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  1. The cross, the Gospels, and the work of art in the Carolingian Age
    Erschienen: 2019
    Verlag:  Cambridge University Press, Cambridge

    In this book, Beatrice E. Kitzinger explores the power of representation in the Carolingian period, demonstrating how images were used to assert the value and efficacy of art works. She focuses on the cross, Christianity's central sign, which... mehr

    Zugang:
    Verlag (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this book, Beatrice E. Kitzinger explores the power of representation in the Carolingian period, demonstrating how images were used to assert the value and efficacy of art works. She focuses on the cross, Christianity's central sign, which simultaneously commemorates sacred history, functions in the present, and prepares for the end of time. It is well recognized that the visual attributes of the cross were designed to communicate its theology relative to history and eschatology; Kitzinger argues that early medieval artists also developed a formal language to articulate its efficacious powers in the present day. Defined through form and text as the sign of the present, the image of the cross articulated the instrumentality of religious objects and built spaces. Whereas medieval and modern scholars have pondered the theological problems posed by representation, Kitzinger here proposes a visual argument that affirms the self-reflexive value of art works in the early medieval West. Introducing little-known sources, she re-evaluates both the image of the cross and the project of book-making in an expanded field of Carolingian painting.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781108553636
    RVK Klassifikation: BO 9665
    Schlagworte: Crosses; Holy Cross in art; Christian art and symbolism ; Medieval, 500-1500; Art, Carolingian ; Themes, motives
    Umfang: 1 online resource (xx, 304 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 13 Mar 2019)

  2. <<The>> cross before Constantine
    the early life of a Christian symbol
    Erschienen: [2015]
    Verlag:  Fortress Press, Minneapolis

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781451490305
    RVK Klassifikation: BO 9665 ; LH 83400
    DDC Klassifikation: Christentum, Christliche Theologie (230)
    Schlagworte: Crosses; Christian art and symbolism
    Umfang: xi, 232 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Enthält Literaturverzeichnis: Seite 189-206

  3. The cross before Constantine
    the early life of a Christian symbol
    Erschienen: 2015
    Verlag:  Fortress Press, Minneapolis

    "Upending a longstanding consensus, Bruce W. Longenecker presents a wide variety of material artifacts to illustrate that Christians made use of the cross as a visual symbol of their faith long before Constantine appropriated it to consolidate his... mehr

    Universität Bonn, Kunsthistorisches Institut, Bibliothek
    F 1140/4
    keine Fernleihe
    Erzbischöfliche Diözesan- und Dombibliothek
    Fbg 2615
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Upending a longstanding consensus, Bruce W. Longenecker presents a wide variety of material artifacts to illustrate that Christians made use of the cross as a visual symbol of their faith long before Constantine appropriated it to consolidate his power in the fourth century. Constantine did not invent the cross as a symbol of Christian faith; for an impressive number of Christians before Constantine's reign, the cross served as a visual symbol of commitment to a living deity in a dangerous world."--Back cover

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781451490305; 9781506400365
    RVK Klassifikation: BO 9665
    Schlagworte: Symbol; Christliche Literatur; Kreuz; Christliche Kunst; Frühchristentum
    Umfang: XI, 232 S., Ill.
    Bemerkung(en):

    Includes bibliographical references (pages 189-206) and indexes

    The cross in its place -- The cross and non-Christian society -- The cross in a Jewish cradle -- The cross in textual images -- The cross in the material record -- The cross in a Pompeii bakery -- The cross in the literary record -- The cross and its advocates -- A very short conclusion

  4. The cross
    history, art, and controversy
    Erschienen: 2017; © 2017
    Verlag:  Harvard University Press, Cambridge, Massachusetts ; London, England

    The cross stirs intense feelings among Christians as well as non-Christians. Robin Jensen takes readers on an intellectual and spiritual journey through the two-thousand-year evolution of the cross as an idea and an artifact, illuminating the... mehr

