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  1. The design of race
    how visual culture shapes America
    Autor*in: Fine, Peter Claver
    Erschienen: 2020
    Verlag:  Bloomsbury Visual Arts, London ; Bloomsbury Publishing, [London, England]

    Vestiges in word and image -- Typography and type -- First impressions : lithography and the packaging of race -- Photography by design -- Racialized play, caught in real time. "Peter Fine's innovative study traces the development of a mass visual... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    Vestiges in word and image -- Typography and type -- First impressions : lithography and the packaging of race -- Photography by design -- Racialized play, caught in real time. "Peter Fine's innovative study traces the development of a mass visual culture in the United States, focusing on how new visual technologies played a part in embedding racializ d ideas about African Americans, and how whiteness was privileged within modernist ideals of visual form. Fine considers the visual and material manifestations of this process through the history of three important technologies of the art of mechanical reproduction - typography, lithography, and photography, and then moves on to consider how racialized representation has been configured and contested within contemporary film and television, fine art and digital design"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474299589; 9781474299558; 9781474299572; 9781474299541; 1474299547; 1474299555; 9781474299565
    Weitere Identifier:
    RVK Klassifikation: HD 474
    Auflage/Ausgabe: First edition
    Schlagworte: Race awareness in art; Arts and society; Design; Communication in design; History of art / art & design styles
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index

    Also published in print.
  2. The design of race
    how visual culture shapes America
    Autor*in: Fine, Peter Claver
    Erschienen: 2021
    Verlag:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Delhi ; Sydney

    "Peter Fine's innovative study traces the development of a mass visual culture in the United States, focusing on how new visual technologies played a part in embedding racializ d ideas about African Americans, and how whiteness was privileged within... mehr

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "Peter Fine's innovative study traces the development of a mass visual culture in the United States, focusing on how new visual technologies played a part in embedding racializ d ideas about African Americans, and how whiteness was privileged within modernist ideals of visual form. Fine considers the visual and material manifestations of this process through the history of three important technologies of the art of mechanical reproduction - typography, lithography, and photography, and then moves on to consider how racialized representation has been configured and contested within contemporary film and television, fine art and digital design"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781474299572; 9781474299565
    RVK Klassifikation: LH 61090 ; HD 474
    Schlagworte: Schwarze <Motiv>; Ethnische Identität <Motiv>; Weiße <Motiv>; Rassismus; Grafikdesign; Typografie; Person of Color <Motiv>
    Weitere Schlagworte: Race awareness in art; Arts and society / United States; Design / Social aspects / United States; Communication in design / United States; Arts and society; Communication in design; Design / Social aspects; Race awareness in art; United States
    Umfang: xx, 173 Seiten, 8 ungezählte Seiten Tafeln, 32 Farbtafeln, Illustrationen, 24 cm
    Bemerkung(en):

    Vestiges in word and image -- Typography and type -- First impressions : lithography and the packaging of race -- Photography by design -- Racialized play, caught in real time
  3. The design of race
    how visual culture shapes America
    Autor*in: Fine, Peter Claver
    Erschienen: 2021
    Verlag:  Bloomsbury Visual Arts, London

    Vestiges in word and image -- Typography and type -- First impressions : lithography and the packaging of race -- Photography by design -- Racialized play, caught in real time. "Peter Fine's innovative study traces the development of a mass visual... mehr

    Standort:
    Zentrale Hochschulbibliothek Flensburg
    Signatur:
    AP 14000 F495
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Mannheim
    Signatur:
    500 HD 474 F495
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Signatur:
    kun 874 DK 1540
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    UB Weimar
    Signatur:
    Kf 1400/21
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Vestiges in word and image -- Typography and type -- First impressions : lithography and the packaging of race -- Photography by design -- Racialized play, caught in real time. "Peter Fine's innovative study traces the development of a mass visual culture in the United States, focusing on how new visual technologies played a part in embedding racializ d ideas about African Americans, and how whiteness was privileged within modernist ideals of visual form. Fine considers the visual and material manifestations of this process through the history of three important technologies of the art of mechanical reproduction - typography, lithography, and photography, and then moves on to consider how racialized representation has been configured and contested within contemporary film and television, fine art and digital design"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781474299572; 9781474299565
    RVK Klassifikation: HD 474
    Schlagworte: Race awareness in art; Arts and society; Design; Communication in design
    Umfang: xx, 173 Seiten, 16 ungezählte Seiten, Illustrationen
  4. The design of race
    how visual culture shapes America
    Autor*in: Fine, Peter Claver
    Erschienen: 2021
    Verlag:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Delhi ; Sydney

