressed masculinity" in canonical instances of gothic imagination - Byron's Oriental Tales and Coleridge's Christabel - but also in works such as Hegel's Phenomenology of Mind, Keats's Hyperion fragments, and Freud's letters and scientific writings." "Gothic tropes and tableaux of the effeminizing supernatural cross a range of genres and perplex social and "natural" distinctions concerning masculinity and male sexuality to produce multiple, often contradictory, identifications. They report, from various sites, increasing anxieties about male effeminacy or the emergence of a male "homosexual" identity within the fraught cultural desires during the Romantic period and its Freudian afterlife." "An elegant and compelling account of the construction of sex and gender in the Gothic, Gothic Masculinity will be of interest to scholars of sexuality, gender, queer theory, Romantic subjectivity, and the German and English Gothic."--Jacket.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0838755240; 9780838755242
    RVK Klassifikation: HL 1071 ; HL 1101
    Schriftenreihe: Bucknell studies in eighteenth-century literature and culture
    The Bucknell studies in eighteenth-century literature and culture
    Schlagworte: Das Übernatürliche; Deutsch; Englisch; Feminisierung; Literatur; Englisch.; Deutsch.
    Weitere Schlagworte: (fast)1700-1799; (lcsh)English literature--18th century--History and criticism.; (lcsh)Masculinity in literature.; (lcsh)German literature--18th century--History and criticism.; (lcsh)Comparative literature--English and German.; (lcsh)Comparative literature--German and English.; (lcsh)Gothic revival (Literature)--Great Britain.; (lcsh)Gothic revival (Literature)--Germany.; (lcsh)Romanticism--Great Britain.; (lcsh)Supernatural in literature.; (lcsh)Romanticism--Germany.; (lcsh)Effeminacy in literature.; (rvm)Littérature anglaise--18e siècle--Histoire et critique.; (rvm)Masculinité dans la littérature.; (rvm)Littérature allemande--18e siècle--Histoire et critique.; (rvm)Littérature comparée--Anglaise et allemande.; (rvm)Littérature comparée--Allemande et anglaise.; (rvm)Roman noir (Genre littéraire)--Grande-Bretagne.; (rvm)Roman noir (Genre littéraire)--Allemagne.; (rvm)Romantisme--Grande-Bretagne.; (rvm)Surnaturel dans la littérature.; (rvm)Romantisme--Allemagne.; (rvm)Hommes dans la littérature.; (fast)Comparative literature--English and German.; (fast)Comparative literature--German and English.; (fast)Effeminacy in literature.; (fast)English literature.; (fast)German literature.; (fast)Gothic revival (Literature); (fast)Masculinity in literature.; (fast)Romanticism.; (fast)Supernatural in literature.; (gtt)Romantiek.; (gtt)Engels.; (gtt)Duits.; (gtt)Gothic Revival (letterkunde); (gtt)Letterkunde.; (gtt)Mannelijkheid.; (fast)Germany.; (fast)Great Britain.; (fast)Criticism, interpretation, etc.
    Umfang: 219 pages, 25 cm
    Bemerkung(en):

    Includes bibliographical references (pages 198-212) and index

    Hegel possessed : reading the gothic in the phenomenology of mind -- The male romantic poet as gothic subject : Keats's Hyperion and The fall of hyperion : a dream -- Sharing gothic secrets : Byron's The Giaour and Lara -- "This dream it would not pass away" : Christabel and mimetic enchantment -- The gothic romance of Sigmund Freud and Wilhelm Fliess.

