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  1. Shakespeare and economic theory
    Autor*in: Hawkes, David
    Erschienen: 2015
    Verlag:  Bloomsbury Arden Shakespeare, an imprint of Bloomsbury Publishing Plc, London

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472576972; 9781472576989; 1472576985; 1472576977
    RVK Klassifikation: HI 3385 ; HI 3325
    Schriftenreihe: Arden Shakespeare and theory
    Schlagworte: Economics and literature; Economics and literature
    Weitere Schlagworte: Shakespeare, William 1564-1616; Shakespeare, William 1564-1616
    Umfang: xiv, 223 Seiten, 20 cm
    Bemerkung(en):

    Literaturverzeichnis: Seite 203-213
  2. Shakespeare and the Jews
    Autor*in: Shapiro, James S.
    Erschienen: [2016]; © 1996, 2016
    Verlag:  Columbia University Press, New York ; Walter de Gruyter GmbH, Berlin

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780231541879
    Weitere Identifier:
    RVK Klassifikation: HI 3385
    Auflage/Ausgabe: twentieth anniversary edition with a new preface
    Schlagworte: Geschichte; Juden; Jews; Jews; Jews; Judaism in literature
    Umfang: 1 Online-Ressource (xv, 317 Seiten), Illustrationen
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Mar. 30, 2016) ; "Copyright © 1996 Columbia University Press, Preface © 2016 Columbia University Press"
  3. Shakespeare in London
    Autor*in: Crawforth, Hannah Jane
    Erschienen: 2015
    Verlag:  Bloomsbury Arden Shakespeare, London [u.a.]

    "Shakespeare in London offers a lively and engaging new reading of some of Shakespeare's major work, informed by close attention to the language of his drama. The focus of the book is on Shakespeare's London, how it influenced his drama and how he... mehr

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    Standort:
    Universität Potsdam, Universitätsbibliothek
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    keine Fernleihe

     

    "Shakespeare in London offers a lively and engaging new reading of some of Shakespeare's major work, informed by close attention to the language of his drama. The focus of the book is on Shakespeare's London, how it influenced his drama and how he represents it on stage. Taking readers on an imaginative journey through the city, the book moves both chronologically, from beginning to end of Shakespeare's dramatic career, and also geographically, traversing London from west to east. Each chapter focuses on one play and one key location, drawing out the thematic connections between that place and the drama it underwrites. Plays discussed in detail include Hamlet, Measure for Measure, The Merchant of Venice, The Tempest, King Lear and Romeo and Juliet. Close textual readings accompany the wealth of contextual material, providing a fresh and exciting way into Shakespeare's work."--

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474220491
    Weitere Identifier:
    RVK Klassifikation: HI 3385
    Schriftenreihe: Bloomsbury Arden Shakespeare
    Arden Shakespeare
    Schlagworte: Shakespeare, William; London;
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: Online-Ressource
    Bemerkung(en):

    Includes bibliographical references
  4. Shakespeare and economic theory
    Autor*in: Hawkes, David
    Erschienen: 14 April 2015
    Verlag:  Bloomsbury Arden Shakespeare, London Bloomsbury Publishing

    "Over the last 20 years, the concept of 'economic' activity has come to seem inseparable from psychological, semiotic and ideological experiences. In fact, the notion of the 'economy' as a discrete area of life seems increasingly implausible. This... mehr

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    Standort:
    Universität Potsdam, Universitätsbibliothek
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    Standort:
    Universitätsbibliothek Stuttgart
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    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Fernleihe:
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    "Over the last 20 years, the concept of 'economic' activity has come to seem inseparable from psychological, semiotic and ideological experiences. In fact, the notion of the 'economy' as a discrete area of life seems increasingly implausible. This returns us to the situation of Shakespeare's England, where the financial had yet to be differentiated from other forms of representation. This book shows how concepts and concerns that were until recently considered purely economic affected the entire range of sixteenth and seventeenth century life. Using the work of such critics as Jean-Christophe Agnew, Douglas Bruster, Hugh Grady and many others, Shakespeare and Economic Theory traces economic literary criticism to its cultural and historical roots, and discusses its main practitioners. Providing new readings of Timon of Athens, King Lear, The Winter's Tale, The Merchant of Venice, Measure for Measure, the Sonnets, Julius Caesar, Macbeth and The Tempest, David Hawkes shows how it can reveal previously unappreciated qualities of Shakespeare's work."--Bloomsbury Publishing pt. I. Economics in History and Criticism -- pt. II. Economics in Shakespeare.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781472577016; 9781472577009
    Weitere Identifier:
    RVK Klassifikation: HI 3385 ; HI 3325
    Schriftenreihe: Arden Shakespeare and theory
    Schlagworte: Economics; Economics and literature
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William 1564-1616
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Literaturverzeichnis; Seiten 203-213
  5. Shakespeare's storms
    Autor*in: Jones, Gwilym
    Erschienen: 2015
    Verlag:  Manchester University Press, Manchester

