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  1. Theatre and magic in the Elisabethan Renaissance
    Autor*in: Dragnea, Gabriela
    Erschienen: 2012

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    Universitätsbibliothek Augsburg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    RVK Klassifikation: HI 1250
    Schlagworte: Magie; Theater
    Umfang: 363 S.
    Bemerkung(en):

    Nebentitel: Theater und Magie in der Elisabethanischen Renaissance

    Berlin, Freie Univ., Diss., 2010
  2. The invention of suspicion
    law and mimesis in Shakespeare and Renaissance drama
    Autor*in: Hutson, Lorna
    Erschienen: 2011
    Verlag:  Oxford Univ. Press, Oxford [u.a.]

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    Universitätsbibliothek Passau
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780199691487; 0199691487
    Weitere Identifier:
    9780199691487
    RVK Klassifikation: HI 1250
    Auflage/Ausgabe: 1. publ. in paperback
    Schlagworte: Rechtsprechung <Motiv>; Drama
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: X, 382 S., Ill.
  3. Of bondage
    debt, property, and personhood in early modern England
    Autor*in: Bailey, Amanda
    Erschienen: 2013
    Verlag:  Univ. of Pennsylvania Press, Philadelphia, Pa.

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    RVK Klassifikation: HI 1161 ; HI 1250
    Auflage/Ausgabe: 1. ed.
    Schlagworte: Debt in literature; Economics and literature / Great Britain / History; Debt / Great Britain / History; Property / Great Britain / History; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Geschichte; Schuldknechtschaft; Englisch; Drama
    Umfang: X, 209 S., Ill., 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. [181]-197) and index

    Introduction: Bound Bodies and the Theater of Debt -- Chapter 1. Timon of Athens, Forms of Payback, and the Genre of Debt -- Chapter 2. Shylock and the Slaves: Owing and Owning in The Merchant of Venice -- Chapter 3. Michaelmas Term and the Problem of Satisfaction -- Chapter 4. Freedom, Bondage, and Redemption in The Custom of the Country -- Chapter 5. Prison Prose, the Pit, and the End of Tricks -- Epilogue: The Debtor and the Slave
  4. The Oxford handbook of Tudor drama
    Beteiligt: Betteridge, Thomas (Hrsg.); Walker, Greg (Hrsg.)
    Erschienen: Nov 2012
    Verlag:  Oxford University Press, Oxford ; New York ; Auckland ; Cape Town ; Dar es Salaam ; Hong Kong ; Karachi ; Kuala Lumpur ; Madrid ; Meldourne ; Mexico City ; Nairobi ; New Delhi ; Shanghai ; Taipei ; Toronto

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Universitätsbibliothek Regensburg
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

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    Universitätsbibliothek Würzburg
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    Beteiligt: Betteridge, Thomas (Hrsg.); Walker, Greg (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780191750427
    Weitere Identifier:
    RVK Klassifikation: HI 1250
    Auflage/Ausgabe: First edition
    Schriftenreihe: Oxford handbooks of literature
    Schlagworte: Drama; Englisch
    Umfang: 1 Online-Ressource (xx, 688 Seiten), Illustrationen
  5. Spectatorship at the Elizabethan Court
    Beteiligt: Scholz, Susanne (Hrsg.); Dornhofer, Daniel (Hrsg.)
    Erschienen: [2013]
    Verlag:  Vittorio Klostermann, Frankfurt am Main

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

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    Universitätsbibliothek Würzburg
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    Beteiligt: Scholz, Susanne (Hrsg.); Dornhofer, Daniel (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9783465041856
    RVK Klassifikation: HI 1250 ; HI 1269 ; NN 4040
    DDC Klassifikation: Geschichte und Geografie (900)
    Schriftenreihe: Zeitsprünge ; Band 17, Heft 1
    Schlagworte: Drama; Theater; Höfische Kultur; Englisch
    Umfang: 126 Seiten, Illustration
    Bemerkung(en):

    Einzelaufnahme eines Zeitschriftenheftes
  6. Music and gender in English Renaissance drama
    Autor*in: Wong, Katrine K.
    Erschienen: 2013
    Verlag:  Routledge, New York [u.a.]