  2. Nature, ethics and gender in German romanticism and idealism
    Autor*in: Stone, Alison
    Erschienen: [2018]
    Verlag:  Rowman & Littlefield International, London

    This book provides an account of the development of ideas about nature from the Early German Romantics into the philosophies of nature of Schelling and Hegel. Alison Stone explains how the project of philosophy of nature took shape and made sense in... mehr

     

    This book provides an account of the development of ideas about nature from the Early German Romantics into the philosophies of nature of Schelling and Hegel. Alison Stone explains how the project of philosophy of nature took shape and made sense in the post-Kantian context. She also shows how ideas of nature were central to the philosophical and literary projects of the Early German Romantics, with attention to Friedrich Schlegel, Novalis and Hoelderlin. Stone advances a distinctive, original perspective on Romantic and Idealist accounts of nature and their ethical implications regarding human-nature relations and intra-human political relations, especially but not only around gender and race. The book demonstrates how these approaches to nature have contemporary relevance to a range of current debates such as those over naturalism, the environmental crisis, and the politics of gender, race and colonialism.

     

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  3. Dreaming in books
    the making of the bibliographic imagination in the Romantic age
    Autor*in: Piper, Andrew
    Erschienen: 2013
    Verlag:  Univ. of Chicago Press, Chicago, Ill.

    Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, Dreaming in Books tells a wide-ranging story of the book's identity at the turn of the nineteenth century. In so doing, it... mehr

     

    Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, Dreaming in Books tells a wide-ranging story of the book's identity at the turn of the nineteenth century. In so doing, it shows how many of the most pressing modern communicative concerns are not unique to the digital age but emerged with a particular sense of urgency during the bookish upheavals of the romantic era. In revisiting the book's rise through the prism of romantic literature, Piper aims to revise our assumptions about romanticism, the medium of the printed book, and, ultimately, the future of the book in our so-called digital age."--pub. desc.

     

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  4. Poetik der Nation
    Englishness in der englischen Romantik
    Erschienen: [2019]
    Verlag:  Brill Rodopi, Leiden

    Zusammenfassung: "This comparative study focuses on the manifestations of Englishness in genres of English Romanticism. Adopting a production-oriented and context-sensitive perspective, the study inspects the political essay, the travelogue, the... mehr

     

    Zusammenfassung: "This comparative study focuses on the manifestations of Englishness in genres of English Romanticism. Adopting a production-oriented and context-sensitive perspective, the study inspects the political essay, the travelogue, the Gothic novel and the ballad through the imagological lens. The interplay of national stereotypes and topoi with generic elements without national connotation is at the core of this study. Special attention is given to the addressee, cultural knowledge, narrative situation and focalisation as well as to lyric-specific elements. Furthermore the study highlights how the tools of narratology, cultural memory studies, reception theory, rhetoric and text linguistics can be integrated more effectively into the toolkit of imagology. Consequently national images can be deconstructed in a more differentiated way than hitherto possible. Die vergleichende Fallstudie richtet den Blick auf die Erscheinungsformen von Englishness in Gattungen der englischen Romantik. Aus einer produktionsästhetischen wie kontextbewussten Perspektive legt sie den politischen Essay, den Reisebericht, die Gothic novel und die Ballade unter das imagologische Mikroskop. Dabei gilt das Interesse dem Zusammenspiel von nationalen Stereotypen und Topoi mit Gattungselementen ohne nationale Konnotation. Der Adressat, kulturelles Wissen, Erzählsituation und Fokalisierung sowie lyrikspezifische Elemente stehen dabei im Fokus. In theoretischer Hinsicht zeigt die Untersuchung, wie sich das Handwerkszeug der Narratologie, der kulturwissenschaftlichen Gedächtnisforschung, der Rezeptionsästhetik, der Rhetorik und der Textlinguistik weit stärker als bisher gewinnbringend in das Analyseinstrumentarium der Imagologie integrieren lässt. So lassen sich nationenbezogene Bilder zukünftig nuancierter nachzeichnen und im Zuge dessen besser dekonstruieren"--(Provided by publisher.)