    Whether the apocalyptic storm of King Lear or the fleeting thunder imagery of Hamlet, the shipwrecks of the comedies or the thunderbolt of Pericles, there is an instance of storm in every one of Shakespeare's plays. This is the first comprehensive... mehr

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    Universitätsbibliothek Stuttgart
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    Whether the apocalyptic storm of King Lear or the fleeting thunder imagery of Hamlet, the shipwrecks of the comedies or the thunderbolt of Pericles, there is an instance of storm in every one of Shakespeare's plays. This is the first comprehensive study of Shakespeare's storms. With chapters on Julius Caesar, King Lear, Macbeth, Pericles and The Tempest, the book traces the development of the storm over the second half of the playwright's career, when Shakespeare took the storm to new extremes. It explains the storm effects used in early modern playhouses, and how they filter into Shakespeare' SHAKESPEARE'S STORMS -- Half Title Page -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgements -- Textual note -- Introduction -- 1. Thunder -- 2. Storm and the spectacular: Julius Caesar -- 3. Lightning -- 4. King Lear: storm and the event -- 5. Wind -- 6. Macbeth: supernatural storms, equivocal earthquakes -- 7. Rain -- 8. Pericles: storm and scripture -- 9. The Tempest and theatrical reality -- Conclusion -- Notes -- Select bibliography -- Index

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781526111852
    RVK Klassifikation: HI 3385
    Schlagworte: Shakespeare, William ; 1564-1616 ; Criticism and interpretation; Storms in literature; Electronic books
    Umfang: 1 Online-Ressource (x, 198 Seiten)
  6. Shakespeare and emotions
    inheritances, enactments, legacies
    Beteiligt: White, Robert S. (HerausgeberIn); Houlahan, Mark (HerausgeberIn); O'Loughlin, Katrina (HerausgeberIn)
    Erschienen: 2015
    Verlag:  Palgrave Macmillan, Basingstoke

    "This collection of original essays by established and emerging scholars approaches the works of Shakespeare from the topical perspective of the History of Emotions. What emerges is not a single paradigm or 'grand narrative', but a variety of... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "This collection of original essays by established and emerging scholars approaches the works of Shakespeare from the topical perspective of the History of Emotions. What emerges is not a single paradigm or 'grand narrative', but a variety of approaches, ranging from the historical to the interpretive, illuminating the primacy of emotions in Shakespearean scholarship and theatre. The section 'Emotional Inheritances' looks back to Shakespeare's sources and cultural backgrounds, showing that some aspects of his representations of emotions come from the classics and medieval world; 'Shakespearean Enactments' presents essays that analyse a range of emotional states and issues in the plays themselves; while 'Legacies and Re-Enactments' traces aspects of his influence through later times and down to the present day. Taken together these diverse but related essays present a kaleidoscope of suggestive approaches to the potentially endless subject of emotions in Shakespeare"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: White, Robert S. (HerausgeberIn); Houlahan, Mark (HerausgeberIn); O'Loughlin, Katrina (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781137464743
    RVK Klassifikation: HI 3385
    Schriftenreihe: Palgrave Shakespeare studies
    Schlagworte: Emotions in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: xii, 270 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 256-262