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The cross stirs intense feelings among Christians as well as non-Christians. Robin Jensen takes readers on an intellectual and spiritual journey through the two-thousand-year evolution of the cross as an idea and an artifact, illuminating the controversies...along with the forms of devotion...this central symbol of Christianity inspires. Jesus's death on the cross posed a dilemma for Saint Paul and the early Church fathers. Crucifixion was a humiliating form of execution reserved for slaves and criminals. How could their messiah and savior have been subjected to such an ignominious death? Wrestling with this paradox, they reimagined the cross as a triumphant expression of Christ's sacrificial love and miraculous resurrection. Over time, the symbol's transformation raised myriad doctrinal questions, particularly about the crucifix...the cross with the figure of Christ...and whether it should emphasize Jesus's suffering or his glorification. How should Jesus's body be depicted: alive or dead, naked or dressed? Should it be shown at all? Jensen's wide-ranging study focuses on the cross in painting and literature, the quest for the "true cross" in Jerusalem, and the symbol's role in conflicts from the Crusades to wars of colonial conquest. The Cross also reveals how Jews and Muslims viewed the most sacred of all Christian emblems and explains its role in public life in the West today....

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674979284
    RVK Klassifikation: BO 9665 ; LH 65020 ; LH 65900
    Schlagworte: Geschichte; Crosses; Crosses in art; Holy Cross; Holy Cross in art; Kunst; Literatur; Kreuz Christi; Kreuzigungsdarstellung
    Umfang: 1 Online-Ressource, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  5. The cross
    history, art, and controversy
    Erschienen: 2017; © 2017
    Verlag:  Harvard University Press, Cambridge, Massachusetts ; London, England

    The cross stirs intense feelings among Christians as well as non-Christians. Robin Jensen takes readers on an intellectual and spiritual journey through the two-thousand-year evolution of the cross as an idea and an artifact, illuminating the... mehr

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    The cross stirs intense feelings among Christians as well as non-Christians. Robin Jensen takes readers on an intellectual and spiritual journey through the two-thousand-year evolution of the cross as an idea and an artifact, illuminating the controversies...along with the forms of devotion...this central symbol of Christianity inspires. Jesus's death on the cross posed a dilemma for Saint Paul and the early Church fathers. Crucifixion was a humiliating form of execution reserved for slaves and criminals. How could their messiah and savior have been subjected to such an ignominious death? Wrestling with this paradox, they reimagined the cross as a triumphant expression of Christ's sacrificial love and miraculous resurrection. Over time, the symbol's transformation raised myriad doctrinal questions, particularly about the crucifix...the cross with the figure of Christ...and whether it should emphasize Jesus's suffering or his glorification. How should Jesus's body be depicted: alive or dead, naked or dressed? Should it be shown at all? Jensen's wide-ranging study focuses on the cross in painting and literature, the quest for the "true cross" in Jerusalem, and the symbol's role in conflicts from the Crusades to wars of colonial conquest. The Cross also reveals how Jews and Muslims viewed the most sacred of all Christian emblems and explains its role in public life in the West today....

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780674088801
    RVK Klassifikation: BO 9665 ; LH 65020 ; LH 65900
    Schlagworte: Geschichte; Crosses; Crosses in art; Holy Cross; Holy Cross in art; Kreuzigungsdarstellung; Kunst; Literatur; Kreuz Christi
    Umfang: x, 270 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  6. The cross before Constantine
    the early life of a Christian symbol
    Erschienen: [2015]
    Verlag:  Fortress Press, Minneapolis

    "Upending a longstanding consensus, Bruce W. Longenecker presents a wide variety of material artifacts to illustrate that Christians made use of the cross as a visual symbol of their faith long before Constantine appropriated it to consolidate his... mehr

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Eichstätt-Ingolstadt
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Upending a longstanding consensus, Bruce W. Longenecker presents a wide variety of material artifacts to illustrate that Christians made use of the cross as a visual symbol of their faith long before Constantine appropriated it to consolidate his power in the fourth century. Constantine did not invent the cross as a symbol of Christian faith; for an impressive number of Christians before Constantine's reign, the cross served as a visual symbol of commitment to a living deity in a dangerous world."--Back cover

