Direkt zur Hauptnavigation springen Direkt zum Inhalt springen
info(at)avldigital.remove-this.de
Deutsch English
Filtern nach
Aktive Filter
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 2 von 2.

  1. Abject eroticism in northern Renaissance art
    the witches and femmes fatales of Hans Baldung Grien
    Autor*in: Owens, Yvonne
    Erschienen: 2020
    Verlag:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Delhi ; Sydney

    "Hans Baldung Grien, the most famous apprentice and close friend of German artist Albrecht Durer, was known for his unique and highly eroticised images of witches. In paintings and woodcut prints, he gave powerful visual expression to late medieval... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Hans Baldung Grien, the most famous apprentice and close friend of German artist Albrecht Durer, was known for his unique and highly eroticised images of witches. In paintings and woodcut prints, he gave powerful visual expression to late medieval tropes and stereotypes, such as the poison maiden, venomous virgin, the Fall of Man, 'death and the maiden' and other motifs and eschatological themes, which mingled abject and erotic qualities in the female body. Yvonne Owens reads these images against the humanist intellectual milieu of Renaissance Germany, showing how classical and medieval medicine and natural philosophy interpreted female anatomy as toxic, defective and dangerously beguiling. She reveals how Hans Baldung exploited this radical polarity to create moralising and titillating portrayals of how monstrous female sexuality victimised men and brought them low. Furthermore, these images issued from - and contributed to - the contemporary understanding of witchcraft as a heresy that stemmed from natural 'feminine defect,' a concept derived from Aristotle. Offering new and provocative interpretations of Hans Baldung's iconic witchcraft imagery, this book will be essential for historians of art, culture and gender relations in the late medieval and early modern periods."

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9781350192751; 9781350190566
    Weitere Identifier:
    RVK Klassifikation: LI 13103
    Schlagworte: Renaissance art / bicssc; Witches in art; Femmes fatales in art; Women; Frau <Motiv>; Hexe <Motiv>
    Weitere Schlagworte: Baldung, Hans; Baldung Grien, Hans (1484-1545)
    Umfang: 1 Online-Ressource (xiii, 294 Seiten), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    Based on the author's thesis (Ph.D.), University College, London, 2019, under the title: "Abject eroticism and toxic femininity in Hans Baldung Grien"

    Dissertation, University College, London, 2019
  2. Abject eroticism in northern Renaissance art
    the witches and femmes fatales of Hans Baldung Grien
    Autor*in: Owens, Yvonne
    Erschienen: 2020
    Verlag:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Delhi ; Sydney

    "Hans Baldung Grien, the most famous apprentice and close friend of German artist Albrecht Durer, was known for his unique and highly eroticised images of witches. In paintings and woodcut prints, he gave powerful visual expression to late medieval... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Hans Baldung Grien, the most famous apprentice and close friend of German artist Albrecht Durer, was known for his unique and highly eroticised images of witches. In paintings and woodcut prints, he gave powerful visual expression to late medieval tropes and stereotypes, such as the poison maiden, venomous virgin, the Fall of Man, 'death and the maiden' and other motifs and eschatological themes, which mingled abject and erotic qualities in the female body. Yvonne Owens reads these images against the humanist intellectual milieu of Renaissance Germany, showing how classical and medieval medicine and natural philosophy interpreted female anatomy as toxic, defective and dangerously beguiling. She reveals how Hans Baldung exploited this radical polarity to create moralising and titillating portrayals of how monstrous female sexuality victimised men and brought them low. Furthermore, these images issued from - and contributed to - the contemporary understanding of witchcraft as a heresy that stemmed from natural 'feminine defect,' a concept derived from Aristotle. Offering new and provocative interpretations of Hans Baldung's iconic witchcraft imagery, this book will be essential for historians of art, culture and gender relations in the late medieval and early modern periods."

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9781350192751; 9781350190566
    Weitere Identifier:
    RVK Klassifikation: LI 13103
    Schlagworte: Renaissance art / bicssc; Witches in art; Femmes fatales in art; Women; Frau <Motiv>; Hexe <Motiv>
    Weitere Schlagworte: Baldung, Hans; Baldung Grien, Hans (1484-1545)
    Umfang: 1 Online-Ressource (xiii, 294 Seiten), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    Based on the author's thesis (Ph.D.), University College, London, 2019, under the title: "Abject eroticism and toxic femininity in Hans Baldung Grien"

    Dissertation, University College, London, 2019