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The seven basic plots
why we tell stories -
Interpretare
studi, traduzioni, letture -
Igitur
rivista annuale di lingue, letterature e culture moderne -
Rocky Mountain e-review of language and literature
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Studies in short fiction
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Comunicare
letterature lingue -
New approaches to European theatre of the Middle Ages
an ontology -
Rediscovering magical realism in the Americas
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Šekspirovskie čtenija
= Shakespeare readings -
Essay and general literature index
an author and subject index to essays published in collections with particular emphasis on materials in the humanities and social sciences – [...], Permanent cumulation -
Offerta speciale
ricettario di poesia internazionale ; semestrale di poesia multimediale -
Kwani?
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The Holy Grail
imagination and belief -
The name and nature of tragicomedy
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The mind of modernism
medicine, psychology, and the cultural arts in Europe and America, 1880 - 1940 -
Production of presence
what meaning cannot convey -
Transformation as the principle of literary creation from the Homeric epic to the Joycean novel
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The montage principle
Eisenstein in new cultural and critical contexts -
Censorship & cultural regulation in the modern age
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Epic adventures
heroic narrative in the oral performance traditions of four continents -
Allegory and the work of melancholy
the late medieval and Shakespeare -
Historicizing theory
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Masculinities without men?
Female masculinity in twentieth-century fictions -
Renaissance beasts
of animals, humans, and other wonderful creatures -
Gender and Jewish difference from Paul to Shakespeare