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  1. The body at stake
    experiments in Chinese contemporary art and theatre
    Beteiligt: Huber, Joerg (Hrsg.)
    Erschienen: 2013
    Verlag:  Transcript-Verl., Bielefeld

    Main description: This publication enquires into the role and treatment of the body in the visual culture of contemporary China. What meanings are assigned to the body in artistic practice, what does it represent and what (hi)stories does it refer... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Coburg, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Hochschule Kempten, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    Main description: This publication enquires into the role and treatment of the body in the visual culture of contemporary China. What meanings are assigned to the body in artistic practice, what does it represent and what (hi)stories does it refer to? Considerable importance is ascribed to the body as a means of orientation and placement; as an arena and medium of social experience. 19 Chinese artists, theatre practitioners and theorists describe their personal experiences, put their thoughts and views up for discussion and explore how art can shed light on the individual and collective experiences that emerge in the wake of historical change and the anticipation of a newly won freedom

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Huber, Joerg (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783839423097
    Weitere Identifier:
    RVK Klassifikation: AP 78862 ; LO 89470
    Schriftenreihe: Image ; 49
    Schlagworte: Körper; Moderne; Körper <Motiv>; Mensch <Motiv>; Kunst; Theater
    Umfang: 1 Online-Ressource (278 S.), zahlr. Ill.
    Bemerkung(en):

    Biographical note: Jörg Huber is Professor for Cultural Theory and Aesthetics at the Zurich University of the Arts and Head of the Institute for Critical Theory (ith). His research areas include aesthetics and the theory of the political in a transcultural context. He has been travelling to China for more than 20 years. Zhao Chuan is a writer, theatre worker and art critic. His publications include fiction, non-fiction and works on contemporary art history. He is the founder and director of Grass Stage, a leading Chinese theatre company
  2. The body at stake
    experiments in Chinese contemporary art and theatre
    Beteiligt: Huber, Joerg (Hrsg.)
    Erschienen: 2013
    Verlag:  Transcript-Verl., Bielefeld

    Main description: This publication enquires into the role and treatment of the body in the visual culture of contemporary China. What meanings are assigned to the body in artistic practice, what does it represent and what (hi)stories does it refer... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Main description: This publication enquires into the role and treatment of the body in the visual culture of contemporary China. What meanings are assigned to the body in artistic practice, what does it represent and what (hi)stories does it refer to? Considerable importance is ascribed to the body as a means of orientation and placement; as an arena and medium of social experience. 19 Chinese artists, theatre practitioners and theorists describe their personal experiences, put their thoughts and views up for discussion and explore how art can shed light on the individual and collective experiences that emerge in the wake of historical change and the anticipation of a newly won freedom

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Huber, Joerg (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783839423097
    Weitere Identifier:
    RVK Klassifikation: AP 78862 ; LO 89470
    Schriftenreihe: Image ; 49
    Schlagworte: Körper; Moderne; Körper <Motiv>; Mensch <Motiv>; Kunst; Theater
    Umfang: 1 Online-Ressource (278 S.), zahlr. Ill.
    Bemerkung(en):

    Biographical note: Jörg Huber is Professor for Cultural Theory and Aesthetics at the Zurich University of the Arts and Head of the Institute for Critical Theory (ith). His research areas include aesthetics and the theory of the political in a transcultural context. He has been travelling to China for more than 20 years. Zhao Chuan is a writer, theatre worker and art critic. His publications include fiction, non-fiction and works on contemporary art history. He is the founder and director of Grass Stage, a leading Chinese theatre company