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  1. Motherhood and meaning in medieval sculpture
    representations from France, c. 1100-1500
    Autor*in: Bleeke, Marian
    Erschienen: 2017
    Verlag:  The Boydell Press, London

    What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood? Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been shaped by women's maternal... mehr

     

    What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood? Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been shaped by women's maternal experiences during their production. Once produced, however, their beholders would have included women who were mothers and potential mothers, thus opening a space between the sculptures' intended meanings and other meanings liable to be produced by these women as they brought their own interests and concerns to these works of art. Building on theories of reception and response, this book focuses on interactions between women as beholders and a range of sculptures made in France in the twelfth through sixteenth centuries, aiming to provide insight into women's experiences of motherhood; particular sculptures considered include the Annunciation and Visitation from Reims cathedral, the femme-aux-serpents from Moissac, the transi of Jeanne de Bourbon-Vendome, the Eve from Autun, and a number of French Gothic Virgin and Child sculptures

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781783272501
    RVK Klassifikation: LM 81390 ; LM 82480
    Schriftenreihe: Boydell Studies in Medieval Art and Architecture
    Schlagworte: Frankreich; Plastik; Mutterschaft <Motiv>; Geschichte 1100-1500
    Umfang: xii, 199 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite [175]-191

  2. Motherhood and meaning in medieval sculpture
    representations from France, c. 1100-1500
    Autor*in: Bleeke, Marian
    Erschienen: 2017
    Verlag:  The Boydell Press, Woodbridge, Suffolk

    What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood? Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been shaped by women's maternal... mehr

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood? Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been shaped by women's maternal experiences during their production. Once produced, however, their beholders would have included women who were mothers and potential mothers, thus opening a space between the sculptures' intended meanings and other meanings liable to be produced by these women as they brought their own interests and concerns to these works of art. Building on theories of reception and response, this book focuses on interactions between women as beholders and a range of sculptures made in France in the twelfth through sixteenth centuries, aiming to provide insight into women's experiences of motherhood; particular sculptures considered include the Annunciation and Visitation from Reims cathedral, the femme-aux-serpents from Moissac, the transi of Jeanne de Bourbon-Vendome, the Eve from Autun, and a number of French Gothic Virgin and Child sculptures. Marian Bleeke is Associate Professor of Art History and Chair of the Department of Art and Design at Cleveland State University

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787440821
    Weitere Identifier:
    RVK Klassifikation: LM 81390
    Schriftenreihe: Boydell studies in medieval art and architecture
    Schlagworte: Sculpture, Medieval / France / Themes, motives; Motherhood / France / History / To 1500; Women in art; Mothers in art; Westfassade; Plastik; Südportal; Mutterschaft <Motiv>
    Umfang: 1 Online-Ressource (xii, 199 Seiten), Illustrationen
  3. Motherhood and meaning in medieval sculpture
    representations from France, c. 1100-1500
    Autor*in: Bleeke, Marian
    Erschienen: 2017
    Verlag:  The Boydell Press, Woodbridge

    What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood? Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been shaped by women's maternal... mehr

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood? Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been shaped by women's maternal experiences during their production. Once produced, however, their beholders would have included women who were mothers and potential mothers, thus opening a space between the sculptures' intended meanings and other meanings liable to be produced by these women as they brought their own interests and concerns to these works of art. Building on theories of reception and response, this book focuses on interactions between women as beholders and a range of sculptures made in France in the twelfth through sixteenth centuries, aiming to provide insight into women's experiences of motherhood; particular sculptures considered include the Annunciation and Visitation from Reims cathedral, the femme-aux-serpents from Moissac, the transi of Jeanne de Bourbon-Vendome, the Eve from Autun, and a number of French Gothic Virgin and Child sculptures

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781783272501
    RVK Klassifikation: LM 81390
    Schriftenreihe: Boydell studies in Medieval art and architecture
    Schlagworte: Südportal; Plastik; Mutterschaft <Motiv>; Westfassade
    Umfang: xii, 199 Seiten, 4 ungezählte Seiten, Illustrationen, Pläne
  4. Motherhood and meaning in medieval sculpture
    representations from France, c. 1100-1500
    Autor*in: Bleeke, Marian
    Erschienen: 2017
    Verlag:  The Boydell Press, Woodbridge

