Infinite diversity in infinite combinations
the multicultural evolution of star trek
Since its first appearance on the small screen in 1966, the multimedia franchise "Star Trek" has attracted an unprecedented fan-following in the U.S. and beyond. For many viewers, it has been Star Trek's ostensible representation of a multicultural...
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Since its first appearance on the small screen in 1966, the multimedia franchise "Star Trek" has attracted an unprecedented fan-following in the U.S. and beyond. For many viewers, it has been Star Trek's ostensible representation of a multicultural utopia that fascinated them. This book seeks to elucidate the semiotics of Star Trek's popular multiculturalism. Engaging Cultural Studies and American Studies theory, the book proceeds from a discussion of Star Trek's self-fashioning as a multicultural 'vision,' to readings of its changing articulations of racial, ethnic, gender, and sexual difference, and concludes with case studies of two fan-communities' creative appropriations of Star Trek's promise of an egalitarian future.
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