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  1. Colonial revivals
    the nineteenth-century lives of early American books
  2. Literary studies and the pursuits of reading
    Beteiligt: Downing, Eric (Herausgeber); Hess, Jonathan M. (Mitwirkender); Benson, Richard V. (Mitwirkender)
    Erschienen: 2012
    Verlag:  Camden House, Rochester, NY

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    Quelle: Verbundkataloge
    Beteiligt: Downing, Eric (Herausgeber); Hess, Jonathan M. (Mitwirkender); Benson, Richard V. (Mitwirkender)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781571134318; 157113431X
    Weitere Identifier:
    40021501213
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Lesen; Geschichte
    Weitere Schlagworte: (lcsh)Books and reading--Germany--History.; (lcsh)Literature and society--Germany--History.; (lcsh)German literature--History and criticism.; (fast)Books and reading.; (fast)German literature.; (fast)Literature and society.; (fast)Germany.; (fast)Criticism, interpretation, etc.; (fast)History.
    Umfang: VI, 298 S., Ill., 24 cm
    Bemerkung(en):

    Literaturangaben

  3. When novels were books
    Erschienen: 2020
    Verlag:  Harvard University Press, Cambridge, Massachusetts

    Zusammenfassung: Literary scholars have explained the rise of the Anglophone novel using a range of tools, from Ian Watt's theories to James Watt's inventions. Contrary to established narratives, When Novels Were Books reveals that the genre beloved... mehr

     

    Zusammenfassung: Literary scholars have explained the rise of the Anglophone novel using a range of tools, from Ian Watt's theories to James Watt's inventions. Contrary to established narratives, When Novels Were Books reveals that the genre beloved of so many readers today was not born secular, national, middle-class, or female. For the first three centuries of their history, novels came into readers' hands primarily as printed sheets ordered into a codex bound along one edge between boards or paper wrappers. Consequently, they shared some formal features of other codices, such as almanacs and Protestant religious books produced by the same printers. Novels are often mistakenly credited for developing a formal feature ("character") that was in fact incubated in religious books. The novel did not emerge all at once: it had to differentiate itself from the goods with which it was in competition. Though it was written for sequential reading, the early novel's main technology for dissemination was the codex, a platform designed for random access. This peculiar circumstance led to the genre's insistence on continuous, cover-to-cover reading even as the "media platform" it used encouraged readers to dip in and out at will and read discontinuously. Jordan Alexander Stein traces this tangled history, showing how the physical format of the book shaped the stories that were fit to print.--(Provided by publisher.)

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780674987043; 0674987047
    Auflage/Ausgabe: First printing
    Schlagworte: Roman; Druckwerk
    Weitere Schlagworte: (lcsh)Fiction--History and criticism.; (lcsh)Books--History.; (lcsh)Printing--History.; (lcsh)Early printed books.; (lcsh)Books and reading--History.; (fast)Books.; (fast)Books and reading.; (fast)Early printed books.; (fast)Fiction.; (fast)Printing.; (fast)Criticism, interpretation, etc.; (fast)History.
    Umfang: 253 Seiten, Illustrationen, 25 cm
    Bemerkung(en):

    Literaturangaben

    Enthält Index

  4. Barcelona, city of books
  5. Words, books, images, and the long eighteenth century
    essays for Allen Reddick
    Erschienen: © 2021; [2021]
    Verlag:  John Benjamins Publishing Company, Amsterdam

    Zusammenfassung: "The essays collected in this volume engage in a conversation between lexicography, the culture of the book, and the canonization and commemoration of English literary figures and their works in the long eighteenth century. The... mehr

     

    Zusammenfassung: "The essays collected in this volume engage in a conversation between lexicography, the culture of the book, and the canonization and commemoration of English literary figures and their works in the long eighteenth century. The source of inspiration for each piece is Allen Reddick's scholarship on Samuel Johnson (1709-1784), the great English lexicographer whose Dictionary (1755) included thousands upon thousands of illustrative quotations from the "Best" authors, and more recently, Thomas Hollis (1720-1774), the much less well-known bibliophile who sent gifts of books by a pantheon of Whig authors to individuals and libraries in Britain, Protestant bastions in continental Europe, and America. Between the covers of Words, Books, Images readers will encounter canonical English authors of prose and poetry-Bacon, Milton, Defoe, Dryden, Pope, Richardson, Swift, Byron, Mary Shelley, and Lear. But they will also become acquainted with the agents of their canonization and commemoration-the printers and publishers of Grub Street, the biographer John Aubrey, the lexicographer and biographer Johnson, the bibliophile Hollis, and the portrait painter Reynolds. No less crucially, they will meet fellow readers of then and now-women and men who peruse, poach, snip, and savour a book's every word and image"--(Provided by publisher.)

     

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