    In Pleasure Of My Spleen!': Troilus And Cressida And The Expression Of Emotion; Ronald Bedford: Machine generated contents note:Acknowledgments ; Notes on Contributors ; 1. Reclaiming Heartlands: Shakespeare And The History Of Emotions In Literature; R. S. White ; PART I: EMOTIONAL INHERITANCES ; 2. 'Of Comfort And Dispaire': Plato's Philosophy Of Love And Shakespeare's Sonnets; Danijela Kambaskovic ; 3. Locus Amoenus Or Locus Violens? Shakespearean Emotions Expressed Through An Ovidian Model; Bri;d Phillips ; 4. Once Upon A Time: Cymbeline, Fairy Tales, And 'The Terrifying Truths Of The Inner Life'; Ciara Rawnsley ; 5. '... Another Comfort': Virginity And Emotion In Measure For Measure; Andrew Lynch ; 6. French Feeling: Language, Sex And Identity In Henry V; Stephanie Downes ; 7. Power, Vulnerability And Sexuality: Representations Of Margaret Of Anjou In A London Chronicle And Shakespeare's 3 Henry VI; Mary-Rose McLaren ; PART II: SHAKESPEAREAN ENACTMENTS ; 8. 'My Heart Dances': Performing Emotion Through Shakespeare's Rhythms; Peter Groves ; 9. 'The Teares Of Ten Thousand Spectators': Shakespeare's Experiments With Emotion From Talbot To Richard II; Ruth Lunney ; 10. Emotional Education And Leadership In The Henriad; Martin Dawes ; 11. 'Say How I Loved You': Queering The Emotion Of Male Same-Sex Love In The Merchant Of Venice; Anthony Guy Patricia ; 12. Making A Virtue Of Giddiness: Rethinking Troilus' (E)Motion; Alison V. Scott ; 13. 'I Shall Split All
  7. Shakespeare and the power of the face
    Beteiligt: Knapp, James A. (HerausgeberIn)
    Erschienen: [2015]; 2015
    Verlag:  Ashgate Publishing, Farnham, Surrey

    "As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the... mehr

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    "As contributors to this volume prove, Shakespeare's language of the self relies on descriptions of and reactions to facial expressions and features. An analysis of Shakespeare's treatment of faces has implications for our understanding of the context in which he wrote, and for the ongoing interpretation and production of the plays. By bringing together historians, theorists of performance and critics interested in material culture and philosophies of self, this book makes a significant contribution to our understanding of attitudes towards embodiment in Shakespeare's England" -- Introduction: Shakespeare and the power of the face / James A. Knapp -- Part. I. Powerful faces. 1. "Thy face is mine": faces and fascination in Shakespeare's plays / Sibylle Baumbach; 2. Fashioning the face: embodiment and desire in early modern poetry / Farah Karim-Cooper; 3. Facing marital cruelty in Shakespeare's The taming of the shrew and early modern London / Loreen L. Giese -- Part II. Signifying faces. 4. The two faces of Othello / Sean Lawrence; 5. Facing King Lear / David B. Goldstein; 6. Complex complexions: the facial signification of the black other in lust's dominion / Vanessa Corredera -- Part III. Staged faces. 7. "I knew by his face there was something in him": buried stage directions and authorial control / Catherine Loomis -- 8. The play of looks: audience and the force of the early modern face / Penelope Woods; 9. "The counterfeit presentment of two brothers": the power of portraits in Hamlet / Yolana Wassersug -- 10. "This painting wherein you see me smeared": Francis Bacon, Coriolanus, and the brutality of facialization / Hillary M. Nunn and Aaron Hubbard -- Afterword / Michael Neill

     
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    Verlag (Inhaltsverzeichnis)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Knapp, James A. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472415790
    RVK Klassifikation: HI 3385
    Schlagworte: Facial expression in literature; Face perception in literature; Identity (Psychology) in literature; Personality in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: xi, 208 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 185-200) and index

    Introduction: Shakespeare and the power of the face / James A. KnappPowerful faces. "Thy face is mine": faces and fascination in Shakespeare's plays / Sibylle Baumbach; Fashioning the face: embodiment and desire in early modern poetry / Farah Karim-Cooper; Facing marital cruelty in Shakespeare's The taming of the shrew and early modern London / Loreen Giese -- Signifying faces. The two faces of Othello / Sean Lawrence; Facing King Lear / David Goldstein; Complex complexions: the facial signification of the black other in lust's dominion / Vanessa Corredera -- Staged faces. "I knew by his face there was something in him": buried stage directions and authorial control / Catherine Loomis -- The play of looks: audience and the force of the early modern face / Penelope Woods; "The counterfeit presentment of two brothers": the power of portraits in Hamlet on film / Yolana Wassersug -- "This painting wherein you see me smeared": Francis Bacon, Coriolanus, and the brutality of facialization / Hillary Nunn and Aaron Hubbard -- Afterword / Michael Neill.
  8. Shakespeare's extremes
    wild man, monster, beast
    Autor*in: Jiménez Heffernan, Julián
    Erschienen: 2015
    Verlag:  Palgrave Macmillan, Basingstoke, Hampshire