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    Universitätsbibliothek der LMU München
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780415806701
    RVK Klassifikation: HI 1161 ; HI 1250
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Routledge advances in theatre and perfomance studies ; 25
    Schlagworte: English drama; Sex role in literature; Sex in literature; Music in literature
    Umfang: XVI, 216 S., 24 cm
  7. The Cambridge introduction to early modern drama
    1576 - 1642
    Autor*in: Sanders, Julie
    Erschienen: 2014
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781107013568; 9781107645479
    RVK Klassifikation: HI 1250
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Cambridge introductions to literature
    Schlagworte: Geschichte; English drama; English drama; Theater; Theater; LITERARY CRITICISM / Drama; Frühneuenglisch; Aufführungspraxis; Theater; Drama
    Umfang: XVII, 261 S., Ill.
    Bemerkung(en):

    "Engaging and stimulating, this Introduction provides a fresh vista of the early modern theatrical landscape. Chapters are arranged according to key genres (tragedy, revenge, satire, history play, pastoral and city comedy), punctuated by a series of focused case studies on topics ranging from repertoire to performance style, political events to the physical body of the actor, and from plays in print to the space of the playhouse. Julie Sanders encourages readers to engage with particular dramatic moments, such as opening scenes, skulls on stage or the conventions of disguise, and to apply the materials and methods contained in the book in inventive ways. A timeline and frequent cross-references provide continuity. Always alert to the possibilities of performance, Sanders reveals the remarkable story of early modern drama not through individual writers, but through repertoires and company practices, helping to relocate and re-imagine canonical plays and playwrights"-- Provided by publisher.

    Includes bibliographical references and index
  8. Making and unmaking in early modern English drama
    spectators, aesthetics and incompletion
    Autor*in: Porter, Chloe
    Erschienen: 2013
    Verlag:  Manchester Univ. Press, Manchester [u.a.]

    Why are early modern English dramatists preoccupied with unfinished processes of "making" and "unmaking"? And what did the terms "finished" or "incomplete" mean for dramatists and their audiences in this period? Making and unmaking in early modern... mehr

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Why are early modern English dramatists preoccupied with unfinished processes of "making" and "unmaking"? And what did the terms "finished" or "incomplete" mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to "begin" or "end" a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history

     
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    Volltext (kostenfrei)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781847798916
    RVK Klassifikation: HI 1250 ; HK 1210
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Knowledge unlatched pilot collection
    Schlagworte: Englisch; Unvollständigkeit; Drama
    Umfang: 1 Online-Ressource (VIII, 230 S.), Ill.
  9. Making and unmaking in early modern English drama
    spectators, aesthetics and incompletion
    Autor*in: Porter, Chloe
    Erschienen: 2013
    Verlag:  Manchester Univ. Press, Manchester [u.a.]

    Why are early modern English dramatists preoccupied with unfinished processes of "making" and "unmaking"? And what did the terms "finished" or "incomplete" mean for dramatists and their audiences in this period? Making and unmaking in early modern... mehr

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Why are early modern English dramatists preoccupied with unfinished processes of "making" and "unmaking"? And what did the terms "finished" or "incomplete" mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to "begin" or "end" a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history

     
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    Volltext (kostenfrei)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    RVK Klassifikation: HI 1250 ; HK 1210
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Knowledge unlatched pilot collection
    Schlagworte: Englisch; Unvollständigkeit; Drama
    Umfang: VIII, 230 S., Ill.
    Bemerkung(en):

    Titel ist im Rahmen der Initiative Knowledge Unlatched frei zugänglich.
  10. Sensory experience and the metropolis on the Jacobean stage
    (1603 - 1625)
    Autor*in: Stanev, Hristomir A.
    Erschienen: 2014
    Verlag:  Ashgate, Farnham [u.a.]

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781472424457
    RVK Klassifikation: HI 1140 ; HI 1161 ; HI 1250 ; HI 1264
    Schriftenreihe: Studies in performance and early modern drama
    Schlagworte: English drama / 17th century / History and criticism; Senses and sensation in literature; Literature and society / England / History / 17th century; Geschichte; Sinne <Motiv>; Stadtleben <Motiv>; Theater; Wahrnehmung <Motiv>
    Umfang: X, 213 S.
    Bemerkung(en):

    Includes bibliographical references and index
  11. Aliens and Englishness in Elizabethan drama
    Autor*in: Kermode, Lloyd Edward
    Erschienen: 2009
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    This work examines a variety of plays between 1550-1600 to demonstrate how they asserted ideas and ideals of 'Englishness' for audiences. mehr