     

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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9789004407770; 9004407774
    Schriftenreihe: Studia imagologica ; Volume 25
    Schlagworte: Englisch; Literatur; Romantik; Nationalcharakter <Motiv>
    Weitere Schlagworte: (fast)1700-1899; (lcsh)English literature--18th century--History and criticism.; (lcsh)English literature--19th century--History and criticism.; (lcsh)Romanticism--England.; (lcsh)National characteristics, English, in literature.; (fast)English literature.; (fast)National characteristics, English, in literature.; (fast)Romanticism.; (fast)England.; (fast)Criticism, interpretation, etc.
    Umfang: XIV, 254 Seiten, 25 cm
    Bemerkung(en):

    Author's revised doctoral dissertation

    Dissertation, Leuphana, 2019

  5. The long century's long shadow
    Weimar cinema and the romantic modern
    Erschienen: [2021]
    Verlag:  University of Toronto Press, Toronto

    Zusammenfassung: "The Long Century's Long Shadow approaches German Romanticism and Weimar cinema as continuous developments, enlisting both in a narrative of reciprocal illumination. The author investigates different moments and media as connected... mehr

     

    Zusammenfassung: "The Long Century's Long Shadow approaches German Romanticism and Weimar cinema as continuous developments, enlisting both in a narrative of reciprocal illumination. The author investigates different moments and media as connected phenomena, situated at alternate ends of the "long nineteenth century" but joined by their mutual rejection of the neo-classical aesthetic standard of placid and weightless poise in numerous media, including film, painting, sculpture, prose, poetry, and dance. Connecting Weimar filmmaking to Romantic thought and practice, Kenneth S. Calhoon offers a non-technological, aesthetic genealogy of cinema. He focuses on well-known literary and artistic works, including films such as Nosferatu, Metropolis, Frankenstein, and Fantasia; the writings of Conrad, Kafka, Goethe, and Novalis; and the paintings of Caspar David Friedrich, one of the leading artists of German Romanticism. With an eye to the modernism of which Weimar filmmaking was a part, The Long Century's Long Shadow employs the Romantic landscape in poetry and painting as a mirror in which to regard cinema."--(Provided by publisher.)

     

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  6. British periodicals and Spanish literature
    mapping the Romantic canon
  7. British Periodicals and Spanish Literature
    Mapping the Romantic Canon
  8. Mystik und Romantik
    Rezeption und Transformation eines religiösen Erfahrungsmusters, mit einem Themenschwerpunkt zu Jacob Böhme
    Beteiligt: Bonheim, Günther (Herausgeber); Isermann, Thomas (Herausgeber); Regehly, Thomas (Herausgeber)
    Erschienen: [2022]
    Verlag:  Brill, Leiden

    Zusammenfassung: "What do the terms 'mysticism' and 'romanticism' actually mean? Two epochs? Two moods or feelings? Is mysticism a super-historical phenomenon that is historically objectified as romanticism? Romanticism is an epoch of art and also of... mehr

     

    Zusammenfassung: "What do the terms 'mysticism' and 'romanticism' actually mean? Two epochs? Two moods or feelings? Is mysticism a super-historical phenomenon that is historically objectified as romanticism? Romanticism is an epoch of art and also of philosophy that resists the fact that the preceeding epoch of Enlightenment declares invalid what meant something to many people. The reverse is true of the concept of mysticism. Even more than an epoch, mysticism accompanies the history of religion like an anthropological constant, a mood or perception of the enigmatic, the secret, the uncanny, the silent - all phenomena which Romanticism turns into art and which remain critical components of modernity"--(Provided by publisher.)

     

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    Quelle: Verbundkataloge
    Beteiligt: Bonheim, Günther (Herausgeber); Isermann, Thomas (Herausgeber); Regehly, Thomas (Herausgeber)
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789004498617; 9004498613
    Schriftenreihe: Studies in mysticism, idealism, and phenomenology ; volume 02
    Schlagworte: Rezeption; Romantik; Mystizismus; Das Romantische
    Weitere Schlagworte: Böhme, Jakob (1575-1624); (lcsh)Böhme, Jakob, 1575-1624.; (fast)Böhme, Jakob, 1575-1624.; (lcsh)Mysticism.; (lcsh)Romanticism.; (mesh)Mysticism; (rvm)Mysticisme.; (rvm)Romantisme.; (aat)mysticism.; (aat)romanticism (form of expression); (fast)Mysticism.; (fast)Romanticism.
    Umfang: XXIII, 528 Seiten, 25 cm
  9. Magnificent rebels
    the first romantics and the invention of the self
    Autor*in: Wulf, Andrea
    Erschienen: 2022
    Verlag:  Alfred A. Knopf, New York