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781137523570
    RVK Klassifikation: HI 3385
    Schriftenreihe: Palgrave Shakespeare studies
    Schlagworte: Humanity in literature; Wild men in literature; Self in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: xi, 234 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seite 211-226
  9. Shakespeares Exzess
    Sympathie und Ökonomie
    Autor*in: Olejniczak Lobsien, Verena
    Erschienen: September 2015
    Verlag:  Berlin University Press, [Wiesbaden]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 3737413096; 9783737413091
    Weitere Identifier:
    9783737413091
    RVK Klassifikation: HI 3330 ; HI 3385
    Auflage/Ausgabe: Erste Auflage
    Schlagworte: Shakespeare, William; Gefühl <Motiv>; Scherer, Wilhelm; Grenzüberschreitung;
    Umfang: 487 Seiten, 209 mm x 127 mm
    Bemerkung(en):

    Literaturverzeichnis: Seite 467-487
  10. The renaissance of emotion
    understanding affect in Shakespeare and his contemporaries
    Erschienen: 2015
    Verlag:  Manchester Univ. Press, Manchester

    Standort:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780719090783
    RVK Klassifikation: HI 1161 ; HI 3385
    Schlagworte: Emotions in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: XI, 276 S.
  11. Shakespeare and costume
    Erschienen: 2015
    Verlag:  Bloomsbury, London [u.a.]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1472525078; 9781472525079
    RVK Klassifikation: HI 3560 ; HI 3330 ; HI 3385
    Schriftenreihe: Bloomsbury Arden Shakespeare
    Schlagworte: Clothing and dress in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: XVII, 291 S., Ill., 21 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Maria Hayward ; Suits of green : festive livery on Shakespeare's stage / Erika T. Lin ; "Honest clothes" in The merry wives of Windsor / Catherine Richardson ; How to do things with shoes / Natasha Korda ; "Apparel oft proclaims the man" : dressing Othello on the English Renaissance stage / Bella Mirabella --- Part II. Designing Shakespeare : theatrical practice and costume. The stylish shepherd, or, What to wear in As you like it's Forest of Arden / Russell Jackson ; How designers helped Juliet's nurse reclaim her bawdy / Patricia Lennox ; Shakespeare stripped : costuming prisoner-of-war entertainments and cabaret / Kate DorneyPart III. Interviews with contemporary designers. The designers / Jane Greenwood and Robert Morgan.: Part 1. Dressing Shakespeare in his own time : theatre, fashion and social practice. "The compass of a lie?" : royal clothing at court and in the plays of Shakespeare, 1598-1613
  12. Disability, health, and happiness in the Shakespearean body
    Beteiligt: Iyengar, Sujata (HerausgeberIn)
    Erschienen: [2015]
    Verlag:  Routledge, New York, NY

    "This book considers early modern and postmodern ideals of health, vigor, ability, beauty, well-being, and happiness, uncovering and historicizing the complex negotiations among physical embodiment, emotional response, and communally-sanctioned... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "This book considers early modern and postmodern ideals of health, vigor, ability, beauty, well-being, and happiness, uncovering and historicizing the complex negotiations among physical embodiment, emotional response, and communally-sanctioned behavior in Shakespeare's literary and material world. The volume visits a series of questions about the history of the body and how early modern cultures understand physical ability or vigor, emotional competence or satisfaction, and joy or self-fulfillment. Individual essays investigate the purported disabilities of the "crook-back" King Richard III or the "corpulent" Falstaff, the conflicts between different health-care belief-systems in The Taming of the Shrew and Hamlet, the power of figurative language to delineate or even instigate puberty in the Sonnets or Romeo and Juliet, and the ways in which the powerful or moneyed mediate the access of the poor and injured to cure or even to care. Integrating insights from Disability Studies, Health Studies, and Happiness Studies, this book develops both a detailed literary-historical analysis and a provocative cultural argument about the emphasis we place on popular notions of fitness and contentment today"-- This book considers early modern and postmodern ideals of health, vigor, ability, beauty, well-being, and happiness, uncovering and historicizing the complex negotiations among physical embodiment, emotional response, and communally-sanctioned behavior in Shakespeare's literary and material world. The volume visits a series of questions about the history of the body and how early modern cultures understand physical ability or vigor, emotional competence or satisfaction, and joy or self-fulfillment. Individual essays investigate the purported disabilities of the "crook-back" King Richard III or the "corpulent" Falstaff, the conflicts between different health-care belief-systems in The Taming of the Shrew and Hamlet, the power of figurative language to delineate or even instigate puberty in the Sonnets or Romeo and Juliet, and the ways in which the powerful or moneyed mediate the access of the poor and injured to cure or even to care. Integrating insights from Disability Studies, Health Studies, and Happiness Studies, this book develops both a detailed literary-historical analysis and a provocative cultural argument about the emphasis we place on popular notions of fitness and contentment today