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    Universitätsbibliothek Bamberg
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    This work examines a variety of plays between 1550-1600 to demonstrate how they asserted ideas and ideals of 'Englishness' for audiences.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511576140
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    RVK Klassifikation: HI 1161 ; HI 1250 ; HI 1254 ; HI 1269
    Auflage/Ausgabe: 1. publ.
    Schlagworte: English drama; Aliens in literature; National characteristics, English, in literature; Ausländer <Motiv>; Englisch; Drama
    Umfang: 1 Online-Ressource (XI, 202 S.), Ill.
  12. Editing, performance, texts
    new practices in Medieval and early modern English drama
    Beteiligt: Jenkins, Jacqueline (Hrsg.)
    Erschienen: 2014
    Verlag:  Palgrave Macmillan, London [u.a.]

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    Quelle: Verbundkataloge
    Beteiligt: Jenkins, Jacqueline (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781137320100
    RVK Klassifikation: HI 1250
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Theater; Handschrift; Drama; Aufführung; Edition; Periodisierung
    Umfang: XV, 241 S., Ill.
  13. Renaissance drama on the edge
    Autor*in: Hopkins, Lisa
    Erschienen: 2014
    Verlag:  Ashgate, Farnham [u.a.]

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    Bayerische Staatsbibliothek
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781409438199
    RVK Klassifikation: HI 1250
    Schlagworte: Grenze <Motiv>; Renaissance; Englisch; Drama
    Umfang: 191 S.
  14. Theatrical convention and audience response in early modern drama
    Autor*in: Lopez, Jeremy
    Erschienen: 2003
    Verlag:  Cambridge University Press, Cambridge

    This book gives a detailed and comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries. Besides providing readings of plays such as Hamlet, Othello, Merchant of Venice, and Titus... mehr

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    Universitätsbibliothek Bamberg
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    This book gives a detailed and comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries. Besides providing readings of plays such as Hamlet, Othello, Merchant of Venice, and Titus Andronicus, it also places Shakespeare emphatically within his own theatrical context, and focuses on the relationship between the demanding repertory system of the time and the conventions and content of the plays. Lopez argues that the limitations of the relatively bare stage and non-naturalistic mode of early modern theatre would have made the potential for failure very great, and he proposes that understanding this potential for failure is crucial for understanding the way in which the drama succeeded on stage. The book offers perspectives on familiar conventions such as the pun, the aside and the expository speech; and it works toward a definition of early modern theatrical genres based on the relationship between these well-known conventions and the incoherent experience of early modern theatrical narratives

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483714
    Weitere Identifier:
    RVK Klassifikation: HI 1250
    Schlagworte: Geschichte; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Theater audiences / England / History / 16th century; Theater audiences / England / History / 17th century; English drama / 17th century / History and criticism; Theater / England / History / 16th century; Theater / England / History / 17th century; Drama; Englisch; Aufführung
    Umfang: 1 online resource (viii, 239 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    1. "As it was acted to great applause": Elizabethan and Jacobean audiences and the physicality of response -- 2. Meat, magic, and metamorphosis: on puns and wordplay -- 3. Managing the aside -- 4. Exposition, redundancy, action -- 5. Disorder and convention -- 6. Drama of disappointment: character and narrative in Elizabethan and Jacobean tragedy -- 7. Laughter and narrative in Elizabethan and Jacobean comedy -- 8. Epilogue: Jonson and Shakespeare
  15. Plays of persuasion
    drama and politics at the court of Henry VIII
    Autor*in: Walker, Greg
    Erschienen: 1991
    Verlag:  Cambridge University Press, Cambridge

    A detailed study of the interaction between drama and politics in the reign of Henry VIII. The subject is addressed both in general terms and through a series of case-studies of individual early Tudor plays. Through its innovative use of dramatic... mehr

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    Universitätsbibliothek Bamberg
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    A detailed study of the interaction between drama and politics in the reign of Henry VIII. The subject is addressed both in general terms and through a series of case-studies of individual early Tudor plays. Through its innovative use of dramatic texts as historical source material, the book provides illuminating insights into the political and cultural history of the Henrician period, and into the perceived character of the King himself. It focuses on the troubled religious and political history of the reign, the culture of the Court, and the personality and governmental style of its head. In doing so the book argues for a reassessment of the reign, which places the King once more at the centre of affairs, and acknowledges the determining effect which this egotistical, charismatic but, above all, pragmatic monarch exercised on the artistic culture, as much as on the politics, of the Court. The book also demonstrates the close and specific links between the drama and the politics of the reign, through a detailed study of a number of key works, links which have hitherto been viewed only as general or peripheral

