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  1. The rise of Victorian caricature
    Autor*in: Haywood, Ian
    Erschienen: 2020
    Verlag:  Palgrave Macmillan, Cham

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783030346591
    Weitere Identifier:
    RVK Klassifikation: AP 15420 ; LO 62975 ; HL 1397
    Schriftenreihe: Palgrave studies in nineteenth-century writing and culture
    Schlagworte: Nineteenth-Century Literature; British and Irish Literature; Comics Studies; Literature, Modern—19th century; British literature; Comic books, strips, etc; Politischer Wandel; Karikatur
    Umfang: 1 Online-Ressource (xvii, 296 Seiten), Illustrationen
  2. The rise of Victorian caricature
    Autor*in: Haywood, Ian
    Erschienen: 2020
    Verlag:  Palgrave Macmillan, Cham

    Standort:
    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Passau
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783030346591
    Weitere Identifier:
    RVK Klassifikation: AP 15420 ; LO 62975 ; HL 1397
    Schriftenreihe: Palgrave studies in nineteenth-century writing and culture
    Schlagworte: Nineteenth-Century Literature; British and Irish Literature; Comics Studies; Literature, Modern—19th century; British literature; Comic books, strips, etc; Politischer Wandel; Karikatur
    Umfang: 1 Online-Ressource (xvii, 296 Seiten), Illustrationen
  3. British satire and the politics of style
    1789 - 1832
    Autor*in: Dyer, Gary
    Erschienen: 1997
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely... mehr

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    Universitätsbibliothek Bamberg
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    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary scholars satisfied that satire disappeared in the late eighteenth century. Paying as much attention to now-forgotten figures like John Wolcot ("Peter Pindar") and Jane Taylor as to Byron, Gary Dyer argues that contemporary political and social conflicts gave new meanings to conventions of satire inherited from classical Rome and eighteenth-century England. Situating these satires in their cultural and material context sheds light on issues such as the tactics satirists used to deflect prosecution for sedition, and the ramifications for women writers of satire's "masculine" connotations. The book includes a bibliography of more than 700 volumes containing satirical verse.

     
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  4. British satire and the politics of style, 1789-1832
    Autor*in: Dyer, Gary
    Erschienen: 1997
    Verlag:  Cambridge University Press, Cambridge

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511003633; 9780511003639
    RVK Klassifikation: HL 1397 ; HL 1401
    Schriftenreihe: Cambridge studies in Romanticism ; 23
    Schlagworte: HUMOR / General; Intellectual life; Political satire, English; Political science; Politics and literature; Radicalism; Romanticism; Engels; Bellettrie; Satires; Politiek; Englisch; Geschichte; Politik; Politische Wissenschaft; Radikalismus; Political satire, English; Politics and literature; Politics and literature; Romanticism; Radicalism; Satire; Politik <Motiv>; Englisch
    Umfang: 1 Online-Ressource (xii, 263 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 198-250) and index

    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary scholars satisfied that satire disappeared in the late eighteenth century. Paying as much attention to now-forgotten figures like John Wolcot ("Peter Pindar") and Jane Taylor as to Byron, Gary Dyer argues that contemporary political and social conflicts gave new meanings to conventions of satire inherited from classical Rome and eighteenth-century England. Situating these satires in their cultural and material context sheds light on issues such as the tactics satirists used to deflect prosecution for sedition, and the ramifications for women writers of satire's "masculine" connotations. The book includes a bibliography of more than 700 volumes containing satirical verse

    The scope of satire, 1789-1832 -- The modes of satire and the politics of style -- The meaning of Radical verse satire -- Peacock, Disraeli, and the satirical prose narrative -- Satire displaced, satire domesticated -- A select bibliography of British satirical verse, 1789-1832
  5. Advertising and satirical culture in the Romantic period
    Autor*in: Strachan, John
    Erschienen: 2007
    Verlag:  Cambridge University Press, Cambridge

