Imaginary Films in Literature -- Copyright -- Contents -- Acknowledgements -- Notes on Contributors -- Introduction -- PART 1: The Aesthetics of Imaginary Films -- Notes toward a Theory of Cinematic "Ekphrasis" -- The Killing Vision: David Foster...
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Imaginary Films in Literature -- Copyright -- Contents -- Acknowledgements -- Notes on Contributors -- Introduction -- PART 1: The Aesthetics of Imaginary Films -- Notes toward a Theory of Cinematic "Ekphrasis" -- The Killing Vision: David Foster Wallace's Infinite Jest -- PART 2: Hybridizations -- "Writing the Making of": A New Literary Genre? -- "A Film Run in Installments": Memory and Cinema in Tom McCarthy's Remainder -- Towards Other Worlds, Towards Other Meanings: Screenplays on the Edge of the Plot -- Paul Auster, Hector Mann and The Book of Illusions Mañana en la batalla piensa en mí: Cinema, Theatre, Television and the Creative Force of the Word -- PART 3: Failed Cinema -- "Quo vadis - Kino?" Kurt Pinthus and the Theoretical Debate on the Birth of Cinema in Germany -- The Outer Life of Martin Frost, or Never Make an Imaginary Film -- On Conceiving (and Sometimes Not Succeeding in Making) a Film -- PART 4: The Politics of Imaginary Films -- The "Quasi-Truth": Literature and Cinema in Starnone and Piccolo -- Breakfast at the Prater: Christopher Isherwood, His Women and Men -- PART 5: The Technological Imagery Alpdrücken and the Spectrum of Power in Gravity's Rainbow by Thomas Pynchon -- Pattern Recognition: The "Postcinema" Seen by William Gibson -- Bibliography -- Index