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511897382
    Weitere Identifier:
    RVK Klassifikation: HI 1250 ; HI 1254 ; HI 1269 ; NN 4040
    Schlagworte: Geschichte; Politik; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Politics and literature / Great Britain / History / 16th century; Authors and patrons / England / History / 16th century; Political plays, English / History and criticism; Persuasion (Rhetoric) / History / 16th century; Literary patrons / Great Britain; Kings and rulers in literature; Drama; Politisches Theater; Politik; Englisch
    Weitere Schlagworte: Henry / VIII / King of England / 1491-1547 / Relations with courts and courtiers; Henry / VIII / King of England / 1491-1547 / In literature; Henry / VIII / King of England / 1491-1547 / Art patronage; Heinrich England, König (1491-1547)
    Umfang: 1 online resource (xii, 244 pages)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Political drama in the reign of Henry VIII: an interpretation -- Improving literature? The interlude of Hick Scorner -- A domestic drama: John Skelton's Magnyfycence and the royal household -- Conservative dramaI: Godly Queen Hester -- Conservative drama II: John Heywood's Play of the weather -- Radical drama? John Bale's King Johan -- Court drama and politics: further questions and some conclusions
  16. Environmental degradation in Jacobean drama
    Autor*in: Boehrer, Bruce Thomas
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    In Environmental Degradation in Jacobean Drama, Bruce Boehrer provides the first general history of the Shakespearean stage to focus primarily on ecological issues. Early modern English drama was conditioned by the environmental events of the cities... mehr

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    In Environmental Degradation in Jacobean Drama, Bruce Boehrer provides the first general history of the Shakespearean stage to focus primarily on ecological issues. Early modern English drama was conditioned by the environmental events of the cities and landscapes within which it developed. Boehrer introduces Jacobean London as the first modern European metropolis in an England beset by problems of overpopulation; depletion of resources and species; land, water and air pollution; disease and other health-related issues; and associated changes in social behavior and cultural output. In six chapters he discusses the work of the most productive and influential playwrights of the day: Shakespeare, Jonson, Middleton, Fletcher, Dekker and Heywood, exploring the strategies by which they made sense of radical ecological change in their drama. In the process, Boehrer sketches out these playwrights' differing responses to environmental issues and traces their legacy for later literary formulations of green consciousness

     
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    ISBN: 9781139149976
    Weitere Identifier:
    RVK Klassifikation: HI 1250 ; HI 1269 ; HI 2155 ; HI 2515 ; HI 2555 ; HI 2875 ; HI 3385
    Schlagworte: English drama / 17th century / History and criticism; Environmental degradation in literature; Human ecology in literature; Umweltschaden <Motiv>; Drama; Englisch
    Umfang: 1 online resource (vi, 216 pages)
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    Introduction -- 1. Middleton and ecological change -- 2. Jonson and the universe of things -- 3. Shakespeare's dirt -- 4. John Fletcher and the ecology of manhood -- 5. Dekker's walks and orchards -- 6. Heywood and the spectacle of the hunt -- Conclusion
  17. Theatre and humanism
    English drama in the sixteenth century
    Autor*in: Cartwright, Kent
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge

    English drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some... mehr

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    English drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some theories of early Renaissance theatre - particularly the theory that Elizabethan plays are best seen in the tradition of morality drama - need to be reconsidered. He proposes instead that humanist drama of the sixteenth century is theatrically exciting - rather than literary, elitist and dull as it has often been seen - and socially significant, and he attempts to integrate popular and humanist values rather than setting them against each other. Taking as examples the plays of Marlowe, Heywood, Lyly and Greene, as well as many by lesser-known dramatists, the book demonstrates the contribution of humanist drama to the theatrical vitality of the sixteenth century

     
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    ISBN: 9780511483479
    Weitere Identifier:
    RVK Klassifikation: HI 1250 ; HI 1260
    Schlagworte: Geschichte; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Theater / England / History / 16th century; Renaissance / England; Humanists / England; Drama; Englisch; Humanismus; Frühneuenglisch
    Umfang: 1 online resource (x, 321 pages)
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    The humanism of acting: John Heywood's The foure pp -- Wit and science and the dramaturgy of learning -- Playing against type: Gammer Gurton's needle -- Time, tyranny, and suspense in political drama of the 1560s -- Humanism and the dramatizing of women -- The confusions of Gallathea: John Lyly as popular dramatist -- Bearing witness to Tamburlaine, part 1 -- Robert Greene's Friar Bacon and Friar Bungay: the commonwealth of the present moment
  18. The politics of performance in early Renaissance drama
    Autor*in: Walker, Greg
    Erschienen: 1998
    Verlag:  Cambridge University Press, Cambridge