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781451490305; 9781506400365
    RVK Klassifikation: BO 9665 ; LH 82251
    Schlagworte: Crosses; Christian art and symbolism; Christliche Literatur; Christliche Kunst; Kreuz; Frühchristentum; Symbol
    Umfang: xi, 232 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references (pages 189-206) and indexes

    The cross in its place -- The cross and non-Christian society -- The cross in a Jewish cradle -- The cross in textual images -- The cross in the material record -- The cross in a Pompeii bakery -- The cross in the literary record -- The cross and its advocates -- A very short conclusion

  7. The cross before Constantine
    the early life of a Christian symbol
    Erschienen: [2015]
    Verlag:  Fortress Press, Minneapolis

    The cross in its place -- The cross and non-Christian society -- The cross in a Jewish cradle -- The cross in textual images -- The cross in the material record -- The cross in a Pompeii bakery -- The cross in the literary record -- The cross and its... mehr

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    I Long 3
    keine Fernleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 2016/6225
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The cross in its place -- The cross and non-Christian society -- The cross in a Jewish cradle -- The cross in textual images -- The cross in the material record -- The cross in a Pompeii bakery -- The cross in the literary record -- The cross and its advocates -- A very short conclusion. - "Upending a longstanding consensus, Bruce W. Longenecker presents a wide variety of material artifacts to illustrate that Christians made use of the cross as a visual symbol of their faith long before Constantine appropriated it to consolidate his power in the fourth century. Constantine did not invent the cross as a symbol of Christian faith; for an impressive number of Christians before Constantine's reign, the cross served as a visual symbol of commitment to a living deity in a dangerous world."--Back cover The cross in its place -- The cross and non-Christian society -- The cross in a Jewish cradle -- The cross in textual images -- The cross in the material record -- The cross in a Pompeii bakery -- The cross in the literary record -- The cross and its advocates -- A very short conclusion

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1451490305; 9781451490305
    RVK Klassifikation: BO 9665 ; LH 82251
    Schlagworte: Crosses; Christian art and symbolism; Christian art and symbolism; Crosses
    Umfang: xi, 232 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Erscheint auch als Online-Ausgabe

    Includes bibliographical references (pages 189-206) and indexes

  8. The cross, the gospels, and the work of art in the Carolingian Age
    Erschienen: 2019
    Verlag:  Cambridge University Press, Cambridge

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2019:3320:
    keine Fernleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2019 B 1368
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    I Kitz 1
    keine Fernleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    KGS-in Bearbeitung
    keine Fernleihe
    Universitätsbibliothek Heidelberg
    2019 C 2114
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Institut für Europäische Kunstgeschichte der Universität, Bibliothek
    Ik 4316
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Universitätsbibliothek Kiel, Zentralbibliothek
    BM-ALL 44/2018a
    keine Fernleihe
    Diözesanbibliothek Münster
    19:3638
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Germanisches Nationalmuseum, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Württembergische Landesbibliothek
    70a/84
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der Eberhard Karls Universität
    59 B 513
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    69.4° 386
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781108428811; 9781108451109
    Weitere Identifier:
    9781108428811
    RVK Klassifikation: BO 9665
    Schlagworte: Crosses; Holy Cross in art; Christian art and symbolism ; Medieval, 500-1500; Art, Carolingian ; Themes, motives
    Umfang: xx, 304 Seiten, Illustrationen, 27 cm
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 13 Mar 2019)

    Literaturverzeichnis: Seite 285-293

  9. The cross, the Gospels, and the work of art in the Carolingian Age
    Erschienen: 2019
    Verlag:  Cambridge University Press, Cambridge