    Advertising, which developed in the late eighteenth century as an increasingly sophisticated and widespread form of brand marketing, would seem a separate world from that of the 'literature' of its time. Yet satirists and parodists were influenced by... mehr

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Advertising, which developed in the late eighteenth century as an increasingly sophisticated and widespread form of brand marketing, would seem a separate world from that of the 'literature' of its time. Yet satirists and parodists were influenced by and responded to advertising, while copywriters borrowed from the wider literary culture, especially through poetical advertisements and comic imitation. This 2007 study to pays sustained attention to the cultural resonance and literary influences of advertising in the late eighteenth and early nineteenth centuries. John Strachan addresses the many ways in which literary figures including George Crabbe, Lord Byron and Charles Dickens responded to the commercial culture around them. With its many fascinating examples of contemporary advertisements read against literary texts, this study combines an intriguing approach to the literary culture of the day with an examination of the cultural impact of its commercial language

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484520
    Weitere Identifier:
    RVK Klassifikation: HG 702 ; HL 1131 ; HL 1397
    Schriftenreihe: Cambridge studies in Romanticism ; 74
    Schlagworte: Geschichte; Advertising copy / Great Britain / History / 18th century; Advertising copy / Great Britain / History / 19th century; Romanticism / Great Britain; English literature / 18th century / History and criticism; English literature / 19th century / History and criticism; English literature / Themes, motives; Satire; Werbegrafik; Englisch; Literatur
    Umfang: 1 online resource (xii, 353 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    A 'department of literature': advertising in the Romantic period -- 'Humbug and Co.': satirical engagements with advertising 1770-1840 -- 'We keep a poet': shoe blacking and the commercial aesthetic -- 'Publicity to a lottery is certainly necessary': Thomas Bish and the culture of gambling -- 'Barber or perfumer': incomparable oils and crinicultural satire -- 'The poetry of hair-cutting': J.R.D. Huggins, the emperor of barbers -- 'Thought on puffs, patrons and other matters': commodifying the book
  6. Asian Punches
    a transcultural affair
    Beteiligt: Harder, Hans (Hrsg.); Mittler, Barbara (Hrsg.)
    Erschienen: 2013
    Verlag:  Springer, Berlin, Heidelberg

    Covering an area from Egypt and the Ottoman Empire in the West via British India up to China and Japan in the East, this book deals with Punches and other Punch-like satirical magazines as they emerged in the 19th and early 20th century. By tracing... mehr

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    Max-Planck-Institut für ethnologische Forschung, Bibliothek
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Covering an area from Egypt and the Ottoman Empire in the West via British India up to China and Japan in the East, this book deals with Punches and other Punch-like satirical magazines as they emerged in the 19th and early 20th century. By tracing its transcultural trajectory, the book offers a largely unknown and unacknowledged history around the Punch, one of the most popular British periodicals at the time. Scrutinizing the spread of both textual and visual satire, it casts a wide-reaching comparative glance on the genesis of satirical journalism in Asia and Europe.

     
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    Quelle: Verbundkataloge
    Beteiligt: Harder, Hans (Hrsg.); Mittler, Barbara (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783642286070
    Weitere Identifier:
    RVK Klassifikation: HL 1397 ; HM 1398 ; HP 1050
    Schriftenreihe: Transcultural Research - Heidelberg Studies on Asia and Europe in a Global Context
    Array
    Schlagworte: South Asian Languages; Regional planning; Linguistics; Linguistics; South Asian Languages; Regional planning
    Umfang: Online-Ressource (X, 444 p. 109 illus., 91 illus. in color, digital)
  7. British satire and the politics of style
    1789 - 1832
    Autor*in: Dyer, Gary
    Erschienen: 1997
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary scholars satisfied that satire disappeared in the late eighteenth century. Paying as much attention to now-forgotten figures like John Wolcot ("Peter Pindar") and Jane Taylor as to Byron, Gary Dyer argues that contemporary political and social conflicts gave new meanings to conventions of satire inherited from classical Rome and eighteenth-century England. Situating these satires in their cultural and material context sheds light on issues such as the tactics satirists used to deflect prosecution for sedition, and the ramifications for women writers of satire's "masculine" connotations. The book includes a bibliography of more than 700 volumes containing satirical verse.

