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  1. The atomic bomb in Japanese cinema
    critical essays
    Beteiligt: Edwards, Matthew (HerausgeberIn)
    Erschienen: 2015; © 2015
    Verlag:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    "This collection of new essays explores the cultural aftermath of the bombings and its expression in Japanese cinema. The contributors take on a number of complex issues, including the suffering of the survivors (hibakusha), the fear of future... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This collection of new essays explores the cultural aftermath of the bombings and its expression in Japanese cinema. The contributors take on a number of complex issues, including the suffering of the survivors (hibakusha), the fear of future holocausts and the danger of nuclear warfare. Exclusive interviews with critically acclaimed directors are included"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Edwards, Matthew (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780786479122; 0786479124
    RVK Klassifikation: AP 59763
    Schlagworte: Nuclear warfare in motion pictures; Atomic bomb victims in motion pictures; Motion pictures; Motion picture producers and directors; Atomic bomb victims in motion pictures; Motion picture producers and directors; Motion pictures; Nuclear warfare in motion pictures; Japan; Krig och film, Japan; Nuclear warfare in motion pictures; Atomic bomb victims in motion pictures; Motion pictures; Motion picture producers and directors; Populär- und Medienkultur; Film; Geschichte; Atombombe
    Umfang: viii, 288 Seiten, Illustrationen, 26 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Matthew Edwards: Prologue: Hiroshima Nagasaki

    Shannon Stevens: Gojira and the bomb. The rhetorical significance of Gojira: equipment for living through trauma

    John Vohlidka: Atomic reaction: Godzilla as metaphor for generational attitudes toward the United States and the bomb

    Matthew Edwards: Japanese atomic cinema, 1945-2014. Suppression and censorship: Japanese cinema during the occupation

    Robert McParland: Trauma and witness in Hideo Nakata's Ring- Tienfong ho: the fragile roots of memory

    Yoshiko Fukushima: Kazuo Kuroki and Hisashi Inoue's Chichi to Kuraseba: remember, protest and return to ordinary life

    Matthew Edwards: Hibakusha: our life to live: an interview with director David Rothauser

    Matthew Edwards: All that remains: an interview with Ian and Dominic Higgins

    Jason C. Jones: Japan removed: Godzilla adaptations and erasure of the politics of nuclear experience

    Mick Broderick and Junko Hatori: Pica-don: Japanese and American reception and promotion of Hideo Sekigawa's Hiroshima

    Tony Pritchard: The shadow of the bomb in Hiroshi Teshigahara's The face of another

    Julia Alekseyeva: Nuclear skin: Hiroshima and the critique of embodiment in Affairs within walls

    Kenji Kaneko: The atomic bomb experience and the Japanese family in Keiji Nakazawa's anime Hadashi no gen (barefoot gen)

    Keiko Takioto Miller: Yuichi and Jizo in Black rain: Imamura's phenomenological attempt to render a Hiroshima wormhole experience among his audience

    Yuki Miyamoto: Inconceivable anxiety: representation, disease and discrimination in atomic-bomb films

    Senjo Nakai: Breaking the silence of the atomic bomb survivors in Japanese graphic novel Town of evening calm, country of cherry blossoms and the film adaptation

    Johannes Schonherr: The sound of the bomb: Go Shibata's nn891102

    Greg Nielsen and Margaret M. Ferrara: Western perspectives. Hiroshima films: cultural contexts before, during and after the Cold War

    Matthew Edwards: Hiroshima: an interview with director Roger Spottiswoode

    Matthew Edwards: White light/Black rain: the "atomic films" of Steven Okazaki

    Matthew Edwards: A[nime] bomb: an interview with Hibakusha director Steve Nguyen

    John Vohlidka: Atomic reaction: Gojira as metaphor for generational attitudes toward the United States and the bomb

    Rpbert McParland: Trauma and witness in Hideo Nakata's Ring- Tienfong ho: the fragile roots of memory

    Matthew Edwards: Japanese atomic cinema, 1945/2014. Suppression and censorship: Japanese cinema during the occupation

    Yoshiko Fukushima: Kazuo Kuroki and Inoue Hisashi's Chichi to Kuraseba: remember protest and return to ordinary life

    Matthew EdwardsGojira and the bomb. The rhetorical significance of Gojira: equipment for living through trauma / Shannon Stevens: Prologue: Hiroshima Nagasaki

    Matthew Edwards: Hibakusha: our life to live: an interview with director David Othauser