    What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood? Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been shaped by women's maternal... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood? Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been shaped by women's maternal experiences during their production. Once produced, however, their beholders would have included women who were mothers and potential mothers, thus opening a space between the sculptures' intended meanings and other meanings liable to be produced by these women as they brought their own interests and concerns to these works of art. Building on theories of reception and response, this book focuses on interactions between women as beholders and a range of sculptures made in France in the twelfth through sixteenth centuries, aiming to provide insight into women's experiences of motherhood; particular sculptures considered include the Annunciation and Visitation from Reims cathedral, the femme-aux-serpents from Moissac, the transi of Jeanne de Bourbon-Vendome, the Eve from Autun, and a number of French Gothic Virgin and Child sculptures

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781783272501
    RVK Klassifikation: LM 81390
    Schriftenreihe: Boydell studies in Medieval art and architecture
    Schlagworte: Südportal; Plastik; Mutterschaft <Motiv>; Westfassade
    Umfang: xii, 199 Seiten, 4 ungezählte Seiten, Illustrationen, Pläne
  5. Motherhood and meaning in Medieval sculpture
    representations from France, c. 1100-1500
    Autor*in: Bleeke, Marian
    Erschienen: 2017
    Verlag:  The Boydell Press, Woodbridge, Suffolk ; Cambridge University Press, Cambridge, UK

    What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood? Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been shaped by women's... mehr

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    Universität Frankfurt, Elektronische Ressourcen
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    keine Fernleihe
    Universitätsbibliothek Gießen
    keine Fernleihe

     

    What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood? Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been shaped by women's maternal experiences during their production. Once produced, however, their beholders would have included women who were mothers and potential mothers, thus opening a space between the sculptures' intended meanings and other meanings liable to be produced by these women as they brought their own interests and concerns to these works of art. Building on theories of reception and response, this book focuses on interactions between women as beholders and a range of sculptures made in France in the twelfth through sixteenth centuries, aiming to provide insight into women's experiences of motherhood; particular sculptures considered include the Annunciation and Visitation from Reims cathedral, the femme-aux-serpents from Moissac, the transi of Jeanne de Bourbon-Vendome, the Eve from Autun, and a number of French Gothic Virgin and Child sculptures. Marian Bleeke is Associate Professor of Art History and Chair of the Department of Art and Design at Cleveland State University. ...

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787440821
    RVK Klassifikation: LM 81390
    Schriftenreihe: Boydell studies in medieval art and architecture
    Schlagworte: Plastik; Mutterschaft <Motiv>; Westfassade; Südportal; Sculpture, Medieval; Motherhood; Women in art; Mothers in art
    Umfang: 1 Online-Ressource (xii, 199 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 28 May 2021)

  6. Motherhood and meaning in medieval sculpture
    representations from France, c.1100-1500
    Autor*in: Bleeke, Marian
    Erschienen: 2017
    Verlag:  The Boydell Press, Woodbridge

    Universitätsbibliothek Kassel, Standort Kunsthochschulbibliothek
    75 Kun 425 BLE
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Mainz, Zentralbibliothek
    285.533
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Marburg, Bibliothek Kunst und Kulturwissenschaften, Kunstgeschichte
    G V 270
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781783272501
    RVK Klassifikation: LM 81390
    Schriftenreihe: Boydell Studies in Medieval -Art and Architecture
    Schlagworte: Plastik; Mutterschaft <Motiv>; Westfassade; Südportal
    Umfang: xii, 199 Seiten, Illustrationen
  7. Motherhood and meaning in medieval sculpture
    representations from France, c. 1100-1500
    Autor*in: Bleeke, Marian
    Erschienen: 2017
    Verlag:  The Boydell Press, Woodbridge

    What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood? Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been shaped by women's maternal... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2017:5437:
    keine Fernleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 22219
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Diözesanbibliothek Münster
    20:1943
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    What can medieval sculptural representations of women tell us about medieval women's experiences of motherhood? Presumably the work of male sculptors, working for clerical patrons, these sculptures are unlikely to have been shaped by women's maternal experiences during their production. Once produced, however, their beholders would have included women who were mothers and potential mothers, thus opening a space between the sculptures' intended meanings and other meanings liable to be produced by these women as they brought their own interests and concerns to these works of art. Building on theories of reception and response, this book focuses on interactions between women as beholders and a range of sculptures made in France in the twelfth through sixteenth centuries, aiming to provide insight into women's experiences of motherhood; particular sculptures considered include the Annunciation and Visitation from Reims cathedral, the femme-aux-serpents from Moissac, the transi of Jeanne de Bourbon-Vendome, the Eve from Autun, and a number of French Gothic Virgin and Child sculptures

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781783272501
    RVK Klassifikation: LM 81390
    Schriftenreihe: Boydell studies in medieval art and architecture
    Schlagworte: Sculpture, Medieval; Mothers in art; Women in art; Motherhood
    Umfang: xii, 199 Seiten, 4 ungezählte Seiten, Illustrationen