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Iyengar, Sujata (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1138804282; 9781138804289
    RVK Klassifikation: HI 3385
    Schriftenreihe: Routledge Studies in Shakespeare ; 12
    Schlagworte: Human body in literature; Health in literature; Happiness in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: X, 279 Seiten, Illustrationen
  13. The reformation of emotions in the age of Shakespeare
    Autor*in: Mullaney, Steven
    Erschienen: [2015]; © 2015
    Verlag:  The University of Chicago Press, Chicago

    Structures of feeling and the reformation of emotions -- Affective irony in the Spanish tragedy, Titus Andronicus, and the Merchant of Venice -- The wreckage of history: memory and forgetting in Shakespeare's first history tetralogy -- What's Hamlet... mehr

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    Structures of feeling and the reformation of emotions -- Affective irony in the Spanish tragedy, Titus Andronicus, and the Merchant of Venice -- The wreckage of history: memory and forgetting in Shakespeare's first history tetralogy -- What's Hamlet to Habermas? : theatrical publication and the early modern stage

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780226547633
    RVK Klassifikation: HI 1269 ; HI 1161 ; HI 3385
    Schlagworte: Shakespeare, William; Drama; Gefühl <Motiv>;
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: x, 231 Seiten, 23 cm
    Bemerkung(en):

    Literaturangaben

    Structures of feeling and the reformation of emotionsAffective irony in the Spanish tragedy, Titus Andronicus, and the Merchant of Venice -- The wreckage of history: memory and forgetting in Shakespeare's first history tetralogy -- What's Hamlet to Habermas? : theatrical publication and the early modern stage.
  14. Shakespeare in London
    Autor*in: Crawforth, Hannah Jane; Dustagheer, Sarah; Young, Jennifer
    Erschienen: 2015
    Verlag:  Bloomsbury, London [u.a.]

    "Shakespeare in London offers a lively and engaging new reading of some of Shakespeare's major work, informed by close attention to the language of his drama. The focus of the book is on Shakespeare's London, how it influenced his drama and how he... mehr

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Standort:
    Universität Potsdam, Universitätsbibliothek
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    "Shakespeare in London offers a lively and engaging new reading of some of Shakespeare's major work, informed by close attention to the language of his drama. The focus of the book is on Shakespeare's London, how it influenced his drama and how he represents it on stage. Taking readers on an imaginative journey through the city, the book moves both chronologically, from beginning to end of Shakespeare's dramatic career, and also geographically, traversing London from west to east. Each chapter focuses on one play and one key location, drawing out the thematic connections between that place and the drama it underwrites. Plays discussed in detail include Hamlet, Measure for Measure, The Merchant of Venice, The Tempest, King Lear and Romeo and Juliet. Close textual readings accompany the wealth of contextual material, providing a fresh and exciting way into Shakespeare's work"..

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474220491; 9781408151792; 9781408151808
    Weitere Identifier:
    RVK Klassifikation: HI 3385 ; HI 3390
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: The Arden Shakespeare
    Schlagworte: LITERARY CRITICISM / Shakespeare; Wissen; LITERARY CRITICISM / Shakespeare; London <Motiv>; Drama
    Weitere Schlagworte: Shakespeare, William, (1564-1616); Shakespeare, William, (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (XVII, 262 S.), Ill., Kt.
    Bemerkung(en):

    Includes bibliographical references
  15. Shakespeare and economic theory
    Autor*in: Hawkes, David
    Erschienen: 2015
    Verlag:  Bloomsbury, London [u.a.]

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781472577016; 9781472577009; 9781472576996
    Weitere Identifier:
    RVK Klassifikation: HI 3325 ; HI 3385 ; HI 3390
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Arden Shakespeare and theory
    Schlagworte: Literaturwissenschaft; Wirtschaftstheorie; Wirtschaft <Motiv>
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (XIV, 223 S.)
  16. Shakespeare and ecocritical theory
    Autor*in: Egan, Gabriel
    Erschienen: 2015
    Verlag:  Bloomsbury Arden Shakespeare, London ; New Delhi ; New York ; Sydney

    Standort:
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781780936345; 9781441142528; 9781441178244
    Weitere Identifier:
    RVK Klassifikation: HI 3385
    Schriftenreihe: Arden Shakespeare and theory
    Schlagworte: Drama; Ecocriticism
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (viii, 200 Seiten)
  17. Shakespeare in London
    Autor*in: Crawforth, Hannah; Dustagheer, Sarah; Young, Jennifer
    Erschienen: 2015
    Verlag:  Arden Shakespeare, London [u.a.]