    In this book, Beatrice E. Kitzinger explores the power of representation in the Carolingian period, demonstrating how images were used to assert the value and efficacy of art works. She focuses on the cross, Christianity's central sign, which... mehr

    Zugang:
    Verlag (lizenzpflichtig)
    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    E-Book CUP HSFK
    keine Fernleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    keine Fernleihe
    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Peace Research Institute Frankfurt, Bibliothek
    E-Book CUP HSFK
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    keine Fernleihe
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    keine Fernleihe
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    keine Fernleihe
    Otto-von-Guericke-Universität, Universitätsbibliothek
    eBook Cambridge
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    keine Fernleihe
    Universitätsbibliothek Rostock
    keine Fernleihe
    Württembergische Landesbibliothek
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    In this book, Beatrice E. Kitzinger explores the power of representation in the Carolingian period, demonstrating how images were used to assert the value and efficacy of art works. She focuses on the cross, Christianity's central sign, which simultaneously commemorates sacred history, functions in the present, and prepares for the end of time. It is well recognized that the visual attributes of the cross were designed to communicate its theology relative to history and eschatology; Kitzinger argues that early medieval artists also developed a formal language to articulate its efficacious powers in the present day. Defined through form and text as the sign of the present, the image of the cross articulated the instrumentality of religious objects and built spaces. Whereas medieval and modern scholars have pondered the theological problems posed by representation, Kitzinger here proposes a visual argument that affirms the self-reflexive value of art works in the early medieval West. Introducing little-known sources, she re-evaluates both the image of the cross and the project of book-making in an expanded field of Carolingian painting.

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781108553636
    RVK Klassifikation: BO 9665
    Schlagworte: Crosses; Holy Cross in art; Christian art and symbolism; Art, Carolingian; Crosses; Holy Cross in art; Christian art and symbolism ; Medieval, 500-1500; Art, Carolingian ; Themes, motives
    Umfang: 1 online resource (xx, 304 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 13 Mar 2019)

  10. The cross before Constantine
    the early life of a Christian symbol
    Erschienen: [2015]
    Verlag:  Fortress Press, Minneapolis

    The cross in its place -- The cross and non-Christian society -- The cross in a Jewish cradle -- The cross in textual images -- The cross in the material record -- The cross in a Pompeii bakery -- The cross in the literary record -- The cross and its... mehr

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    I Long 3
    keine Fernleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 2016/6225
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Württembergische Landesbibliothek
    65/15728
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The cross in its place -- The cross and non-Christian society -- The cross in a Jewish cradle -- The cross in textual images -- The cross in the material record -- The cross in a Pompeii bakery -- The cross in the literary record -- The cross and its advocates -- A very short conclusion. - "Upending a longstanding consensus, Bruce W. Longenecker presents a wide variety of material artifacts to illustrate that Christians made use of the cross as a visual symbol of their faith long before Constantine appropriated it to consolidate his power in the fourth century. Constantine did not invent the cross as a symbol of Christian faith; for an impressive number of Christians before Constantine's reign, the cross served as a visual symbol of commitment to a living deity in a dangerous world."--Back cover The cross in its place -- The cross and non-Christian society -- The cross in a Jewish cradle -- The cross in textual images -- The cross in the material record -- The cross in a Pompeii bakery -- The cross in the literary record -- The cross and its advocates -- A very short conclusion

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1451490305; 9781451490305
    RVK Klassifikation: BO 9665 ; LH 82251
    Schlagworte: Crosses; Christian art and symbolism; Crosses; Christian art and symbolism; Christian art and symbolism; Crosses
    Umfang: xi, 232 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Erscheint auch als Online-Ausgabe

    Includes bibliographical references (pages 189-206) and indexes

  11. The cross
    history, art, and controversy
    Erschienen: 2017; © 2017
    Verlag:  Harvard University Press, Cambridge, Massachusetts ; London, England

