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  1. <<The>> architecture in Giotto's paintings
    Autor*in: Benelli, Francesco
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge [u.a.]

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Giotto
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107016323; 1107016320
    RVK Klassifikation: LI 33906
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Giotto, 1266?-1337--Criticism and interpretation.; Architecture in art.
    Umfang: XV, 276 S., Ill., 26 cm
    Bemerkung(en):

    Formerly CIP Uk

    Literaturverz. S. 253 - 266
  2. The architecture in Giotto's paintings
    Autor*in: Benelli, Francesco
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge [u.a.]

    "This book offers an analysis of Giotto's painted architecture, focusing on issues of structural logic, clarity of composition, and its role within the narrative of the painting. Giotto was the first artist since antiquity to feature highly detailed... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book offers an analysis of Giotto's painted architecture, focusing on issues of structural logic, clarity of composition, and its role within the narrative of the painting. Giotto was the first artist since antiquity to feature highly detailed architecture in a primary role in his paintings. Francesco Benelli demonstrates how architecture was used to create pictorial space, one of Giotto's key inventions. He argues that Giotto's innovation was driven by a new attention to classical sources, including low reliefs, mosaics, mural paintings, coins and Roman ruins. The book shows how Giotto's images of fictive buildings, as well as portraits of well-known monuments, both ancient and contemporary, play an important role in the overall narrative, iconography and meaning of his works. The conventions established by Giotto remained at the heart of early modern Italian painting until the sixteenth century"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Giotto (Ill.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107016323; 1107016320
    Weitere Identifier:
    9781107016323
    RVK Klassifikation: LI 33906
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Architecture in art; Mural painting and decoration, Italian; Mural painting and decoration, Gothic
    Weitere Schlagworte: Giotto (1266?-1337); Array; Architecture in art
    Umfang: XV, 276 S., [4] Bl, zahlr. Ill, 26 cm
    Bemerkung(en):

    Literaturverz. S. 253 - 266

    Machine generated contents note: Introduction; 1. The cycle of the Legend of San Francis in the upper church of Assisi; 2. The Enrico Scrovegni chapel in Padua; 3. The Peruzzi and Bardi chapels in the church of Santa Croce in Florence; 4. The lower church of Assisi; 5. Giotto's influence in the lower church of Assisi and the church of Santa Croce in Florence; 6. Excursus; Conclusion.
  3. The architecture in Giotto's paintings
    Autor*in: Benelli, Francesco
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge [u.a.]

    "This book offers an analysis of Giotto's painted architecture, focusing on issues of structural logic, clarity of composition, and its role within the narrative of the painting. Giotto was the first artist since antiquity to feature highly detailed... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2012:2230:
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 B 150737
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    KGS-It 6890,40
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2012 C 810
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Thüringer Universitäts- und Landesbibliothek
    Signatur:
    KUN:YG:4000:::2012
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signatur:
    Rb 7826
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Württembergische Landesbibliothek
    Signatur:
    62a/1202
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    62.4° 377
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book offers an analysis of Giotto's painted architecture, focusing on issues of structural logic, clarity of composition, and its role within the narrative of the painting. Giotto was the first artist since antiquity to feature highly detailed architecture in a primary role in his paintings. Francesco Benelli demonstrates how architecture was used to create pictorial space, one of Giotto's key inventions. He argues that Giotto's innovation was driven by a new attention to classical sources, including low reliefs, mosaics, mural paintings, coins and Roman ruins. The book shows how Giotto's images of fictive buildings, as well as portraits of well-known monuments, both ancient and contemporary, play an important role in the overall narrative, iconography and meaning of his works. The conventions established by Giotto remained at the heart of early modern Italian painting until the sixteenth century"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Giotto (Ill.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107016323; 1107016320
    Weitere Identifier:
    9781107016323
    RVK Klassifikation: LI 33906
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Architecture in art; Mural painting and decoration, Italian; Mural painting and decoration, Gothic
    Weitere Schlagworte: Giotto (1266?-1337); Array; Architecture in art
    Umfang: XV, 276 S., [4] Bl, zahlr. Ill, 26 cm
    Bemerkung(en):

    Literaturverz. S. 253 - 266

    Machine generated contents note: Introduction; 1. The cycle of the Legend of San Francis in the upper church of Assisi; 2. The Enrico Scrovegni chapel in Padua; 3. The Peruzzi and Bardi chapels in the church of Santa Croce in Florence; 4. The lower church of Assisi; 5. Giotto's influence in the lower church of Assisi and the church of Santa Croce in Florence; 6. Excursus; Conclusion.