    An innovative book looking at how London influenced Shakespeare's drama and how it is so often the true city at the heart of his plays, be it Venice, Rome or even Prospero's Island. Hannah Crawforth offers a lively and engaging new reading of some of... mehr

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    An innovative book looking at how London influenced Shakespeare's drama and how it is so often the true city at the heart of his plays, be it Venice, Rome or even Prospero's Island. Hannah Crawforth offers a lively and engaging new reading of some of Shakespeare's major work, informed by close attention to the language of his drama. The focus of the book is on Shakespeare's London, how it influenced his drama and how he represents it on stage. Taking readers on an imaginative journey through the city, the book moves both chronologically, from beginning to end of Shakespeare's dramatic career, and also geographically, traversing London from west to east. Each chapter focuses on one play and one key location, drawing out the thematic connections between that place and the drama it underwrites. Plays discussed in detail include Hamlet, Measure for Measure, The Merchant of Venice, The Tempest, King Lear and Romeo and Juliet. The close textual readings and the wealth of contextual material contained in the book make it an ideal companion for a variety of undergraduate courses, as well as those dealing specifically with Shakespearean London, and it will be of particular interest to overseas students.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781408145968; 9781472573728
    RVK Klassifikation: HI 3385 ; HI 3390
    Schriftenreihe: Bloomsbury Arden Shakespeare
    Schlagworte: Shakespeare, William; London;
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: XVII, 262 S., Ill.
  18. Shakespeare's folktale sources
    Autor*in: Artese, Charlotte
    Erschienen: 2015
    Verlag:  Univ. of Delaware Press, Newark, Del.

    Shakespeare's Folktale Sources argues that seven plays--The Taming of the Shrew, Titus Andronicus, The Merry Wives of Windsor, The Merchant of Venice, All's Well that End's Well, Measure for Measure, and Cymbeline--derive one or more of their plots... mehr

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    Shakespeare's Folktale Sources argues that seven plays--The Taming of the Shrew, Titus Andronicus, The Merry Wives of Windsor, The Merchant of Venice, All's Well that End's Well, Measure for Measure, and Cymbeline--derive one or more of their plots directly from folktales. In most cases, scholars have accepted one literary version of the folktale as a source. Recognizing that the same story has circulated orally and occurs in other medieval and early modern written versions allows for new readings of the plays. By acknowledging that a play's source story circulated in multiple forms, we can see how the playwright was engaging his audience on common ground, retelling a story that may have been familiar to many of them, even the illiterate. We can also view the folktale play as a Shakespearean genre, defined by source as the chronicle histories are, that spans and traces the course of Shakespeare's career. The fact that Shakespeare reworked folktales so frequently also changes the way we see the history of the literary folk- or fairy-tale, which is usually thought to bypass England and move from Italian novella collections to eighteenth-century French salons. Each chapter concludes with a bibliography listing versions of each folktale source as a resource for further research and teaching.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781611495553
    RVK Klassifikation: HI 3385
    Schlagworte: Tales; Folklore
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: IX, 243 S.
    Bemerkung(en):

    Literaturangaben
  19. Shakespeare and Abraham
    Autor*in: Jackson, Kenneth S.
    Erschienen: 2015
    Verlag:  University of Notre Dame Press, Notre Dame, Indiana

    "In Shakespeare and Abraham, Ken Jackson illuminates William Shakespeare's dramatic fascination with the story of Abraham's near sacrifice of his son Isaac in Genesis 22. Themes of child killing fill Shakespeare's early plays: Genesis 22 informed... mehr

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    "In Shakespeare and Abraham, Ken Jackson illuminates William Shakespeare's dramatic fascination with the story of Abraham's near sacrifice of his son Isaac in Genesis 22. Themes of child killing fill Shakespeare's early plays: Genesis 22 informed Clifford's attack on young Rutland in 3 Henry 6, Hubert's providentially thwarted murder of Arthur in King John, and Aaron the Moor's surprising decision to spare his son amidst the filial slaughters of Titus Andronicus, among others. However, the playwright's full engagement with the biblical narrative does not manifest itself exclusively in scenes involving the sacrifice of children or in verbal borrowings from the famously sparse story of Abraham. Jackson argues that the most important influence of Genesis 22 and its interpretive tradition is to be found in the conceptual framework that Shakespeare develops to explore relationships among ideas of religion, sovereignty, law, and justice. Jackson probes the Shakespearean texts from the vantage of modern theology and critical theory, while also orienting them toward the traditions concerning Abraham in Jewish, Pauline, patristic, medieval, and Reformation sources and early English drama. Consequently, the playwright's "Abrahamic explorations" become strikingly apparent in unexpected places such as the "trial" of Shylock in The Merchant of Venice and the bifurcated structure of Timon of Athens. By situating Shakespeare in a complex genealogy that extends from ancient religion to postmodern philosophy, Jackson inserts Shakespeare into the larger contemporary conversation about religion in the modern world. "Ken Jackson's Shakespeare and Abraham poses a powerful model for how a biblical hero can be recovered within a number of divergent dramatic contexts--both Shakespearean and medieval--as well as in philosophy and theology. Writing with great clarity about challenging ideas, Jackson has led us a great deal closer to understanding the meanings that the binding of Isaac held for Shakespeare." --Julia Reinhard Lupton, University of California, Irvine"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0268032718; 9780268032715
    Weitere Identifier:
    9780268032715
    RVK Klassifikation: HI 3385
    Schlagworte: Fathers and sons in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616); Abraham (Biblical patriarch)
    Umfang: XII, 172 S., Ill., 23 cm
    Bemerkung(en):