    The cross stirs intense feelings among Christians as well as non-Christians. Robin Jensen takes readers on an intellectual and spiritual journey through the two-thousand-year evolution of the cross as an idea and an artifact, illuminating the... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The cross stirs intense feelings among Christians as well as non-Christians. Robin Jensen takes readers on an intellectual and spiritual journey through the two-thousand-year evolution of the cross as an idea and an artifact, illuminating the controversies...along with the forms of devotion...this central symbol of Christianity inspires. Jesus's death on the cross posed a dilemma for Saint Paul and the early Church fathers. Crucifixion was a humiliating form of execution reserved for slaves and criminals. How could their messiah and savior have been subjected to such an ignominious death? Wrestling with this paradox, they reimagined the cross as a triumphant expression of Christ's sacrificial love and miraculous resurrection. Over time, the symbol's transformation raised myriad doctrinal questions, particularly about the crucifix...the cross with the figure of Christ...and whether it should emphasize Jesus's suffering or his glorification. How should Jesus's body be depicted: alive or dead, naked or dressed? Should it be shown at all? Jensen's wide-ranging study focuses on the cross in painting and literature, the quest for the "true cross" in Jerusalem, and the symbol's role in conflicts from the Crusades to wars of colonial conquest. The Cross also reveals how Jews and Muslims viewed the most sacred of all Christian emblems and explains its role in public life in the West today....

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780674088801
    RVK Klassifikation: BO 9665 ; LH 65020 ; LH 65900
    Schlagworte: Geschichte; Crosses; Crosses in art; Holy Cross; Holy Cross in art; Kreuzigungsdarstellung; Kunst; Literatur; Kreuz Christi
    Umfang: x, 270 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  12. The cross, the gospels, and the work of art in the Carolingian Age
    Erschienen: 2019
    Verlag:  Cambridge University Press, Cambridge

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781108428811; 9781108451109
    Weitere Identifier:
    9781108428811
    RVK Klassifikation: BO 9665
    Schlagworte: Crosses; Holy Cross in art; Christian art and symbolism ; Medieval, 500-1500; Art, Carolingian ; Themes, motives
    Umfang: xx, 304 Seiten, Illustrationen, 27 cm
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 13 Mar 2019)

    Literaturverzeichnis: Seite 285-293

  13. The cross before Constantine
    the early life of a Christian symbol
    Erschienen: [2015]
    Verlag:  Fortress Press, Minneapolis

    "Upending a longstanding consensus, Bruce W. Longenecker presents a wide variety of material artifacts to illustrate that Christians made use of the cross as a visual symbol of their faith long before Constantine appropriated it to consolidate his... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Upending a longstanding consensus, Bruce W. Longenecker presents a wide variety of material artifacts to illustrate that Christians made use of the cross as a visual symbol of their faith long before Constantine appropriated it to consolidate his power in the fourth century. Constantine did not invent the cross as a symbol of Christian faith; for an impressive number of Christians before Constantine's reign, the cross served as a visual symbol of commitment to a living deity in a dangerous world."--Back cover

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781451490305; 9781506400365
    RVK Klassifikation: BO 9665 ; LH 82251
    Schlagworte: Crosses; Christian art and symbolism; Christliche Literatur; Christliche Kunst; Kreuz; Frühchristentum; Symbol
    Umfang: xi, 232 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references (pages 189-206) and indexes

    The cross in its place -- The cross and non-Christian society -- The cross in a Jewish cradle -- The cross in textual images -- The cross in the material record -- The cross in a Pompeii bakery -- The cross in the literary record -- The cross and its advocates -- A very short conclusion

  14. The beauty of the cross
    the passion of Christ in theology and the arts, from the catacombs to the eve of the Renaissance
    Erschienen: 2006
    Verlag:  Oxford Univ. Press, Oxford [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 019518811X; 9780195188110
    RVK Klassifikation: BC 7435 ; BO 9665 ; LH 82251 ; LH 82860
    Schlagworte: Art chrétien; Croix; Croix dans l'art; Symbolisme chrétien; Crosses; Crosses in art; Christian art and symbolism; Theologie; Kreuzigungsdarstellung; Kunst; Passionsdarstellung; Kreuz
    Weitere Schlagworte: Jésus-Christ - Passion; Jesus Christus; Jesus Christ
    Umfang: viii, 214 S., Ill.
    Bemerkung(en):

