Letzte Suchanfragen
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Narrating poverty and precarity in Britain
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Harold Pinter on international stages
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Visuality in the works of Siri Hustvedt
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Common sense in early 18th-century British literature and culture
ethics, aesthetics, and politics, 1680 - 1750 -
The living mirror
the representation of doubling identities in the British and Polish women's literature (1846 - 1938) -
Narrating poverty and precarity in Britain
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Iris Murdoch and Her Work: Critical Essays
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Formal Investigations: Aesthetic Style in Late-Victorian and Edwardian Detective Fiction
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Intermediales Text-Theater
Die Bühne des Politischen und des Wissens vom Menschen bei Wordsworth und Scott -
Liveness on Stage
Intermedial Challenges in Contemporary British Theatre and Performance -
Common Sense in Early 18th-Century British Literature and Culture
Ethics, Aesthetics, and Politics, 1680–1750 -
The Emergence of Literary Criticism in 18th-Century Britain
Discourse between Attacks and Authority -
Gastlichkeit und Ökonomie
Wirtschaften im deutschen und englischen Drama des 18. Jahrhunderts -
The Reformation of Romance
The Eucharist, Disguise, and Foreign Fashion in Early Modern Prose Fiction -
Virginia Woolf and the Aesthetics of Vision
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Narrating Poverty and Precarity in Britain
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Comparison of „The Soldier“ by Rupert Brooke and „Glory of Women“ by Siegfried Sassoon
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Vom Feature Film zum Trailer: Versuch einer abschließenden, produktions- und handlungsorientierten Auseinandersetzung mit Macbeth in einem LK 13
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The Austen Formula: Jane Austen’s Pride and Prejudice in the Nineteenth and Twentieth Century
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Multiculturalism and Magic Realism in Zadie Smith’s novel White Teeth: Between Fiction and Reality
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Virginia Woolf and the Aesthetics of Vision
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The Reformation of Romance
The Eucharist, Disguise, and Foreign Fashion in Early Modern Prose Fiction -
Liveness on Stage
Intermedial Challenges in Contemporary British Theatre and Performance -
The Emergence of Literary Criticism in 18th-Century Britain
Discourse between Attacks and Authority -
Intermediales Text-Theater
Die Bühne des Politischen und des Wissens vom Menschen bei Wordsworth und Scott