Verlag:
John Benjamins Publishing Company, Amsterdam/Philadelphia
Amadei-Pulice examines the conflict between Lope's dramatic formula (comedia) and the new polytechnic formula that in the hands of Calderon merged dramatic poetry with visual and auditory effects (comedia de teatro). The author places the Spanish...
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Amadei-Pulice examines the conflict between Lope's dramatic formula (comedia) and the new polytechnic formula that in the hands of Calderon merged dramatic poetry with visual and auditory effects (comedia de teatro). The author places the Spanish baroque theater within the wider context of a revolution in the theory of representation, signs, and meanings that took place at the beginning of the seventeenth century and marked the appearance of a new dramatic style: the stile rappresentativo. Special attention is given to the techniques and applications of perspectival scenery, stagecraft, optics
Electronic reproduction; Available via World Wide Web
CALDERÓN Y EL BARROCO Exaltación y engaño de los sentidos; Editorial page; Title page; Copyright page; Dedication; Table of contents; Lista de ilustraciones; Testimonios de gratitud; 1. Comedia y comedia de teatro; 2. Efectos sonoros del stile rappresentativo; 3. El valor de la perspectiva, sus orígenes y aplicación al teatro barroco; Conclusiones; Notas; Bibliografía; Ilustraciones;