    Greg Walker provides a new account of the relationship between politics and drama in the turbulent period from the accession of Henry VIII to the reign of Elizabeth I. Building upon ideas first developed in Plays of Persuasion (1991), he focuses on... mehr

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    Greg Walker provides a new account of the relationship between politics and drama in the turbulent period from the accession of Henry VIII to the reign of Elizabeth I. Building upon ideas first developed in Plays of Persuasion (1991), he focuses on political drama in both England and Scotland, exploring the complex relationships between politics, court culture and dramatic composition, performance and publication. Through a detailed analysis of one central dramatic form, the interlude or great hall play, and close study of key texts, Walker examines drama produced and adapted for varying conditions of performance: indoor and outdoor, private and public. He examines what happened when the play script was printed and sold commercially as a literary commodity. This interdisciplinary analysis will find a market among Tudor historians as well as students of medieval and Renaissance drama

     
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    Format: Online
    ISBN: 9780511583155
    Weitere Identifier:
    RVK Klassifikation: AP 64700 ; AP 64930 ; HI 1250 ; HI 1254 ; HI 1269
    Schlagworte: Geschichte; Politik; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Theater / Political aspects / Great Britain / History / 16th century; Politics and literature / Great Britain / History / 16th century; Political plays, English / History and criticism; Renaissance / Scotland; Renaissance / England; Drama; Englisch; Höfische Kultur; Interlude; Politik; Politisches Theater; Renaissance
    Weitere Schlagworte: Lindsay, David / active 1490-1555 / Pleasant satyre of the thrie estaitis; Heywood, John / 1497?-1580? / Political and social views; Udall, Nicholas / 1505-1556 / Respublica; Norton, Thomas / 1532-1584 / Gorboduc
    Umfang: 1 online resource (xi, 245 pages)
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    Playing by the book : early Tudor drama and the printed text -- Household drama and the art of good counsel -- John Heywood and the politics of contentment -- Acting government : Sir David Lindsay's Ane satyre of the thrie estaitis -- Dramatic justice at the Marian court : Nicholas Udall's Respublica -- Strategies of courtship : the marital politics of Gorboduc
  19. Devil theatre
    demonic possession and exorcism in English Renaissance drama, 1558-1642
    Autor*in: Dijkhuizen, Jan Frans van
    Erschienen: 2007
    Verlag:  Boydell & Brewer, Suffolk

    The so-called 'Devil Theatre' is here set against its context of non-dramatic texts on possession and exorcism, providing many new insights. Representations of demonic possession and exorcism rituals abound in English Renaissance drama, an area which... mehr

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    The so-called 'Devil Theatre' is here set against its context of non-dramatic texts on possession and exorcism, providing many new insights. Representations of demonic possession and exorcism rituals abound in English Renaissance drama, an area which this book seeks to illuminate by comparison with non-dramatic works. The author investigates stage images of possession in relation to a range of early modern demonological, theological and medical prose texts on the subject, looking specifically at how the theatre responded to these texts. He argues that the stage appropriated debates over demonic possession to explore the competing roles of the inner life and the body in early modern definitions of selfhood. The theatre also employed the contemporary controversy over possession and exorcism to investigate the politics of religion, and to consider the nature of monarchic power. Moreover, because demonic possession cases and exorcism rituals were frequently dismissed by conformist writers as a piece of theatre, they offered an opportunity to reflect on the nature of drama and role-playing. JAN FRANS VAN DIJKHUIZEN is lecturer and research fellow at the University of Leiden