     
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511585333
    Weitere Identifier:
    RVK Klassifikation: HL 1397 ; HL 1401
    Auflage/Ausgabe: 1. publ., digitally printed 1. paperback version 2006
    Schriftenreihe: Cambridge studies in Romanticism ; 23
    Schlagworte: Engels; Letterkunde; Politiek; Politique et littérature - Grande-Bretagne - Histoire - 18e siècle; Politique et littérature - Grande-Bretagne - Histoire - 19e siècle; Radicalisme - Grande-Bretagne; Romantisme - Grande-Bretagne; Satire politique anglaise - Histoire et critique; Satires; Englisch; Geschichte; Literatur; Politik; Radikalismus; Political satire, English; Politics and literature; Politics and literature; Radicalism; Romanticism; Englisch; Politik <Motiv>; Satire
    Umfang: 1 Online-Ressource (XII, 263 S.)
  8. British satire and the politics of style, 1789-1832
    Autor*in: Dyer, Gary
    Erschienen: 1997
    Verlag:  Cambridge University Press, Cambridge

    This book surveys and interprets the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary... mehr

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    Universität Frankfurt, Elektronische Ressourcen
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    Standort:
    Universitätsbibliothek Gießen
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    This book surveys and interprets the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary scholars, satisfied that satire disappeared in the late eighteenth century. Paying as much attention to now-forgotten figures like John Wolcot ('Peter Pindar') and Jane Taylor as to Byron, Gary Dyer argues that contemporary political and social conflicts gave new meanings to conventions of satire inherited from classical Rome and eighteenth-century England. Situating these satires in their cultural and material context sheds light on issues such as the tactics satirists used to deflect prosecution for sedition, and the ramification for women writers of satire's 'masculine' connotations. The book includes a bibliography of more than 700 volumes containing satirical verses.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511585333
    RVK Klassifikation: HL 1397 ; HL 1401
    Schriftenreihe: Cambridge studies in Romanticism ; 23
    Schlagworte: Englisch; Satire; Politik
    Umfang: 1 Online-Ressource (xii, 263 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  9. Advertising and satirical culture in the Romantic period
    Autor*in: Strachan, John R.
    Erschienen: 2007
    Verlag:  Cambridge University Press, Cambridge

    Advertising, which developed in the late eighteenth century as an increasingly sophisticated and widespread form of brand marketing, would seem a separate world from that of the 'literature' of its time. Yet satirists and parodists were influenced by... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Advertising, which developed in the late eighteenth century as an increasingly sophisticated and widespread form of brand marketing, would seem a separate world from that of the 'literature' of its time. Yet satirists and parodists were influenced by and responded to advertising, while copywriters borrowed from the wider literary culture, especially through poetical advertisements and comic imitation. This 2007 study to pays sustained attention to the cultural resonance and literary influences of advertising in the late eighteenth and early nineteenth centuries. John Strachan addresses the many ways in which literary figures including George Crabbe, Lord Byron and Charles Dickens responded to the commercial culture around them. With its many fascinating examples of contemporary advertisements read against literary texts, this study combines an intriguing approach to the literary culture of the day with an examination of the cultural impact of its commercial language A 'department of literature': advertising in the Romantic period -- 'Humbug and Co.': satirical engagements with advertising 1770-1840 -- 'We keep a poet': shoe blacking and the commercial aesthetic -- 'Publicity to a lottery is certainly necessary': Thomas Bish and the culture of gambling -- 'Barber or perfumer': incomparable oils and crinicultural satire -- 'The poetry of hair-cutting': J.R.D. Huggins, the emperor of barbers -- 'Thought on puffs, patrons and other matters': commodifying the book