    Includes bibliographical references (p. [175]-209) and index

  15. Kreuz-Zeichen
    zwischen Hoffnung, Unverständnis und Empörung
    Beteiligt: Knop, Julia (Hrsg.)
    Erschienen: 2013
    Verlag:  Matthias-Grünewald-Verl., Ostfildern

    Philosophisch-Theologische Hochschule Sankt Georgen, Bibliothek
    14 A 1413
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    02/BE 2650 K72
    keine Fernleihe
    Bibliothek des Bischöflichen Priesterseminars
    Do 511/6
    keine Fernleihe
    Universität Gießen, Zweigbibliothek der UB im Philosophikum II
    009 BO 9665 K72
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Katholisch Theologisches Seminar an der Philipps-Universität Marburg, Bibliothek
    PA VII 38
    keine Fernleihe
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      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Knop, Julia (Hrsg.)
    Sprache: Deutsch; Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783786729785; 3786729786
    Weitere Identifier:
    9783786729785
    RVK Klassifikation: BO 9665 ; BE 2650
    DDC Klassifikation: Christentum, Christliche Theologie (230)
    Schlagworte: Kreuz; Symbol; Katholische Theologie
    Umfang: 334, [16] S., Ill., 22 cm
    Bemerkung(en):

    Beitr. teilw. dt., teilw. engl.

  16. The beauty of the cross
    the passion of Christ in theology and the arts, from the catacombs to the eve of the Renaissance
    Erschienen: 2006
    Verlag:  Oxford Univ. Press, Oxford [u.a.]

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 019518811X; 9780195188110
    RVK Klassifikation: BC 7435 ; BO 9665 ; LH 82251 ; LH 82860
    Schlagworte: Art chrétien; Croix; Croix dans l'art; Symbolisme chrétien; Crosses; Crosses in art; Christian art and symbolism; Theologie; Kreuzigungsdarstellung; Kunst; Passionsdarstellung; Kreuz
    Weitere Schlagworte: Jésus-Christ - Passion; Jesus Christus; Jesus Christ
    Umfang: viii, 214 S., Ill.
    Bemerkung(en):

    Includes bibliographical references (p. [175]-209) and index

  17. <<The>> cross before Constantine
    the early life of a Christian symbol
    Erschienen: 2015
    Verlag:  Fortress Press, Minneapolis

    "Upending a longstanding consensus, Bruce W. Longenecker presents a wide variety of material artifacts to illustrate that Christians made use of the cross as a visual symbol of their faith long before Constantine appropriated it to consolidate his... mehr

    Universitäts- und Landesbibliothek Bonn
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Erzbischöfliche Diözesan- und Dombibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Upending a longstanding consensus, Bruce W. Longenecker presents a wide variety of material artifacts to illustrate that Christians made use of the cross as a visual symbol of their faith long before Constantine appropriated it to consolidate his power in the fourth century. Constantine did not invent the cross as a symbol of Christian faith; for an impressive number of Christians before Constantine's reign, the cross served as a visual symbol of commitment to a living deity in a dangerous world."--Back cover

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781451490305; 9781506400365
    RVK Klassifikation: BO 9665
    Schlagworte: Kreuz; Symbol; Frühchristentum; Kreuz; Christliche Kunst; Christliche Literatur; Geschichte 100-500
    Umfang: XI, 232 S. : Ill.
    Bemerkung(en):

    Includes bibliographical references (pages 189-206) and indexes

    The cross in its place -- The cross and non-Christian society -- The cross in a Jewish cradle -- The cross in textual images -- The cross in the material record -- The cross in a Pompeii bakery -- The cross in the literary record -- The cross and its advocates -- A very short conclusion