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781846155321
    RVK Klassifikation: HI 1161 ; HI 1250
    Schlagworte: English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Exorcism in literature; Demoniac possession in literature; English drama / 17th century / History and criticism; Besessenheit <Motiv>; Englisch; Exorzismus <Motiv>; Drama
    Umfang: 1 online resource (220 pages)
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    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    INTRODUCTION: Possession and Exorcism on the Stage -- Possession and the Modern Historian: Psycho-Pathology and Cultural Meaning -- Possession, Exorcism and the New Historicism -- The Organisation of this Book -- CHAPTER ONE: POSSESSION AND SELFHOOD: This Strange Fury: Possession and the Masculine Self -- Pinch's Patients: Exorcism and Inwardness in The Comedy of Errors -- Sad and Merry Madness: Possession and Selfhood in Twelfth Night -- Unaccommodated Man: King Lear and the Loss of Exorcism -- Histerica passio: King Lear, Possession and Masculine Identity -- CHAPTER TWO: EXORCISM AND THE POLITICS OF RELIGION: The Companions of Antichrist: Exorcism and Orthodox Eschatology -- Little Darrel's Tricks: Possession in Volpone and The Devil Is an Ass -- The Shop of Satan: Jonson and Eschatology -- A Spit Red Hot: Jonson and Popular Witchcraft Beliefs -- Poor and Envious Witchcraft: Demonology and The Masque of Queens -- A Most Miraculous Work: Macbeth and Demonological Scepticism -- CHAPTER THREE: POSSESSION, EXORCISM AND THEATRE: Did I Do't well Enough? Exorcism and Fraud on the Stage -- 'Tis In His Belly: Exorcism and Theatre in Ben Jonson -- Thy Life's a Miracle: Exorcism, Theatre and Miracles in Shakespeare
  20. Travel and drama in Shakespeare's time
    Beteiligt: Maquerlot, Jean-Pierre (Hrsg.); Willems, Michèle (Hrsg.)
    Erschienen: 1996
    Verlag:  Cambridge University Press, Cambridge

    This book explores interconnections between voyage narratives and travel plays in a period of intense foreign relations and the incipient colonization of the New World. Eminent Renaissance scholars use historical inquiry and textual analysis to offer... mehr

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    This book explores interconnections between voyage narratives and travel plays in a period of intense foreign relations and the incipient colonization of the New World. Eminent Renaissance scholars use historical inquiry and textual analysis to offer readings of narrative and dramatic texts, envisaged both in the context of the period and from the far-reaching perspective of Britain's cultural history. Plays like The Spanish Tragedy, Doctor Faustus, Eastward Ho! or The Tempest - itself the subject of three chapters - are discussed alongside relatively obscure works. The plays are never approached as mere cultural documents. The underlying assumption is that the theatre is not reducible to a medium for conflicting ideologies but should be viewed as a privileged site of various meanings, of roads leading in several directions

     
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    Beteiligt: Maquerlot, Jean-Pierre (Hrsg.); Willems, Michèle (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511553141
    Weitere Identifier:
    RVK Klassifikation: HG 437 ; HI 1250 ; HI 1254 ; HI 1292
    Schlagworte: Geschichte; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Travel in literature; Travelers' writings, English / History and criticism; English drama / 17th century / History and criticism; Travel writing / History / 17th century; Renaissance / England; Travelers in literature; Kulturkontakt; Drama; Reiseliteratur; Reisebericht; Reise <Motiv>; Reise; Ausland; Englisch
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Tempest
    Umfang: 1 online resource (ix, 262 pages)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    1. Introduction / Jean-Pierre Maquerlot and Michele Willems -- 2. Foreign relations in Jacobean England: the Sherley brothers and the 'voyage of Persia' / Anthony Parr -- 3. 'The naked and the dead': Elizabethan perceptions of Ireland / Andrew Hadfield -- 4. The Elizabethans in Italy / Jonathan Bate -- 5. Tragic form and the voyagers / Philip Edwards -- 6. Nationality and language in Thomas Kyd's The Spanish Tragedy / J.R. Mulryne -- 7. Marlowe's Argonauts / Yves Peyre -- 8. Pirates and 'turning Turk' in Renaissance drama / Lois Potter -- 9. The wrong end of the telescope / Brian Gibbons -- 10. 'Travelling hopefully': the dramatic form of journeys in English Renaissance drama / Peter Holland -- 11. 'Seeing things': Amazons and cannibals / Michael Hattaway -- 12. Industrious Ariel and idle Caliban / Andrew Gurr -- 13. The New World in The Tempest / Leo Salingar -- 14. 'What's past is prologue': metatheatrical memory and transculturation in The Tempest / Gunter Walch
  21. Desire and dramatic form in early modern England
    Autor*in: Haber, Judith Deborah
    Erschienen: 2009
    Verlag:  Cambridge University Press, Cambridge