     
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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484520
    Weitere Identifier:
    RVK Klassifikation: HL 1397
    Schriftenreihe: Cambridge studies in Romanticism ; 74
    Schlagworte: Romanticism; English literature; English literature; English literature; Advertising copy; Advertising copy; Advertising copy ; Great Britain ; History ; 18th century; Advertising copy ; Great Britain ; History ; 19th century; Romanticism ; Great Britain; English literature ; 18th century ; History and criticism; English literature ; 19th century ; History and criticism; English literature ; Themes, motives
    Umfang: 1 Online-Ressource (xii, 353 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  10. British satire and the politics of style, 1789-1832
    Autor*in: Dyer, Gary
    Erschienen: 1997
    Verlag:  Cambridge University Press, Cambridge [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
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    keine Fernleihe

     

    This book breaks new ground by surveying and interpreting the hundreds of satirical poems and prose narratives published in Britain during the Romantic period. Although satire was a major genre with a wide readership, such works have been largely neglected by literary scholars satisfied that satire disappeared in the late eighteenth century. Paying as much attention to now-forgotten figures like John Wolcot ("Peter Pindar") and Jane Taylor as to Byron, Gary Dyer argues that contemporary political and social conflicts gave new meanings to conventions of satire inherited from classical Rome and eighteenth-century England. Situating these satires in their cultural and material context sheds light on issues such as the tactics satirists used to deflect prosecution for sedition, and the ramifications for women writers of satire's "masculine" connotations. The book includes a bibliography of more than 700 volumes containing satirical verse.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511003633; 9780511003639
    RVK Klassifikation: HL 1397 ; HL 1401
    Schriftenreihe: Cambridge studies in Romanticism ; 23
    Schlagworte: Englisch; Satire; Politik
    Umfang: 1 Online-Ressource (xii, 263 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 198-250) and index
  11. Advertising and satirical culture in the Romantic period
    Autor*in: Strachan, John R.
    Erschienen: 2007
    Verlag:  Cambridge University Press, Cambridge

    Advertising, which developed in the late eighteenth century as an increasingly sophisticated and widespread form of brand marketing, would seem a separate world from that of the 'literature' of its time. Yet satirists and parodists were influenced by... mehr

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    Advertising, which developed in the late eighteenth century as an increasingly sophisticated and widespread form of brand marketing, would seem a separate world from that of the 'literature' of its time. Yet satirists and parodists were influenced by and responded to advertising, while copywriters borrowed from the wider literary culture, especially through poetical advertisements and comic imitation. This 2007 study to pays sustained attention to the cultural resonance and literary influences of advertising in the late eighteenth and early nineteenth centuries. John Strachan addresses the many ways in which literary figures including George Crabbe, Lord Byron and Charles Dickens responded to the commercial culture around them. With its many fascinating examples of contemporary advertisements read against literary texts, this study combines an intriguing approach to the literary culture of the day with an examination of the cultural impact of its commercial language A 'department of literature': advertising in the Romantic period -- 'Humbug and Co.': satirical engagements with advertising 1770-1840 -- 'We keep a poet': shoe blacking and the commercial aesthetic -- 'Publicity to a lottery is certainly necessary': Thomas Bish and the culture of gambling -- 'Barber or perfumer': incomparable oils and crinicultural satire -- 'The poetry of hair-cutting': J.R.D. Huggins, the emperor of barbers -- 'Thought on puffs, patrons and other matters': commodifying the book

     
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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484520
    Weitere Identifier:
    RVK Klassifikation: HL 1397
    Schriftenreihe: Cambridge studies in Romanticism ; 74
    Schlagworte: Romanticism; English literature; English literature; English literature; Advertising copy; Advertising copy; Advertising copy ; Great Britain ; History ; 18th century; Advertising copy ; Great Britain ; History ; 19th century; Romanticism ; Great Britain; English literature ; 18th century ; History and criticism; English literature ; 19th century ; History and criticism; English literature ; Themes, motives
    Umfang: 1 Online-Ressource (xii, 353 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)