    Includes bibliographical references and index
  20. Shakespeare and democracy
    the self-renewing politics of a global playwright
    Autor*in: Chanan, Gabriel
    Erschienen: [2015]; © 2015
    Verlag:  Troubador Publishing Ltd., Kibworth Beauchammp, Leicestershire

    How we can relate Shakespeare to the politics of our time. Shakespeare moves towards a democratic concept of society over the course of his plays. His dramatisation of how societies hold together or break apart has fresh significance in an age when... mehr

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    How we can relate Shakespeare to the politics of our time. Shakespeare moves towards a democratic concept of society over the course of his plays. His dramatisation of how societies hold together or break apart has fresh significance in an age when democracy faces new challenges at a global level. These are some of the conclusions of Gabriel Chanan's illuminating new approach to Shakespeare's plays. Chanan argues that even though Shakespeare could know nothing of modern democracy, he played a fundamental role in building the culture that underlies it. But democracy is still historically young, an incomplete global experiment, facing internal and external challenges and open to accusations of being misused to disguise exploitation. It needs continuing sustenance from Shakespeare's critique of autocracy and models of open-ended thinking. Using abundant illustration from the plays, Chanan's argument is accessible to those without specialist knowledge, yet throws new light on academic debates. He traces the political significance of Shakespeare in terms of development across his work. There are critical turning points: from depicting the external actions of kings to their dreams and nightmares; from critiquing individual reigns to questioning the institution of monarchy; from exposing the errors and evils of rulers to the question of how others can repair the damage. There are also contradictory elements, but ultimately it is Shakespeare's method, even more than his subject matter, which is essential to democracy, showing that there is no fixed right perception of reality, which must be managed by the interaction of opposites. Teachers will find this book immensely useful in explaining to pupils why Shakespeare is relevant now, and where the political themes of an individual play fit into the wider pattern of his work. It gives the essential historical context succinctly and tackles theory with a light touch.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1784624241; 9781784624248
    Weitere Identifier:
    9781784624248
    RVK Klassifikation: HI 3385
    Schlagworte: Politics in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: x, 218 Seiten
  21. Shakespeare and ecocritical theory
    Autor*in: Egan, Gabriel
    Erschienen: 2015
    Verlag:  Bloomsbury Arden Shakespeare, London

    Machine generated contents note: -- Introduction -- 1. The Rise of Ecocriticism -- 2. Shakespeare and the Meaning of 'Life' in the 21st Century -- 3. Animals in Shakespearean Ecocriticism -- 4. Shakespearean Ecocritisism Across the Genres -- 5.... mehr

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    Machine generated contents note: -- Introduction -- 1. The Rise of Ecocriticism -- 2. Shakespeare and the Meaning of 'Life' in the 21st Century -- 3. Animals in Shakespearean Ecocriticism -- 4. Shakespearean Ecocritisism Across the Genres -- 5. Crowds and Social Networks in Shakespeare -- Conclusion "Combining the latest scientific and philosophical understanding of humankind's place in the world with interpretative methods derived from other politically inflected literary criticism, ecocriticism is providing new insights into literary works both ancient and modern. With case-study analyses of the Tragedies, the Comedies, the History Plays and the late Romances as well as the Sonnets, this book is a wide-ranging introduction to reading Shakespeare in light of contemporary ecocritical theory. Shakespeare and Ecocritical Theory also features a glossary of key critical terms and guides to further reading and online resources, making this an essential resource for students and scholars of Shakespeare at all levels"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781441199300; 9781441145529
    Weitere Identifier:
    9781441199300
    RVK Klassifikation: HI 3385 ; HI 3325
    Schriftenreihe: Arden Shakespeare and theory ; volume 3
    The Arden Shakespeare
    Drama & performance studies
    Schlagworte: Ecocriticism; Ecocriticism
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William 1564-1616
    Umfang: viii, 200 Seiten, 20 cm
    Bemerkung(en):