    This wide-ranging study investigates the intersections of erotic desire and dramatic form in the early modern period, considering to what extent disruptive desires can successfully challenge, change or undermine the structures in which they are... mehr

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    This wide-ranging study investigates the intersections of erotic desire and dramatic form in the early modern period, considering to what extent disruptive desires can successfully challenge, change or undermine the structures in which they are embedded. Through close readings of texts by Marlowe, Shakespeare, Webster, Middleton, Ford and Cavendish, Haber counters the long-standing New Historicist association of the aesthetic with the status quo, and argues for its subversive potential. Many of the chosen texts unsettle conventional notions of sexual and textual consummation. Others take a more conventional stance; yet by calling our attention to the intersection between traditional dramatic structure and the dominant ideologies of gender and sexuality, they make us question those ideologies even while submitting to them. The book will be of interest to those working in the fields of early modern literature and culture, drama, gender and sexuality studies, and literary theory

     
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    Format: Online
    ISBN: 9780511576645
    Weitere Identifier:
    RVK Klassifikation: HI 1250
    Schlagworte: English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Sex in literature; Desire in literature; Verlangen; Drama; Englisch
    Umfang: 1 online resource (xi, 212 pages)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Genre, gender, and sexuality in "The passionate shepherd and Tamburlaine -- Submitting to history: Edward II -- "True-loves blood": narrative and desire in Hero and Leander -- "Thus with a kiss": a Shakespearean interlude -- "How strangely does himself work to undo him": (male) sexuality in The revenger's tragedy -- "My body bestow upon my women": the space of the feminine in The duchess of Malfi -- "I(t) could not choose but follow": erotic logic in The changeling -- "Old men's tales": legacies of the father in 'Tis pity she's a whore -- The passionate shepherdess: the case of Margaret Cavendish
  22. Protestantism and drama in early modern England
    Autor*in: Streete, Adrian
    Erschienen: 2009
    Verlag:  Cambridge University Press, Cambridge

    Containing detailed readings of plays by Shakespeare, Marlowe and Middleton, as well as poetry and prose, this book provides a major historical and critical reassessment of the relationship between early modern Protestantism and drama. Examining the... mehr

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    Containing detailed readings of plays by Shakespeare, Marlowe and Middleton, as well as poetry and prose, this book provides a major historical and critical reassessment of the relationship between early modern Protestantism and drama. Examining the complex and painful shift from late medieval religious culture to a society dominated by the ideas of the Reformers, Adrian Streete presents a fresh understanding of Reformed theology and the representation of early modern subjectivity. Through close analysis of major thinkers such as Augustine, William of Ockham, Erasmus, Luther and Calvin, the book argues for the profoundly Christological focus of Reformed theology and explores how this manifests itself in early modern drama. Moving beyond questions of authorial 'belief', Streete assesses Elizabethan and Jacobean drama's engagement with the challenges of the Reformation

     
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    Medientyp: Ebook
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    ISBN: 9780511642302
    Weitere Identifier:
    RVK Klassifikation: HI 1193 ; HI 1250
    Schlagworte: Geschichte; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; English drama / 17th century / History and criticism; Protestantism and literature / History; Protestantism in literature; Protestantismus; Englisch; Drama
    Umfang: 1 online resource (x, 298 pages)
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    Christ, subjectivity and representation in early modern discourse -- Locating the subject: Erasmus and Luther -- Representing the subject: Calvin, Christ and identity -- Perception and fantasy in early modern Protestant discourse -- Anti-drama, anti-church: debating the early modern theatre -- Consummatum est: Calvinist exegesis, mimesis and Doctor Faustus -- Shakespeare on Golgotha: political typology in Richard II -- Mimesis, resistance and iconoclasm: resituating The revenger's tragedy
  23. The cultural geography of early modern drama, 1620-1650
    Autor*in: Sanders, Julie
    Erschienen: 2011
    Verlag:  Cambridge University Press, Cambridge; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; Sao Paulo ; Delhi ; Tokyo ; Mexico City

    Literary geographies is an exciting new area of interdisciplinary research. Innovative and engaging, this book applies theories of landscape, space and place from the discipline of cultural geography within an early modern historical context.... mehr