    Matthew Edwards.: All that remains: an interview with Ian and Dominic Higgins

  2. The atomic bomb in Japanese cinema
    critical essays
    Beteiligt: Edwards, Matthew (HerausgeberIn)
    Erschienen: 2015; © 2015
    Verlag:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    "This collection of new essays explores the cultural aftermath of the bombings and its expression in Japanese cinema. The contributors take on a number of complex issues, including the suffering of the survivors (hibakusha), the fear of future... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 B 165920
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    6: E-778.21/52
    keine Fernleihe
    Centre for Asian and Transcultural Studies (CATS), Abteilung Ostasien
    PN1993.5.J3 E393 2015
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Leipzig
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This collection of new essays explores the cultural aftermath of the bombings and its expression in Japanese cinema. The contributors take on a number of complex issues, including the suffering of the survivors (hibakusha), the fear of future holocausts and the danger of nuclear warfare. Exclusive interviews with critically acclaimed directors are included"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Edwards, Matthew (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780786479122; 0786479124
    RVK Klassifikation: AP 59763
    Schlagworte: Nuclear warfare in motion pictures; Atomic bomb victims in motion pictures; Motion pictures; Motion picture producers and directors; Atomic bomb victims in motion pictures; Motion picture producers and directors; Motion pictures; Nuclear warfare in motion pictures; Japan; Krig och film, Japan; Nuclear warfare in motion pictures; Atomic bomb victims in motion pictures; Motion pictures; Motion picture producers and directors; Populär- und Medienkultur; Film; Geschichte; Atombombe
    Umfang: viii, 288 Seiten, Illustrationen, 26 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Matthew Edwards: Prologue: Hiroshima Nagasaki

    Shannon Stevens: Gojira and the bomb. The rhetorical significance of Gojira: equipment for living through trauma

    John Vohlidka: Atomic reaction: Godzilla as metaphor for generational attitudes toward the United States and the bomb

    Matthew Edwards: Japanese atomic cinema, 1945-2014. Suppression and censorship: Japanese cinema during the occupation

    Robert McParland: Trauma and witness in Hideo Nakata's Ring- Tienfong ho: the fragile roots of memory

    Yoshiko Fukushima: Kazuo Kuroki and Hisashi Inoue's Chichi to Kuraseba: remember, protest and return to ordinary life

    Matthew Edwards: Hibakusha: our life to live: an interview with director David Rothauser

    Matthew Edwards: All that remains: an interview with Ian and Dominic Higgins

    Jason C. Jones: Japan removed: Godzilla adaptations and erasure of the politics of nuclear experience

    Mick Broderick and Junko Hatori: Pica-don: Japanese and American reception and promotion of Hideo Sekigawa's Hiroshima

    Tony Pritchard: The shadow of the bomb in Hiroshi Teshigahara's The face of another

    Julia Alekseyeva: Nuclear skin: Hiroshima and the critique of embodiment in Affairs within walls

    Kenji Kaneko: The atomic bomb experience and the Japanese family in Keiji Nakazawa's anime Hadashi no gen (barefoot gen)

    Keiko Takioto Miller: Yuichi and Jizo in Black rain: Imamura's phenomenological attempt to render a Hiroshima wormhole experience among his audience

    Yuki Miyamoto: Inconceivable anxiety: representation, disease and discrimination in atomic-bomb films

    Senjo Nakai: Breaking the silence of the atomic bomb survivors in Japanese graphic novel Town of evening calm, country of cherry blossoms and the film adaptation

    Johannes Schonherr: The sound of the bomb: Go Shibata's nn891102

    Greg Nielsen and Margaret M. Ferrara: Western perspectives. Hiroshima films: cultural contexts before, during and after the Cold War

    Matthew Edwards: Hiroshima: an interview with director Roger Spottiswoode

    Matthew Edwards: White light/Black rain: the "atomic films" of Steven Okazaki

    Matthew Edwards: A[nime] bomb: an interview with Hibakusha director Steve Nguyen

    John Vohlidka: Atomic reaction: Gojira as metaphor for generational attitudes toward the United States and the bomb

    Rpbert McParland: Trauma and witness in Hideo Nakata's Ring- Tienfong ho: the fragile roots of memory

    Matthew Edwards: Japanese atomic cinema, 1945/2014. Suppression and censorship: Japanese cinema during the occupation

    Yoshiko Fukushima: Kazuo Kuroki and Inoue Hisashi's Chichi to Kuraseba: remember protest and return to ordinary life

    Matthew EdwardsGojira and the bomb. The rhetorical significance of Gojira: equipment for living through trauma / Shannon Stevens: Prologue: Hiroshima Nagasaki

    Matthew Edwards: Hibakusha: our life to live: an interview with director David Othauser

    Matthew Edwards.: All that remains: an interview with Ian and Dominic Higgins