    Zählung aus LOC-Daten (Rückseite Titelblatt) übernommen

    Literaturverzeichnis: Seite 181 - 193
  22. Shakespeare and ecology
    Autor*in: Martin, Randall
    Erschienen: 2015
    Verlag:  Oxford University Press, Oxford

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780199567010; 9780199567027; 0199567026
    RVK Klassifikation: HI 3325 ; HI 3385
    Schriftenreihe: Oxford Shakespeare topics
    Schlagworte: Ecology in literature
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 213 Seiten, Illustrationen
  23. A Shakespearean botanical
    Autor*in: Willes, Margaret
    Erschienen: 2015
    Verlag:  Bodleian Library, University of Oxford, Oxford

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
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    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781851244379
    RVK Klassifikation: HI 3385
    Schlagworte: Shakespeare, William; Pflanzen <Motiv>;
    Umfang: 199 Seiten, Illustrationen
    Bemerkung(en):

    +++Achtung+++Hier auch später erschienene, unveränderte Nachdrucke!
  24. Le roi Lei͏̈r
    versions des XIIe et XIIIe siècles
    Beteiligt: Zufferey, François (Hrsg.)
    Erschienen: 2015
    Verlag:  Champion, Paris

    Personnage inverse du roi fondateur Brutus, Lei͏̈r fait bien figure de << premier roi >>, malgré le onzième rang qu'il occupe dans la liste des souverains légendaires de Bretagne ; à sa mort, il sera d'ailleurs enseveli dans un hypogée voué au culte... mehr

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    Personnage inverse du roi fondateur Brutus, Lei͏̈r fait bien figure de << premier roi >>, malgré le onzième rang qu'il occupe dans la liste des souverains légendaires de Bretagne ; à sa mort, il sera d'ailleurs enseveli dans un hypogée voué au culte du dieu Janus, qui marque le début de l'année. Sous son règne se rejoue le partage initial du royaume, qui échoue d'abord par la faute d'un contresens commis par le roi, mais finit par assurer à la cadette déshéritée le triomphe de sa piété filiale. Le corpus des textes rassemblés dans ce volume offre six variations sur le même thème, du récit fondateur de Geoffroy de Monmouth dans son Historia regum Britanniae jusqu'au détournement dans un << fabliau >> contaminant l'exemplum royal avec un exemplum bourgeois, qui figure en appendice d'une traduction en vers de la Disciplina clericalis. Tous les textes appartiennent aux XIIe et XIIIe siècles et proviennent exclusivement de l'aire culturelle normande et anglo-normande. S'ils constituent les plus anciennes attestations de la légende du roi Lei͏̈r, qui puise sa matière dans un vieux mythe indo-européen du roi associant le partage de son royaume à une épreuve, ils préfigurent aussi les élaborations futures, dont la plus célèbre demeure Le Roi Lear de Shakespeare au début du XVIIe siècle.

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Zufferey, François (Hrsg.)
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 2745330438; 9782745330437
    Weitere Identifier:
    9782745330437
    RVK Klassifikation: HI 3385 ; IE 4762
    Schriftenreihe: Array ; 41
    Schlagworte: Lear; Anglonormannisch; Altenglisch; Literatur;
    Umfang: 284 S., 1 illustration, 19 cm
    Bemerkung(en):

    Bibliographie S. 259-264, Index

    Text altfranz. mit franz. Übers.. - Bibliographie S. 259-264, Index
  25. Shakespeare and economic theory
    Autor*in: Hawkes, David
    Erschienen: 2015
    Verlag:  Bloomsbury Arden Shakespeare, an imprint of Bloomsbury Publishing Plc, London

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Universitätsbibliothek Hildesheim
    Signatur:
    ANG 360:S32 : D171
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    Standort:
    Universitätsbibliothek Hildesheim
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    ANG 14
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    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signatur:
    2021.02544:1
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Herzog August Bibliothek Wolfenbüttel
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472576972; 9781472576989
    RVK Klassifikation: HI 3385 ; HI 3325
    Schriftenreihe: Arden Shakespeare and theory
    Schlagworte: Economics and literature
    Weitere Schlagworte: Shakespeare, William 1564-1616
    Umfang: xiv, 223 Seiten, 20 cm
    Bemerkung(en):

    Literaturverzeichnis: Seite 203-213