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    Literary geographies is an exciting new area of interdisciplinary research. Innovative and engaging, this book applies theories of landscape, space and place from the discipline of cultural geography within an early modern historical context. Different kinds of drama and performance are analysed: from commercial drama by key playwrights to household masques and entertainment performed by families and in semi-official contexts. Sanders provides a fresh look at works from the careers of Ben Jonson, John Milton and Richard Brome, paying attention to geographical spaces and habitats like forests, coastlines and arctic landscapes of ice and snow, as well as the more familiar locales of early modern country estates and city streets and spaces. Overall, the book encourages readers to think about geography as kinetic, embodied and physical, not least in its literary configurations, presenting a key contribution to early modern scholarship

     
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  24. Law and representation in early modern drama
    Autor*in: Mukherji, Subha
    Erschienen: 2006
    Verlag:  Cambridge University Press, Cambridge

    This examination of the relation between law and drama in Renaissance England establishes the diversity of their dialogue, encompassing critique and complicity, comment and analogy, but argues that the way in which drama addresses legal problems and... mehr

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    This examination of the relation between law and drama in Renaissance England establishes the diversity of their dialogue, encompassing critique and complicity, comment and analogy, but argues that the way in which drama addresses legal problems and dilemmas is nevertheless distinctive. As the resemblance between law and theatre concerns their formal structures rather than their methods and aims, an interdisciplinary approach must be alive to distinctions as well as affinities. Alert to issues of representation without losing sight of a lived culture of litigation, this study primarily focuses on early modern implications of the connection between legal and dramatic evidence, but expands to address a wider range of issues which stretch the representational capacities of both courtroom and theatre. The book does not shy away from drama's composite vision of legal realities but engages with the fictionality itself as significant, and negotiates the methodological challenges it posits

     
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    ISBN: 9780511483813
    Weitere Identifier:
    RVK Klassifikation: HI 1161 ; HI 1250
    Schlagworte: Law in literature; English drama / 17th century / History and criticism; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism
    Umfang: 1 online resource (xxi, 291 pages)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    'Of rings, and things, and fine array': marriage law, evidence and uncertainty -- 'Unmanly indignities': Adultery, evidence and judgement in Heywood's A woman killed with kindness -- Evidence and representation on 'the theatre of God's judgements': A warning for fair women -- 'Painted devils': image-making and evidence in The white devil -- Locations of law: spaces, people, play -- 'When women go to law, the Devil is full of Business': women, law and dramatic realism
  25. Staging harmony
    music and religious change in late medieval and early modern English drama
    Autor*in: Brokaw, Katherine Steele
    Erschienen: 2016; © 2016
    Verlag:  Cornell University Press, Ithaca, N.Y.

    In Staging Harmony, Katherine Steele Brokaw reveals how the relationship between drama, music, and religious change across England's long sixteenth century moved religious discourse to more moderate positions. It did so by reproducing the complex... mehr

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    In Staging Harmony, Katherine Steele Brokaw reveals how the relationship between drama, music, and religious change across England's long sixteenth century moved religious discourse to more moderate positions. It did so by reproducing the complex personal attachments, nostalgic overtones, and bodily effects that allow performed music to evoke the feeling, if not always the reality, of social harmony. Brokaw demonstrates how theatrical music from the late fifteenth to the early seventeenth centuries contributed to contemporary discourses on the power and morality of music and its proper role in religious life, shaping the changes made to church music as well as people’s reception of those changes. In representing social, affective, and religious life in all its intricacy, and in unifying auditors in shared acoustic experiences, staged musical moments suggested the value of complexity, resolution, and compromise rather than oversimplified, absolutist binaries worth killing or dying for.The theater represented the music of the church’s present and past. By bringing medieval and early Tudor drama into conversation with Elizabethan and Jacobean drama, Brokaw uncovers connections and continuities across diverse dramatic forms and demonstrates the staying power of musical performance traditions. In analyzing musical practices and discourses, theological debates, devotional practices, and early staging conditions, Brokaw offers new readings of well-known plays (Marlowe’s Doctor Faustus, Shakespeare’s The Tempest and The Winter’s Tale) as well as Tudor dramas by playwrights including John Bale, Nicholas Udall, and William Wager

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501705915
    Weitere Identifier:
    RVK Klassifikation: HI 1250 ; HI 1264
    Schlagworte: Geschichte; Dramatic music; Religion and drama; Musik; Schauspielmusik; Wandel; Englisch; Drama; Religion
    Umfang: 1 Online-Ressource (xv, 274 Seiten)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Dec. 14, 2016)