    Zusammenfassung: "From the best-selling author of The Invention of Nature comes an exhilarating story about a remarkable group of young rebels-poets, novelists, philosophers--who, through their epic quarrels, passionate love stories, heartbreaking... mehr

     

    Zusammenfassung: "From the best-selling author of The Invention of Nature comes an exhilarating story about a remarkable group of young rebels-poets, novelists, philosophers--who, through their epic quarrels, passionate love stories, heartbreaking grief, and radical ideas launched Romanticism onto the world stage, inspiring some of the greatest thinkers of the time. When did we begin to be as self-centered as we are today? At what point did we expect to have the right to determine our own lives? When did we first ask the question, How can I be free? It all began in a quiet university town in Germany in the 1790s, when a group of playwrights, poets, and writers put the self at center stage in their thinking, their writing, and their lives. This brilliant circle included the famous poets Goethe, Schiller, and Novalis; the visionary philosophers Fichte, Schelling, and Hegel; the contentious Schlegel brothers; and, in a wonderful cameo, Alexander von Humboldt. And at the heart of this group was the formidable Caroline Schlegel, who sparked their dazzling conversations about the self, nature, identity, and freedom. The French revolutionaries may have changed the political landscape of Europe, but the young Romantics incited a revolution of the mind that transformed our world forever. We are still empowered by their daring leap into the self, and by their radical notions of the creative potential of the individual, the highest aspirations of art and science, the unity of nature, and the true meaning of freedom. We also still walk the same tightrope between meaningful self-fulfillment and destructive narcissism, between the rights of the individual and our responsibilities toward our community and future generations. At the heart of this inspiring book is the extremely modern tension between the dangers of selfishness and the thrilling possibilities of free will"--(Provided by publisher.)

     

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  10. Jena 1800
    the republic of free spirits
    Autor*in: Neumann, Peter
    Erschienen: 2022
    Verlag:  Farrar, Straus and Giroux, New York

    Zusammenfassung: "The history of the German idealist oasis where discussions of revolution, literature, beliefs, romance, and concepts gave birth to the modern world"--(Provided by publisher.) Zusammenfassung: "Around the turn of the nineteenth... mehr

     

    Zusammenfassung: "The history of the German idealist oasis where discussions of revolution, literature, beliefs, romance, and concepts gave birth to the modern world"--(Provided by publisher.) Zusammenfassung: "Around the turn of the nineteenth century, a steady stream of young German poets and thinkers coursed to the town of Jena to make history. The French Revolution and the Napoleonic Wars had dealt a one-two punch to the dynastic system. Confidence in traditional social, political, and religious norms had been replaced by a profound uncertainty that was as terrifying for some as it was exhilarating for others. Nowhere was the excitement more palpable than among the extraordinary group of poets, philosophers, translators, and socialites who gathered in this Thuringian village of just four thousand residents. Jena became the place for the young and intellectually curious, the site of a new departure, of philosophical disruption. Influenced by Johann Wolfgang von Goethe, then an elder statesman and artistic eminence, the leading figures among the disruptors--the translator August Wilhelm Schlegel; the philosophers Friedrich "Fritz" Schlegel and Friedrich Schelling; the dazzling, controversial intellectual Caroline Schlegel, married to August; Dorothea Schlegel, a poet and translator, married to Fritz; and the poets Ludwig Tieck and Novalis--resolved to rethink the world, to establish a republic of free spirits. They didn't just question inherited societal traditions; with their provocative views of the individual and of nature, they revolutionized our understanding of freedom and reality." -- inside front jacket flap.

     

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