    "Peter Fine's innovative study traces the development of a mass visual culture in the United States, focusing on how new visual technologies played a part in embedding racializ d ideas about African Americans, and how whiteness was privileged within... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Peter Fine's innovative study traces the development of a mass visual culture in the United States, focusing on how new visual technologies played a part in embedding racializ d ideas about African Americans, and how whiteness was privileged within modernist ideals of visual form. Fine considers the visual and material manifestations of this process through the history of three important technologies of the art of mechanical reproduction - typography, lithography, and photography, and then moves on to consider how racialized representation has been configured and contested within contemporary film and television, fine art and digital design"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781474299572; 9781474299565
    RVK Klassifikation: LH 61090 ; HD 474
    Schlagworte: Schwarze <Motiv>; Ethnische Identität <Motiv>; Weiße <Motiv>; Rassismus; Grafikdesign; Typografie; Person of Color <Motiv>
    Weitere Schlagworte: Race awareness in art; Arts and society / United States; Design / Social aspects / United States; Communication in design / United States; Arts and society; Communication in design; Design / Social aspects; Race awareness in art; United States
    Umfang: xx, 173 Seiten, 8 ungezählte Seiten Tafeln, 32 Farbtafeln, Illustrationen, 24 cm
    Bemerkung(en):

    Vestiges in word and image -- Typography and type -- First impressions : lithography and the packaging of race -- Photography by design -- Racialized play, caught in real time
  5. The design of race
    how visual culture shapes America
    Autor*in: Fine, Peter Claver
    Erschienen: 2021
    Verlag:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Delhi ; Sydney

    "Peter Fine's innovative study traces the development of a mass visual culture in the United States, focusing on how new visual technologies played a part in embedding racializ d ideas about African Americans, and how whiteness was privileged within... mehr

    Standort:
    Universität der Künste Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Peter Fine's innovative study traces the development of a mass visual culture in the United States, focusing on how new visual technologies played a part in embedding racializ d ideas about African Americans, and how whiteness was privileged within modernist ideals of visual form. Fine considers the visual and material manifestations of this process through the history of three important technologies of the art of mechanical reproduction - typography, lithography, and photography, and then moves on to consider how racialized representation has been configured and contested within contemporary film and television, fine art and digital design"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474299589; 9781474299541
    RVK Klassifikation: LH 61090 ; HD 474
    Schlagworte: Schwarze <Motiv>; Ethnische Identität <Motiv>; Weiße <Motiv>; Grafikdesign; Rassismus; Typografie; Person of Color <Motiv>
    Weitere Schlagworte: Race awareness in art; Arts and society / United States; Design / Social aspects / United States; Communication in design / United States; Arts and society; Communication in design; Design / Social aspects; Race awareness in art; United States
    Umfang: 1 Online-Ressource (174 Seiten), 32 Farbtafeln, Illustrationen
    Bemerkung(en):

    Vestiges in word and image -- Typography and type -- First impressions : lithography and the packaging of race -- Photography by design -- Racialized play, caught in real time
  6. The design of race
    how visual culture shapes America
    Autor*in: Fine, Peter Claver
    Erschienen: 2021
    Verlag:  Bloomsbury Visual Arts, London

    "Peter Fine's innovative study traces the development of a mass visual culture in the United States, focusing on how new visual technologies played a part in embedding racializ d ideas about African Americans, and how whiteness was privileged within... mehr

    Standort:
    Hochschule für Technik und Wirtschaft Berlin, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Peter Fine's innovative study traces the development of a mass visual culture in the United States, focusing on how new visual technologies played a part in embedding racializ d ideas about African Americans, and how whiteness was privileged within modernist ideals of visual form. Fine considers the visual and material manifestations of this process through the history of three important technologies of the art of mechanical reproduction - typography, lithography, and photography, and then moves on to consider how racialized representation has been configured and contested within contemporary film and television, fine art and digital design"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474299589
    Weitere Identifier:
    RVK Klassifikation: HD 474 ; LH 61090
    Auflage/Ausgabe: First edition
    Schlagworte: History of art / art & design styles / bicssc; Race awareness in art; Arts and society; Design; Communication in design; Schwarze <Motiv>; Ethnische Identität <Motiv>; Weiße <Motiv>; Grafikdesign; Rassismus; Typografie; Person of Color <Motiv>
    Umfang: 1 Online-Ressource (xx, 174 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index
  7. The design of race
    how visual culture shapes America
    Autor*in: Fine, Peter Claver
    Erschienen: 2020
    Verlag:  Bloomsbury Visual Arts, London ; Bloomsbury Publishing, [London, England]

    Vestiges in word and image -- Typography and type -- First impressions : lithography and the packaging of race -- Photography by design -- Racialized play, caught in real time. "Peter Fine's innovative study traces the development of a mass visual... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Vestiges in word and image -- Typography and type -- First impressions : lithography and the packaging of race -- Photography by design -- Racialized play, caught in real time. "Peter Fine's innovative study traces the development of a mass visual culture in the United States, focusing on how new visual technologies played a part in embedding racializ d ideas about African Americans, and how whiteness was privileged within modernist ideals of visual form. Fine considers the visual and material manifestations of this process through the history of three important technologies of the art of mechanical reproduction - typography, lithography, and photography, and then moves on to consider how racialized representation has been configured and contested within contemporary film and television, fine art and digital design"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474299589; 9781474299558; 9781474299572; 9781474299541; 1474299547; 1474299555; 9781474299565
    Weitere Identifier:
    RVK Klassifikation: HD 474
    Auflage/Ausgabe: First edition
    Schlagworte: Race awareness in art; Arts and society; Design; Communication in design; History of art / art & design styles
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index

    Also published in print.